IN BELFAST

By Storyteller LOREN NIEMI

 

 

Story Summary:

 Loren travels to North Ireland and is continually asked, “Are you Catholic or Protestant?” By the way that question is asked and answered, layers of cultural assumptions are revealed.

For a print friendly version of the transcript, click here: In-Belfast

Discussion Questions:

  1.  What is the fundamental assumption contained in asking, “Are you Catholic or Protestant?”
  2. What is the function of the joke in the context of the story and in relation to the larger issue of identity?
  3. How and why do people need to shed the assumptions of culture to “wage peace” or reconcile after loss?

Resources:

  • Lost Lives by David McKittrick, Seamus Kelters, Brian Feeley and Chris Thornton
  • Religion, Identity and Politics in Northern Ireland: Boundaries of Belonging and Belief by Claire Mitchell and Aldershot Ashgate   – Helping People Forgive, David W. Augsburger

Themes:

  •  Crossing Cultures
  • Education and Life Lessons
  • European American/Whites
  • Identity
  • Interfaith
  • Stereotypes and Discrimination
  • Taking A Stand and Peacemaking
  • War

Full Transcript:

This is Loren Niemi.

In 2005 and 2007, every time I go to Belfast, and I’ve been to Belfast a couple of times, it’s always the same thing. I’m always introduced the same way. I’m introduced as, “This is our American friend.” And the first time it happened, I was kind of curious about why, or why that particular greeting. And they said, “Well, it’s a way of sidestepping the dance.” And I realized that, when upon observation, that in fact, in every conversation in Belfast, the first few minutes, there’s this gentle probing. No one really wants to ask directly. But there’s this little probing about, where do you live or where did you go to school? Or, you know, and it’s all about geography. What they really want to know is, are you Catholic or Protestant? And geography tells you whether you’re Catholic or Protestant, most of the time. And what they really want to know is, not only are you Catholic or Protestant, but, but where you are in relationship to the history and the nuance of the troubles?

Thirty-seven years of war based on religion and, as they say, 10 years of waging peace. And that’s what they call it, “waging peace.” And still no government they trust. And every conversation is about the same thing. It all begins the same way. Are you Catholic or Protestant? Now, me, I’m standing there and I’m looking at the city. And what I’m seeing is a city that pretty much looks the same regardless of where you are. And people who very much look the same, you know. They sound the same. They, they do the same jobs. They, they wear the same clothes. I cannot tell the difference between Protestant and Catholic.

But it’s interesting. I’m looking at a street. And on each side of the street, there are three story brick, row houses. Now, in some neighborhoods, it’s real clear because there are murals on the walls, right. Bobby Sands and the Hunger Strikers. Well, that’s an IRA, Catholic neighborhood. Or the end of a row of flats, you, you get, um, the Provos with their rifles and their masks. And you go, oh, this is a Protestant neighborhood. But most of the time it’s more subtle. You have to look at things like the curbs. Orange curbs in the Protestant neighborhoods and, and green curbs in the Papist neighborhoods, you know. And what I mean, is one side of the street is orange and the other side of the street is green. And these are not wide streets. So, sometimes when I would be asked, directly, eventually someone would say, “”Well, are you Catholic are or you Protestant?”

You know, I would say, “I’m Buddhist.”

And one guy he looks at me and there’s a pause. And then he says, “Well, would that be a Catholic Buddhist or Protestant Buddhist?” And we would laugh and it would be funny. It would be funny…except for the suffering and the death. Because that’s what I had come to Belfast for was to, you know, work on the reconciliation. To work on hearing the stories of suffering and death. And it made no difference whether you are Catholic or Protestant. There was suffering and death on both sides.

And when you hear the stories, when they all come out, when you’ve got a roomful of people and you get down to, “How did you survive? What did you do?” You know, we find the common humanity. Every story might begin, or every introduction, might begin with, “Are you a Protestant or a Catholic?” But if there’s any hope for the future, if there’s any hope for reconciliation, it can’t end there.

MILWAUKEE B-B-Q

By Storyteller LOREN NIEMI

 

Story Summary:

 Loren who is white goes to a BBQ place in an all black neighborhood and comes to understand prejudice in a direct and personal way.

For a print friendly version of the transcript, click here: Milwaukee-B-B-Q

Discussion Questions:

  1. How does prejudice play out in the day to day in this story?
  2. What role do the police play in this story and what role do the police play n your cultural experience?
  3. When have you found yourself to be the wrong person by virtue of color, religion, ethnic origin or sexual identity in an uncomfortable circumstance?

Resources:

  • Between the World and Me by Ta-Nehisi Coates
  • Civil Rights Activism in Milwaukee: South Side Struggles in the 60’s and ’70’s by Paul Geenen

Themes:

  •  African American/Black History
  • Crossing Cultures
  • Education and Life Lessons
  • European American/Whites
  • Identity
  • Stereotypes and Discrimination
  • Taking A Stand and Peacemaking

Full Transcript:

I’m Loren Niemi.

In the summer of 1968, I was in Milwaukee, Wisconsin. I was working with a bunch of Catholic Worker folks, at a place called Casa Maria. Anti-war, war on poverty, you know. It was all the same black, white, Latino, Irish immigrants, interestingly enough, Jesuits, we were all in it together.

So, this one day, ah, this big, black, teddy bear of a guy, Tommy, comes up to me and he says, “Hey are you interested in some barbecue?”

And I said, “Yeah, I love barbecue. So, so, we get in the car and we drive to this place, a little bit west of 28th Street. It’s not a good neighborhood. It was, ah, after Martin Luther King’s assassination and you could see the effects. Vacant lots of burned out buildings. There was a rundown house just across from where we parked. Ah, kids sitting on the steps, nothing to do, idle, as if the house was collapsing around them. The barbecue joint itself was done in post-Wright architectural style. I mean, you know, bricked up front, little tiny window space up on the top, covered with chain link fence. There was um, ah, this steel plate door with “Barbecue,” kind of like graffiti on it.

We walk inside. Inside in the back, there’s a pool table, five, six guys shooting pool, drinking beer. Couple of tables back there. Up front there’s a counter. There’s a menu on a piece of cardboard, “Barbecue, rib tips, chicken, collard greens.” A guy standing behind the counter.

I go up. I, I say, “Can I have a half slab of ribs?”

He turns around and looks at me. Looks at me, long and hard he says, “Are you sure you’re in the right place?”

I look at him. I look around, “I think so. Ah. I want some BBQ. This is a barbecue place. I think I’m in the right place.”

All of a sudden, he, he reaches out with a pair of tongs and he snaps them at me and he says, “Are you sure you are in the right place? Look around. What do you see?”

“Barbecue sign. Beer sign. Some guys in the back, shooting pool.”

“Those guys in the back. What color are they?”

There’s a moment of hesitation. I’m thinking. OK, so let’s say negro. No, definitely not negro. African-American. Well, maybe. But the problem is, is that’s really not a color. Black. I guess that’s where we’re at. So, I go, ‘Black.”

And he says, “Ya. And what color are you?”

“Oh, I don’t know, tan, pink, white.” And he looks at me. And I go, “I’m with him,” pointing to Tommy.

And he says, “Oh, he may be in the right place but that doesn’t mean you in the right place.”

About this time, all the guys in the back had stopped shooting pool. They stopped drinking beer. They’re all looking our way.

And Tommy says to me, “Go wait in the car.” So, I do. I go outside. I get in the car. I roll down the window. I light up a cigarette. I’m sitting there, I’m smoking. I’m looking and I’m thinking, for the first time in my life, I was the wrong color. For the first time in my life, I was the guy who was in the wrong place. The, you know, the one who didn’t belong. Who didn’t know what the rules were. Who didn’t know who I was or what was expected.

About this time, a, a bus comes by. The driver’s white but every face behind him, that, all the windows are black. A car goes by, white guy behind the wheel. I can even, even from where I’m sitting I can see his white knuckles. I can see him staring straight ahead. I know his doors are locked. I know his windows are up. He’s riding on fear through the neighborhood. He doesn’t know if he’s lost or just trying to get out.

And I think to myself, “You know, this is a one-time thing. I mean, I can just walk out of the neighborhood and this will go away. But for those kids, those kids sitting on the stoop across the way this is every day. Every time they walk into a room and the white faces turn to them, you know, and go, ‘What are you doing here?’ ”

About this, about this time, Tommy comes to the car and he gets in and he laugh and he says, “You almost got me in a lot of trouble in there.”

“How did I get you in trouble? I’m the guy who wasn’t supposed to be there.”

“They all wanted to know, what I was doing with a dumb, white honky like you. And I told them I was going to rob you and they all approved.”

“Tommy, are you going to rob me?”

“Well, you’re paying for the Q.” And so, we start the engine. We start to drive away.

We don’t get more than a block, when, when a squad car comes the other direction. A squad car comes and he slows down as we pass. He looks at us. A black guy and a white guy in the car together. And he just circles right around and drops in right behind us. And I expect to get lit up at any moment. And Tommy says, “You got any outstanding warrants?”

And I go, “Not that I’m aware of.”

And he says, “He’s running our plates. You know, you got any trouble, he’s stopping us.”

I keep looking in the rearview mirror. I keep looking in the rearview mirror. After a couple of blocks, the cop turns off and we drive a little further. We pull into a city park. We’re just getting out of the car when another squad car pulls in. The cop in that squad car, he looks at us getting out of the car with our bag of barbecue and he motions, “Move on, move on.” So, we get back in the car.

And we start to drive. One mile, two miles, we have to go out into a county park on the edge of the city before, you know, before we can sit down and eat. We don’t even get out of the car. We just roll down the windows and let the sound of nature, kind of, filter in, and we have barbecue and collard greens. And we think to ourselves, how long will it be before this is taken for granted?