That’s What My People Do: Facing Prejudice in a 1960s High School

by Eunice Jarrett

Story Summary

High school students organizing a memorial service for a teacher trigger an emotional process for Eunice who is asked to step out of her comfort zone, again.  Family life and school life create race-related expectations.

For a print friendly version of the transcript, click here: Thats-What-My-People-Do-Facing-Prejudice-in-a-1960s-High-School

Discussion Questions:

  1. How did expectations based on race shape the students’ behavior at Eunice’s school?
  2. Can you name talents or skills that are reflected in Eunice’s family? What about your family? What gifts do you see in yourself and your relatives?
  3. What is the impact of constantly hearing stereotypes – positive or negative – about you and groups to which you belong?
  4. In this story, what makes a simple request to sing seem so troubling?

Resources:

March by John Lewis, Andrew Aydin, Nate Powell (Three graphic novels)
A Raisin in the Sun a play by Lorraine Hansberry
Article in Northwest Indiana’s newspaper about Eunice’s sister, Annie Hicks, who was the first black teacher in Hammond, Indiana –
http://www.nwitimes.com/news/local/lake/hammond/hammond-s-first-black-teacher-speaks-of-need-for-tenacity/article_b902bcf1-db00-5d20-9589-52674ba792de.html
Facts about school integration in the U.S. – https://en.wikipedia.org/wiki/School_integration_in_the_United_States

Themes:

  • African American/Black History
  • Civil Rights Movement
  • Crossing Cultures
  • Education and Life Lessons
  • Family and Childhood
  • Stereotypes
  • Taking a Stand and Peacemaking

Full Transcript:

Hi, my name is Eunice Jarrett and my story starts in the 1960s, in Indiana.

The complexion of our high school was changing and the black parents encouraged their kids to stand up and be a credit to our race. So, I became our high school student government’s token Negro. One of our teachers had died suddenly, and the student government people were asked to organize a memorial service.

And I remember the service going kind of like this. We had a meeting and I remember the meeting going something like this. Max was the president and he decided that he would preside over the meeting.

Rose really liked the old teacher. And so, she said that she would give the highlights of the teacher’s life. Chris was a poet and he volunteered to tell the poem. Huh, and Tom, Tom decided that he should say the closing prayer.

And then they decided, “Well, what, what should Eunice do?”

Tom said, “Let her sing. Isn’t that what her people do?”

Like I wasn’t in the room. I mean, I was right there. Why would they say for me to sing? They never heard me sing. Ohh! Sing and dance. That’s what they think my people do. Huh. Well, they didn’t know. They didn’t know that letting me sing might break that stereotype. Letting me sing, I might bring my whole race down from that high pillar of musical expectation. But I’d sing, because that’s what my people do.

You see, my sister Annie, she stepped up and she went to teachers’ college, graduated with honors, only to be told that this color of her skin disqualified her from teaching in her own hometown. Huh. She won that federal court case and the superintendent of schools who said, “Over my dead body,” he died. And my sister became the first Negro teacher in our whole school city. She inspired other people, and that’s what my people do.

Fred didn’t know, Fred didn’t know that I knew some real singers. I mean, my mother and my sisters, they could really sing. My mother, she fancied herself to be a soprano Marian Anderson. Hmm. When she got to sing on Sundays, she had her own gospel arias. But she would always tell us the story of that magnificent Negro woman who sang opera all across the United States and all around the world. Then she told the story of the Daughters of the American Revolution who wouldn’t let her sing at their event in Constitution Hall, in front of an integrated audience. Because Marian Anderson was a Negro. Hmm.

Mama said, “What the devil means for bad, God will use it for good.” Mama said, “Mrs. Roosevelt fixed it. Instead of Constitution Hall, Marian Anderson got to sing on the steps of the Lincoln Memorial on a beautiful Easter morning, in front of thousands and thousands of people. I can still feel the pride of Mama’s voice when she told that story.

Yes. Daughters of the American Revolution. Yes, that organization. They were the same daughters, they gave out awards to eighth graders for citizenship and leadership. And when I graduated eighth grade in 1966, I was the winner of that award.

Our principal and faculty, they voted for me. But when they found out who I was, they turned my name into the DAR. And when they found out who I was, they refused to give me the award because it was supposed to be given to a white student.

Well, our white principal said, “We voted for her. And if you don’t give it to her, we won’t give your award ever again!”

I still have that award somewhere in a box. Can you imagine how I felt standing there to receive an award that I knew they didn’t want to give me? But I stood there and I was gracious, because that’s what my people do.

Well, while Rose was writing my name, I wondered, “Should I get Mama or my sisters to sing?”

Well, the student government kids didn’t know that when I went to choir rehearsal, my sisters got the best singing parts, they got the leads. And the rest of us, we had to clap and rock in the background. The student government kids didn’t know I had a hard time clappin’ and rockin’ at the same time.

But I think I’ll sing, even though once a lady at choir rehearsal whispered very loudly that I couldn’t carry a tune in a bucket. So just to make her a liar, I practiced finding my tone, and I put it in my imaginary bucket.

Well, you know, I agreed to sing not because I’m the best singer, but we stand up. And sometimes we have to stand up to people who don’t know it was enough to not like us.

You know, they say that when one black family moves into a block, it breaks the block. Well, when my family moved, we broke the block. And the boy next door made it his job to stand at our fence and call us names, every day. And we had to walk past him, hold our head up high, and ignore him every day, until the day he came into the fence, ready to fight girls in their own backyard. Well, my middle sister got in trouble for fighting back. But you know, sometimes we just get tired, sometimes we really do. Huh.

Well, all I had to do was sing a song. I just had to pick a song. “Let My People Go?” Uh, that was a little sarcastic. “Swing Low, Sweet Chariot?” That was probably the only spiritual that some of my classmates knew. But I was a Negro and we had spirituals. That’s what my people do.

Well, it was the day of the program. I remember the shuffling feet, letting down the wooden auditorium chairs, the hushed whispers. The student government officers, we entered stage left and there were chairs, wooden chairs and an arc behind the podium. Yes, hhh, I remember.

Max went to the podium, and he, in his most eloquent words, explained the reason for the assembly and we started the assembly. He introduced Rose, and Rose had done her… She’d done her research. I didn’t know that I… that teacher had gone to Tibet and knew how to ski. But I was not surprised that she taught a lot of the parents, and she had a cat.

Well, next Chris went up to read his poem. I don’t know what he said because I knew I was next. Then Max went back to the podium, and he said words and more words and I was looking for my invisible bucket. But then Max turned and smiled at me.

So, I stood up. And I walked to the podium. And I looked out on the darkness, and I did what my people do.

The White Boys: Korean-Puerto Rican Girl Seeks Anybody

by Storyteller Elizabeth Gomez

Story Summary:

In The White Boys, Elizabeth tells of her struggle to be comfortable with her own identity outside the boundaries of the racial norm. She tells of the normal awkward struggles of adolescent love with the addition of struggling to find acceptance of her own racial features.

For a print friendly version of the transcript, click here: The White Boys-Korean-Puerto Rican Girls Seeks Anybody

Discussion Questions:

  1. Have any of you been asked “what” you are”? How did it make you feel?
  2. Do you find people attractive based on their skin color? Do you think people do the same to you?
  3. What do you find most unique or beautiful about your features?
  4. When do you identify who you are as a person based on your racial makeup? When is it not a factor?

Resources:

Beauty Begins: Making Peace with Your Reflection by Chris Shook
The Beauty of Color by Imam

Themes:

  • Asian American/Asians
  • Crossing Cultures
  • Education and Life Lessons
  • European Americans/Whites
  • Family and Childhood
  • Identity
  • Latino Americans/Latinos
  • Stereotypes and Discrimination
  • Taking a Stand/Peacemaking

Full Transcript:

Hi, I’m Elizabeth Gomez. I must have been about 37 when he walked into my life. He was about 10 years my junior and built like a god. Actor Ryan Gosling is everything I ever wanted in a man. He was tall and blond and perfectly sculpted, and, not to mention, he was white.

So. So, white. Ryan Gosling represented, to me, everything I never thought I could have in a man. He was white. You see, white boys don’t kiss brown girls – not brown girls like me, brown haired, frizzy bo…, frizzy-haired, chunky bodied, acne scarred skin, totally obsessed with Ted McKinley because one day we were going to actually get married on the Love Boat. Girls like me! White boys liked white girls and this is the way of the world.

I realized this as I sat in my fourth-grade chair turning over my letter that was marked no. I spent the night before working on this letter so hard. I made sure my handwriting was festive and straightforward and, yet, feminine. I made sure that every box on the wo… note were straight lines, sharply angled, square boxes, so that you could mark yes or no, so that your potential new lover would be able to tell you that you could or could not put his name all over your notebook.

Tyler was the whitest boy in school. He was a kind of white that was almost transparent. Near summer re… near summertime when we went to recess, I always thought it was very irresponsible for the teachers to let him out because the moment he hit the sun, his face would turn a vivid, bright red. And his neck looked like it was just burning, but I would stand there and bathe in the radiance of Tyler’s strawberry glow.

As I sat turning this letter over and over in my hand and looking at that box marked no, I noticed these notes next to it, which said, “You’re ugly.” But I knew exactly what he meant. When he said I was ugly, he was talking about my broad nose and my crazy, dark, thick hair and the fact that I didn’t even have Adidas from, like, a real store. They’re the K-Mart kind with the two stripes. What Tyler Jackson didn’t realize that he had did was set me on a path of destroying all white men. I mean, not really destroying all white men, but I was definitely set to crumble some hearts.

A year later, my next potential bu… bo… boyfriend, when I was in the fifth grade, was a guy named Jason McCleary. That’s not his real name. Okay, it’s totally his real name! I think he should know that because, you know, I’ve grown into quite the lovely lady. My skin is cleared up and I’ve really pulled my stuff together. Jason was everything I wanted in a man. He was white. I watched him every day and I imagined myself looking at him and just spending hours and hours and hours looking into his oceanic blue eyes and just talking about Megadeath and doing our hair together with hair spray. And I knew he was going to be my next boyfriend.

I also knew that if my Korean mother found out that I had a white boyfriend that I would be like “top notch, gal.” For example, my mother said to me that she didn’t care who I ever dated as long as he wasn’t Puerto Rican because my father was Puerto Rican. Also, she wanted him to be white.

Growing up in a small town in Virginia, I was the token “what are you girl.” It was, basically, that I didn’t know very many people of color. So, everyone who looked at me was like, “She’s not white and she’s not black. So, what are you?”

As a kid, it never really bothered me but as I was growing up and as a well-rounded adult, I look back at that and I wonder if that was really kind of the core of my problems. What are you? What are you? Is that the reason that I felt this need to be, like, neatly labeled and categorized and put into this box. Like, if I could do that, would it make me somehow justified or my presence or my life a r… given, uh, validation.

So, a year later I’m sitting at the desk again, looking at another note that says “no” and Jason flirting with Kim Cullerton, a petite, blonde, long hair girl. Kim Cullerton is not her real name. It totally is because she should know that she ruined my life.

Anyways, years and years later, because I didn’t date anyone in high school, I was afraid of being rejected.  I was standing in my dormitory, my college dorm, when I hear this, “Come on, Liz, Elizabeth. You know you got it like that.”

I was standing with Tyrone, my new boyfriend. He wasn’t white. He was dark, dark, dark, dark with like this beautiful body and this Barry White voice.

And he looked at me and he’s like, “You know, guys, they got a thing for Asians. Latin girls too. You got it all. You know, you’ve got that thing, Elizabeth. You know, you got that thing.”

“Thing. What thing are you talking about? Why have I had this thing and no one’s ever told me about it? Did I catch that when I was in the gym bathroom without my flip flops? What is this thing, Tyrone? I wanna know and I need to know now.”

Tyrone laughed at me, he laughed at me ’cause he thought I was funny. He thought I was charming. He said that my hair was great and that a big, fat, broad nose looks good on me. He told me that it didn’t matter what I looked like because I had so much other stuff. But I definitely had that thing, whatever that thing was. He kissed me, and everything was wonderful.

The next day, I kept thinking to myself, “What am I doing? Why is it that I’ve been wanting to be white this whole time? You know, white like my friends, like the Keatons on Family Ties, like Olivia Newton-John. What was white going to make me that I wasn’t already?”

At that moment, Ty opened a whole world for me, where I could realize that there are so many beautiful, colored people that I could love. And he did the best thing for me. He made me realize that it doesn’t matter what my color was or what I… my features were like.

But that I had that thing and I like that thing. And I would always have that thing. His warmth and his honesty made me feel accepted and made me understand a lot about what I was going through.

Look, I still like white guys, especially, if they look like Ryan Gosling – even if they look like Seth Rogen. But my insecurities are no longer about my race or my face. But really, it’s about me finding the way to love who I want, when I want.

The Importance of Representation on Our Stages: Role Models for Young Audiences

by Rives Collins

Story Summary:

In this story, Rives Collins, Assistant Professor at Northwestern University,  recalls his work directing plays for children.  He shares the discoveries the young people helped him make regarding the importance of representation on our stages and the significance of role models for our children.

For a print friendly version of the transcript, click here:  The Importance of Representation on Our Stages-Role Models for Young Audience

Discussion Questions:

  1. Rives says he has two important teachers in the story. Who were those teachers and what did they help Rives discover?
  2. What do you think Rives means by a ‘ME TOO’ moment? Why do you think they are important?  What can happen if someone never experiences a ‘ME TOO’ moment?
  3. Tell us about a time you experienced a ‘ME TOO’ moment.  Has there ever been a time when you wished for such a moment even when there didn’t seem to be one?
  4. Rives says he remembers the two important teachers to this day, but neither of them was a teacher in the traditional sense of the word. Tell us about a time you learned something significant from someone who wasn’t exactly a teacher?  (a friend, a grandparent, a coach, etc.)

Resources:

Amazing Grace by Mary Hoffman
Multicultural Scenes for Young Actors by Craig Slaight and Jack Sharrar

Themes:

  • Asian Americans/Asians
  • Crossing Cultures
  • Education and Life Lessons
  • European Americans/Whites
  • Identity
  • Stereotypes and Discrimination

Full Transcript:

Hi, my name’s Rives Collins. I teach at Northwestern University in the Department of Theater, where my specialization is theater for young audiences. So, this story, it’s going to take us back a ways. Back to the early 90s or so.

I directed a play for kids. “Androcles and the Lion,” is a crowd pleaser, the comedy. Androcles is known for plucking the thorn out of the paw of a lion and the lion later on returns that kindness. It’s a good story. It’s a story about friendship. And we were working with an organization called Urban Gateways. Urban Gateways would bus kids from underserved neighborhoods to our campus to see a play. And this student matinee was going really well. Kids were having a ball. They were laughing and cheering. And I remember, I noticed that all the kids in the audience, they were people of color and all the actors they were white. I noticed it. I didn’t think much of it. And then, ah, I had this thought. I thought maybe we’re sending the message to the children in the audience that someday they can grow up and come to Northwestern and be a student and be in a play and bring laughter to a whole new generation of kids. And I remember, feeling (and this is awkward to share this), I remember feeling, kind of self-satisfied. Like we were doing some kind of good deed. After the play, all the actors headed out into the lobby, still in costume, to greet the kids on their way to the buses. And when I got to the lobby I saw a huge crowd of kids had gathered around one actor. And I’m thinking to myself, “OK, so, which one of my actors has the charisma to gather a crowd like that? I think it’s probably Androcles. He’s the hero of the story. Nope he’s over there. So maybe it’s the lion. The lion’s the funny guy. He’s over there.”

So I’m wondering which one of my actors has the star power to collect a crowd like that. And as I walk across the lobby, I see. It’s our custodian. And he’s standing with his vacuum cleaner. And I want to be sure you don’t misunderstand. There’s nothing wrong with being a custodian. I believe there’s dignity in all work and not only was our custodian great at what he did, he took real pride in the fact that he’d helped his daughter through law school.

But as I saw him with all the friendly handshakes and high fives, I realized he was the only person of color that kids had seen since arriving at the university. And I understood that maybe I wasn’t sending the message that someday they could grow up and be a student at Northwestern. Maybe I was sending the message that someday they could grow up and they could come to Northwestern University and they could vacuum the floors. I never intended to send that message. Never, ever. But sometimes the things we intend and the things we actually do, they’re not the same.

Ok, so, fast forward with me a few years. I directed another play, “Lilly’s Purple Plastic Purse.’ It’s based on kids books by Kevin Henkes and Lilly is a mouse. She likes to wear red, cowboy boots, to carry her purple plastic purse, she’s got a big imagination and she gets in trouble at school a lot. And the actress playing Lilly was a wonderful student, a college student named Niha. And after the performance, we had a question and answer period with the audience. And a little girl raised her hand and said, “I would like to ask the person pretending to be Lilly where she is from.”

And Niha told the truth, “I’m from New Jersey.” And she saw the palpable disappointment in the eyes of the child. So she added, “But my family came to America from India.”

And that’s when the little girl jumped up on her chair and she cried out, “Me too! Me too!” And the whole audience applauded and cheered.

And from this stage, Niha was beaming. And I learned something that stayed with me. I’ve worked to create those, “Me too,” moments ever since. I believe those moments of identification, they matter. It’s not enough to invite young people to our spaces as if they are tourists. As if they’re outsiders seeing a place where they don’t really fit in. I think instead, we want to create those empowering “Me too” moments that allow young people to imagine themselves being successful in this place. And helping them understand, in their bones, that they belong.

I’m grateful to two important teachers. One, a much loved custodian, and the other a little girl who once jumped up on her chair and cried out, “Me too!”

Thanks.

My Life as an Engrish to English Translator: Learning to Accept My Korean Immigrant Mother

 by Storyteller Elizabeth Gomez

Story Summary:

A story about Elizabeth, an “Army brat”, who must navigate the world for her Korean immigrant mother. Through this process she learns to stop being embarrassed by her mother and shifts to fighting for her.

For a print friendly version of the transcript, click here: My-Life-as-an-Engrish-to-English-Translator-Learning-to-Accept-My-Korean-Immigrant-Mother

Discussion Questions:

  1. How many of you are recent immigrants or have immigrant parents?
  2. What are the daily struggles you have or that you see your parents and other family members going through?
  3. If you have immigrant parents, are there times you are embarrassed by them? Can you share examples and reflect on from where the embarrassment comes?
  4. What steps can you take to make you and/or your parents’ transition in America easier?
  5. What do people who have been here longer need to understand and how can they be a support to new immigrants?

Resources:

Learning a New Land by Carola Suarez-Orozco
Korean Immigrants and the Challenge of Adjustment by Moon H. Jo

Themes:

  • Asian Americans/Asians
  • Crossing Cultures
  • Education and Life Lessons
  • European Americans/Whites
  • Family and Childhood
  • Identity
  • Immigration
  • Languages
  • Latino Americans/Latinos
  • Stereotypes and Discrimination

Full Transcript:

Hi, I’m Elizabeth Gomez. It was 1983 in Virginia. I was laying in my room in the dark with the covers over my head listening. She was yelling and I was only nine years old so I wasn’t really sure what to do. My mother and I had been here before, just listening to her struggling and screaming. I pull the covers tighter over my head when I heard, “Risa, Risa, you come here. You come here now!”

As I walked out of my sanctuary, my eyes widen and I slumped into the kitchen. She stood there in a polyester robe with a brown phone dangling from her hand.

“Risa, you speakie to him. He no understanding me.”

I stood there flushed with embarrassment, and took the phone from my mother’s hand, “Hello.”

“Hi, ma’am.”

“Could you just help us get your mom’s account number. We’d really like to help her.”

“Mom. What’s your account number?”

“Oh, you terr him, you terr him, jero-jero-sex-sex-four-eight-sex.”

“It’s 0-0-4-8-6.” (0-0-6-6-4-8-6)

“As I talked to this man, my mom walked around in the kitchen. She was pacing back and forth, getting angrier and angrier. She didn’t understand why Americans didn’t understand her when she spoke to them, especially because she’d been in this country for over a decade. I watched her pace through the kitchen, back and forth, her small Asian frame just blowing in and out, and in and out until she was rounded out like one of those monsters from Where the Wild Things Are.

After I completed the phone call, I hung up. I looked at my mom. This lady demon who was slowly morphing back into this four-foot-something Asian lady.

“Why they don’t understanding? Why don’t understanding me? I speakie good Engrish.”

I watched my mom sit at the kitchen table and I put my hand over hers. I looked at her as her face was beginning to worry and her body started to fill with self-doubt. At that moment, I decided I have… I had to stop. I had to stop running away and hiding and I had to really commit to being her English (Engrish) to Engrish (English) translator for the rest of my life. And it was always like that.

My father was a Puerto Rican-American, U.S. citizen, who served in the military. He met my mother in Seoul, Korea. They married; they had kids. Most of my mom’s life, as a military wife, was traveling abroad and she spent very little time in America. While she was here, she did okay. But when my dad was gone on duty or training missions, my mom had to make her way through and I was rela… relegated to just, basically, being her translator.

I spent tons of time just, like, watching her try to talk to sales people and clerks and merchants, just trying to get what she needed. It was like watching a Charlie Brown episode where the teacher’s talking to Charlie Brown and all Charlie Brown can hear is this muffled sound of nothingness. And I would just stand and watch my mom wave her hands around, and gesticulate, and try to convey what she needed, without being able to tell them in the way that they needed to hear it.

And every time, I’d be broken up with this sound, “Risa, Risa, you terring him, you terring him right now, Risa. You terring him, ‘Me want to buy fridgey.’”

“She wants to buy a fridge.”

“You terring him we need to move to Browning Street.”

“You mean,”

“She wants you to know that we live on Brown Street.”

“You terring him, ‘It’s too expenses’.”

“She means it’s too expensive.”

If that wasn’t bad enough, she named me Elizabeth. She doesn’t even know how to pronounce Elizabeth, so she started calling me Lisa, which she also does not know how to pronounce. In addition to that, my mom would have to go to conferences, like, parent-teacher conferences, and those were the most embarrassing, humiliating, and petrifying moments of my life. There they were, these well-articulated, ecedga… educated teachers looking at my mom with these plastered smiles, just nodding their heads, trying to understand what she was saying.

And my mom is basically screaming at them, trying to convey, “Oh, Risa, she so razy.”

In addition, I couldn’t have any friends. Anyone who came into my house, got pinched by my mother when she would say things like, “Oh, you so fat!” Or, “Oh, why your eyes so big?”

Every single friend I ever made, who came to my house, basically, never came back and I accepted that. That was my life. I was gonna be the town recluse and I always was gonna have this rude mother.

Late one night, I could hear my mom talking to someone on the phone and it was my dad’s new girlfriend. I dropped my blanket and I walked to the wall that separated my room from my mother’s. And I could hear her just softly begging this woman to let my father go. And I heard her say, “Prease, prease go way. We have kids.”

I listened for a long time, and my heart started pounding as I felt for her. And I just listened, as she kept begging and begging. And I didn’t even really like my father and, up ’til that point, I’m not sure I liked my mother that much either. But at this moment, I felt what was going on with her, and I understood that this was painful. And I pressed my head closer against the wall as I listened to her hang up the phone and sob and cry. And I wanted to go to her but I couldn’t. I could just listen. And I did. I listened until I fell asleep to the sounds of what pain was for her.

A few, a few weeks later, after months of not seeing my father, I was really surprised when he came to pick up me and my brother to go to New York and see my grandmother. Not only was I surprised to see him, I was surprised that I was allowed to leave with him.

“I don’t wanna go.”

“Risa, you take good care of Ab-e. You be good girl, okay?”

“No! I don’t want to go.”

“You go.”

As we drove up to New York, my father stopped at a rest stop. He went to go use the phone booth. And as he was in the phone booth, I could tell that he was just being himself – super charming, and laughing, and flirtatious to someone on the phone. Eventually, he started walking toward our car, and I felt a little weird. And I wasn’t sure what was going on. So, he said for us to come over and, uh, talk to this person on the phone. And I pick up the phone and, huh, I hear this voice come over.

“And she says, “Hello, Elizabeth. It’s me, Jane, your dad’s friend. How are you?”

At that moment, all the anguish I had for my mother, the loss of my father, the not understanding of what had been going on with my whole family, this whole entire time came rushing at me. My heart pounded. My ears… like sounds of, like, waves came through my ears. And I felt nothing but anger when I replied, “I know you’re not my father’s friend. You’re his girlfriend! As a matter of fact, you keep calling my house, and I hate you for hurting my mother.”

And I hung up the pho… er, I dropped the phone and I ran back to the car. And I watched as my father, like, fumbled around with this phone and he’s spewing out apologies. And then he comes back to the car, he slams the door shut, and smacks me across my face. And he starts talking, just talking about something or another, and I have no idea what he’s saying because I don’t care. I just didn’t care.

All I knew was that, at that moment, I had been able to tell this woman the things that my mom wanted to say to her. And in some small way, this 9-year-old was able to score a big point for my mother.

After our trip was over, we came home. I could hear my mom and my dad arguing out in the front porch about this or that or what the kids knew or didn’t know. And I was pretty sure as I was standing in the kitchen, that when my mom came back, she was gonna spank me or discipline me for re… disrespecting my father. Instead, she walked in with these bloodshot eyes, mascara tears dried on her cheeks. She looked at me. She made me a bowl of hot ramen noodle soup. She smiled and then she went back into her bedroom.

I still translate for her to this very day, especially with my own family. I mean, huh, we’re still not used to the idea that when you get pinched, and to be told, “You’re fat,” that that actually means, “Hey, are you hungry?”

We’ve learned to communicate in ways of, like, laughter and shared experiences and gestures. And now, when my mom asks my husband and I if we’ve bought a condom, I know she means condo.

Columbian Runaway: A Latina Pushes Back on the Role of Women

 by Jasmin Cardenas

Story Summary:
Jasmin takes you into the rabbit hole of panic that she faces when she gets engaged to be married. Questions about her identity and her role as a woman surface as she tries to weed through old world Latino expectations while being an educated American woman today.

For a print friendly version of the transcript, click here: Columbian-Runaway-A-Latina-Pushes-Back-on-the-Role-of-Women

Discussion Questions:

  1. Give examples from the lives of women in Jasmin’s story that show societal expectations or limitation on girls and women.
  2. What stereotype does Jasmin believe to be true, at the beginning of the story, about being a married woman?
  3. How does her Colombian aunt expose the layered complications women face? When do/can women have power? What holds women back?
  4. What could it mean that Jasmin keeps her maiden name?
  5. What is your cultural identity? Think of a time when you struggled with your identity, how did society support or challenge you?
  6. In your life, do you see women treated unequally to their male counterparts? Where? (give examples)

 Resources:

The House on Mango Street by Sandra Cisneros
Film Documentary: Half the Sky: Turning Oppression into Opportunity for Women Worldwide http://www.halftheskymovement.org/pages/film
Website: Remezcla is a grassroots project among writers and creatives to cover Latino culture, that grew into an influential media brand for Latino millennial’s with national & international contributors and reach. www.Remezcla.com

Themes:

  • Crossing Cultures
  • Education and Life Lessons
  • Family and Childhood
  • Identity
  • Latino Americans/Latinos
  • Stereotypes and Discrimination

Full Transcript:

Hi, my name is Jasmin Carenas. I have been in Chicagoan all my life. But in 2006, I took off to Columbia, South America, panicked because I’d gotten engaged a month and a half before, and the bombardment of questions about my dress, the rings, the wedding, the location, it was just all too much. I didn’t know the answers. And it felt like the more I got asked, the more I lost myself in the answering. The questions came from everywhere.

One of the Senoras from church asked, “Jasmin, are you going to have niños right away?”

“No, I want to figure out how my new life partner and I work first. But I…”

“Si, quierro niños, just not right away.”

One of my party girlfriends asks, “So, are you sure you’re ready to settle down, Jazz?”

“Yes. It’s what I’ve always envisioned.”

Then one of my colleagues from work asks, “So, you gonna take his name?”

“Nuñez…and trade in my own? No!”

“Who’s Jasmin Nuñez? She doesn’t have a history, a story, an actor’s union card. Jasmin Cardenas does. Am I too selfish to think that way?”

It’s just that all my life, I’ve been groomed by my mother, my aunts, and Latino society in general, to be una mujer buena, a good woman. A good Latina woman takes care of her husband, serves him, cooks for him…Oh, I’m so in trouble. Cooking? Baking I can do. But cooking…I can’t cook to save my life.

I mean, my mom and my aunts, especially my Tia Gloria, they are the model image of mujer buena. You can’t turn on Spanish network TV without seeing your stereotypical Latinas. Mujeres, women, who take care of their husbands. My mom, I’ve watched all my life, wake up and make my dad’s breakfast and coffee, down to the sugar in his café.

You, I mean, maybe estoy loca. Was this really what I wanted? Was I signing up for this? I knew that I loved Jesus but I’d broken my one cardinal rule. You don’t even talk engagement unless you’ve been dating for at least a year. And here I was engaged in less than 10 months. When he asked me to marry him, I did not question it. I practically jumped into his lap.

Okay, so what you need to know is that Jesus took me to Mexico under the guise of meeting his familia. And then he took me on a secluded, romantic trip to a rain forest. A lush rain forest, fragrant with life. Butterflies darting around the canopy of trees and vines. And we walked along these pebbles stones, past one rushing waterfall after another. And we had the place all to ourselves. When we got to the base of the most majestic waterfall, El Capitán, I looked at Jesus and he looked a little nervous. But I was just so overwhelmed by the beauty. And then he got down on one knee. And I thought, “Oh my, it’s happening. It’s happening. Memorize this moment, Jasmin. Memorize this moment.”

And then his lips parted. “Will you marry me?”

“Yes! Yes!” I jumped into his arms and threw my arms around him as the waterfall cascaded down and we kissed. Our own movie moment.

But standing here, in my aunt’s kitchen, in Columbia, so many days away from that moment of clarity, I couldn’t help but wonder. Watching her, in her tile kitchen, in her high heels, at 6 o’clock in the morning, with her jeans suction-cupped to her tush. Is serving a man the rest of my life really what I wanted? Is my college degree going to become a paper doily?

Now, what’s crazy is that Jesus had never given me a reason to think that I was going to end up barefoot and pregnant during our, all of our marriage. He’s a first generation American, just like me. A well-educated Mexican guy. He’s not machista. A machista is a guy who likes to put a woman in her place, who likes to be taken care of by women. Jesus is not like that.

But what if it’s in his DNA? And we haven’t been together long enough, for me to see signs of it creeping out, and then he expects me to be his mama! No. Jesus is really quite awesome. I won’t want to marry him if he wasn’t. So why was I so nervous and freaking out about this new role as his wife? I mean, it’s not like when my mom was a kid. You know, my mom never got to learn how to ride a bike when she was a little girl, because little girls weren’t allowed to ride bikes. And when I was young, I learned the same message.

I was walking down, uh, town, in one of those small little Latin American towns, with my prima, my cousin and we saw an arcade room. It was just ooo… you know. Concrete floors and a few pinball machines but they had Pac-Man, so, I went right in. And all the boys inside stopped and stared at me. I didn’t know what I’d done wrong. And then, I realized my prima, she had stayed outside. I was the only girl in the arcade room and the boys said that I couldn’t be there. That it wasn’t proper for a girl to be an arcade room. Man, where’s the manual to be your own Columbiana Americana?

That morning, in Columbia, my aunt prepared my uncle’s breakfast, down to the sugar in his café. He left through that toll… tall, wrought iron gate. There was a dog barking and a fruit vendor. “Mamay! Platanos! Y Yuuucccaa!”

And my aunt turns around, after having locked the padlock door, and she looks at me. And I must look like a scared little girl because she’s like, “Jasmin, que le pasa mija?”

“Nothing. Nothing is wrong, Tia.”

“Jasmin.”

“Tia, yo no puedo cocinar, I don’t know how to cook. I don’t like to clean. And the idea of serving a guy until the end of my days like a good mujer Latina should, makes me want to jump off a cliff.”

(Laughter) “Ay boba!” My aunt looked at me and she said, “Ay, muchacha. Usted no se tiene que preocupar por eso, you don’t have to worry about that. You prepared yourself for more than that. Ay, Jasmin.”

“Pero Tia, I thought I was supposed to take care of my husband the way you and Mami do. Taking care of him, cooking and cleaning.”

“Jasmin, you prepared yourself for more than that. Your mom, she didn’t have the choices you have. You studied. Your mama was a worker, una tradajadora. And she had to work, to support la familia. And she sacrificed leaving Columbia to go to the United States so that you would have all those choices. Just to hire someone to do all the cooking and cleaning for you.”

“Really?” My jaw hit the ground. “Pero Tia, I thought I was supposed to make Jesus feel like a man like you and Mami make el Tio and Papi feel like a man.”

“Jasmin, we make your father and your Tio feel like men in these little ways, but they know who the boss is. They go to work but we get a paycheck.”

Wow. I guess I just needed somebody else to tell me what my mom has always told me. Estudie y sace su carrera para que nunca tenga que depender de un hombre. Study and pursue your career so you never have to depend on a man. That conversation with my Tia Gloria, was all the talk I needed. There’s lots of different ways to be una mujer buena, a good woman.

I got home, back to Chicago, and Jesus asked, “Babe, is everything OK?” And I assured him that was.

And nine months later, we stood in our own outdoor, jungle wedding, surrounded by our friends and familia in Mexico. And Jesus standing there, in his white linen suit, and I, in my Princess Diana dress and veil, just like my mother always envisioned. And the pastor said, “I now present to you, Jesus Nuñez and Jasmin Cardenas.”

Thank you.

Adventure: Undocumented Flight from Guatemala

by  Storyteller Nestor Gomez

Story Summary:

As a young boy, Nestor and his siblings cross the Guatemala/Mexico and Mexico/USA borders to join his parents in the USA.

For a print friendly version of the transcript, click here: Adventure-Undocumented-Flight-from-Guatemala

Discussion Questions:

  1. The application process is long and sometimes too expensive for many people looking to emigrate. It also depends on the country from which you are emigrating. For instance, some countries have longer waiting periods than others for visas. If people cannot obtain documents, why do people make such a dangerous trips to get to the U.S.?
  2. Do you know people who have escaped war, famine, who have risked everything to be reunited with their families? If you were facing violence or starvation and such, would you think about leaving?
  3. What are some of the risks of getting caught by the immigration authorities?
  4. Do you know anyone who has been deported or incarcerated for trying to come to the U.S.? Do you think it’s fair that if refugees are caught, they are never able to legally apply for U.S. citizenship?
  5. What are some of difficulties of adjusting to life in a new/different country?
  6. Besides the language, the newcomer has to learn the many different traditions, customs and idiosyncrasies of the country where they emigrated to without losing their own identities. What do you think would be the strangest aspect of American culture for a newcomer? What part of your identity would you never want to lose?

Resources:

Teenage Refugees from Guatemala Speak Out by Gerald Hadden
The Quetzal in Flight: Guatemalan Refugee Families in the United States by Noria Vlach
Since 1990, GCIR has sought to influence philanthropy to make donations to programs that address the needs of the country’s growing and increasingly diverse immigrant and refugee populations. Nestor was helped by this organization: ttps://www.gcir.org/

Themes:

  • Crossing Cultures
  • Family and Childhood
  • Immigration
  • Latino Americans/Latinos

Full Transcript:

My name is Nestor Gomez. I’m going to tell you a story about my, my journey from Guatemala to the United States.

After many days of silently traveling by bus across Mexico, we arrived at Guadalajara  which is basically half way through Mexico. From there, we were going to take a train that was going to take us all the way to the border of the United States. Now many people make this travel by train but many people don’t have the necessary money or funds to travel as passengers on the train. They are forced to take freight trains. And they are forced to go on top of these freight trains and sleep on top of the freight trains as they travel across Mexico. Many people fall from the trains. Many people lose their lives or their limbs. Not only that but they also run the risk of being assaulted, being robbed or being killed by guns as they travel on top of these freight train.  As if this wasn’t enough, the Mexican immigration authorities stopped these trains and take people to jail for traveling undocumented. However, we were lucky enough that our mother has saved enough money to send money with our father so we didn’t have to travel on these freight trains. We actually were able to travel with passengers on a regular train.

But half away, half the way through our travel on the train, the train suddenly make a stop and the Mexican immigration authorities boarded that train. They started to question everybody. And our father told us to remain quiet just like he had instructed us. When the Mexican authorities started to question us, we remained silent and our father tried to tell them that we were just shy but they didn’t believe him. They handcuffed him and took him off the train. We just sat there looking at one another afraid that we had been caught, that we were going to be sent back to Guatemala. But after a few minutes, which to us seemed like hours, our father came back into the train and told us that they were going to let us go but they had taken most of his money. When we arrived at Tijuana, which is on the border with the USA, our father contacted a coyote, who is a person to helps undocumented immigrants across the border. Now this coyote agreed to take us across the United, across the border to the United States to a safe house, where my mother was going to save more money. So, my father gave the coyote the rest of our money.

Now, there were several ways in which we could cross the border. We could go across the desert but that was a dangerous trip for me and my siblings because we were just little kids. We could also cross across the sewer lines but this was a nasty undertaking. It was dangerous and it was full of disease. We could also go across the river but once again we were little kids and that was dangerous. So, our father and the coyote decided that the best way for us to cross the border, was to run across the border, across the hills of Tijuana. So that’s what we did.

We started to cross the border, on an afternoon with a lot of other people that were crossing the border. And at first it was a huge group of people, but as the night, as the day went on, our group got smaller and smaller. Soon our group consisted only of the coyote who was running in front of us, my father who was carrying my youngest brother in one arm, and behind him, me my sister, and my middle brother were running holding hands. Now, now I live in Chicago for many years and I have seen many people participating in 5K’s and 10K’s but it took me many years for me to be able to take part in one of those races. Because every time that I see people running, it still reminds me of the fear I felt as we run across the border. I was afraid that we’re going to get caught. I was afraid that we were going to get separated from our father. I was afraid of many things.

As we kept running across the hills of Tijuana, it started to get darker and darker. Suddenly, I saw some lights out in the distance. At first, I thought that it was going to get rain, it was going to start raining because it sounded like thunder to me. But then the coyote explained that those lights and the sound that we heard were not, wasn’t thunder but those were helicopters. And I got really excited because I had never seen any copters ever in my life before. So, I started to look out the horizon, trying to see just helicopters coming. But the coyote pulled me to the ground and hid me on some bushes.  Telling me that this wasn’t time for sightseeing. This was time to hide. Now we have been praying for a moment to rest. However, the moment we got to rest was as we were hiding on the brushes, hiding from the helicopter. It wasn’t a pleasant time. We were afraid again that we’re going to get caught. After a few minutes of the helicopters flying on top of us and trying to illuminate us, they flew away. We stay under the bushes for a few minutes. Until the coyote told us that it was safe to keep running.

We started to run, again. I don’t remember how long we ran. I just remember that we ran for a long time. When we made it to a place where there was a car waiting on the bushes to take us to the safe house. We were placed into this car and there were more people in the car and we were all told to hide. The car drove away and for many hours we just hide. Until we were taken to a safe house where they put us into a tiny little room and they told us to be quiet. Now, the coyote at the safe house, called my mother to let her know that we had arrived and immediately decided to ask her for money. Well, my mother didn’t know it was that the coyotes were going to charge my mother an extra $100 for every day that they kept us in the safe house. So, my mother had saved enough money but she didn’t know that she had to pay extra money for safekeeping. So, she didn’t have money to send for our release right away. So, we spent a couple of days maybe weeks in this safe house, just hiding there. Every day that we stayed there, the coyotes told us to be quiet. However, they were not quiet when they called my mother asking for money.

I remember on one occasion, the coyote told my mother that if she didn’t send the money right away, they were going to send us back where we belong. Now, this is really sad because this is the first time that I ever heard somebody telling me that that I should go back or that they’re going to send me back to where I belong. I mean, it’s really sad because the people that first told me something like these, were people, Latin American people maybe descendants, second generation of Latin Americans. My mother was able to save some money and she was able to borrow money from family and friends here in Chicago, and she send for us. The coyote released us. Taking us to the airport, where they had a contact that put us on a plane.

When we came to Chicago, when we arrived to Chicago onto the plane, we were taken out the of the plane, again by some contact that they have. And they help us get out of the airport. We got to the train station, as soon as we could. And we took a train from the train station that took us to our modest apartment. We head to our mother’s apartment, and we knock on her door. And when my mother opened her door, we were finally able to break our silence, as we cheer, and laugh, and cry, hugging our mother.

After that, after the moment we got united with them, with our mother again, she decided that to celebrate she was going to take us to a special place to have breakfast. So, she took us to McDonald’s. And I know a lot of people think that’s funny because McDonald’s is just a fast food restaurant. But for us, McDonald’s was a special place that was reserved for special occasions like somebody’s birthday or somebody’s graduation because we were poor people in a third world country.  But maybe because of the fact that we were on a strange land or maybe because of the fact that my mother was speaking another language and people were speaking a different language, it didn’t feel a home, it felt strange.

After our breakfast we went on a sightseeing tour of the city. Our mother took us to see the Sears Tower. It would always be the Sears Tower to me. She took us to the zoo and she took us to the lakefront. At the lakefront, we met with a friend of our mother who had been living here in Chicago for many years, and when he learned that we were here for our first day, he decided to take us to celebrate to a special place. No, he didn’t take us to McDonald’s. He took us to a Latin American restaurant. And he say that he was going to order the most expensive meal on the menu. When we arrivd at the restaurant we were surprised to see that the most expensive meal on the menu were black beans. And we laugh when we actually tasted the beans because to us, they tasted like beans that have been cured with baking soda. After our meal, we say goodbye to my mother’s friends and we continue our sightseeing tour. Our mother decided that it would be a good idea for us to walk all the way from the lakefront to her apartment. It took us several hours to walk back to her apartment. By the time we got there, we were hungry, we were tired. We went into the apartment and our mother told us to sit in the living room, while she prepared dinner. A few minutes later she called us into the dining room. And at the moment, as I sat around the table and our mother started to say grace, I pretended to do the same thing. And I look around the table as everybody was praying and, at that moment, as I found myself surrounded by family about to eat, about to eat. Black beans from my mother kitchen, at that moment, I finally found a home.

Black & White: Stereotypes and Privilege

by Storyteller Diggsy Twain

Discussion Questions:

  1. What would you do if you were in Diggsy’s place on the train? Would you get involved? What if you were the White woman or another passenger?
  2. Does your answer change if the passengers are black or white?
  3. What does it mean to you when the storyteller says “I realized Jason was white?”
  4. Do black people have to take on stereotypes? What stereotypes are made about white people?
  5. In what ways did the storyteller stereotype his white classmate?
  6. How are stereotypes about Diggsy and his white friends different? Why are the stereotypes different?
  7. What does Diggsy’s reference to things “not always being so black and white” mean to you?
  8. How/Why are the articles (ABC and Chicago Tribune) about the train stabbing different?

For a print friendly version of the transcript, click here: Black-&-White-Stereotypes-and-Privilege

Resources:

Two articles about the train stabbing to which Diggsy refers in his story:

http://www.chicagotribune.com/news/local/breaking/ct-red-line-stabbing-20160623-story.html

http://abc7chicago.com/news/woman-stabbed-to-death-on-cta-red-line/1398582/

Themes:

  • African American/Africans
  • Crossing Cultures
  • Education and Life Lessons
  • European American/Whites
  • Identity

Full Transcript:

In 2014, I was driving. I was in the car with my best friend Jason and we were driving to a high school reunion. Yes, it was 2014, and we’re going back and forth, just catching up a little bit and he asked me, “So, how’s Chicago?”

I said, “Man, I’ve gotta tell you about the train. So, a few weeks before, I was sittin’ on the train, I look over and there is a sign that says emergency exit only, um, do not enter. There’s a black man that walks through that door. And it was surprising to me because the train’s still moving, so he walks into the middle of the train car. And he stops and he makes his announcement, ‘Change, change? Anybody got some change? Fifty cents or a dollar? Help me get something to eat. Change, change? Anybody got some change?’”

“The train’s normally quiet and subdued. Everybody’s kinda looking at Facebook and their U-Tube. So, no one’s really paying attention to him, which I thought was surprising because he made this big announcement. So, he’s scowling up and down, looking around and then he starts to walk to the next train car. Then he stops. He turns around. He makes eye contact with this middle-aged, white woman.”

“‘Woman, what you lookin’ at? Don’t you be lookin’ at me! You lookin’ at me? Don’t you be… you think you’re better than me? You ain’t no better than me!’”

“Awkward. So, I, uh… Chicago has, uh, closed down some of the mental health facilities and he kind of looks like he’s off his meds. I don’t really know what to do. There’s a seat to the left of her, left of this white woman. And I go and I sit down next to her just to give myself options. I don’t know if I’m gonna do something or I’m not gonna do something but I wanted to make sure that I had some options. And I look over at him and he’s still going off.”

“‘Woman, don’t you be looking at me.’”

“So, it’s not lost on me, on this same train, just a couple of days before, there was actually a black man that had stabbed a woman to death. And I’m wondering if that’s going to be like a continuation here. So, I’m watching him just yell, yell, and, finally, nothing happens. He walks to the next train car and it’s calm.”

I’m telling this story to my friend Jason as we’re driving to the, uh, reunion. I said, “Well, at least we now gave that white woman, um, options. She doesn’t have to just stereotype me along with this, uh, angry, black man.

And Jason looks at me and says, “Why do you think that she would stereotype you with him? You’re your own person. He’s his own person.”

And I just… it kind of surprised me that he said that. Because it was at that point I realize, “Wow! Jason’s, Jason’s white, um, because he thinks that I don’t have to take on this stereotype that if she… if, if a black man stabs somebody on the train that I don’t have to associate myself with him.”

He said, “If Justin Bieber pees in a mop bucket, no one would ever associate me with him.”

I said, “Yeah, but if a black man stabs somebody on the train, people may associate me with that black man.”

And it was just interesting, just epiphany, that, wow, we come at this from different perspectives. Um, he was surprised that I had to take on certain stereotypes. I was surprised that he didn’t have to take on certain stereotypes.

So, we’re driving. Um, we finally arrive at the, uh, high school reunion. Uh, when we walk in, there’s this guy, his name is Paul but I’ve always call him Dean. And, Dean, just to me, represents the stereotype of just white privileged. Uh, his dad was, like, the mayor of the town. So, he just represented all of those types of stereotypes to me.

So, um, after, after we’re done smoozin’, um, there’s just the three of us left. We sit down, uh, we sit down at a table and I’m having a conversation with Dean. And it surprised me a little bit, um, because I’m asking him, “Uh, how did, how did life go for you after high school?”

And he tells me that he went, um, on to go play, uh… He was the star high school football quarterback and now he’s gone on to college to become a star, uh, football player as well.

And I thought to myself, “Okay, you probably got this ’cause your daddy, right? You’re white. You’re privileged. It just goes along with the stereotype.”

And then he told me… I said, “So, so, how did you get to college?”

And he told me that he actually put together his football tapes, that he was the top 10 passing quarterback in Ohio. And he went to exposure camps on his own, and he met with coaches on his own, and it kind of surprised me.

And I thought, at that point, I’m, I’m never going to call him Dean again because I’m undercutting all of his success and stereotyping him just as a white privileged guy. And it just hit me as all three of us were sitting there, that it’s easy to make things seem so black and white when they’re not always so black and white.

Fit In or Stand Out: An African-American’s Battle to Fit into White Culture

 by Storyteller E.B. Diggs

Discussion Questions:

  1. What are the similarities between the storyteller’s hometown and the legal community?
  2. What is the importance of the storyteller expressing his individuality in the white culture in which he finds himself?
  3. How do the storyteller’s opinions compare to his barber, Mr. Matthews, on standing out from the white culture?
  4. How do the storyteller’s opinions compare to his coaches on fitting into the white culture?
  5. Compare the 8th grade coach’s opinion to the high school coach’s opinion on standing out and fitting into the white culture.
  6. What are the similarities between high school coach’s position on his dyed hair and storyteller’s position on the black girl’s dyed hair? Why is the storyteller conflicted about hiring the black girl with the red dyed hair?

For a print friendly version of the transcript, click here:  Fit-In-or-Stand-Out-An-African-Americans-Battle-to-Fit-into-White-Culture

Resources:

Black Faces in White Places: 10 Game-Changing Strategies to Achieve Success and Find Greatness by Randall Pinkett
Between the World and Me by Ta-Nehisi Coates

Themes:

  • African American/Africans
  • Bullying
  • Crossing Cultures
  • Education and Life Lessons
  • European American/Whites
  • Family and Childhood
  • Identity
  • Stereotypes and Discrimination
  • Taking A Stand and Peacemaking
  • Workplace

Full Transcript:

I grew up in a small town right outside of Columbus – Delaware, Ohio. It was 95 percent white, 5 percent black and we all, or most of the black people lived on the southside of town.

Um, there was a barber. His name was, uh, Mr. Matthews and I loved Mr. Matthews. Mr. Matthews used to cut our hair, um, cheap, $3; he used to cut our hair for $3. All the other haircuts were 10, 12 dollars.

He had this idea that, um, he wanted to make haircuts affordable but he also wanted to give you your own style, your own personal style. And I just loved that. So, uh, as I was transitioning from seventh grade into eighth grade, from, like, band geek and brainy guy to, uh, basketball superstar, I was gonna play on the basketball team and be a star.

“Mr. Matthews, um,” I said, “Man, cut, cut Diggs in my hair and put the dollar sign in it, right! And it was kind of funny ’cause I was poor but I had a dollar sign on my hair. So, I did it and my eighth-grade basketball coach, Mr. Webb, it was amazing.

He used to, uh, just allow you to be an individual, um, which is very important. Um, as a black person on the southside, you can kind of get lumped in together. And having your own unique haircut and your own unique style allows you to break through some of those stereotypes and to be seen as an individual. And Mr. Webb would walk up, call you brother, can… give you the pound. Um, he would dev…, he developed some one on one plays, allowed me to do what I do best, to go one on one. But he also showed me the importance of fitting into the collective, how me, one of, uh, two black people on a p… white dominated, uh, team, how I needed to fit into that collective. But I could still be an individual, and I loved Mr. Webb for that. I loved him so much for that. Um, I was hoping, as I went from eighth grade to ninth grade, that it would be the same thing in high school.

So, I devised this plan. Everybody was looking to fit in, um, fit in with whatever group they were gonna be in high school. And I was looking to stand out. So, in the living room with my mom, I devised this plan.

I said, “I’m going to put red tips on my hair.”

And she said, “Why don’t you just dye your whole hair red?”

I said, “Mom, why don’t I dye my hair blonde?”

She said, “Why don’t you dye it silver?”

I said, “Mom, I’m gonna dye my hair silver!”

So, that day, we went, we got the hair dye. We sat in the living room. She sat on the couch. I sat in between her legs and she put this hair dye in my hair. And it… I could smell the chemicals mixed in with my hair, the ammonia. It just smelled so good. I was becoming Diggs; I was becoming my own person. I just loved it. I went to school. Everybody knew me.

“Hey, who’s that guy with the, uh, silver hair?”

“Oh, that’s Diggs! That’s Diggs.”

I was my own person and I was hoping the coaches would accept me as well. So, a week… the weekend before we were starting basketball, we’re going to have our first game. Um, we’re in the gym. I’m standing against the wall, waitin’ for my turn to go in, to run the drill. And there’s a coach. One of the coaches is about four steps away from me.

He says, “Hey, Diggs, I, I like your hair. You gonna keep that for the season?”

And I was like, yes, yes! This is so awesome! The coaches are accepting me for who I am. They’re gonna allow me to be an individual and fit into this collective. A black man fitting into this white culture. This is amazing.

I said, “Yes, coach. I’m gonna keep it.”

His voice dropped a little bit. He took two steps towards me. The conversation became a little more intimate.

“You’re gonna have that out of your hair before the season starts, right?”

No, no. I’m going to do it this year. I may do it next year. Uh, why did you just ask me that? But I figured because he asked me the same question again, he wanted a different answer. So, I just didn’t say anything. He takes two more steps towards me and now we’re almost face to face. His voice drops even more and the conversation became very intimate.

“You’re gonna have that out of your hair before the season starts, right?”

Ohhh, okay. Maybe he doesn’t accept me as an individual and maybe he just wants me to fit in. Okay, I see what the coach is doing here.

“Um, yeah, yeah, yeah, yeah. I, I’ll have it out.”

And, uh, that day… we had the weekend to dye my hair back so, I went and told my mom. She got this jet-black hair dye and, um, I sat in the living room. She sat on the couch, I sat between her legs and the chemicals, huh! She put this hair dye on my hair and I could smell this disgusting ammonia smell as the chemicals were mixed in with my hair.

And I could feel my individuality just being stripped from me and I loved playing basketball in high school. But after that, I liked playing just a little bit less. And, uh, after my sophomore year, I just… I, I felt like I was losing myself. So, I, I didn’t, I didn’t try out for my junior year.

Going into college, I started to find myself again. I started finding my writing voice and started figuring out who I was. Um, I knew that I wanted to help people and maybe I was just like Mr. Matthews. Um, going into law school, I realized that, um, I needed to figure out how to fit into that new collective, that new legal, uh, community. So, after I graduated, I moved out here to, um, Chicago. And I started my own law firm and I realized that the, uh, the legal community is primarily white. It was just like my old town; it’s primarily white with speckles of, of black. And I needed to figure out how to be an individual but also to fit into that collective.

A few years later, my law firm started to take off. It was amazing and I had an opportunity to, uh, make my first hire. It was this black girl and she had, um, long hair and it was dyed red. And I wanted to tell her that, um, you can’t have your hair dyed like that; you’re gonna stand out too much. I felt like my coaches. You can’t have your hair dyed like that; you’re, you’re not gonna fit in. You’re going to stand out too much and we already stand out. And if I take you into court, we’re gonna look ridiculous and no one is going to take us serious.

Then I thought about my coaches, and I thought about if I told her that, I’d be stripping her of her individuality. So, when she asked if she could work for me, I said, “Yes.” And I decided I was gonna allow her to figure out how she wanted to fit in or stand out.

The Two Warriors

by Dan Keding

Story Summary:

This story is about the meaninglessness of war and the commonality of all people. It also is about how two people can come to terms with each other and learn to accept their differences.

For a print friendly version of the transcript, click here: The-Two-Warriors

Discussion Questions:

  1. Why do you think the two warriors started to talk?
  2. What did they learn about each other as they talked?
  3. Why couldn’t they continue fighting the next day?

Resources:

For Those Who Cannot Speak: The Criminal Futility of War by Michael Walsh
The Futility of War by Ernest McIvor and Chris Mundy
Spinning Tales, Weaving Hope: Stories of Peace, Justice & the Environment edited by Ed Brody and Jay Goldspinner
Peace Tales: World Folktales to Talk About by Margaret Read MacDonald
The Golden Axe and Other Folktales of Compassion and Greed by Ruth Stotter
Story Solutions: Using Tales to Build Character & Teach Bully Prevention, Drug Prevention, & Conflict Resolution by Kevin Strauss

Themes:

Crossing Cultures
Taking a Stand and Peacemaking
War

Full Transcript:

Hi, I’m Dan Keding. I’m going to tell you a story I wrote called The Two Warriors.

Once, a long time ago, there was a war and during this war, there was a great battle. Two armies came together. They fought from the time the sun rose in the east until the sun died in the West. And at the end of the battle, there were only two warriors left. Two enemies. They were covered in the blood and gore of war. And they were so tired, they could barely lift their swords to strike at each other ’til one man raised his shield and said, “Wait! It will do us no honor to keep fighting like this. I say we sleep here in the battleground. And tomorrow, when the sun is reborn in the sky, we’ll finish this. And only one of us will go home.”

And the other man agreed. And so, they sheathed their great swords, took off their dented helmets, unstrapped their shields and they lay down among their dead comrades. But they were so weary, the weariness that comes with too much death, that they couldn’t sleep. And, finally, one man said, “Back in my village, I have a son who plays the wooden sword. When he grows up, he wants to be like me.” He was quiet for a moment.

And the other man said, “I have a daughter, and at night, when I kiss her good night and I look in her eyes, I see the youth of my wife.”

And the two men started to tell stories… back and forth, stories of their families, their villages, their people. The stories they learned as children at their grandparents’ knees. And, finally, they looked up and the sun was rising. And the two warriors stood and they put on their helmets, strapped on their shields, and they took those swords now dyed brown with the dried blood of yesterday’s slaughter.

And these two men stared at each other. And without hesitation, both men sheathed their swords, turned their backs on each other, and they both walked home. My grandmother always told me, “You can never hate someone once you’ve heard their story.”

Stan – A Story of a Holocaust Survivor

by Storyteller Dan Keding

Story Summary:

This story is about learning about bigotry and the strength to conquer it and the wisdom that a young person can learn from a stranger who becomes a friend.

For a print friendly version of the transcript, click here:  Stan-A-Story-of-a-Holocaust-Survivor

Discussion Questions:

  1. What makes Stan a strong man?
  2. What drew the teller to Stan? What lessons did Dan learn from Stan?

Resources:

From a Name to a Number: A Holocaust Survivor’s Autobiography by Alter Wiener
Displaced Persons: Growing Up American After the Holocaust by Joseph Berger

Themes:

Crossing Cultures
Education and Life Lessons
European American/Whites
Family and Childhood
Jewish Americans/Jews
War

Full Transcript:

Hi, my name is Dan Keding and I’m going to tell you the story about Stan, a Holocaust survivor.

In between sixth and seventh grade, my family moved from the south side of Chicago to the north side. And I remember the day we arrived at the new apartment building we were going to be living in – one of those U-shaped apartment buildings with a courtyard. Well, we pulled up behind the moving van and, as I got out of the car, this enormous shadow covered me. And a voice boomed out and said, “Welcome to the neighborhood! I’m Stan.”

And this great, huge hand that could palm a bowling ball came out of that shadow and he pumped my arm. And I was looking at the biggest human I had ever seen in my life. Stan was six foot six at least; 300 lbs. of muscle. He had a big, floppy hat on and a crooked grin and he walked with a slight limp.

And he held court inside our courtyard. There was always a lawn chair there. And pretty soon, that summer, there were two lawn chairs. Stan and I became friends and every day, we would sit there and he would tell me stories.

He was a Polish Jew who had come to America after the war and he told me stories of Poland, the old legends. He told me Jewish folk tales. He told me stories of the war where he’d fought in the Resistance in Poland.

We’d go for walks sometimes. And even the adult bullies would walk off the sidewalk and smile kind of sheepishly as Stan would say, “How ya doin?”

And they’d go, “Okay,” ’cause his shoulders took up most of the sidewalk.

He was a sweet and kind man… gentle. One day, he turned to me and said, “You know, Dan, you’re gonna be a big man when you grow up. You know what’s important, don’cha?”

Well, I had been watching Errol Flynn for years, you know. I knew what was important. “Honor,” I said.

And he looked at me and said, “Honor? (spit) Honor is a luxury. Honor is stupid!” He says, “If a man curses you… a man dishonors you, you walk away. They’re less a man than you! The only things worth fighting for are family and friends.” That was a lesson I needed to hear.

Well, one day we were talking and Stan, he turned to me and said, “It is so hot out today.”

And it was July, and I said, “Oh, you’re right!” We were both soaked in the sun and he took off his floppy hat, which I’d never seen him do before. He took a big, huge bandanna and started to wipe his head, which was totally devoid of any hair and was covered in surgical scars.

As he put his hat back on, I turned to him and said, “What happened to you?”

He said, “During the war, we ambushed a Nazi patrol and there were more of them than we thought. I was wounded. That’s why I limp. And before I could take my own life, as we often did in the Resistance, I was captured. Because I’m a Jew, they sent me to a concentration camp, Dan.  Because I’m so big and so strong, they experimented on me.”

The doctors at the camp had opened his skull dozens of times to see how the human brain worked. But, you know, they couldn’t find the gentleness and the beauty of his.

One day, he turned me and said, “Dan, let’s go for a…” And he slumped in his chair. I panicked and I ran up the steps of the apartment building, knocked on the door where his, his wife and he lived.

And I said, huh, huh, I said, “Huh, huh, is… it’s Stan! He’s had a heart attack. He’s had a stroke!”

She said, “Shh… stop.” So, I did. She said, “It’s what they did to him, Daniel. You haven’t seen it before. Once, twice, even three times a day, Stan passes out. Just go downstairs, sit down next to him. And when he wakes up, he’ll start a sentence from where he left off.”

This is kind of spooky for a boy going into seventh grade, but I did as I was told. And I went downstairs and sat in that lawn chair. And after about five minutes, those huge shoulders squared up and the head came up and he said, “walk around the neighborhood and see what’s happening.”

I said, “Sure, Stan, let’s go.”

One day, my stepdad was changing a tire. He couldn’t get the last lug nut off. Uh, and Stan walked over and said, “Hey, Herm. What’s, what’s the problem?”

And my stepfather said, “I can’t get the lug nut off this last one. They must have put in on too tight with those pneumatic tools they use now.”

Stan says, “I can get it off.”

And my stepdad handed him the tire iron. And Stan looked at the tire iron as if it was some kind of strange, foreign instrument. And he put it down on the grass, reached over with two fingers, grabbed the lug nut and went (clk) and took it off and handed it to my stepfather. He told that story for the rest of his life.

When school started, I went to the Catholic school. Mom always said, “Dan, you have to go to the Catholic school because I can’t impose you on people who are paid with taxes.” I thought that was cruel of her but it was true.

One day I said to Stan, “Stan, why don’t you come to school, tell your stories?”

And Stan got this look of mock horror on his face. He said, “Oh, no, Dan! I went into that Catholic church one time and I saw what they did to the last Jew they got their hands on.” And then he started laughing at the top of his voice and his laughter rolled out of the courtyard and into the street.

It was late autumn and I was coming home from school when I saw an ambulance pulling away from the apartment building. Jenny, who lived in the basement, she was standing there and I said, “What happened?” And she told me that it was Stan.

We didn’t have garages or workrooms or basements even. When we built things, we built them in the kitchen because that’s where the linoleum was and you could clean it up. Stan was building a bookcase and he slipped and the saw went through his wrist. And before he’d get to the phone, call for help, he had one of his spells and he bled to death on the kitchen floor.

And I stood there at the curb and I wanted to hate someone so badly. But all the men who had hurt my friend were dead.

At the funeral, his wife told me not to forget his stories and I promised her I wouldn’t. And then she grabbed the lapel of my coat. She looked me in the eye and she said, “You know, Dan, the Nazis killed my husband but he was so strong, it took him 20 years to die.”

Zebra Children: A Guide to Interracial Dating from the Closet for Immigrants and their Children

by Archy Jamjun

Story Summary:

When in high school, Archy and his Thai family get into a fight about him dating a black girl. Years later, when Archy came out to his mother, he finds that his mother’s racial attitudes have conveniently changed.

Discussion Questions:

  1. What kind of discussions about race have you had with your family?
  2. Have you ever dated outside of your “race” and how did your family feel about it?
  3. How do you react when you feel like someone is being racist or spreading racist ideas?

Resources:

Network TV Show: Fresh Off the Boat
The Namesake
by Jumpia Lahiri
The Kitchen God’s Wife by Amy Tan

Themes:

  • Asian American/Asians
  • Crossing Cultures
  • Family and Childhood
  • Identity
  • Stereotypes and Discrimination

My Names: Gender Expectations for a Taiwanese Woman

by Ada Cheng

Story Summary:

In this story, Ada Cheng explains the meanings of her Chinese name: Shu-Ju. She explains the connection between her name, her parents’ expectations for her as a daughter, and the cultural expectations for her as a daughter. She details why she chose to stay with the name Ada and what Ada means to her life and her identity.

For a print friendly version of the transcript, click here:  My-Names-Gender-Expectations-for-a-Taiwanese

Discussion Questions:

  1. How do parents come up with names for their children in Taiwan? What do names represent?
  2. What does Ada’s original Taiwanese name tell you about gender norms in Taiwan?
  3. Why is changing her name important to Ada, her identity and her life?

Resources:

Growing Up in Three Cultures: A Personal Journey of a Taiwanese-American Woman by Dora Shu-fang Dien 
Getting Saved in America: Taiwanese Immigration and Religious Experience by Carolyn Chen
Fresh Off the Boat: A Memoir by Eddie Huang

Themes:

  • Asian American/Asians
  • Crossing Cultures
  • Education and Life Lessons
  • Family and Childhood
  • Identity
  • Immigration
  • Languages
  • Living and Traveling Abroad

Full Transcript:

Hi! I’m Ada Cheng. Ada Cheng. Let me start with my original name. I was born in Taipei, Taiwan and I was born Chen Shu-Ju. In Taiwanese culture and some of the Asian cultures, Cheng, we put our last name in the first place so Cheng is the family name. Shu-Ju, um, that’s my given name. In Taiwanese culture, when parents give children their names, uh, it represents, uh, their expectations in terms of what they want and what they hope for their future. It can be about their life; it can be about their career. Shu-Ju. Shu, the character means like a lady.  Ju means good luck.

So, I can just imagine my mother going to a fortuneteller and trying to find the right characters for me. Um, and, eh, she would probably talk to my father. “I think it would be great if we give our daughter, uh, this wonderful name and we hope that she will be gentle and… and… and quiet and polite and respectful. Like a lady with a lot of good luck.

So, now imagine my being a little girl, like a tomboy. And then my parents’ expectation was that they wanted me to be respectful, polite, quiet and… and gentle like a lady and I didn’t like my name when I was growing up. Um, here’s the thing, this is what my mother’s… as I was growing up, this is what my mother would say, “Nah, nah, nah, nah, nah, nah! You got to wash dishes. You… you’re a girl; you have to help out in the kitchen. Nah, nah, nah, nah, nah! Close your legs! You’re a girl! Come on, you can’t do that anymore. Nah, nah, nah, nah, nah! You can’t beat up your brother. He’s a boy. You’re a girl! Ah, Shu-Ju, what’s going on with you? You can’t run around naked anymore. You’re a girl! Ah, you can’t play with boys. Please do not talk back!”

Let sink that, think, sink that, sinking for a while. I grew up like playing, running around, tomboy, climbing, liked to climb trees, climb things, fight with boys. And as I was growing up, I hated my name because how did you… could you convince me to love a name that I knew I was going to fail my parents’ expectations. That there was no way for me to fake it, right! Often time you fake it until you make it! There’s no way. For me to know I can fake it until I make it. And… and there’s no way for me to… when I was a little girl, I thought there… there’s no way for me to make it as a woman in this society.

And I rebelled; I refused to do anything required me as a girl. Um… which also very interesting is that I… my mother also gave me another nickname. Um, in Mandarin, it’s called Zhi Da Bien. In Taiwanese, it’s called Gay Sei. In… in English, it’s called Chicken Poop! That’s right! My mother called me Chicken Poop. Eh… and it was… so, um, I asked my mother, “Why would you call me such name?”

And she say, “Because you were so small; just like a chicken poop, right?” She thought it was very, very  endearing to call me this. Um… ah, she didn’t think there was anything wrong with it. But the thing when… as I am older and think back, would she call my brother such a name?

So, I remember when I was 8 years old and I was playing  with, uh, neighborhood children. And I was the smallest one in the neighborhood but I was the one, the strongest one with the strongest opinions. I liked to order people around and I would say, “Line up! Do this and do that!” So, often time, after school the children would just stand there and play. So I remember that day, that close to dinnertime, and I was gathering people and say, “Hey, hey, hey! Please, uh, gather up, we’re gonna play the game (whatever the game was). We’re gonna play again!”

And as I was ordering people around and, uh, I was the smallest one, my mother suddenly appear at the door and then she said, “Zhi Da Bien, Zhi Da Bien! Shi wăncān!”  So, the English translation is “Chicken Poop, Chicken Poop, it’s time for dinner!”

And I just froze! And I turn around and I look at my mother and I was exasperated. I was being authority figure, standing in front of a group calling the shot and then, I say, “Five minutes, give me five minutes!” Ah! In my back, I heard children giggling, right! And when I turn around, the kids just started to laugh at me. “Ah, Zhi Da Bien, Zhi Da Bien, right! Your name is Chicken Poop, Chicken Poop! And then I was… I just… I was so mad! I was so frustrated! And I… I just left. I ran away. I said, “You know, I’m not going to play with you guys!” and left.

And when I went home, I finished dinner and I didn’t talk to my mother. And that was pretty much the day I kind of lost my status in the neighborhood. I mean, think about it, how many boys will want to play with a girl and to be ordered around by a girl whose name is Chicken Poop, right! Um, and I realize nobody wanted to play with me. Um, when my mother saw me this small or given me this small… um, and later on, uh, you know, my mother and I, ah, my family and I – we stopped talking with each other.

And, um, because I was trying to be my own person, um, wanted to search my own life, um… And it was actually October, 1976, I was in junior high school. We… everyone started to learn English and so one day when I’m home, we have this very small dictionary. And I thought if I started to learn English, I am going to have an English name so I can immerse myself in with… into the environment so I flipped through the dictionary. I found this name list and I looked through the names. In our textbooks, we have Mary, we have Susan, we have… have all these names. I thought I got to find a name that nobody has heard. So, I looked through it and I saw the name… I saw Ada, right! Ada is for the first place, the first name listed under the alphabet A. And I looked at it and I thought, “That’s it, Ada! That’s the name for me!”

Because at the age 12, the only thing I want to be was number one. So, I thought I wanted to pick the name Ada so I could be number one then and number one forever. So, I pick that name and I stick with it, uh, forever. And I started to introduce myself to everyone as Ada and that’s the important part is that when I picked that name, I also wrote a different story for myself. Thank you.

Complexions of Love: Biracial Children and Folks Who Are Just “Too Dark”

by Storyteller Mama Edie McLoud Armstrong

Story Summary:

This story speaks to the cruelty of the imposed mental conditioning that inspires people to come to despise their own natural attributes. Mama Edie refers to her father who was considered “too dark” to marry her mother by Mama Edie’s great aunt. Mama Edie also reflects on her Mexican American cousin, who thought she looked “too light” or “too Mexican” to feel like a truly loved member of the family. The story explores how this toxic conditioning has often led to people seeing themselves as being “less than,” not as “beautiful” or well-loved. It further explores the impact this can have on family and other relationships, such that Mama Edie’s cousin felt that she didn’t quite belong anywhere.  It ends with a song segment sung in Spanish by Mama Edie that celebrates the beauty and strength of so-called “people of color.”

For a print friendly version of the transcript, click here:  Complexions-of-Love-Biracial-Children-and-Folks-Who-Are-Just-Too-Dark

Discussion Questions:

  1. Consider these statements: “She’s dark but really pretty,” vs. “She’s dark and really pretty.”  What do you think the inferences are when stated either way?
  2. Discuss the pros and cons of interracial or intercultural marriages.
  3. Discuss the pros and cons of interracial or intercultural adoptions.
  4. Would you find it odd to see a European-American girl with locks, African braids, corn rows or beads in her hair? Do you find it odd when you see an African American girl with straightened hair when you can tell that it’s probably not her natural texture? Discuss the implications of your responses to both.
  5. How might the way that people see themselves affect their sense of personal value, empowerment, their relationships or success in life, however that success is defined?

Resources:

This article in the April 2016 issue of the American Academy of Child and Adolescent Psychology speaks to the rapidly growing number of mixed race families, as well as cross-cultural adoptions and the psycho-emotional needs these families face:

http://www.aacap.org/aacap/families_and_youth/facts_for_families/fff-guide/Multiracial-Children-071.aspx

Collection of 88 Games and Activities to Celebrate Diversity Month (for youth and adults): http://www.sbhihelp.org/files/Diversity88Ways.pdf

This excellent 4 ½ minute film begins with President Barack Obama speaking on his pride in claiming all of who he happens to be. It is followed by several young people of various cultures who speak to their experiences of being of mixed heritages in America. https://www.youtube.com/watch?v=21H9lA6MLHM

This 4-minute film features a mixed heritage couple raising twin boys and their aspirations for the children to grow up happy and well-supported. They speak to the artificiality of “race” as it is often referred to. https://www.youtube.com/watch?v=Pa3Ospkeyng

This is a 1 ½ minute slide show with background music that features photos of mixed heritage couples that demonstrate the attraction of men of other cultures to African American women.
https://www.youtube.com/watch?v=iOAW4SH-2Vk

This TED Talk on YouTube was performed by Mama Edie’s niece, Kelli McLoud-Schingen, and is entitled “Identity:  The Story of Me”.  It is 18 minutes long and helps to sensitize the viewer to possibly unfamiliar issues of identity for African American women. Kelli happens to be married to a German American. The couple has two children.
https://www.youtube.com/watch?v=n2nKENGttB0

Themes:

  • African American/Africans
  • Crossing Cultures
  • Family and Childhood
  • Identity
  • Stereotypes and Discrimination

Full Transcript:

My name is Eddie McLoud Armstrong.

My first home in 1951 was in a neighborhood called Bronzeville. It was named Bronzeville because of the varying hues of the people who lived there. It was a predominantly African-American community on the South Side of Chicago. And Bronzeville was actually considered the Mecca of African-Americans in this city. And there were many areas in major cities around the country like Bronzeville because during that time, during the Great Migration when African-Americans had been coming to major cities and even smaller cities. This was a time of great promise. It was still a time of struggle but there were people who were able, they were able to find jobs. Some of them, they weren’t that happy with but they were happy to have a job. They, and they were willing to do anything. They were willing to do the laundry, sweep the floors, open the doors, raise white children, and see their own children whenever they could sometimes only on weekends. But some people were even able to start their own businesses. And that was a wonderful thing as well.

Well, in the midst of this resurgence, this renaissance, if you will, of African-American life, there were people who were also great performers. There were writers and authors who were informing us and inspiring us, to lift ourselves up. To lift each other up. To hold on to hope and to keep on keeping our eyes on the prize. And that was a wonderful thing but, you know, we had a little something going on within the African-American community. And this was not only within African-American communities. This was something that happened among children of African descent around the world. And it had to do with color.

Now, one might say, “What does color have to do with anything?” Unfortunately, it can have something to do with a lot of things. We had been conditioned to believe that the lighter you were, that the straighter your hair was, the more beautiful you were. So that means that if you were dark and your hair wasn’t so straight, that means what? You couldn’t, you could never qualify for being beautiful? That thinking was not very healthy. And for generations, people grew up thinking that way.

Sadly, we have to acknowledge that there are people today, especially among women, who have never become comfortable enough to allow other people to see the natural texture of their hair. They will wear a wig. They wear a weave. They’ll put chemicals in there to get it straight, to get it curly, to look like somebody else’s hair. Now, seeing situations like that have now become normal. Would it be as normal to see a white woman or a Euro-American woman with cornrows? Little white girls with beads in their hair? Some of them are doing it these days with locks, with an afro wig. Oh, yeah. There are people who would buy afro wigs. But would it be as normal for us to see white women emulating the kind of hair that we had. And if not, why not? In my mind, it should be no more normal for one than the other. The color thing, the hair thing; it’s the surface of what goes beneath. What, it has everything to do with how one feels about one’s self.

Now, when you have a situation, for example, where there are people of color, who are biracial. And even not just biracial, who are obviously mixed, though, with other heritages, when it becomes a big deal, it makes a person uncomfortable. We put too much focus on the exterior of the per… person. And when you have so much focus going on the outside of the person, then you shift focus away from the things that really matter. And that’s serious. So, this color situation has social, psychological, and even economic ramifications.

I have a cousin whose father was Mexican and her mother, my mother’s sister, was of course African-American. Now, on my mother’s side of the family they were very light complexion. Now, my dad was very dark. And so, in fact, my dad was one of those examples of people where, for example, when he came to talk to my mother’s great, great aunt, who cared for her because my mother’s mom had passed away. And so, she had brought Daddy to the house to let him talk to her because he wanted to propose. But Mommy had Daddy wait in an adjoining room but he could hear part of the conversation. And my aunt told my mother, “Well, you can’t marry Jackie. He’s a nice man but you can’t marry Jack.”

And mommy said, “Well, why not?”

She said, “Because he’s, he’s just too dark.” My mother was crushed and she thought that it was a cruel thing to say. My father happened to be handsome. But it’s an interesting thing because sometimes we may hear people say something like, “Well, he was dark but he was handsome.” You get a different spin on things if you say, “He was dark and handsome.” Saying it differently means something. If you say he was dark but handsome, it means that you don’t expect that he can be handsome because he’s dark. And again, there’s something wrong with that kind of thinking. And so, my father, I feel like my father, ended up feeling for the rest of his life that he had to prove his worth, to prove his value because of the color of his skin, because of the complexion of his skin. And it really had nothing to do with it. I can tell you that my father stayed married to my mother who came to be a rheumatoid arthritic and could not walk. Raising four children, putting them through Catholic schools, working two jobs. They stayed married for 47 years, until my mom passed away. If he had something to prove, he did it. I’m just sorry for the reason why.

I was starting to tell you about my cousin. Now, my cousin was a little bit of a different story. Kind of the same story but just from another direction. Because I didn’t realize that, first of all, she looked more Mexican than she did African-American. We didn’t care about that. We thought she was pretty. I thought she was beautiful. Of course. I was one of those people who thought, well, she light, she got long, straight hair. I know she’s beautiful. So, I felt like I wanted to look more like her. I didn’t find out until years later she wanted to look more like me. She even told me that she wasn’t comfortable at all with the Mexican side of her heritage.

And I told her I said, “Well, why? I don’t understand.”

And she said, “Because I guess, it’s because I don’t really look so much like anybody else in the family. And I, kind of, feel like I don’t belong. And maybe not as well loved.”

I said, “Carlotta, did we ever say or do anything to have you not feel loved?”

She said, “No.”

And I said, “Well, what make you say something like that?”

She said, “Edith, I really don’t know.”

I said, “Well, girl, we got to do something about that.” I said, “Now, I live in a community where there are a lot of Mexicans. There are a lot of people from African countries, from Caribbean countries, we’ve got Asians, we got everybody up in my neighborhood.” And I said, “I have Mexican friends. You need to come to Chicago.” She was living in Niles, Michigan at the time. I said, “You need to come to Chicago, meet some of my friends. Let’s explore the Mexican side of your heritage so that you can find the things that there are to love about that part of who you are. This is sad to me.”

And she said, “Well, I guess so. I guess, maybe, I’ll come now.”

Now, we were both adults at this time. I guess I was in my early 30’s and she’s about six years my senior. But she never came and eventually she moved to Denver, Colorado with her three children. Her marriage had dissolved and she was married to a very light complexion young man. And, but she went to Denver, I suppose, looking for some place to be comfortable with herself and who she is. And somehow, we lost track of her. We can’t find her anymore. She became so uncomfortable with us, in being part of our family, that she really just kind of disappeared. And that’s a pain that I have. I feel like there’s a hole inside my heart. I miss her. I still love her. And I’m very sad that we live in a nation that would have media participate in the kind of propaganda that would pit us against each other – light skin against dark skin.

And it was almost going back to the slave times, you know. The slave, the field worker versus the, the house worker. Divide and conquer, doesn’t get it for anybody. And children from biracial families, who are struggling with this, they need to know that we love them no matter what their complexions are. And nobody is too dark. Nobody is too light. We can just be too little loved.

And so, I share that story to remind us all that love really shouldn’t have any complexion. And wouldn’t it be wonderful if we could just be the flowers in a garden? Like a song, by Tite Curet Alonso, “Las Caras Lindas,” he talks about the beauty of my black people. Just a tiny bit, I’d like to share.

(Singing)

Las caras lindas de mi gente negra

Son un desfile de melaza en flor

The beautiful faces of my black people are like a parade of molasses in bloom. How beautiful. Let’s be the flowers and let’s encourage each other to bloom.

Rosie the Riveter Part III

By: Judith Black

 

Story Summary:

During WWII, men fought on the eastern and western front, but Rosie was the soldier on the home front. Working all shifts and all jobs she plowed her way through a workplace woven with sexism and racism and despite it all, this gal had production levels that turned heads. In this excerpt, you’ll meet an African American Rosie who changed the nature of a 1944 workplace.

For a print friendly version of the transcript, click here:  Rosie-the-Riveter

Discussion Questions:

  1. During WWII, 5 million women poured into the American workforce, and worked an average of 56 hours a week.  These same women remained the primary homemakers, and caretakers for their children. What, if anything, has change for working women today and why?
  1. During WWII, the nation and its industries desperately needed women to step up and take the jobs that men were leaving when they volunteered or were drafted for the armed forces. Can you name three of those industries?  What difficulties did women, immigrants, and people of color have entering these industries?  Did women remain at their work after the war?  Why or why not?
  1. WWII was the first time in our national history that women, immigrants, and people of color were hired to do difficult, technical jobs that paid them well.  Though many of these people had to sign a promise to give their jobs back to the white males when they returned from the war. How do you think that doing these jobs and experiencing a sense of equality changed the new workers?

Resources:

  • The Life and Times of Rosie the Riveter by Marilyn Whitman
  • V Is For Victory: The American Home front During WWII by Miriam Frank
  • Uncle Sam Wants You: Men and Women of WWII by Sylvia Whitman

Themes:

  • Crossing Cultures
  • Stereotypes & Discrimination
  • Taking A Stand and Peacemaking
  • Workplace

Full Transcript:

Hi, I’m Judith Black.

Now during World War II, when men were serving on both the eastern and western front, who do you think made the boats, the guns, the airplanes that they fought with? The women on the home front. Was often called the Third Front. And this is a story about those women. There are actually three adventurers in it and each Rosie deals with a different issue. The first Rosie with sexism, the second with Holocaust denial. But I want you to meet the third Rosie.

(Singing)

All the day long whether rain or shine
 She’s a part of the assembly line
 She’s making history, working for victory
 Rosie the Riveter
 Keeps a sharp lookout for sabotage
 Sitting up there on the fuselage
 That little frail can do more than a male will do
 Rosie the Riveter

Rosie rocked underneath the great wrought iron gate. It was the graveyard shift, 11 at night till 7 in the morning. But Rosie, she kept the pace and the spirits high. As a matter of fact, the only thing that didn’t keep the spirits high was that night’s set-up man.

“Hey, my man, Emmanuel, how you doing?”

“Oh, Rosalita. You’re looking fine tonight, girl. You’re gonna turn heads.”

“Oh, yeah, Baby, I’m gonna turn heads. Roundheads, flatheads, and brassheads.”

“Hey, Susie, girl,”  Rosie asked Susie the same question every night and got the same answer. “Hey, Susie girl, how’s college education helping you on the line?”

“Oh, Rosie. It’s teaching me how to check my paystub for the right amount.”

“Girlfriend, I’m going to have to have you look at mine. Hey, Ho Trung, how’s it going?”

Ho Trung, a slight talking east man was very shy and Rosie was careful to greet him every single night.

“Okay, ya’ll, let’s get to work.”

That night set-up man. During the war, it was the very first time that people of color, women could actually get well-paying technical jobs in the factories. And the bosses trusted them, they trusted them to do rifling, they trusted them to do file and polish, they trusted them to do chambering but leadership roles still only went to men. White men. And sometimes the guys that got those jobs, just didn’t deserve them. That night set-up man was a long, lean boy with oily hair, pendulous lips and a nervous habit, and whenever he could get it, a cigarette hanging from those lips.

“Okay, you black and white and yellow and brown, let’s get my little United Nations to work.” That always came after a number of racial invectives.

And Rosie would whisper, “Come on, ya’ll. Let’s remember who the real enemy is and show aw stuff.”

But that night set-up man, he was still like a cold wind at people’s necks.

Well, during break time, Rosie kept the pace and the spirits up, “Come on, ya’ll. Come on. We’re going to hear the news as it has been seen and now will be reported, Ho Trung Nguyen.” She knew that Ho Trung, being alone in this country, went to see the newsreels each day. “How Trung, my man. What do we need to know?”

“Rosie, they say since girls come to work in factories, too much kissing and hugging.”

“Coo wee! They’re making blue reels about the workers. What else?”

“They say at McDonnell Douglas Aircraft, they closed back room because girl found kissing with foreman.”

“Coo wee! Don’t mix me up with our set-up man. We’d make some hot stuff.”

“Don’t make too hot, Rosie. Make casing on fighter bomber explode.” It wasn’t a big joke for Ho Trung; it was to the world. Everyone laughed and they were back at their stations before the bell went off. But that didn’t stop the night set-up man.

“Come on, black and white and yellow and brown, let’s get my little United Nations to work. Hey, Emmanuel, maybe if you wash your hands more often, things wouldn’t slip through. Hey, Susie girl. Why don’t you stay after shift? I’ll teach you something they don’t teach you in college. Hey, Rosie,” he knew better than to say anything to Rose. “Trung. Ho Trung, you with the slanty eyes. You, you! You see, you look like a Jap to me. You probably sellin’ secrets.”

“No, not Japanese. Tonkinese.”

“Yeah, you look Jap to me boy, and I bet you’re taking them secrets. I’m gonna tell the boss. Probably fire you.”

“Need job to bring my wife and children here.”

“You’re talking back to me? Are you talking back to me?!” And he took one aggressive step toward Ho Trung. Ho Trung took a step back. He tripped, he fell, and his head missed a moving lathe by that much. And the set-up man just leaned over him. His foot starting to swing like it would when you wanted to kick a stone across the street. Until he felt a warm vibration right at the nape of his neck. And when he started to turn, the vibration intensified ever so slightly. But he knew. It was Rosie and a riveting gun. And he could imagine any hole going from the back.

“Oh, girl! You’re in trouble. You got to…”

“Help that man up, Mr. Mister.”

“Girl, I’m telling you. Girl…”

“Help him up.”

“Ho Trung.”

“Good, Now, dust him off.”

“Girl, ya…”

“I said, Dust him off, Mr. Mister.”

“You..”

“Good. Now you apologize to that human being…Now.”

“Sorry, Ho Trung. That was an accident. You know that, don’t ya? Ok. Girl, you and me, we are going down to the foreman’s office right now.”

“Fine. I am right behind you.”

And Rosie, she walked down that long shop floor. That riveting gun never leaving the nape of his neck. They walked up the two steps into the night foreman’s office and door, (closing sound).

Ho Trung looked around and he said, “I don’t know about any of you, but I could speak for Rosie.”

“Wait, Susie will come with you. l’ll talk for Rosie.”

“I, Patrick McPhee, I’ll talk for Rosie.

Emmanuel, “I’ll talk for Rosie.” And soon, all 22 people who worked on that riveting shop floor were lined up behind Ho Trung Nguyen and marching down the aisle there, until they got to the foreman’s door and they heard inside angry voices. But none of them were Rosie’s trying to defend herself.

“I’m telling you! I’m telling you if I’m your voice on that floor, that girl is going to cause anarchy! That girl, she, she thinks she is the boss! She…”

“Now, we’ve never had any trouble with Rose. She has incredible production.”

“I’m telling you unless want anarchy, this girl has got to go! And…”

For the first time in his life, Ho Trung Nguyen opened a door without knock’n. The foreman looked down and he saw 22 pairs of angry eyes. All riveted to his night set-up man. “Rose, I don’t know what happened out there but I’m going to ask you to do me a big favor. Would you please, please go back to work?”

She stood a little too slowly, dusted herself off in the direction of the set-up man, looked down at everyone in that shop. “Come on, ya’ll. We got a lot of time to make up for.” And Rosie and that graveyard shift, they had the highest production levels at any factory during that war.

Well, people often ask when the war was over, did Rosie keep riveting? Well, most women signed a pledge that they give the guys who came back their jobs. So, lots of women went back home. Too many of them had to go back to the poor paying jobs that they had before the war. Some went on for training. But if you asked any of them, “What were you doing during the war?”

They’ll proudly tell you, “Me? I was a Rosie.”

(Singing)

What if she’s smeared full of oil and grease
 Doing her bit for the old Lendlease
 She keeps the gang around
 They love to hang around
 Rosie the Riveter

Sparta, Georgia

by Storyteller Gene Tagaban

 

Story Summary:

 Gene travelled by van across the country to see the land of his people. Along his journey, he had the experience of meeting a southern white couple on a backcountry dirt road and an old black man in Sparta, Georgia who fought with First Nation men during the Korean War.

For a print friendly version of the transcript, click here: Sparta-GA

Discussion Questions:

  1.  How do we break up the biases we have about other people?
  2. Can travel be a way to open or confirm our ideas about other people?
  3.  Where would you like to travel? How would you keep an open mind about the people you meet along the way?

Resources:

  •  On the Road by Jack Kerouac
  • The Smooth Traveler: Avoiding Cross-Cultural Mistakes at Home and Abroad by Susan O’Halloran

Themes:

  •  African American/Black History
  • Crossing Cultures
  • Education and Life Lessons
  • European American/Whites
  • First Nations/Native Americans
  • Living and Traveling Abroad
  • Stereotypes and Discrimination
  • Taking A Stand and Peacemaking
  • War

Full Transcript:

Gunalchéesh! My name is Gene Tagaban.

My name is Guy Yaaw.  I’m of the Takdeintaan clan, the Raven, Freshwater Salmon clan from Hoonah, Alaska. I’m the child of a Wooshketann, Eagle, Shark clan Káawu huna in Juneau, Alaska.

I am Cherokee, Tlingit and Filipino. I’m a Cherotlingipino. I’d like to tell the story about an adventure of mine when I was a young man. I bought a van and I was going to drive across the country. And see what that land where I came from, my Indian people, was like.

Many people were exploring Europe and going over there but there’s so much richness here just in our backyard. So I was driving through Louisiana, me and my girlfriend. And so we stopped one night on a side road, dirt road and it was dark out. We were gonna camp there for the night. As we are just gettin’ ready to camp, a truck pulls up. Pulls in front of us. Turned around. And the headlights are shining right into our van. I’m thinking to myself, “Oh! What the heck’s going on here?”

And the only thing that could run through my mind was just these things I hear that’s going on in the south in the back country in Deliverance. We were kind of freaked out and they pulled up right next to us. I rolled down my window. And they said, “How y’all doin’?”

“Oh, we’re doin’ good.”

“Now where are y’all from?”

I told ’em, “I’m originally from Alaska.”

“Who are you people?”

And I said,” Guy Yaaw (then speaks about his people in his native language).

And they looked at me and said, “Now what kind of foreign language is that?”

“Oh, that’s my Tlingit language. I’m a Native American from this country. That language I just spoke to you was from Alaska.

“Alaska! You guys from Alaska?”

I said, “Yes, I am!”

“Now what y’all doin’ way down here. Did you guys get lost?”

I said, “No, we’re just driving around seeing this country.” And we started to strike up a conversation.

And he asked me, “How do y’all say… fire?”

“Fire.”

He said, “Now did you hear that… fire. Now right here you say… fire to say… fire. You know, you’re some interesting folks! Now we don’t get many people like you around here much often. You know what? We’re having a… a gathering here that’s coming up here in a couple of days. You sure are welcome to come if you’d like to come. You can meet my kin, my folks that’s back there in the swamps a little bit. You’ll be more than welcome!”

I said, “Ah, thank you for the invitation but I think we’re gonna move on and keep traveling. I think we’re gonna make our way up… around Georgia. See, I’m part Cherokee and my people come from that area.”

“Well, all I want to tell you is that stay away from Sparta, Georgia there. I’ve been to Sparta. A lot of black folk there, you know. You good people. I don’t want you to get in trouble now. Ah, it’s good to meet you.”

“It sounds good to me too. I’ll tell you what! A couple of days later, we are in Sparta, Georgia and we were hungry. So we went to go get a couple of sandwiches and across the street was a basketball court and playin’ basketball there – a bunch of youngsters playing ball and they’re all black. And we sat there to go watch them play basketball. So we’re sitting there eatin’ our sandwiches and they’re arguing back and forth because they need an extra player.

And so they looked at me. They came up to me and said, “Heh! You right there! You play ball?”

I go, “Who? Me?’

“Yeah, we’re talking to you. You play ball?”

I said, “Do I play ball?” Now, I tell you what! Indians love basketball! So I said, “Yeah, I play ball!”

And so we went out there. They brought me out there. We started playing hoops back and forth. And we were playing basketball all afternoon and then they asked me, “Excuse me. Where are you from?”

I said, “From Alaska.”

And they asked me, “Are you an Indian?”

I said, “Yeah, I am!”

“Can we touch you?”

“You want to touch me?” I said, “Sure.”

So they felt my skin and they felt my hair and they told me… they said, “Hey, wait here, wait here!” And so they ran off but they brought back all their family, their relatives – aunties, uncles, cousins. They wanted to meet us Native American people because they’ve only heard about us in movies, books, magazines, museums. They never met a real live native person before. They said, “We gotta take you…we got Uncle Leroy who’d love to meet you.”

And so we went to Uncle’s Leroy’s house and Uncle Leroy, when we walked in, he was like this skinny black man. I mean he was so black, he was like purple. Long white hair, long white beard and he had square glasses tinted blue. Yes, and he was skinny, about as skinny as a broom pole when he came shuffling up to us, looked at me, “My Indian brothers!” You see, Uncle Leroy was in the Korean War and in the Korean War, Uncle Leroy was this young black man and he was scared and there were bombs and guns goin’ off. And so he was runnin’ around. But at the same time he was runnin’ around, there are a couple of Indians in a foxhole and they’re smokin’ their tobacco, saying their prayer. “Oh, Creator, take care of us. I swear here on this here foreign land, watch over us and we promise we’ll live a good life. Send us a sign that you hear what we’re talkin’ about. You hear our prayers!” And they’re smoking their tobacco! And just as they’re praying, suddenly Uncle Leroy jumps into their foxhole and those two Indians look at this black man and they go, “Ah, the creator! Thank you for sending us this good luck charm of a black man. We promise we’ll take care of this young man here in a good way.” And so they did.

They kept that promise and they took care of Uncle Leroy. And they taught Uncle Leroy about spirit, honor, culture, tradition, prayer, brotherhood. And they took care of Uncle Leroy and Uncle Leroy felt that. He owed those Indian brothers of his. So I went to his house. He told us the stories of brotherhood, took care of us while we were in his home. So the next morning we jumped in the van and we headed off. And as we were driving off, I heard Uncle Leroy, “My Indian brothers!”

Navajo Code Talker

by Storyteller Gene Tagaban

 

Story Summary:

 During WWII the Navajo Code Talkers created a code that was never broken. The Navaho were forced off their reservations into boarding schools where they were told not to speak their language or practice their culture. But when WWII started, the United States military reached out to the Navajo to help them create a code using their previously forbidden language.

For a print friendly version of the transcript, click here: Navajo-Code-Talker

Discussion Questions:

  1.  Why did the U.S. switch its policy toward the Navajo’s native language?
  2. The Navajo were not allowed to speak of their role in WWII until 1968. What effect do you think it had that those fighting alongside American Indians during the War were unaware of their critical contribution?

Resources:

  •  The First and Only Memoir by One of the Original Navajo Code Talkers by Chester Nez and Judith Schiess Avila
  • Code Talk: A Novel About the Navajo Marine of World War Two by Joseph Bruchac

Themes:

  •  Crossing Cultures
  • European American/Whites
  • First Nations/Native Americans
  • Identity
  • Stereotypes and Discrimination
  • Taking A Stand and Peacemaking
  • War

Full Transcript:

Gunalchéesh! My name is Gene Tagaban. My Tlingit name is Guy Yaaw. I’m of the Takdeintaan clan. The Raven, Fresh Water Sockeye clan from Hoonah, Alaska. I’m a child of a Wooshkeetaan, Eagle, Shark clan Káawu huna in Juneau, Alaska and I’m a Tlingit, Cherokee and Filipino. And I tell people I’m a Cherotlingipino. It’s good to be here.

Ah, you know our elders are precious. In fact, we often refer to them as our, our precious objects. I mean… but they’re more than that, our elders, and we hold them in reverence and honor. I had the opportunity to travel around the country with a man; his name is Andrew Osano from Cochiti Pueblo, USA.

Now Andrew was a medicine man or, you might say, Andrew was a holy man. But when you’re from the Pueblo or the reservation, things just move slower. And I was telling Andrew, “We’re going to New York.” I said, “Andrew, when we get to New York, everyone’s going to be moving really fast. And so you need to just move just a little bit faster than you’re used to.”

He goes, “Oh! OK, OK, OK!” And so when we’re flying into New York, he’s looking out the window and his perspective on it was, “Oh, look at that! New York City! All the buildings looked like headstones. Interesting, eh!”

So I’m walkin’ through New York with Andrew Osano and we go to the top of the Empire State Building. And it was a time when Hale-Bopp, the comet, was going through. And so Andrew, he takes those binoculars and instead of looking at New York City, he looks up into the sky, “The comet! Oh! Ah!” And he starts to say some prayers, singing a song and everybody around him starts looking at Andrew Osano, Cochiti Pueblo, USA, medicine man, holy man.

A few years later after that, I drove to Cochiti Pueblo to see Andrew and he goes, “Oh! Oh, Raven T! Oh, it’s good to see you. I need a ride. Ah! We go see my uncle.” And so we’re driving to another pueblo, to see his uncle. And as we’re going through certain areas, Andrew stops, closes his eyes sings and says prayers. “Spirits all along this road,” he says. So we pulled up to a small house. He goes, “My uncle lives here. My uncle, he is a Navajo Code Talker.”

“Navajo Code Talker? Ah!”

“Come in, let’s visit.” We walked in and there’s a small Indian man there, wrinkled skin, dark. And I look into his eyes and they’re just deep, dark brown.

We share a little bit of coffee and I ask him, “Navajo Code Talker! What was it like?”

And he goes, “Oh! You see, I grew up out here, out here, taking care of the land, taking care of our animals, livin’ on the land. And then the government comes in and tells us we can’t speak our language, sing our songs, practice our culture. They took us to schools to teach us a new way.

And then World War II came along. And they called on our services. You see, they wanted us to fight and defend our country but they wanted us to use our language to create a code. Our language that was forbidden! Our language that they told us that we can no longer speak! They wanted us to create a code to help them win the war. Many of the Navajo people enlisted.

And they wanted us to go through basic training. You see, they didn’t think that we could make it through basic training. They thought that maybe we were too fragile. But once we got out there during basics… ah, we scored the highest on everything!”

“Well, this is simple,” we said, “because this is our life. We live out here.” So we went out there. And we developed a code through our language. Nobody broke that code! And for 20 years after the war was over, we were taught never to reveal what we did. And we kept that commitment.

I asked him, “When you came back, what did you do to heal?”

And he goes, “Ah! You know, not like nowadays. Those young men, they come back, they’re on a plane. They close the eyes. They wake up. They’re back in the city.

Back then, we had time to jump on a boat, a ship and we were together. A brotherhood to take care of each other, to talk, to hold each other, to cry. And then when I got back to our reservation, you see, amongst our people, we are not home yet. We are just spirits until we go through a ceremony and then… we become whole again. That’s what’s missin’ in this country nowadays is that ceremony.”

You see, we just sat and had coffee, ate some cookies and just shared stories. And it was an honor for me to sit there amongst a true hero of this country. For if it was not for the Navajo code, we may never have won that war. Huh…! Helps me appreciate who we are as a people. Navajo Code Talkers! Huh!

Afternoon with Rachel, Holocaust survivor

by Storyteller Gene Tagaban

 

Story Summary:

 Gene tells of an afternoon he spent with Rachel, a Holocaust survivor, in Omaha, Nebraska. Rachel, an elderly woman, asks Gene, “Tell me about your people?” Gene tells her of the 1835 Indian Removal Act and how his Cherokee ancestors were forced to leave their homes and walk for 800 miles through the winter months; many died. Rachel replies, “Your people, my people – same.” Later, Gene goes to the Holocaust Museum in Washington D.C. and while being overcome with emotion, is comforted by an African American woman

For a print friendly version of the transcript, click here: Afternoon-with-Rachel-Holocaust-Survivor

Discussion Questions:

  1. What do you think of Rachel’s statement: “My revenge: I am going to live a happy life – no one can take that from me.” What might this type of revenge give her that other types of revenge would not?
  2. How do we learn about and stay emotionally present to all the genocide in the past and in the world today? What gives us the strength to look at the worst in humankind?
  3. What can stop “ugly history” from repeating itself? How can we support those who have been through the worst imaginable horrors and those who are willing to speak about and learn from it?

Resources:

  •  Trail of Tears: The Rise and Fall of the Cherokee Nation by John Ehle
  • Holocaust Museum in Washington by Jeshajaho Weinberg

Themes:

  • Crossing Cultures
  • Education and Life Lessons
  • European American/Whites
  • First Nations/Native Americans
  • Jewish Americans/Jews
  • Stereotypes and Discrimination
  • Taking A Stand and Peacemaking
  • War

Full Transcript:

Gunalchéesh! My name is Gene Tagaban. My Tlingit name is Guy Yaaw. I’m of the Takdeintaan clan. The Raven, Fresh Water Sockeye clan from Hoonah, Alaska. I’m a child of a Wooshkeetaan, Eagle, Shark clan Káawu hoonah in Juneau, Alaska and I’m a Tlingit, Cherokee and Filopino. I’m a Cherotlingopino and it’s wonderful to be here to share stories with you. I’d like to share a story about an experience I had. Oftentimes, we have these moments in our lives that are just pivotal. They make a shift within your being, your spirit and out to your soul.

So I was traveling to an event, another storytelling event in Omaha, NE. You know, at first I didn’t want to go really to Omaha, NE. I’m from Juneau, Alaska – mountains, water! Omaha, NE? Flat, corn. But I was going there for a storytelling festival and I was being housed by a wonderful family so I got there. And the next morning, she asked me (our host), “Every Thursday we always take Rachel out to the market. Would you like to go?”

I said, “Sure, I’ll go.”

“Now I want to tell you this. Rachel is a survivor of Auschwitz, the holocaust.”

I thought to myself, “Wow!”

“Yes, I’d love to meet Rachel!” And so when we took a… pick up Rachel and Rachel is this elderly lady. She came, maybe, up to my shoulder. She had sunglasses on and she walked up to me. She didn’t say much, just looked at me. I opened the door for her and she hopped in and we sat in the back seat.

She said, “I want to go to the market to get apples. I want to make some pie. One of the only things I have left is the recipe from my momma – Apple Pie. They were bakers, you know!”

And so we went to the market to get apples and she was very meticulous about her apples. They couldn’t be too big or too small. She went through them. I carried the bag for her as she placed them in. She didn’t say a word to me. She looked at the apples, put ‘em in the bag. I closed ‘em and she just looked up at me. So on our way back out to the parking lot, we’re going to the car and next to the car was a Hummer. And as we were walking up to the car, Rachel stopped and she just started weeping. And I was going, “Are you okay?”

She goes, “Oh, no, no, no! Those cars! Those cars, they remind me of the cars, those trucks, the vehicles that they took the children to the camps away in! No, no, no! I can’t go over there! No, no, no, no, no, no, no!”

And so I waited on the sidewalk with Rachel as we pulled around and we picked her up. And we went to the house and she prepared the dough. And it was sitting there waiting to rise and Rachel came up to me. She goes, “You’re Indian, aren’t you?”

I said, “Yes.”

“Come, walk with me. Let’s go walk through the garden!” And so she grabbed me by the arm and we started strolling through the garden. And she says, “Now, tell me! Tell me about your people.”

And so I told her, I told her, “In 1835 was the Indian Removal Act and my Cherokee people were forced from their homes to walk on a trail 800 miles during winter. Women, children, elders! Many of ‘em died! Many of ‘em died! And they were put onto a land that was foreign to them. And throughout the Indian country, this was what was going on. They were taking the native people from their lands, the Indian people from their lands. And sometimes they put ‘em in cargo holds on trains and taking ‘em to other places. Many souls were lost.”

And Rachel, she just looked up and she goes, “Huhh! Your people, my people – same! Same!”

As we were walking through the garden, Rachel spotted this beautiful red tomato. And she goes, “Now get that tomato for me!” And I got that tomato and she goes, “Ah, now we need something to cut it!”

I said, “Oh, look at…! I’m going to take this tomato up to the house and I’m going to show it to one…”

And she goes, “No! This is just for you and me! You see, sometimes you have to keep something for yourself!” And so I sat there, and Rachel and I, we ate this red tomato… together… just me and her. That was the best tomato I have ever eaten in my life! She told me, she goes, “You know, me… my revenge… my revenge for what happened to my people, my family is I’m going to live a happy life! That… that cannot be taken away from me! Huh!

So couple days later I was in Washington D.C. and I went to, to the Holocaust Memorial Museum. And, and as I walked through the Holocaust Memorial Museum, I just walked through and I saw the images, the pictures, the cargo holds. But what really got me was the piles of clothes, the piles of eyeglasses and the piles of shoes, especially the children’s shoes!

And when I walked out of that museum, I stood on the sidewalk and I started to cry; I just started to weep. And there was an old black woman who stopped and she handed me a handkerchief and she grabbed my head! She just held me as I wept on the sidewalk!

I took that handkerchief, wiped off my face and when I opened my eyes and looked around, she was gone! I looked down the street, both ways. I looked behind me; she wasn’t in the museum! And I looked around. That’s when I know that we have angels around us all the time!

My Parents’ Three Migrations

by Storyteller Kiran Singh Sirah

 

Story Summary:

 Kiran shares the stories he heard about his parents’ three migrations from India to Uganda to England.

For a print friendly version of the transcript, click here:  My-Parents-Three-Migrations

Discussion Questions:

  1. If a story plays a part in your identity – what is it and why do you use it to state who you are? Is there more than one story we can use to claim or identify who we are?
  2. What is your family migration story?  Does it matter or not?
  3. What are some of the challenging moments in your life? How did you handle them? Could the challenges you faced and the solutions you created be a story that you tell?
  4. Can you describe the story of a world you’d like to see and live in?

Resources:

  •  Idi Amin: Lion of Africa by Manzoor Moghal
  • Immigrants Settling in the City: Ugandan Asians in Leicester by Valerie Maret

Themes:

  •  Asian American/Asians
  • Crossing Cultures
  • Family and Childhood
  • Identity
  • Immigration
  • Living and Traveling Abroad

Full Transcript:

So, my name is Kiran Singh Sirah. And this story is about my parents.

How do you eat a mango? You hold a mango in your hands, you caress it, you squeeze it, and you soften the pulp from the mango, and then you suck out the juice from the middle. I know how to eat mango because my parents told me how to eat a mango. They came to Britain in 1972 from Uganda as Ugandan refugees, and I was born in England. But they told me how to eat the mango because that’s what they did in Uganda. Mangoes flourished in their garden. And we eat mangos every day. But there are so many other stories from Uganda and Kenya.

There were stories about how my mother, when she grew up, she was sitting in an elementary classroom, and, she picked… a cobra, walked into, came into the classroom, and she picked up a hockey stick and killed the cobra. And still to this day, that cobra is in a jar and in the school museum with a label on it, “Killed by Pravina Korga Tora.” There were so many other stories from East Africa, from Kenya, and Uganda, where my family grew up. Stories about how they’d make popcorn and go to the drive-in cinema. Or stories of how they would pick food from the garden and make bugga or baquarda, bagia. Or how they make African food and combine that with Indian ingredients like ugali.

There was even a story once that my mother told me that the Bisaya people used to come on trains with vegetables and fruit and sell these vegetables to the houses. And one day, a young boy was knocking at the door to sell vegetables. And my grandma opened the door and invited this young boy in. And he became a friend of the family and as he grew up with my mother.

There was a story about my grandfather that one day, he looked out and he saw so many people walking past thirsty, they had no water. So, he went out with his own hands, he built a well so they could drink fresh clean water. There are many stories such as this and I know them because my parents told them to me and I had never been to Uganda.

But in 1972, in the summertime, Idi Amin, the then dictator of Uganda, announced on public radio, that Ugandan Asians had to leave the country in three months or they be executed. Now, you can imagine the panic. People were scared. But they had no time to fuss around. They had to pack up what they could, put their possessions into bags, and then leave the country, or obtain the visas so they could leave the country. A sociologist once described my people as the thrice migrant community. A community of people that had migrated across three continents in one lifetime. Thousands fled the borders. Some moved back into Kenya or Malawi or Tanzania. Well, my family were kind of lucky because they were born as British citizens. Originally, my grandparents came from India to East Africa to build the railroads from Mombasa to Jinja, the source of the Nile. The British needed the British railroads to keep control of the British Empire. They needed an access from the sea to the source of the Nile, to keep control of the Suez Canal. So, they sent for migrant Indian skilled workers to do this. And when it became an independent country, both Kenya and Uganda, the Ugandan Asians, they stayed and they settled and made Uganda their home.

On route to Britain, though, in the winter of 1972, things weren’t all that rosy. When the plane tried to land at Luton Airport, the airport was stormed by far right fascist groups that tried to stop the immigrants from coming into the country. And this was spurred by Enoch Powell’s “The Rivers of Blood” speech. Enoch Powell was a politician that talked about the blood of migrants is going to ruin our country. Many of the refugees settled in refugee camps. But my father got word, because he was a young architect in Uganda, that sister branch in a town called Eastbourne, sent word that any Ugandan refugees that were going to come to England had a promise of a job. So, my parents moved to Eastbourne.

The front page of the headline of the Eastbourne Herald Newspaper read, Uga, “Eastbourne  Welcomes Ugandan Refugees,” and there was a picture on it of my parents. A young, cool Indian couple. My father wore a bright red turban. My mum even, even bright red sari and they carried a little baby, my older brother.

Eastbourne was where they grew up. It was also where I was born. It was a town that welcomed my family in. There was so many stories about those early years. I remember, my dad told me once, when he was walking down the Eastbourne promenade, a young boy called out, “Look mum, aliens!” My dad loves to tell that story. I once asked my dad what was it like. You left Uganda at gunpoint. You came to England, you had, your plane had to reroute. You started a new life. You had no possessions, no houses, hardly any money. The only money they brought into the country was jew… wedding jewelry, stuffed into my brother’s diaper. They had to start life from scratch. Must’ve been really difficult.

And my dad was like, “No, Son, it was fun. It was an adventure. And you know why? Because we’re doing it together. We had a sense of community. We helped each other out.”

When they came to Britain, alls they had was minimal possessions but what they did have was the power of the stories that are passed on to them and the power of stories that they passed on to me. I’m so grateful for the stories that were passed on to me by my parents. And the strength and this belief that I believe. That to tell a story in this world is more than a human right. It’s actually an act of love that can change the world. And I’m grateful for the stories that have changed my world and made me realize the person I could be.

The Story of My Teacher

by Storyteller Kiran Singh Sirah

 

Story Summary:

 Kiran reveals the experiences of living between two worlds: on one hand, his experiences with racism being one of the few brown boys in his town contrasted with the kindness of strangers as well as the inspiration he received from his storyteller teacher, Mr. George.

For a print friendly version of the transcript, click here:  The-Story-of -My-Teacher

Discussion Questions:

  1. Is there a teacher, a parent, a movie star whose life story inspires you? If so, describe why.
  2. Recall a story you heard, a folktale or someone’s personal story that influenced you. Why does it matter to you?
  3. We can all be the stories we want to see in the world. Do you agree with this or not? Explain your reasons and what would your story be?
  4. Why did Kiran talk about both racism and the kindness of strangers in one story? What do you think was his intention by doing so?

 Resources:

Themes:

  •  Asian American/Asians
  • Bullying
  • Crossing Cultures
  • Education and Life Lessons
  • European American/Whites
  • Family and Childhood
  • Stereotypes and Discrimination
  • Taking A Stand and Peacemaking

Full Transcript:

My name is Kiran Singh Sirah. And this story is for my teacher Mr. George.

I was born in 1976, in a summer heat wave. In a town called Eastbourne. My mother called me Kiran. Kiran which means in Sanskrit, light from the sun. The town I was born in was on the south coast of England, about 80,000 people. I was the first person of color born in that town. On a clear day, you could look out to the sea and you could see France. “Bonjour,” I would say sometimes. And I imagine people back saying, “Hello.” There were so many stories about growing up. It was a good place to grow up. It was a nice town. There was good things that happened. We used to go out for ice cream. We would go down to the seaside. We used to go to and sit on blue and white deck chairs and listen to the bandstand. We would even eat a lot of the fish and the crab sticks. And we used to be a lot of family gatherings.

But then there was the bad side. There was a lot of racism going on at that time. Spurred by Enoch Powell and the far-right fascist groups. The skinhead punk, the green bomber jackets, the Dr. Martin boots. They used this word called “Paki.” It was a horrible word to use. It doesn’t matter what co… where we came from; we could be from Pakistan or India or just brown skinned. They just refer to all of us as Pakis and they’d go out Paki bashing. For us, it’s like the N-word. That’s how we felt. It wasn’t so much about when someone… I’d would leave the house and I’d feel like I have to be on my guard. And it wasn’t the hurt that came to me. It was when I heard someone use that word against my parents, my mother or my father or my brother.

One day when I was about five or six years old, and I remember this vividly, I woke up in the living room on the couch. I’d been knocked out. I didn’t know where I was. My memory just before that, as I was cycling around my BMX bike and a punk had knocked me out. He’d gone Paki bashing. But my mother told me that this old lady, old white lady, had seen what happened. And she picked me up and she took me home. Racism existed in our, in our community. As I said, there was good and there was bad. But sometimes, it was just very difficult to understand why I felt so different. Why was I being treated different? Some of these people called my people the smelly Curry people. The people that worship lots of gods. We’re somehow different and sometimes made to feel really different. I couldn’t concentrate in the school classrooms. I found it really hard to focus. But that was until my head teacher, in the classroom assemblies, started to tell stories.

Mr. George was an older white man. He wore a tweed jacket and always wore a kind face. He told us folk and traditional stories from all over the world. And one day, he told us story about a prince. This worldly prince that gave up all his worldly riches and went out into the world to explore the world and to meet the people of the world. We took two objects with him, a cup and a toothbrush. And one day, he looks out and he sees this man break a twig from a from, a tree and starts chewing it and release these juices that start to clean his teeth. And he realized, I don’t need my toothbrush. And he threw it away. And then, he looked out again and he saw someone bent double, by a river, and used their hands and they cup their hands together and poured out a scoop of water and then drink the water from their hands. So, he threw away his cup, realizing he don’t need that too.

But then one day, he tells us the story about someone that really inspired him throughout his lifetime and that man was called Nelson Mandela. He told us how he remembers him as a chubby man going into prison for his beliefs. But then, over the years, were the images that were coming from South Africa, was this man that had gotten thinner, he’d become wiser, he’d become calmer. And he was promoting messages of peace, of unity. Not just to unite the people of South Africa from all different backgrounds and races and ethnicities, but to unite the world. He was like the conscience of the world.

From Mr. George’s stories, he was connecting me to the wisdom of these folk and traditional tales to know that we can go anywhere in the world. We don’t need the objects. We just need our human bodies. And he’s also connecting us to the idea of social justice and equality and that we actually belong and we’re part of the world around us. I now live in Tennessee, in Jonesborough, Tennessee and I oversee the work of the international storytelling center. My job is to advocate for the power of stories to change people’s lives and to enrich people’s lives. But then I realized last year, now living in the States, I haven’t actually thanked the person that inspired me to tell stories and to think about life in this way. So, I contacted my old elementary school back in Eastbourne. I looked them up. Phoned up the school and I asked about Mr. George, where his whereabouts. They told me that he’s now retired. He’s doing well still. And, uh, but he’s there… in touch with his daughter Claire George.

A few months back, I got an email from Claire George. Never met Claire, his daughter. And Claire had said that she had printed out the articles. She’d Googled me. And she used these articles to speak to Mr…. her…  Mr. George, her father. And all the articles I’d written about Mr. George and talked about what I’m up to. A few weeks back, I received a letter in the post addressed to me at the International storytelling center. And guess who it was from? It was from Mr. George. Mr. Len George. I’d never known his first name. In the letter, he talks about how he remembers me but not just me, he remembers my mother. He remembers the house that I grew up in. He remembers my character, and he remembers, and he’s so proud of me, he said in the letter, of what I’ve achieved and what I’m doing now. And he also studies, still telling stories.

It’s been 30 years since I’ve had any contact with Mr. George. But I know that I owe so much to this teacher, this great teacher, for inspiring me and make me think about the world and how it can also teach. Storytelling is such a powerful teaching tool to enrich other people’s lives. The fact that we don’t need any props or things or objects to experience the world just like that prince in that story. All we really need are the stories. And ultimately, the fact that, we can be the story that we want to see in the world. That was for Mr. George.

Mixing It Up

by Storyteller Laura Simms

 

Story Summary:

 In schools, racial violence often stems from learned bias. Listening to one another is an antidote to the gap between people and transforms bias into deep concern and creative change.

For a print friendly version of the transcript, click here:  Mixing-It-Up

Discussion Questions:

  1. Have you ever been misunderstood?  Has someone either assumed something about you or misread what you said or did?  Can you tell about that experience?
  2. What do you think happens when we know something about another person’s life that engages us with empathy or interest (especially if only moments before we had decided he or she was not a good person?)
  3. What is the difference between listening to a story and reading a story?

Resource:

  • School Violence in Context: Culture, Neighborhood, Family, School and Gender by Rami Benbenishty and Ron Avi Astor

Themes:

  • Crossing Cultures
  • Education and Life Lessons
  • Stereotypes and Discrimination
  • Workplace

Full Transcript:

Hi, I’m Laura Simms. And I got a phone call early one morning, from a junior high school principal. It was 20 years ago. And he said that there was racial tension in his school. Three gangs, battling every day in the schoolyard. “Sometimes it was extremely violent,” he said. “There were Chinese, Latino, African-American gangs. Could I tell stories? And would that somehow bring them into dialogue?”

He wanted to know exactly what I was going to do and exactly what the outcomes were. So, I said, “Well, I have no idea about the outcome; I’d have to just be there. But I do know that listening is a kind of magic.” He said he would think about it. Two days later, I was in the school.

And I entered the classroom, and it was a scene that I’m now very familiar with, there were kids sitting in three racially specific zones. Arms folded as if they had absolutely no emotions and a kind of weird, numb tension in the room. I sat in the front of the room. Nobody paid any actual attention to me but I started telling stories. And I told three stories, one after another. I told a story about growing up in Brooklyn with a Norwegian and African-American girlfriend. It was all about creativity, disobedience. I noticed that arms were kind of loosening. Then I told a West African story about girls and jealousy, power necklace. And people were leaning in. And then I told the third story, which is a story I love from Morocco. About a wild girl who has been so traumatized that she doesn’t speak and how she becomes, through her story, a queen.

And there was a moment of silence and then a Chinese boy just blurted out, “Man, I know that story about the girls is true.” I didn’t have time to ask which story. He said, “My grandmother, my grandmother had a walk across China during the revolution. She sold her only gold bracelet for a bowl of rice.”

Then a girl in the back said, “I sleep during my classes. You want to know why?”

I said, “Yeah, I do.”

And she said, “I understand those girls in the necklace story. I like that.”

I said, “Okay.”

She said that, “I have 10 brothers and sisters. My youngest brother is retarded. It’s my job to get up at 5 o’clock in the morning, dress everybody, feed the youngest. When I come home, I have to do homework with all of them. I put them to bed. I’m tired. That’s why I sleep all day.”

Everybody kind of giggled but it wasn’t in criticism or making fun of her. It was some kind of a mutual understanding. I said, “Wel,l anybody else have a story? Does this remind you of anything? Did you like those stories?”

Somebody called out and said, “Hey, was that mud story true?”

I said, “99.5 percent.” And they all laughed and then they went on to tell stories. And it was the first time they had listened to each other. And it was for me, the time I realized that when you hear each other’s stories, you’re not an assumed enemy anymore. You’re a human being.

Bell rang, everybody got up. They kind of sauntered out. A couple of people touched me. Somebody shook my hand. Gave me like a fist hello/goodbye. Off they went. Second group came in. Same thing. Three zones. But then, half of the kids who’d been there earlier, wandered in and they sat on the windowsills, filled in empty seats. The three zones were not so clear anymore. I said, “What are you doing here?” You have to go to classes.”

“These teachers, man, they don’t care if we come in. We said, ‘We like that story girl, can we go back?’”

So, I had a large crowd. I chose three different stories. Again, the conversation occurred. I told stories every day to all of them for three periods, three days. After that, we began to write in small groups. They wrote about their futures, what they wanted to be. One boy at one point looked around the room. He started laughing. He said, “Hey, we mixing it up now.” And I knew what he meant.

The principal said to me, “Like how’d that happen?”

And I said, “You know, something I’ve really come to think about a lot and to say a lot? What’s really happening here is that when you listen to a story, you’re not really hearing about someone else, even if it’s your personal story. When you hear the story, you become everything you imagine. So, that distance just dissolves like a wall of sand melting.”

We were peacemaking. I never talked about the causes of their violence. I never spoke with them about the violence in the schoolyard. What we did, we shared our lives. It wasn’t a common ground of what we had in common. It was the common ground of everyone having a story, and everyone listening, and everyone beginning to want each other to have the best future possible.

Months later, I went back to the school and I was walking down the hallway and, uh, actually, no one remembered my name, but they remembered the names of characters and the stories. They would say, “Hey, Magali! Hey, mud sister!” They didn’t have to even thank me for me to know that they had uncovered inside of themselves what was always there…their joy. And by listening.

It’s true that those violent gang battles in the schoolyard lessened. And that was the beginning of my work with kids in the schools. Understanding why I was telling stories.

The Complexity of Our Street – Burying the Unspoken

by Storyteller Laura Simms

 

Story Summary:

 Issues within the same religious group or ethnicity are complex and rarely discussed. Laura grew up on a street in Brooklyn with many kinds of Jews – Orthodox, Conservative, Sephardic, cultural and so forth. As different as they were, they had one thing in common: no one talked about World War II and the Holocaust. Two young children (one from an Orthodox family and Laura from a Conservative background) find a way to memorialize the unspoken through a make believe graveyard. In doing so, they strike up an unlikely and forbidden friendship.

For a print friendly version of the transcript, click here: The-Complexity-of-Our-Street-Burying-the-Unspoken

Discussion Questions:

  1. As a child, what games did you play with other children?
  2. When you were growing up did you play with children from other races, gender or culture? What was the best part of getting to know others?
  3. When challenges in life and even deaths go unspoken how does that still affect the children?

Resource:

  • God, Faith & Identity from the Ashes: Reflections of Children and Grandchildren of Holocaust Survivors by Menachem Z. Rosensaft and Elie Wiesel

Themes:

  • Crossing Cultures
  • Education and Life Lessons
  • European American/Whites
  • Family and Childhood
  • Identity
  • Jewish Americans/Jews
  • Stereotypes and Discrimination
  • Taking A Stand and Peacemaking
  • War

Full Transcription:

Hi, my name is Laura Simms. I grew up in Brooklyn, New York. I was born after World War II. Everyone on my street, in Brooklyn was Jewish. It was after the Holocaust, which was a huge conflagration, a genocide, the murder of millions people.

People in my neighborhood spoke seven languages, they had different customs, they wore different clothing.  There were Conservative Jews, like my family. Those were Jews who went to synagogue once in a while and on the holidays, ate Kosher food. There were Orthodox Jews. They were seriously religious. They wanted nothing to do with Hebrew. They spoke the language from their old country of Yiddish. They wore medieval clothing. I was fascinated by them. There were Reformed Jews. Those were the more political Jews. Everything had to happen in English. And then there were Sephardic Jews from the Middle Eastern countries like Spain and Greece. They, they had different languages and different food. It was very exotic.

The one thing that everyone had in common was that everyone in my neighborhood spoke Yiddish. Oh, and then there was one other thing that everyone had in common. No one spoke about the war that had just happened. But I was a child and as a child, you feel everything.

My father was the neighborhood dentist, and in the back of our house, in the kitchen, that was the place where he was responsible for making important announcements. One afternoon, coming in at lunchtime, my father said, “Lohala, we have new neighbors. Next door, there’s an Orthodox family from Poland. They have a daughter just your age. Her name is Leahala, just like your Hebrew name.” At birth, I was given my name Laura and also a Hebrew name, Leah. I got, as usual, very excited. My father, as usual, tried to dampen my excitement. I think it was something about, “Don’t get too happy. You’ll be disappointed.” But he said, of course, “Don’t get excited. She won’t be your friend. They’re Orthodox. they don’t think we’re real Jews.” Now, I accepted it, the way I accepted everything as a child. Kind of taking it in, thinking about it and somewhat forgetting about it.

Next to my house, right, actually, under my bedroom window, was a small alleyway of dirt. Nothing ever grew there. The sun didn’t shine. It was where I had my secret graveyard. I loved to bury things. I had pieces of dolls’ clothing, my mother’s single sock, an earring. I stole little plastic toys from my father’s dental office. My favorite things to bury, actually, were Chinese food and pieces of pizza that were not kosher. We had strict Jewish dietary laws. My father didn’t allow those foods but when he wasn’t home, my mother would bring it in and say, “Don’t tell your father.” So, I would bury a piece of pizza in a wax paper and then I’d cover it with dirt and put little stones on, like I’d see my parents and grandparents in the graveyard do. I would leap over it or I would throw make believe salt over my shoulders and sing pieces of Hebrew prayers. “Adon olam, asber malak.”

I had a favorite doll of all my dolls. This one was crippled on the left side, one eye hanging out, was completely bald. I dressed her in rags and sometimes even put dirt on her. Her name was Lefty Louie, strangely named for my father. I would put the doll against the wall and then I would tell stories about the history of this lost abandoned, destroyed, unwanted object that I had saved, buried, sanctified, made holy.

One afternoon, suddenly, the window from the next-door house opened. I looked up. And there was a little face. I knew who it was it was. Leahala. She held up her hand. She had a wadded sock. She threw it. I caught it. I buried it. And then, when I was covering it up with dirt, putting little stones around it, she called out in a high-pitched voice, “Kaddosh, Kaddosh, Kaddosh.” Holy, holy, holy. We became best friends. We buried something every day. Our funerals were fabulous. But our entire friendship occurred with me on the ground and her at the window.

And Saturdays, the holy days, the Shabbats, when everybody in the neighborhood promenaded up and down our street in their best clothes, they would talk to each other politely in Yiddish, regardless of what they said about each other in their own languages at the kitchen table. And when my parents would meet Leahala’s parents, Leahala and I would look at each other, turn our backs, pretend we didn’t know each other. Our friendship was a secret. In fact, we had a secret mission; perhaps even a bit of secret to ourselves. When I looked back at it, I realized we were little priestesses; digging; burying; sanctifying; telling stories. We were burying all the dead whose stories were unspoken in our neighborhood. It wasn’t only Jews in the Holocaust. There were Christians, there were gay people, there were political activists and poets, they were gypsies, anyone considered different.

Then, we both turned 12 and our friendship just disappeared. Leahala went to Yeshiva, an all-Hebrew girls school. My mother told me that she was already betrothed to the rabbi’s son. That at her wedding, she would have her hair shaved, she would wear a wig, she would wear long sleeves in August. It’s unbelievable to me. I was obsessed with my hair. My hair hung low, long, curly down my back so I could dance to Elvis Presley and gyrate on my back porch. My skirts were getting shorter. I wasn’t devoted to religion. I gave up burying the dead. I was devoted to rock and roll.

But I grew up. I moved. Israel on the news, often. And I went back to my neighborhood. I had lived in an old farmhouse, the largest house on the street. It was gone. And there were five, three story buildings, with four families in each. My entire neighborhood had become Orthodox. It was like a shtetl, small village in eastern Europe. And the graveyard, I couldn’t find it anymore. It was buried. And I would look into the faces of people walking down the street. They never looked directly at me. After all I was not really a Jew. But I looked for Leahala. I could barely remember what she looked like.

But then one night, when the sun was going down, I was in an airport in London, about to come back home. And there were a group of religious Jews in their black medieval hats with fur and long, black coats of silk. And they were praying, rocking back and forth, facing the sun that was going down. And beside them were two African Muslim young men on prayer rugs. And I stared out the window at the sun. And it dawned on me.

That sometimes, sadly, history creates a gap that maybe, at another time, would not exist but that remains. Getting wider between the Leahala and Leah. But that place, we all pray to, regardless. And that underneath it all, my friendship with Leahala, always exists. And whenever I tell the story about her, there it is. Palpable and real. And I pray all the time that people only bury as we did. And that the constant burial of the dead from wars and racism, that should come to an end.

Close Encounters

by Storyteller Barbara Schutzgruber

 

Story Summary:

 Small town meets big city.  Boundaries are crossed and cultures collide when a Midwest family encounters the boys from New York City. Will they find common ground or confrontation?

For a print friendly version of the transcript, click here: Close-Encounters

Discussion Questions:

  1. When you meet someone new or go somewhere new, what do you notice first – the similarities or the differences?
  2. Has someone ever made an assumption about you that was incorrect?  How did that make you feel?
  3. Have you ever changed a negative opinion about someone after you had gotten to know him or her better?

Resources:

  • Elementary:
    • Same, Same, but Different by Jenny Sue Kostecki-Shaw
    • Everyday worlds might look different on the surface but with a closer look, they are actually similar.
  • Elementary & Middle School:
    • Snappsy the Alligator (Did Not Ask to Be in This Book) by Julie Falatko
    • Headed to the grocery store … or PROWLING the forest for defenseless birds and fuzzy bunnies – what’s the truth?
    • ‘What Was I Scared Of?’  from Sneetches and Other Stories by Dr. Seuss
    • This classic story delivers a timeless message about fear and tolerance.
  • High School & Teenagers:
    • In 1964 the New York Times ran the headline “37 Who Saw Murder Didn’t Call the Police”.  While it was true that some neighbors had heard Kitty Genovese’ cries for help, the portrayal of 37 witnesses standing by and doing nothing was not true and did not represent the facts of that night.
    • “How Headlines Change the Way We Think” 
    • Maria Konikova, The New Yorker, December 17, 2014
    • http://www.newyorker.com/science/maria-konnikova/headlines-change-way-think

Themes:

  • Crossing Cultures
  • Education and Life Lessons
  • Family and Childhood
  • Taking A Stand and Peacemaking

Full Transcript:

I’m Barb Schutzgruber. The summer of 1964, mom and dad packed the five of us kids, ranging in age from 14 down to 6, into the 9-passenger station wagon and we traveled east going from Michigan to New York City. Now there were some folks in the small town where we lived who thought mom and dad were nuts. Stories of gangs, crime plus all the wild reports that spring of how dozens of New Yorkers stood by and did nothing to stop the brutal murder of Kitty Genovese, who was a young woman simply walking home from work one night. Why would you even think of going to New York? New Yorkers are cold and heartless. They’ll take advantage of you or worse.

But for me, I was nine years old and all I knew was that we were going to stay with mom’s Uncle Ed in Brooklyn. We were gonna go to the Empire State Building, the Statue of Liberty, the United Nations and we were going to the 1964 New York World’s Fair. For three days, we explored the city because seven of us could not fit into one cab and taking two and, most likely, three was way too expensive, so out of the question!

All of us walked the streets of New York, miles and miles of cement, buildings that blotted out the sun and even the sky sometimes, noises and strange smells. People, saw many people rushing about, no one looking at anyone. And we rode the subway. Once we were huddled in a crowded subway car next to an older man and he took the time and told us all about how those subway tunnels were built. He even complimented us kids on how polite and well-behaved we were. As my sisters and I looked on, he handed my brothers each quarters because he had no sons. And then with a wink and a smile, he handed quarters to us girls too because how could he leave out such lovely young ladies.

The day we went to the World’s Fair, it was after midnight by the time we got back, much to Uncle Ed’s worry and apprehension. At $2 a ticket, mom was going to make sure that we saw every inch and got our money’s worth. So, we did see every inch of the over six-hundred-acre complex. We stayed right up till closing and barely caught the last ferry that would take us from Queens back to Brooklyn.

After a long day of heat, humidity, crowds, overstimulation, we made our way to the deserted upper deck of that ferry. It was so nice to be somewhere quiet and no one else around anywhere. My two older sisters and older brother collapsed, each on their own bench. My little brother fell asleep with his head on mom’s lap. Dad leaned against the rail, smoking a cigarette. I sat with my back against the bulkhead, the vibration of those heavy diesel… em… vi… ah, engines vibrating in my bones. There was the gentle rhythm and sway, comforting as that boat pulled out onto the water. The smell of sea water with just the faintest hint of diesel fuel was on the breeze. I looked out over the dark waters off in the distance, the city lights twinkled. New York City has its own set of stars.

The spell was broken, suddenly, by voices coming from below deck, loud and boisterous. Half dozen or so teenage guys, pushing and shoving, stumbled up the stairwell, spilling out onto the deck. They took one look at us and said, “Tourists.”

Slowly they divided, forming a half circle around dad. Forty, bald, wearing a Cornell University T-shirt and dark blue Bermuda shorts, arm in a brace, Dad was a contrast to those city boys with their slicked back hair, blue jeans, white T-shirts, cigarettes neatly rolled up in the sleeve, with a swagger. One of them stepped forward and as the others laughed, he taunted, “Hey, old man! All those kids yours?”

Dad exhaled slowly, stood up, turned and said with a smile, “Yeah, isn’t it great?”

The voice took a step back. “Well, yeah, I guess it is.”

Dad continued, “We’re from Michigan. New York is a great city. What borough are you fellows from?”

There was a moment of awkward silence and then those boys began to talk. I watched as Dad asked questions and listened intently to whoever was speaking, and the posture of those teenagers changed. They relaxed and soon they were shifting easily from one foot to another, interrupting each other to get a word in, laughing, gesturing as they spoke. Even the one who stood awkwardly at the back of the group was brought in and became part of that conversation.

A movement off to the side caught my attention. A crewman had come up on deck. He stopped dead in his tracks. He looked at mom, the five of us kids, dad leaning against the rail surrounded by a group of young men who were gesturing as they spoke. Without saying a word, he walked away. A few minutes later, he was back, this time, with some of the other crewmen. These men all looked like my uncles who worked construction, thick arms folded across broad chests. They stood like a wall with feet planted.

One of the teenagers noticed the men in the shadows watching them. He nudged the guy next to him. They both turned. They now stood taller, straighter. They planted their feet, eyes narrowed, fists clenched. Mom looked from the crewman to the teenagers and shifted where she sat. Dad looked, up over the heads, gave a nod to the crewman but did not move.

He stayed, leaning relaxed against that rail and continued his conversation with those teenagers. They talked the entire trip. Finally, the horn blew, which called the crewmen back to their stations because we were coming into the dock. Mom got us going with, uh,  “Get your stuff together! Come on, let’s go.”

Dad said, with a smile, “It was nice meeting all of you. You fellas take care.”

“Yeah, you too,” was the reply. And those teenagers headed down the stairwell and we made our way off the boat and back to Uncle Ed’s house. That summer of 1964, my family traveled east and we met really nice people. They’re called New Yorkers.

California’s Arts-In-Corrections: Hope in the Midst of Madness

by Storyteller Michael D. McCarty

 

Story Summary:

Michael joins a program to teach storytelling in a California prison. He learns much about the men there as well as the power of storytelling.

For a print friendly version of the transcript, click here: Californias-Arts-In-Corrections-Hope-in-the-Midst-of-Madness

Discussion Questions:

  1.  How can the arts improve the situation for inmates in prison?
  2. Why is it important for men who are imprisoned to know that their stories are important?
  3. What role might storytelling play in parole hearings?

Resource:

Themes:

  • Crossing Cultures
  • Education and Life Lessons
  • Stereotypes and Discrimination
  • Taking A Stand and Peacemaking

Full Transcript:

My name is Michael McCarty. Since September, I’ve been working in prisons in California’s Central Valley teaching storytelling to inmates. And it’s been an amazing education for me because all I knew about prisons was the Shawshank Redemption. Well, one of the things I found out in prisons is that the prisons in Level 4 are divided by race. And then, within race, by gang. So, one of the guys in my class, I called him, Big D, was a young guy, in a juvenile facility got transferred to a major prison, had a black cellmate. One day, he’s out in a yard, a group of skinheads, come up to him and say, “You got to get a white cellmate.”

He said, “Well, I don’t mind.”

They said “Well, we do. If you don’t have a white cellmate by tomorrow, we’re going to kill you.” And that’s the way that was. And he got himself a white cellmate.

Now, things are divided up. At the same time with this program, with this arson corrections program, things happen. So, I’ve got these guys in my class; four black guys, one Latino. And Latino guy sits a couple of chairs away from the black guys. They all acknowledge each other, but it’s clear that some separation. One day, when he’s telling his story, he tells the story, how his best friend growing up was black. Then things happen. He ended up in prison, this Latino gentleman. One day, he finds out there’s about to be a throwdown between the blacks and Latinos. And on that same day, his friend, his black friend, is in the prison. And he said, “I stopped believing in God, a long time ago. But I asked, ‘God, please don’t let my friend be here when this throwdown goes down.’” And the next day his friend was transferred. So, he told that story and the black guys in that class had a very positive reaction to him.

So, got another guy in my class doing 20 something to life. Been in prison for over 20 years, since he was a juvenile. Very frustrated. Feels he’s being judged still by what he had done over 20 years ago. And he says, “I’ve changed.” And he has issues with the corrections officers in general, but with the white corrections officers in particular. When it’s his turn to tell the story in my class, he rants. He’s angry. One day, we’re sitting around doing our talk story thing, and he remembers this corrections officer, white correction officer, that, he’d met when he first came into the prison system as a juvenile. And this guy would talk to him and say you need to stop this gang bang and then get away from all this. And in time he did it. Well, over his time in prison, he kept encountering this corrections officer and every time he encountered him, he’d pull him in on projects, positive things. And this guy, who I call WP, found out that when he would see his name, he would say, “I know this guy. He’s a good guy.” Well, that became a theme. One time he comes into a prison, finds out that this corrections officers, that he calls the men, and he pulls them into a program, that’s like Scared Straight without the scared. And. Again, he’s doing positive things. Once, he found this story, when it came his turn to tell a story he wasn’t rant’n.

And this was done. This video was done and put on the website of one of the organizations that I’m working with. This lieutenant in the prison had to view, to approve the video before it went on. Well, he was watching it and I watched him. I was there when he was going over it. And I watched him watching this video. He was looking out for gang signs or anything like that. And so initially, he was very stern as he watched, very serious. When this guy starts telling his story, all of a sudden it was, “Oh,” a leaning forward, story trance happening. And him saying, “Wow!” He connected with that story. That’s one of the things that happens with storytelling in general. But with the storytelling and the prisons, this has been an amazing thing.

But check this out. The young man, who was in the prison from the juvenile facility and told by the skinheads that he have, he had to have a white cellmate, well, he was in my class, a couple of times in the last few months. Now, he’s in a level two facility where all of that stuff is nonexistent. He’s in a gospel choir with a bunch of black guys. He’s in my class and he is telling stories and helping others to find their stories. This has been an amazing project. It’s been amazing education for me.

We’ll leave you with one last little story. Got a guy who’s also doing life for committing a murder. He did a breakdown, an analysis of his crime, and he developed a workshop. He broke down all the things in his life. Things that he had no control over, things that he brought into his own life. And he put together a workshop and he calls, These Sticks. And he has people either bring up a stick or he gets a stick depending on if it was something that came into his life beyond his control, or something that he had control over. And he puts the sticks in a spot, a pile. And he says how these sticks were the things that accumulated, that would become the fire, that was the murder he committed. And then he did a further analysis. What could have stopped this? What could have prevented this? And to his mind it was forgiveness. Forgiveness would have been a water that would have put out the fire or kept the fire from happening in the first place. And he does this workshop with perpetrators of crimes, and victims or the families of victims, to help them get further insight into understanding what happened to their loved ones. Story is so powerful! It’s so amazing that these things happen in a prison.

And I lied. I’m going to end with one more story. This guy sings and he sings beautifully. Sings gospel. These officers and inmates, he did a concert for. There were four officers who didn’t make it. The next day they came and they said, “Will you sing for us?” And he sang a couple of songs. And like I said, I heard this guy sing. He is amazing. The officers left. One came back later and said, “I got to thank you for what you did for me.”

He said, “I just sang some songs.”

“No, no. You don’t understand. I was going to commit suicide until I heard your songs.”

And I told him, “Think about this. You’re in prison and you saved a life. The life of an officer.” And that is the power of story. And that’s the end of that.

Small Town Silence

by Storyteller Scott Whitehair

 

Story Summary:

A wannabe comedian in the suburbs of Pittsburgh finally meets a professional comic who is willing to take him under his wing. However, stunned silence over the discovery of a small town’s nasty racial secret destroys a brand new friendship before it can even begin.

For a print friendly version of the transcript, click here:  Small-Town-Silence

Discussion Questions:

  1.  When was a time when you remained silent when you should have spoken up about discrimination? What caused you to stay silent?
  2. How could this situation have turned out differently?  What effect could calling out the racism around us have on the people practicing it or on the people experiencing it?
  3. Have you ever observed the silence of others while you yourself were being treated poorly? How would you have wanted others to react or behave?

Resources:

  •  Silent Racism: How Well-Meaning White People Perpetuate the Racial Divide by Barbara Trepagnier
  • Film – Dear White People (2014), Directed By Justin Simien

Themes:

  •  African American/Black History
  • Crossing Cultures
  • European American/Whites
  • Stereotypes and Discrimination

Full Transcript:

Hi, my name is Scott Whitehair. Oddly enough, it all started in a place called the Freedom Inn. The Freedom Inn was a bar in my hometown, where my college improv troupe got to do a monthly show.  nd we were excited because we were ambitious and we thought we were hilarious. Um, so this was a great opportunity for us, not only because we got to go on stage, but we get to open for traveling comedians, who would come from around the country and do a show every month. Ah, now, the shows were OK. We, ah, we got paid in onion rings and bar food. And although the audience was surly, we got some laughs. And we felt that we were right on the right path. Now the… one the most exciting parts was we would approach these road comedians after they were done and we would ask them questions. Ah, we felt like we had access to the pros. We would say, you know, “Can we get you a sandwich? Can we get you something a drink?”

And then we felt that was the permission we needed then to pepper them with questions like, “What is this life like? How did you get into it? How did you get an agent? How do we all become rich and famous through this improv that we’re doing in bars?” And the comedians would mostly accept our drinks and food and they would speak to us.

But they weren’t into it and most of them, the advice they give us, would be things like, “Oh, do you want a happy healthy life? Don’t, don’t get into this.” Ah, they were pretty bitter. They were jaded. Um, they ate up the food, drink a lot of the drinks we get them and, basically, discourage us from following it any further.

But one month, there was a comedian named James. He was a younger African-American man who, immediately, when he got on stage just brought a different energy than had been in this bar in the times we’d been there before. And he, he just lit it up. He was getting laughs from a crowd that was often pretty surly. He shut down a heckler just with a disapproving glance and kind of, a, a kind nod of his head. nd he didn’t play down to this crowd like a lot of these comedians, he, he elevated them. And we were excited. So as soon as the show was over, we walked over and we said, “James, if it’s OK, we’d, we’d like to buy you a drink and some food.” And James took a look at us and said, “No…I know you guys get paid an onion rings. I’m, I’m buying the food.”

And he talked with us and he talked to us for an hour. And he answered our questions and for the first time, we felt like somebody was supporting us. Somebody who had made it as a comedian. Who was doing this with their, their lives was taking the time to encourage us. Letting us know the ins and outs, the practical stuff.  How he had gotten into it. Why he had gotten into it. Where he thought it would go. And we, we were so excited. And as my improv team started to filter out to go home, I hung out longer. And James and I got to know each other even better. And we were at the bar, regulars were still hanging out, and we started to, to throw back and forth and set each other up. You know, he would throw some up and I’d bad slam it home. It was like a two man, two man show at the bar. And it was probably better than most of the shows I had ever been in that people have asked me to do. And it was exciting and I, I felt like I was being taken seriously.

And so at the end of the night James and I were still sitting there having a great time. So as the bar began to, to close, he said, “This is a great time; what else is going on in town. Is there anything else for us to do? I’m still, still ready to make a night of it.”

I thought about it and I said, “Oh, yes, actually. Down the hill near the river, there’s, there’s a club. And it’s a private club so they are allowed to stay open past the 2 a.m. closing time in the Pittsburgh area. And they sell you a membership for the night. But that just means it’s kind of a, a cover charge and you get to hang out.  And James said “That sounds good. Let’s do that. I’m into it.”

And Bill, the bartender, had been standing there. Just quietly washing a glass said, “Scott, They’re not open tonight.”

I was like, “What, what are you talking about Bill? They’re open on Christmas Day. This place, I don’t think, they ever close. Of course they’re open.”

Bill said, “I’m telling you guys they’re closed.”

And I said, “Bill it’s Saturday night. There’s no way that place is closed.

He said, “Trust me, they’re closed.”

So James kind of shrugged and said, “I’m going to the bathroom; maybe we can figured something else out to do. I’m still, I, I get that energy from a show and I’m ready to do it.”

So he hits the restroom.  I kind of look at Bill.  And Bill says, “Scott, they don’t let black people in that club.”

And I started to protest and say, “Well, of course…” But then it kind of washed over me. I had never seen a person of color there. Even though it was located in a predominantly black neighborhood, I’d never seen a person of color in this club. And maybe it didn’t register because I had had a few drinks or it just didn’t hit me, but it hit me right in that moment.

Before I could say anything back to Bill, James came back and he said, “It’s a shame about that place, man.  Sounded like fun.” And I, I just didn’t say anything.

The bar closed and we decided to go down the hill. The other part of town to a diner that was open all night is get some food instead and James was into it. So we go and we continue the conversation. If I got to know him before as a comedian and a pro, I got to know him more as a person. He got to know me. We had conversations about what our childhoods were like, why comedy was so important to us, the way we had been raised, and that proceeded through life. Talked about deeper ambitions and goals and where we wanted this to go, not just as a career but what it would mean to our lives. And I, I again, I felt just so taken seriously and so engaged as a person. I felt like I was making a friend. So we’re sitting there we’re finishing our waffles and somebody comes in who had been at the show earlier. And they sit down in a booth next to us and they noticed us. And they say, “Hey, it’s the comedians. Hey, how come you guys didn’t go to the late night club?”

And James says, “Well, oh, they’re close tonight.”

A guy goes, “That place never closes. It’s Saturday night.” And then I think James understood that something was off. That he hadn’t been told the full truth.

And so we sat there and we finished our food. We finished our coffees and we didn’t say much else. Turned back into small talk. When the bill came, James grabbed it and paid. And we went outside to the parking lot.  Still I said nothing. And so we stood there…in silence. And instead of the hugs we’d shared all night, and the familiar language, James just stuck out his hand and said, “Good luck with everything.” And as I watched him drive out of the parking lot of the diner, and up the road and out of my life forever, I was ashamed. I was ashamed of my town. I was ashamed of the people in it that would let something like this exist. But, most of all, I was ashamed of my silence.

Hasan’s Story: Escaping the Bosnian-Serbian War 1994

by Storyteller Sue O’Halloran

 

Story Summary:

 When former Yugoslavia broke up in the early 1990s, war broke out across the region. Hasan, a Muslim, was a college student in 1992 when the siege against his city, Sarajevo, began. He joined the Army of Bosnia but would do anything to escape and live in peace and freedom. A few of his many adventures are detailed in this excerpt as well as his victory in studying Islam and rediscovering his identity when he came to the United States.

For a print friendly version of the transcript, click here: Hasans-Story-Escaping-the-Bosnian-Serbian-War-1994

Discussion Questions:

  1. What led to the break up of Yugoslavia in the 1990s?
  2. What would you do to escape a war? Could you leave your friends and family?
  3. What kept Hasan’s and his friend’s hopes alive?
  4. How has hardship helped you define who you are?

Resources:

Themes:

  • Crossing Cultures
  • Family and Childhood
  • European Americans/Whites
  • Immigration
  • Interfaith
  • Living and Traveling Abroad
  • Muslim Americans/Muslims
  • Stereotypes and Discrimination
  • Taking A Stand and Peacemaking

Full Transcript:

Hi, my name is Sue O’Halloran. I’m going to tell you a story that’s an excerpt of a longer story. A story about the war that broke out in former Yugoslavia in the early 1990s. This is a story of my neighbor, Hasan. Now I’m going to say it as if Hassan were speaking to you in the first person. I do not do a Bosnian accent, believe me, but I want to get a little flavor of Hassan’s speech and most of all the spirit of my dear neighbor. So here’s a little bit of Hasan’s story.

I remember first day of siege. I was in college back then, 21 year old. It is March 4, 1992 and I wake up and I hear my father’s voice out in the living room. “What is going on?” I have to tell you, my father is the type, never late for work, never miss a day of work. He never call in to say he’s sick. I walk out to living room, sleepy and this is how my father greet me. “The whole city is blacked out. People are running around with machine gun. You can’t go anywhere.”

I sit down. I watch TV. We watch TV together. We watch our neighbors absolutely flipping out. Jus-just the night before, my friend, Christian, he was at our house. We are school friends, right. We are hanging out. And next morning he is in Serbian army whose job is to annihilate us Muslims. We listen to TV anchorperson say now our country, Bosnia, it is part of Greater Serbia and Greater Serbia must be cleansed of Muslims and Croats enemies. What, yesterday we are citizens, coworkers, neighbors, and today we are enemies? What has happened? What has changed? We still look the same. We have same skin, it is white. We have two eyes, we have mouth, we have legs, we have arms. What is different? What has changed?

Well, the shelling, it continued all day long. By us is a hospital for babies and one moment it is a hospital of dead babies. Who could do that? The children, of course, they don’t understand; to them, ah, it is day of school off, right? By us, across the street from our apartment, is a hill. The children are sledding on the hill and we hear screams. And we run to the window and there on our street is…is seven dead children in our street. The shelling, the sniper bullets could come out of nowhere. You’re standing line. Now there are lines for everything! Line to buy water, line to get some food, line to get some wood.  And all of sudden shelling or, or, or bullets come out of nowhere and suddenly the 20 people in front of you are dead. You are next in line but you, you are standing there spared, somehow. You understand, we cannot make sense of this.

It took us a while to understand what was going on. We thought it couldn’t happen to us. Finally, I join army of Bosnia. For three long winters, army of Bosnia, we, we hold our city, Sarajevo. Is mystery to me, how we hold that city. We are exhausted. We are, we are no food. We are, we are, we are hungry. We are, we are just tired.

In other unit, a story circulate. We hear a story of an unbelievable suicide. This other unit, they’re holding strategic mountain by Sarajevo. They, like us, no food, no water for days. They’re trudging up snowy mountain, getting up high in mountain. They’re covering, they’re carrying the little packs of things they have left. When a pack horse walks to the edge of the cliff and jumps. The soldiers stood there stunned. And finally, one of them say, “Even the horses can’t take it anymore.”

This is how I feel. This is what I try to tell my parents one Sunday night. I am 24 years old and I tell them my grand scheme. I am leaving. They have one comment for me. “You are out of your mind! How will you get out of here?” they say. “The whole region is at war and our own people could shoot you for deserting the army!”  “I don’t care,” I say. “I do not care. I have got to get rid of these pictures that are in my mind. These pictures that are driving me crazy. I have to leave!”

Long story, my friend, Dino, who is also in army, he leaves with me. We sneak out of tunnel. We get out of city, which is blocked. No way in, no way out. We find way out through tunnel and when we emerge from that tunnel, there before us like big, dark, black wall in the night is Mount Trebević, where just six years before Olympic athletes are skiing, the 1984 Sarajevo Olympics. Oh, so much joy on Mount Trebević! So much, much pride we have! The whole world is watching us host the Olympics and now Mount Trebević is surrounded by death.

Later, long in story, I tell you many more adventures. Almost caught, almost turned in, lying, hiding, cheating, whatever we can do to escape. And finally, we are crossing border.  Finally, months later, out of Bosnia into Croatia. We are trying to get to town of Split on the sea side. Maybe we can get out of area from there. We are going there at nightfall. And as we approached the city at nightfall, we see…lights…lights. We are without lights for over three years. We are without electricity. So, so, so long.  How I tell you? Speechless. Is like night stars fallen to the ground. Light exist. Light exist. I keep saying to myself, light exist. You see, it is like we are living in a cage in Sarajevo and you cannot believe. All existence has stopped outside that cage. You cannot think to yourself that out there somebody is going to eat normally in a restaurant or slept in beds or are going to the office or having a picnic in the park. But if light exists, see to me, that means if light exists that means life exists.

But the magic it start to fade, a bit. We get into Split and there are written on the buildings as graffiti, “Kill Muslims. Death to Muslims.” We are not at war anymore with Croatia but it’s still not a very safe place for us to be. But good luck. We find out that Dino, my friend, his cousin lived in Split.

We are able, long story again, to find our way to his apartment. We get there. It is covered with people. Wall to wall refugees, men, women, children. I do not care. I find a little piece of floor; I fall on it. I am going to sleep for days if I can. When this woman come next to me asked me where we been. I do not want to tell her whole story, months of escape, right? So I mumble a few words and then she asked me where we think we’re going. I don’t know where we’re going. Every step of the way, I didn’t know what comes next. I didn’t know where we were going but I say to her, “We go to United States.” Just to get rid of her, you know, so I could go to sleep. She said, “Oh, well that’s what I manage.” And I’m half asleep, now I’m thinking, what this woman manager store or something why is she telling me this? Why won’t she leave me alone? I want to sleep. And then she say, “I manage the office that sends Bosnian refugees to the United States.”

I am awake now. This is first person I meet in Split? The person who can get me legally to the United States?  And that’s how it worked. A Jewish organization sponsor me and Dino to come to America. You know, Jews and Muslims, we have had long history together. Like in 1400’s both of us pushed out of Spain. Well, during this war when the Serbian army set fire to libraries and other buildings, it is Muslims who run into the synagogue to save the sacred and priceless Jewish text. And now it is a Jewish organization sending me and Dino to America.

When I look back on it all now, over three years fighting a war, over three months escaping, I can’t say that good did not come out of it. I am here. My family is safe. We are in America and we are safe. And strangely enough, it is the haters who made me realize who I am. In Bosnia, I, I don’t know much about my village. I’m not that interested. But as the war and coming to the U.S. I start to get curious about my background. Why people hate me? Who are we anyway? And in U.S. I study Islam. And I find a mosque where I can study with other people, which is a good thing because Islam, I tell you, it is a religion of much discipline. It helps to help other people teaching, you practice with. And our mosque, our mosque join with Christian church and Jewish synagogue and we meet every week, six years now, to understand each other. We are becoming friends. And I can tell you it is better to live your life in community.

I…I am one of the lucky ones.

A Journey Story

by Storyteller Patricia Coffie

 

Story Summary:

 Storyteller, Patricia Coffie, learns that traveling to understanding is part of traveling from one physical place to another.  Understanding involves listening first.  Listen to what is said, to tone of voice, to body language and to the silences. Some colleagues of Pat’s give her feedback on a joke she told and help her realize that change, based on understanding, takes action.  Change for the better is always possible.

For a print friendly version of the transcript, click here: A-Journey-Story

Discussion Questions:

  1.  Have you had the opportunity to examine your assumptions about race?  Have you taken the opportunity?
  2.  When you listen, do you listen for reaffirmation of what you already think you know or do you listen to learn something new?
  3.  Can learning take place all your life long?
  4.  Can you hear one thing while others hear something different?

Resources:

Themes:

  •  Crossing Cultures
  • Education and Life Lessons
  • European American/Whites
  • Taking A Stand and Peacemaking

Full Transcript:

Hello, my name is Patricia Coffie. And in 2013 I took a journey that allowed me to travel much further than from one physical place to another.

It was Atlanta. I was going to Miami. I boarded my flight, I walked down, I sat down and while I’m putting my seat belt on, I said to my seatmate, “Looks like we’re going the same way for a while.” I like to be friendly but not overbearing.

And she said, “Well, yes, but I don’t know how many more times I’ll be doing this.”

I said, “Oh.”

She went on, “You know my husband and I bought this vacation home several years ago and we really enjoyed it. But, I just think I’m going to sell it. He’s been gone for a year now.” And I’m thinking, lonely. And then she continued, she said, “Yes…” She said, “So many of them are coming now.”

I said, “Are they?” And I begin to scroll through what groups might congregate in large numbers where people had vacation homes and be frightening to this woman.

And then she said, “And they bring their guns.” Now I’m revising my scrolling but not much because guns are a lot of places. But I’m going through things and then she said, “And they shoot small dogs.” I flash immediately to one of my grandfathers. He thought the only reason people had a dog was to bother him. The little, bitty, yappy ones belong to rich white people and the big attack dogs belong to the coloreds. And we were neither of them. None of those groups were just like us. And we were nervous about people who weren’t just like us. So this went through my mind.

And then I waited a couple of beats and I said to her, “Who are they?”

And she said, “The Canadians.” And I had to cover my mouth because I was startled and started laughing because she had just de-railed every group I had scrolled past. We didn’t talk anymore; we just traveled quietly to Miami. When I reached home, I told my friends and I told my family this little journey story and they found it was hilarious as I had.

And then I went to lunch with storytellers. It was a multicultural, multiracial group. And I told my little story; there was dead silence. Nobody laughed. And then the Cuban American story tellers said, “Thank you for that WASP point of view.” Now no one had ever called me a WASP before; certainly I am a white, Anglo-Saxon, Protestant, but no one had called me that name before. I wasn’t really happy with their silence or with that reply but it gave me a lot to think about. And eventually I emailed that Cuban American storyteller and told her she had given me quite a bit to think about. She emailed back. She said she thought it was a wonderful thing that we could come together and share our stories and talk about what they meant to us.

I saw some more possibilities for that little journey story. And now I can bring a group together in a workshop or just a conversation. And I can tell that story but I don’t describe my seatmate. I don’t tell you where we’re coming from or where we’re going and I don’t answer the question, “Who are they?” Instead I ask you to jot your own answers down and then we talk about all the different answers. Some are race based, some are other groups. There’s quite a variety in who “they” might be but ultimately we come to understand that we are all “them” to somebody. It has given me a lot to think about and the opportunity to change attitude and action. As I think about the stories that I tell them what they might mean to others. I hope it gives you something to think about too.

The West Indies: Brer Rabbit Avoids Danger For A Black Family Traveling In America

by Storyteller Donna Washington

 

Story Summary:

 Donna’s father is quite a trickster, and one afternoon in the 1980’s, while her large family was traveling through the south, they ran into a potentially dangerous situation. Donna’s trickster father literally saved our lives.

For a print friendly version of the transcript, click here:  The-West-Indies-Brer-Rabbit-Avoids-Danger-For-A-Black-Family-Traveling-In-America

Discussion Questions:

  1. Have you ever traveled to a new place and felt uncomfortable?
  2. Have you ever met a person who made you uncomfortable? What did they do?
  3. Have you ever seen another person being bullied because they are a different color or culture?
  4. Have you ever seen somebody use humor to get beyond an uncomfortable situation? Why do you think humor helps us through difficult situations?

 Resources:

 Themes:

  • African American/Black History
  • Crossing Cultures
  • Education and Life Lessons
  • European American/Whites
  • Family and Childhood
  • Stereotypes and Discrimination
  • Taking A Stand and Peacemaking

Full Transcript:

My name is Donna Washington. This story is called the West Indies. It is a compilation of a piece of folklore and a personal narrative about traveling through America. It starts with a Brer Rabbit tale.

Now there came a day, when Brer Rabbit was tied up so tight you could only see his eyeballs movin’ and Brer Fox was makin’ rabbit stew. But Brer Rabbit was just laughin’ and Brer Bear said, “Why’s you laughin’?”

And Brer Rabbit said, “Wha…I can’t help it. I’m thinkin’ about my Laughin’ Place. And when I think about my Laughin’ Place, ha, ha, I gotta laugh.”

And Brer Bear said, “I want to see the Laughin’ Place. And so, they untied Brer Rabbit, and tied the rope around his neck. And he led him on into the forest until they got to a great, big ole tree and Brer Rabbit said, “Ha, hm, my Laughin’ Place is in the-yah. And Brer Bear dropped the rope and stuck his head into that hollow tree and he heard bzzzzz. He pulled his head out. There was a great, big, ole hornet’s nest right on the edge of it and on his nose. There was a great, big, ole hornet’s nest right on his nose.

And Brer Fox said, “Don’t move. I’ll git it.”

And he picked up a big stick, whacked it really hard, and broke it in half. Those hornets went up in the air and came back down and started stinging those critters all over. Well, Brer Bear and Brer Fox went running back up Cotchapie Hill.

And Brer Bear turned around and said, “Wait a minute! You said this was a Laughin’ Place and I ain’t laughin’.

And Brer Rabbit had rolled over on the grass, got that rope up of him, and he said, “Ha, ha! I said this was my Laughin’ Place and I sho’ am laughin’ haard!” And he ran off into the grass. Now that was the kind of story that I grew up with.

But what I didn’t know is that I lived with Brer Rabbit. My father was a very unusual man. Six four and one of the blackest human beings you’ll ever see in your life. He had black belts in judo, karate, hop ki do, tang su do, and taekwondo and he was in the Army. He knew how to use rifles, nunchakus, and swords. But he had a guilty secret. He didn’t know how to dress at all. When he wasn’t wearing a uniform, he had on black socks, sandals, ripped up shorts and a ratty t-shirt.

My mother is five foot two. She is always very well put together. She’s beautiful. She’s light skinned. She’s very, very lovely.

When I was a child, because my father was in the Army, we moved every three years. And my father had an attitude about America and it was this, “I fought for this country. You’re gonna see it.”

And so, we went across country in this giant van. Now we had two dogs, a toy poodle and an Alsatian Shepherd, which is sort of like a long-haired shepherd. They’re silver and black. They look like wolves.

And they’re seven children. And it was the 80s, so we always had these… we all had these big, giant Jheri curl afros. Now the way we traveled, my dad would get in the car, and he’d become Mr. Happy Drivin’ Man. “Ha, ah, look at that! Look at that! Look at that!”

And my mother would run roughshod over the children in the back. “Stop that. Sit down. Don’t talk to him. Move over.”

And the dogs would sleep in front, where we’d taken the seats out. Well, at one point in the 80s, we were moving from Oklahoma to Virginia by way of Florida. And we would get up at 0 dark 30, which is before the sun and we would travel. And my mother would hand out fruit. And then, when it got a little later, we’d stop and have breakfast. Well, at one point we got to our location so late, my mother couldn’t buy any fruit. Everything was closed. And we got up so early, she couldn’t buy fruit. Everything was still closed. None of us had combed those giant Jheri curl afros. They were twisted all over our heads.

My father came out of the hotel. “Huh, ha! Time to go.”

And my mother. She got out of the hotel. She was wrinkled. Aaaa! We get in the car; all the children fall asleep. Going across country, my father doesn’t care if anybody’s listening to him, “Look at that, look at that, look at that! Ha!”

My mother, “Keee! We must stop and get coffee.”

My father says, “Okay.”

Well, about an hour later, we all woke up and there was no food. And World War III broke out in the back of the van. “Mom, he’s touching me! Mom, he’s hitting me! Mom, he’s doing this! Mom!”

My mother says, “Shut up!” She turns to my father. “We must stop and get coffee.”

My father said, “Okay.”

And he turns off the road. Now, we were on this little two-lane highway somewhere in the south. He turns off, onto, like, a little… what was like a path, gravel road.

And my mother says, “Where are you going?”

He said, “It’s an adventure. Huh, ha!”

And off we go on this gravel road. All seven of us have are our, our faces braced against the… pressed against the windows, wondering where we are. We go up… we end up in front of what looks like a little hiker’s station, and the place is falling apart. The wood is really weathered. It looks like something out of a movie. And the shingles are all peeled up on the roof. And sitting there on the porch, two older white gentleman playing checkers.

Well, I can just imagine what they saw. This giant bus comes heaving up out of the undergrowth and then pulls up. This giant man gets out on one side. Little bitty lady, all wrinkled, gets out on the other side. And then out of the back, come one, two, three, four, five, six, seven heavily Afroed children with a wolf on a leash. By the time we finish walkin’ the dog, they were gone.

We went inside. And my mother took a lo… one look around and said, “Don’t get anything that isn’t in a wrapper,” which means we get to eat junk food for breakfast. And so, we go running to the hostess Twinkies and the hostess DingDongs. My mother gets a coke because she will not drink the coffee outa that place. My father, always, when with the local color, gets a big jar of pickled pigs’ feet. We go to the counter. We throw everything down.

The man behind the counter, his name is Sam. We know that; it’s on his pocket. He doesn’t start ringing anything up. He just looks at us. He reaches beneath the counter. And we hear a c-l-ick! And he says, “Y’all ain’t from around here, are ya?”

And my father looks at all of us and he looks at my mother and then he looks back at Sam. And he rises up to his full six foot four, and he says, “No. We are from the West Indies and we are traveling in your country.”

And Sam says, “Well, welcome to America,” and starts ringing up the food. And my father is talking about the “big sky, the big mountain.” And my mother is staring and the, the seven of us we’re trying so hard not to laugh. We are trying to keep it in, my father playing some trick on old Sam. And after everything was all rung up, we went back, and got in the car, and my father maneuvered that big old bus back down onto the road.

We ripped those Hostess Twinkies and Hostess cupcakes. We thought it was the most hysterical thing we’d ever seen. My father tricked old Sam.

And I realize, that at that point in my life, when we had all been in so much danger, and my father who has tried to kill you 25, 35 different kinds of ways could have made any choice in the world.

I had seen Brer Rabbit doin’ some of his finest work.

Election Night:  How President Barack Obama’s Elections Changed My Life

by Storyteller Donna Washington

 

Story Summary:

The night Obama was elected to the presidency, Donna was a lone black woman in a very conservative part of the country. She discovered that it is possible be in a foreign land in her own country. She also found out that the world is full of people with good hearts.

For a print friendly version of the transcript, click here:Election-Night-How-President-Barack-Obamas-Elections-Changed-My-Life

Discussion Questions:

  1.  Have you ever been scared in a new place?
  2.  Have you ever reached out to someone who was uncomfortable?
  3.  What does it mean to be brave? Does it have anything to do with being scared?
  4.  Have you ever felt like a group of people disliked you for no good reason? Who and why?

Resources:

 Themes:

  • African American/Black History
  • Crossing Cultures
  • Education and Life Lessons
  • European American/Whites
  • Stereotypes and Discrimination
  • Taking A Stand and Peacemaking
  • Workplace

Full Transcript:

My name is Donna Washington and this story is called Election Night.

In 2008, right before the presidential election, I was touring through a very conservative part of North Carolina. And the first day I got there, I was told by my sponsor not to be concerned, but the FBI was in town because someone in the community had been burning crosses on the lawns of the six elderly couples that were left in the county. They were African-American. And I thought, “Well, that’s terrible, because it’s terrible.”

But I never thought about it really having an impact on me. I mean, I was just there visiting. I kept working in high schools and middle schools over the course of the next few days and it was amazing. I saw as all these girls with Sarah Palin glasses and McCain-Palin signs everywhere.  And I was so excited because everybody was really excited about the election.

And on election night, on Tuesday night, I got back into the area where my hotel was, right around 4:30. And I pulled up to a drive-through, at a fast food restaurant that normally is open until 2:00 a.m. And there was a big sign on the, the speaker that said they were gonna close at 7:00.

And I thought, “I bet it’s because they have teenagers, and they all want to go home and watch the election. That’s cool.”

So, when I got up to the window to collect my food, I, I asked the young man behind the window, I said, “So, why are you guys closing at 7:00?”

And he said (and I quote), “In case they riot.”

And I had a moment, because I was fairly certain I didn’t become less black from the time I ordered the food to the time I got to that window. But somehow, me sitting there as a black person, it didn’t occur to him that he was talking about me. And that’s because, during that election, there was all this hyperbole and all this anger and fear that was going around, and black people ceased to be black people. We became this nameless cloud of doom that was going to descend.

And all I could think was, “There are only six elderly black people in this county. What are they going to do? Gather together somewhere and menace the street corners?”

So, I didn’t say anything. I just kind of felt that’s funny, that’s kind of funny. And I took my food and drove back over to the hotel but there was no place to park. The, the parking was full. So, I, I managed to find a place to put my car. And I got out of the car and I couldn’t figure out why Tuesday night, there were so many cars. And then it occurred to me, there is a big, flat screen TV in there. I bet they’re watching the election. And as soon as I got closer, I could see through the window that Fox News was on and the room was packed. And that’s when a lot of things going on in that community hit me.

And the first thing I thought was, “There are people burning crosses on the lawns of the black families here. Some of them may very well be in that room. And there are people who know who’ve been doing it and they have not seen fit to tell the authorities.”

And I was terrified to walk through that lobby and I thought, “I can’t do this. I’m going to go in the back door.”

Because my room was right up the lobby and I didn’t want them to know where I was. But even before I began to take that step back, to back away from that, that door, an image of my great-grandma Topsy came into my mind.

And, I swear to you, she was standing next to me. And I could hear her voice from segregated Texas saying to me, “Yo’ money is the same colla as dey money. If you cain’t go in the front door and sit where you want to sit, then you don’t have no business going off in there.”

And I thought to myself, “Someday I am going to die. And on the other side of that, my great-grandmother Topsy is going to be waiting for me. And if I go in the back door, I will have to spend eternity trying to explain the choice… or I could spend 10 seconds and just walk the lobby.”

Mmm. Squared my shoulders, took my little bag, walk the lobby. I cannot tell you if anyone was looking at me or not. I don’t remember. I just had my eyes focused (with my little bag) on the hallway that led to the door, and I got into my room. I closed the door. My, my dinner fell out of my hand, my purse slipped off my arm, and I realized I was shaking. And I was sweating, and I couldn’t catch my breath and I didn’t know what was happening. And I realized, I was having a panic attack.

And I kept telling myself, “Calm. Down. Just calm down.”

And, eventually, I did catch my breath and everything calmed down and I had my dinner. And I stayed up and the election was over. And I was really wanting to be excited but I was right off the lobby, and I didn’t dare make any noise.

Fast forward four years. I’m down south in North Carolina. I’m in Romney-Ryan country. And Clint Eastwood had just done that thing where he talked to an empty chair at the RNC and said the people where I was, around in Romney-Ryan country, that thought it was a great idea to lynch the chairs from the trees, because apparently that’s reasonable political speech. And I didn’t have any trouble in the community. No one said anything crazy to me. And that Tuesday night. I went, I actually got a nice dinner. And I went back to my hotel room and I sat down and it was over pretty early.

And then the next morning, I went up to go and get some breakfast. And I go down there. And. Again. I just… I’m the only black face in the room. I look around. The waffle line is out the window. I’m not going to have waffles. So, I put my tray down.

And an elderly woman, elderly woman comes out of the waffle line. She walks up to me and she grabs my arm. And she says to me, “I’m so glad that’s over. Now we can talk to each other again.”

And my first thought was sarcastic, which was, “Honey! Me, you’re not talking to me. You’re wasting your time, ’cause I don’t know who you are.”

And my second reaction was sort of incredulous, like, “What have you been doing the last four years, doing or saying, that makes you need to find absolution from the first black person you see!” But I didn’t say that. I move right into being angry.

And I, I thought, “Again! You want to go back. Back to talking like there was nothing going on in our country? Like there are no undertones. I cannot go back. I will not go back and pretend people haven’t said the most horrible things to me over the last four years. I will not go back and pretend that all of the things that have happened around me didn’t happen. I won’t go back and pretend that my neighbors aren’t lynching black mannequins from the trees and going, “It’s not personal or racist. I’m not doing that anymore. If you want to talk to me, we have to go forward from here.”

And then I realized that that’s what she was trying to do… She had gotten out of the waffle line, walked over to the first and only black person in the room. And taking me by the arm, she had, in fact, “un-othered” me.

And I just looked at her and thought, “I hope that I am that brave.” And I smiled down at her, and I said, “Yes, we can.”

And she just lit up. She started smiling, and she just, she stood up so proud. And she wandered back over to the waffle line.

And I made two promises to myself after those two election nights. The first, I will never let anyone ever make me feel like the “other” in my own country ever again. Not allowed. And the second promise, that I will strive to be brave enough to get out of the waffle line, walk over to someone I don’t know, take them by the hand and say, “We have to talk.”

Expectations and Surprise: School Segregation and Tracking in the 1960s

by Storyteller Andy Offutt Irwin

 

Story Summary:

 Andy experienced school desegregation in the 1960s but students were “tracked” which led to a more subtle form of segregation. However, racial tracking led Andy to unexpected friendships.

For a print friendly version of the transcript, click here: Expectations-and-Surprise-School-Segregation-and-Tracking-in-the-1960s

Discussion Questions:

  1. How did legislation such as Brown v Board of Education bring about real social change?
  2. Do you think schools would have ever integrated without being forced to by law?
  3. How can tracking lower the expectations of students’ achievement?
  4. What legislation and school policies do you think are needed today?

Resources:

  • After “Brown”: The Rise and Retreat of School Desegregation by Charles T. Clotfelter
  • Keeping Track: How Schools Structure Inequality by Jeannie Oakes
  • A list of popular books on segregation:https://www.goodreads.com/shelf/show/segregation

Themes:

  • African American/Black History
  • Crossing Cultures
  • Education and Life Lessons
  • European American/Whites
  • Family and Childhood
  • Stereotypes and Discrimination

Full Transcript:

Hi, I’m Andy Offutt Irwin. In 1967, at the end of my third-grade year, Mrs. Smith, my teacher, wrote on teacher’s comments there in the spring, with Sheaffer blue washable ink, fountain pen ink because she didn’t believe in ballpoint pens even though they existed. She wrote, “Andy is just slow.”

Now this story isn’t about me but it is about how this white boy experienced some of the feelings that my black friends felt during desegregation. I’m not saying that I felt what they felt but I certainly felt. By the end of my fourth-grade year, I mean, my second fourth-grade year (you heard me), um, they closed the black school during that summer. So, when my fifth-grade year came along, um, the black kids from the black school moved into the white school and, therefore, they tracked us into five groups.

Group five were the smart kids; group one were the dumb kids. I was in group two. All of the black kids from the old school came into groups one and two. They had a short interview with some white person who I’m sure scared ’em. And that’s where they were put. That’s how they segregated the schools within the school.

Well, most of my friends were black because there were only a couple of white kids in group two and they’re both in prison. And we became friends. I became friends, in particular, with a guy named Johnny Norrington. And then in my fourth-grade year, I mean fifth grade year, uh, there was Cynthia Banks. Cindy and I both moved up to third group together and then she went on to group four. I could tell she was one of the smartest kids that I knew in those groups. She went on to be one of the smartest kids in high school and went on to be our class president in 1977.
And that’s kind of how desegregation worked – the legal integration of schools worked. When we came into the eighth grade, all of the kids in the same county from the eighth grade were in the same school. That school had been the old black high school and, therefore, half the faculty, at least, had taught at the all black high school. And desegregation and integration were working. I’m not saying we were plural yet but it was happening. And by the time we were seniors, my friend Terry Kelly (who’s black), he and I were the leads in “Bye, Bye Birdie.” I played Albert Peterson; he played Birdie. And by the time Terry and I went to college together (and we were roommates together all through school), we crammed four years of college into six years to get people to stop forgetting about that he was black and I was white.

And by the time “now” happens that people my age have grandchildren (not that I have grandchildren) but the people who got married when they were 10 years old, they have grandchildren. Those grandchildren don’t remember what it was like and don’t even really know what happened. In my town Covington, Georgia, we have a black Superior Court Judge; we have an African-American sheriff. We’ve had a black mayor, sitting mayor, when the previous mayor had to step down. And the mixed city council elected him mayor to fill out the term. And that’s what’s going on in my new South, thanks to legalized desegregation.

Everybody and Nobody: Racial Default Thinking

by Storyteller Andy Offutt Irwin

 

Story Summary:

 When Andy was a child living in the Deep South, he visited some of his family in Colorado. A woman out there told Andy, “Everybody in Georgia is a bigot.” This put him on the road to thinking about Racial Default Thinking. Every day this informs his storytelling.

For a print friendly version of the transcript, click here:  Everybody-and-Nobody-Racial-Default-Thinking

Discussion Questions:

  1. In what ways may you be guilty of “racial default” thinking and conversation?
  2. What does an “all-American” person look like?
  3. What does it mean to be ethnocentric? What are ways we can rise above ethnocentrism?

Resources:

  •  Discrimination by Default: How Racism Becomes Routine by Lu-in Wang
  • Invisible Man by Ralph Ellison
  • Report – Structural Racism and Community Building
  • The Aspen Institute Roundtable on Community Change
  • https://www.aspeninstitute.org/sites/default/files/content/docs/rcc/aspen_structural_racism2.pdf

Themes:

  • Crossing Cultures
  • Stereotypes and Discrimination
  • Taking A Stand and Peacemaking

Full Transcript:

Hi, I’m Andy Offutt Irwin and I call this little talk “Everybody and Nobody.” When I was, uh, uh, 12 years old in 1970, the summer that I was 12 years old, my adult cousin flew me out to Denver to spend a whole month with him and his wife. This is a very big deal for me and it was the very first time I was on an airplane. But, most importantly, it was the very first time I was ever out of the South. He had a lot of kids in his neighborhood and I played with those kids and we had a great time. And it was Kool-Aid time or whatever and we went into one of the kids’ house and we were all full of chatter and my accent really flew through. My accent was very, very thick when I was a kid. And one of the moms, the mom there in that house, looked at me and she said, “Where are you from?”

I said, “I’m from Georgia.”

And she said, “Everybody from Georgia is a bigot! Everybody from Georgia is a bigot!”

I didn’t have the tools to respond to her and I couldn’t go on and express how hurt that made me feel. But that “everybody” stuck with me. Everybody’s a bigot.

A lot of years later, I was talking to my very nice aunt, who is a very kind person and she and I, actually, are very close. And she was talking about the home that she and her husband had built in 1940, way out in the country, in Southeast Newton County and it was a rural area.

She said, “Well, when we built it, there were no suburbs around here that… like there are now. And there was only a black neighborhood. Nobody was out here.”

Nobody was out there. It was just a black neighborhood; they’re nobody. And that “everybody” and that “nobody” came together. Everybody’s a bigot. Nobody is out here!

And that set me to thinking about racial default thinking. Racial default thinking is a sociological term coined by the great sociologist of DeRee Univ… It’s sensible. All right. I made it up. Racial default thinking informs my main character, Marguerite Van Camp.  Now Marguerite is a white lady; she is 85 years old and only recently graduated from medical school. She named her hospital, “Southern White Old Lady Hospital” and she explains it like this.

“Well, when I was 40 years old, my girlfriends and I, we all decided to go to New York together. No husbands, no children, just the girls who were turning 40. And none of us had ever been north of Virginia. We had never been out of the South. And we got in my husband Charles’ Plymouth and we drove all the way up and we encountered nothing but nice people. Because if you go around the world expecting people to be nice to you, they’ll usually be nice to you. It’s true, young people. Anyway, we… everyone was nice until we went to the Broadway show that we were going to go see and I went to the box office and I talked to the lady at the box office. I said, “We’re here to see this play “Man of La Mancha.”

She said, “It’s not a play; it’s a musical!”

“Oh, bless you for telling me! Well, these ah in the name of Marguerite Van Camp.”

And she said, “Where are you from?”

I said, “We’h all from Georgia.”

She said, “Everybody from Georgia’s a bigot.”

“Oh,” I said, “Oh! Oh, do you mean the white people or everybody?”

And I get to have Marguerite do that for me. And she gets to do that for the 12-year-old kid in me. And that’s why she’s around. And that’s why she helps us all with understanding racial default thinking. Marguerite, being a recovering racist.

I’m Gonna Let It Shine – It’s In All of Us

by Storyteller Bill Harley

 

Story Summary:

 Bill gathers a group of musicians together to record an album of Civil Rights freedom songs. However, they learn that they can’t assume they are all on the same page or that underlying emotions and biases aren’t in play.

For a print friendly version of the transcript, click here: Im-Gonna-Let-It-Shine–Its-In-All-of-Us

Discussion Questions:

  1.  Is it possible to separate ourselves from some of our beliefs? How do we create a dialogue in which we’re able to admit our mistakes?
  2.  What was it about Hollis Watkins that made him able to say things in a way that others could hear? Have you been in a situation where someone found a way to encourage dialogue and   admit our failings? How did they do it?
  3. Do you think we all have prejudice in us?
  4.  What made it difficult for the white musicians and the musicians of color to work together? What history and different life experiences stood between them?
  5.  What is it about music that breaks down barriers?

Resources:

  • Recording – “I’m Gonna Let it Shine – a Gathering of Voices for Freedom” available at Round River Records and www.billharley.com.
  • Sing for Freedom by Guy and Candie Carawan (SingOut Publications) was the sourcebook for the recording.
  • Everybody Say Freedom by Bob Reiser and Pete Seeger (Norton) tells the story of the songs used in the Civil Rights Movement
  • Parting the Waters by Taylor Branch (stirring accounts of how songs were used in Civil Rights demonstrations and rallies)

Themes:

  • African American/Black History
  • Civil Rights Movement
  • Crossing Cultures
  • European American/Whites
  • Stereotypes and Discrimination
  • Taking A Stand and Peacemaking

Full Transcript:

Hi, my name is Bill Harley. I’m a storyteller and a songwriter and an author now but before I was that, I was a community organizer and I was also a nonviolence trainer. I, uh, learned how to, uh, train people for, uh, demonstrations and, uh, civil disobedience and also work in the classroom.

Uh, and because of that, uh, when I was working with those organizations, American Friends Service Committee and other organizations, I had the opportunity to work with a lot of people who had been involved in the civil rights movement. Um, I was lucky enough to get to meet a lot of people who had worked with Dr. King:  Walter Fauntroy and Bernard Lafayette and John Lewis; uh, even lucky enough to meet Coretta Scott King and, uh, Dr. King’s father, Daddy King.

And along with that, during that process, uh, I learned a lot of freedom songs, uh, from the civil rights movement: “I’m Gonna Let It Shine,” “Ain’t Gonna Let Nobody Turn Me Around,” uh, “Hold On,” “Keep Your Eyes on the Prize.” All those songs and I began to sing them with people; I used them as organizing tools myself. Uh, and listening to Pete Seeger’s 1963 concert, to this great recording of freedom songs recorded in Carnegie Hall so I kind of cut my teeth on those songs. When Martin Luther King’s birthday became a national holiday, I was concerned, uh, because those songs and that movement of nonviolence and what his work was that had such a huge influence to me, that it was really a national holiday. It wasn’t parochialized into like, okay, this is the black holiday, ’cause I really want it to be our holiday. So, I decided I was going to have a freedom sing at my house. And we invited about 25, 30 people musicians, not musicians, people who like to sing and we sang songs for about two hours. And it was there in the middle of January, that the room was steamy and we were singing songs and it was just great. I felt like we raised the house off the foundations so we did that for year after year.

And then, um, a rabbi at a local synagogue asked us if we would do it there. And we ended up, for a number of years, having four or five hundred people come. And it was so good, it was so powerful, I decided that I wanted to make a recording of this… of these songs, not in a formal, uh, performance setting but just to put a bunch of people together and sing them so that they would be sing able for other people.

And I started to ask my friends if they would sing on this recording and they said, Of course,” uh, but I was concerned. I wanted it to be everybody. I wanted it to be black and white together not being black or white but also brown. There’s more and more Hispanic folks in our area. Um, and so, I started to call… reach out to people in my community of different, uh, different backgrounds.

And then I called up Guy Carawan. Guy, uh, just died, um, several months ago and he was a white guy from California but he came to the south and became, uh, involved in the movement. He was a music director for years and years at the, uh, Highlander Center where people came to learn how to organize. And Guy, along with Pete Seeger brought “We Shall Overcome” to the movement and “I’m Gonna Sit at the Welcome Table.” And so, I called Guy up and I said, “Guy, I’m thinking about doing this. I’m trying to figure out who to invite.

And he said, “Well, why don’t you just invite the original people.

And I said, “Really!”

He said, “Yeah, here’s a list of names. Here’s a… here’s a bunch of people. The Freedom Singers, this quartet of, of, uh, young black people that went around, traveled the country raising money for Freedom Summer and all those things. And here’s some people who were sneak organizers and here’s a woman who was very close to Dr. King. Why don’t you just call them up? They can all sing. Just ask them.”

Which was kind of overwhelming ’cause I really was a white… a young white guy from the south who had no business doing that, except that I thought it was important and I wanted them to make them our songs. So, I did. I just sucked it up and started to make one phone call after another and almost all of them said, “Yeah, we’ll come.”

I said, “We can pay your way. We’ll make sure you have good food. And they said they would come, which is quite a testament to them because there’s really an issue of cultural appropriation about these songs.

There’s a question about whose songs are these. And it’s a legitimate question but I wanted it…  to make it a bigger tent. And I talked WGBH in Boston into bringing their mobile recording unit down to this retreat center in Rhode Island. I got them to do it for free. I talked to all these people and we took a second mortgage out of our house to pay for this recording and I was way over my head. And I called Guy up. I said, “I’ve got all these people comin’.”

And he said, “You do?”

I said, Uh huh.”

He said, “Well, that’s going to be interesting!”

And I didn’t know exactly what he meant until everybody came there and I realized I had bitten off a lot more than I could chew. First of all, all these people who had been involved in the movement who I only heard of (and I done all my background work on them and gospel music and the history of the movement), they came with their own stories. And there were a lot of unresolved stories there. And then my friends, many of them from the north came and many of them were white and some were people of color – Hispanic and African-American or mixed, whatever, you know, te, whatever we all are.

And that first meal, the first rule in organizing is make sure the food is good. And I had a great caterer and that calmed that placed down. And we immediately had a problem with the recording area because what I wanted was wrong. And we decided we had to do it in a barn but the barn wasn’t heated so I had to go out and get all these heaters to bring in, to heat up the barn.

But everybody looked at each other because this was the past and the present meeting each other. And black and white meeting each other and north and south meeting each other and we were all nervous. Now I’ve been an organizer long enough to know I needed to int… to figure out a way to introduce this. And so, at the end of the meal, I had everybody sit on the floor. There’s probably maybe 30 of us all together including the engineers and everybody and I said, “I want to go around the circle. And I want you to introduce yourself and say one thing, uh, one of your hopes and one of your fears. And it was really awkward.

Uh, the, the white folks, um, were afraid of doing the wrong thing and saying the wrong thing and afraid of being misunderstood and, uh, the, the black folks were scoping people out. Was this just another, uh, incident in which white people were tryin ’to make ’em feel good about something’? And what are they going to do with these songs? Uh, and then I had some friends, uh, from the north, some African-American friends from the north, who were kind of in between, watching all of this go on. And none of us knew what was going to happen. And people were very polite when we are going around the circle and they were saying things to be safe. But that’s no way to sing freedom songs and trying to make sure that you didn’t make any mistakes is not the way to do what’s right. And we… I could feel the tension in the room rising and thinking, “This is beyond myself. This is beyon…; I can’t fix this.”

And then it was Hollis Watkins’ turn and Hollis, um, oh, he’s probably 50 then, I guess. And he was in his early 20s in the early 60s. He was a sneak organizer; he’s from southern Mississippi. Uh, he was one of the last people to see Goodman, Schwerner and Chaney, uh, before they drove off in a car and, uh, were killed by the Ku Klux Klan. And he said, uh, to me, “I told them not to go!”

And Hollis is to this day, an organizer, uh, in Jackson, Mississippi. Not the best singer but maybe the most moral person there. And when he came…, when it came to his time, he said, “Well, here’s my fear. My fear is that we’re not going to admit that we’re racist. And someone this weekend is going to say something that’s hurtful and has racism in it. And then when someone calls him on it, they’re going to deny it because they’re say, “I’m not a racist. And then we’re not going to get anywhere and we’re just going to draw lines and we won’t get through what we’ve got to get to. So, what I want us all to admit right now is that we are racist.” He said, “How could we not be. Look where we’ve been raised. Everybody in this room doesn’t want to be. We’re all here because we don’t want to be but we are. It’s not who we want to be but we need to admit it. And then when we admit it, we can get past it.”

And you could feel everyone in that room breathe. That, suddenly, the black folks who had brought so much and were… and their lives have been endangered. I realized later, that those people, really, in a sense, had post-traumatic shock that they had been through this cathartic moment in their lives when they’re very young and some of ’em had never… that was the moment of their lives. But that opened and there was this huge relief for us for, for someone like me, that I might make a mistake but that shouldn’t keep me from trying. And we did make mistakes. I made huge mistakes during that weekend but somebody said, “Bill, that’s not right.”

I remember every… somebody said in a recording, “That sounds like church!”

And I said, “This is not about church!”

And they all looked at me. Well, their understanding of what church was and mine was, you know, being raised a white Methodist in the, the, you know, white denomination. Those are two different things. Church meant yeah!

And it took us a long time but we got through it all. There was one moment because I had asked… It was during the anti-apartheid movement, I’d asked a South African poet to come and teach us a couple South African freedom songs. And there, it was like 9 o’clock on a Saturday night in this barn. He taught us “Senzenina,” which is, uh, why am I treated like… this way because of the color of my skin. It’s like a prayer. (Singing) Senzenina, senzenina, senzenina. Senzenina. And all of us there were working in this space together learning a new thing, learning a new way to be, learning a song that none of us know.

And that had a huge effect on me when I realized that I could drop this notion of I’m not racist. I can say, “I don’t want to be and I’m better at it but I don’t hold that up anymore.”

And as soon as we say that I’m not racist, we’re forced to defend our behavior. But what we can say is, “Yeah, I am. It’s in me but it’s not who I want to be. How are we going to get through this together?”

A Child’s Eye View

by Storyteller Cynthia Changaris

 

Story Summary:

 Growing up in Charleston, South Carolina during Jim Crow, Cynthia is baffled by why Black people get to ride in the “best part” of the bus, the back of the bus with the great view out the rear window. She plays with a young boy named Sammy when his mother comes to help Cynthia’s mother with the ironing. Cynthia doesn’t understand when her mother tells her that Sammy is dead and that he died because he couldn’t get to a “colored hospital” in time. When she was 12, Cynthia’s mother takes her to an integrated church service in Winston Salem. Cynthia is able to sense the danger but her heart feels full and happy to be in this circle of women.

For a print friendly version of the transcript, click here: A-Childs-Eye-View

Discussion Questions:

  1.  How did white children in the Jim Crow South learn to treat people unfairly? As a young child what were Cynthia’s parents teaching her?
  2. When were you first aware of color? When did you first become aware of injustice? How did you learn who was supposed to be “superior” and who was “inferior”?
  3. Are transportation and health systems free of discrimination today?
  4. Why are churches and other places of worship still so segregated today?

Resources:

  • Remembering Jim Crow: African Americans Tell About Life in the Segregated South by William Henry Chafe and Raymond Gavins
  • Deluxe Jim Crow: Civil Rights and the American Health Policy, 1935-1954 by Karen Kruse Thomas

Themes:

  • African American/Black History
  • Civil Rights Movement
  • Crossing Cultures
  • Education and Life Lessons
  • European American/Whites
  • Family and Childhood
  • Taking A Stand and Peacemaking

Full Transcript:

My name is Cynthia Changaris. I was born in 1948 in Charlotte, North Carolina in the deeply segregated South. And I have some memories from that childhood that I wanted to share with you today. One of my earliest memories, I was so excited because mother was taking me across the town of Charlotte by bus. I had never ridden the bus. And I know how short I was because when we sat down in those two front seats that face each other, my old feet didn’t reach the floor. I could kick the bus; you know, make good noise, which mother didn’t like. And I saw people getting on the bus and going to the back. And every time I saw someone get on the bus and go to the back, it was someone who was a black person and I said, “Mama, why do they get to sit in the back? I want to sit in the back.”

She said, “Shh! I don’t agree with it. Just hush!”

And a man overheard my conversation and he said, “Ma’am, I’ll take her to the back of the bus if you want me to.” So, I took his hand. I went to the back of the bus. He helped me stand up on the seat so I could look out the wide window and look at all the cars and the people and everything. Ah! He prevented me from falling down when the bus lurched and I was happy. But I kept that memory of who got to sit where and why did it happen.

And I knew my mom didn’t agree with it but she didn’t say anything straight out to me either. Now when I got a little bit older, six years old, I went to school. But before you go to school you have to go get new dresses. So, I got six brand new dresses that I twirled around in one evening. And then after the dresses, the health department. I had to go get typhoid shots and I was not happy about that. However, we had to sit a long time in that health department on these wooden benches. And on this side, there were two water fountains. One said colored, one said white. There were two women’s restrooms. One said colored. One said white.

I said, “Mama why are there two water fountains?”

She said, “I don’t agree with it but that’s the way things are.”

I said, “Mama, if I drink from the colored one, am I going to turn colored?” I just wanted to do things right, you know, but I never forgot that memory of thinking this is really not right and it’s not… it’s not the way I think things should be. Just a little girl but I was confused.

Now I… also around that time, had… my mom had a maid. Her name was Laura Ruth. Laura Ruth came to iron for my mama and to babysit for me when Mama couldn’t stand it anymore, which I expect was fairly regular. I don’t know, I was a pretty active kid. Now I didn’t like Laura Ruth because she was very strict and she would yell at me sometimes but I did love her boy. His name was Sammy. Me and Sammy used to get behind the bushes next to the house where we had this little fort. And we would trade off Crockett… Davy Crockett hats, you know, the kind with a raccoon tail on ’em and we would sing that old song that we heard on TV every night.

And we had our pistols in our holsters and we were protecting the world from everything. I loved Sammy and every time he came with his mama, I was happy but there was one day he didn’t come with his mama and I was still quite young. I think between five and six.

And, um, I said, “Mama, where’s Sammy?”

She said, “Honey, he died!”

I said, “Oh, Mama! Well, will he be here next week?”

She said, “No, honey! Died means he’s not going to be here again.”

I really couldn’t capture all that in my brain. I know I didn’t take it in but I do remember listening to everything. And I know I heard my mama talking to my aunt Bet on the phone and she said, “Oh, Bet, if that child would’ve had a good doctor, he wouldn’t have bled to death from getting his tonsils out.” Now my mother would never have told me that but I know I overheard it and something in my heart went “crack” about it. I knew it was wrong and I knew it was because Sammy was black and he didn’t get to have a good doctor.

Now I grew on up in the segregated South. I can remember lots of other strange feelings like if I saw a whole host of black boys walking toward me, I remember feeling nervous and wondering, “Why do I feel nervous? They’re just people.” But I was kind of going inside myself trying to figure all this out.

I was 12 years old when this incident occurred. Mama and I went up to Winston-Salem, North Carolina because my Aunt Sarah (we called her Sister), she had fixed it up so that the Presbyterian black women of the church and the Presbyterian white women of the church were going to hold a meeting in one of the biggest churches in Winston-Salem.

It was enormous and I remember walking in just being totally shocked how big it was. There must have been, oh, I don’t know, 20 rows of people and it was filled up but me and my mama and my Aunt Sarah were the only white people there. I noticed that I had never been in a minority before and I noticed that I kinda liked it. I kinda liked it. And I saw my mother lean over to sister and she said, “Oh, Sister, I’m so sorry that none of the women in your church came to see this and to be a part of this worship service.”

And Sister just sat while the worship service went on. I know there were prayers and songs and whatever but sister sang a solo; she had a high, high voice. It sounded like it could crack but it never did. And she sang the song from Ruth, “Entreat me not to leave thee nor to turn from following thee. Thy people will be my people. Thy God, my God.” I always loved that song; I heard it more than once.

And when that finished, we passed out candles. Mama and me and Sister on the front row – everybody else behind – so we were the last ones to leave but the first to get lit up and this was my favorite part. When the lights were turned down on the church and the lights flowed upward from our candles as they lit row to row to row to row, it was a glow that just touched my heart in every way. We marched out – the last ones to get out the door – and we were singing, “We are climbing Jacob’s Ladder. We are climbing higher, higher. We are climbing ever upward!”

And as we marched out the door, there were six police cars with their blue lights going like this and men milling around. And I said, “Mama, what is it?”

She said, “Shh! Keep singing!” And I did because she was firm and we sang all the way up on a hill and we made a huge circle and we looked inward. As we looked inward, every face there glowed. Those candles glowed all of us in a beauty I won’t ever forget. And we sang, “We are climbing Jacob’s Ladder. Soldiers of the Cross. Oh, may we go higher and higher!”

Seriously…WHAT DID YOU CALL ME?!

by Storyteller Onawumi Jean Moss

 

Story Summary:

 While getting a passport to prepare for a trip abroad, Onawumi Jean discovered that her name is not on her birth certificate. Her aunt is able to clear up the mystery by disclosing a concession Onawumi’s mother made to get along and keep her job in the Jim Crow South. As an adult, Onawumi arranges a naming ceremony where she is able to honor her past and celebrate her creative present and future.

 For a print friendly version of the transcript, click here: Seriously…WHAT-DID-YOU-CALL-ME

Discussion Questions:

  1.  Why are names important? What do they say about our identity and the people who name us?
  2. How did Onawumi Jean’s mother’s concession help her “get along” in the Jim Crow South?
  3. If you were going to choose another name for yourself, what would it be and why?

Resources:

  •  American Nightmare: The History of Jim Crow by Jerrold M. Packard
  • The Name Book: Over 10,000 Names – Their Meanings Origins and Spiritual Significance by Dorothy Astoria

Themes:

  • African American/Black History
  • Crossing Cultures
  • Education and Life Lessons
  • Family and Childhood
  • Stereotypes and Discrimination
  • Taking A Stand and Peacemaking

Full Transcript:

Hello, my name is Onawumi Jean Moss and I’m going to be doing a reading from a one woman play that I’m doing that’s actually inspired by my own life. It is inspired by the fact, well, let me just get started. This is a reading from, “Seriously, what did you call me?”

The year is 1998 and I have been invited to the Dunya Storytelling Festival in Rotterdam. Hello. You see, I’ve been dreaming of travelling abroad for years but the truth to be told, I’ve only travelled in the United States of America. I’m just saying. I decided I’d call my friend B.J. She has been trying to get me to go abroad for years. She wanted me to go to Africa one year. She just wanted me to go somewhere. So I give her a call.

“Hallelujah!” I knew she’d love it. “So you going abroad. My goodness.” She’s got a gravelly voice but that woman is known on three continents for helping poor people get over the forces that have held them down. She’s quite remarkable. B.J. stands for bold justice. “So you’re going abroad. Well, hurry up and don’t stop. I know you.  Get your passport. It’s pretty straight forward. Just go get it and keep me posted cause I do think I just felt the earth tremble. Could be coming to an end.”

I move quickly to do what B.J. has asked me to do. So, I go to the post office and I get all the forms that verify I say who I say I am. And then I start to completing them. I find out I need my birth certificate. I haven’t seen that in…ever. So I sent for it. It came and surprise, surprise… the name Jean, the name I have been called all my life, is not on my birth certificate. Whaaaat? Seriously? I think about calling my cousin Eloise. She is our family historian and she is very tight lipped. I know that as soon as I call her, here’s what I’m gonna hear. “Lord, Lord, child. Some words, if spoken, will make the wheels fall off the wagon.” But I still plead with her. And you know what she does? She says,  “You know, you haven’t flown home in a long time.” And then she starts bringing me up to date on who gave birth. Who got sick. Who recovered. And who died. That, I don’t know these folks is not here nor there. She is my cousin Eloise and she is my favorite, favorite elder.

So after she stops being the town crier I say,  “Cousin Eloise, how come Jean is not on my birth certificate?”

And she says, “Lord, Lord, Jeanie cat, that’s water under the bridge. Now why are you worried about this now?”

“Because I’ve been sitting here with my birth certificate and it says, ‘Carolyn Durham.’  It does not say Jean and I want to know why. If Mama was still with us, I would ask her why Jean is not on my birth certificate.” It was quiet in my office and quiet on the phone. And then we both just burst out laughing. (Laughing) Because we both knew that Mama would not tolerate being interrogated by anybody, let alone her children. But something in that moment caused my cousin Eloise, whom we learned to call cousin Weez, cause when we were children we couldn’t say Eloise. So she still calls me Jeannie cat. And I still call her cousin Weez.

Cousin Weez said, “Well, when Hon,” that’s what you call Mama. “When Hon went back to work for the Taylors a few weeks after you were born, the oldest daughter wanted to know why you were named Carolyn and not after her. Everybody thought the child was just being cute and they weren’t taking her seriously. But every time Hon went to work, the child just would fret something awful. So to keep the peace, Hon told her she’d call you Jean. Well, what your mama meant was she’d just call you Jean when she was at their house. But we all started calling you Jean not realizing that that would be the only name that you would come to know yourself by. We just weren’t thinking about the long run.”

Well, I was outdone. I felt my legs buckle. This is madness. I thought to myself, “I’m on the threshold of becoming a nationally, internationally known storyteller. Can you imagine it? And because my mother felt it was necessary to do because she wanted to keep her job. I am having to go through hoops because I, a little girl, a little white girl who felt entitled, had a “do what I say’ tantrum and when she got her way, I was given no more thought. I used to babysit for her. And she called my name with detachment only to tell me, “Fetch this, fetch that.”  My family’s attempt to mark what happened backfired.

And so they didn’t realize that I wouldn’t know my real name. But still they helped me get to where I am today, at one of the most prestigious institutions on the planet and with the tools I would need to be successful. The wisdom of knowing how to survive, is to know how to overcome Jim Crow rule. And that wisdom is hard earned. That scene in Roots, when Kunta Kinte was being beaten because he refused to be called by the name Toby, just stayed in my mind. But when he had the help he needed, he not only survived, he thrived. I want my name to reflect my African and American heritage.

Since miscegenation has erased my physical connection to Africa I thought. I need someone who really knows me, to name me. And I decided that that person is, Dr. Rowland Abiodun, professor of art history and black studies at Amherst College. When I ask Dr. Abiodun to name me, he got very quiet on the phone. And I thought, “Oh my!  He’s not interested in doing this.” Well, it turns out I was wrong.

When he spoke, he said these words, “I will have to pray about it.” And he hung up the phone. I couldn’t believe it. I never thought anybody would have to pray about naming you. Three days passed. I was a wreck but he called me back and he said that he would name me. And then he told me several foods that I had to come collect for the naming ceremony. My heart was racing. I collected all the foods. I invited my friends and my collaborators. Those of us who work for justice for a long time together and everybody came.

And when we gathered, Professor Abiodun stood and told us a story about naming that I will take with me for the rest of my days. He said when he was telling about the meaning of the foods I had collected. He said these words, “Omi. Omi means water. The water, which you are supposed to drink. The water that destiny has set for you to drink will never flow past you. Iyo. Salt. Maggots are never found in salt. May your body never harbor decay or disease. Oyin. Honey. No one refuses honey. That taste of honey will be in your mouth. Your presence will bring joy and happiness to all you meet.” I felt my spirit soar in a way that I never felt it before. On hearing all he told me, about the way the foods related to my name. And then he calmly guided us through the ancient and untitled ritual.

I remember singing to myself.  Amazing, amazing! This is amazing, amazing, amazing. This is amazing!

Then he said, “In Yoruba culture, one is a stranger until one is given a name. Your name gives you presence and beauty and power. With this name, you will no longer be a stranger. Onawumi, one who is creative and loves to create. Oshunokami, one whose deity is the great river goddess, Oshun. She is the one, who holds the mirror of truth. She is the one, who sits by the doors of the temple. She is the one who braids hair and speaks wisdom. Olyin, whose words are healing and sweet as honey.

Amazing. Amazing! This is amazing, amazing, amazing. This is amazing!

In keeping with Yoruba tradition those gathered were invited to speak my name several times so that my presence, my beauty, and my power would be undeniable. Looking back, using the rearview mirror that my cousin Eliose, Cousin Weez, was always famous for saying. When someone said, “I don’t look back.” She would say to me and to the children around her, “Just remember children, there’s a reason that a car has a rear, rearview mirror. When you going forward, don’t forget to look in the rearview mirror because what’s back there might help you get along further.”

And so, I have looked back on my own life. Because I found my name Jean was not on my birth certificate but now it is on everything. And it is my legal name but it is also my spiritual name. My name is Onawumi, one who creates and loves to create. Jean, the one, the name my mother gave me to keep the peace. It means gift of God and my mother said it means gifted by God. Moss, the name that I share with my two sons and my daughter. My name is Onawumi Jean Moss.  Amazing, amazing! I am amazing, amazing, amazing, amazing!  And so are you.

The Teacher as Learner

 

Story Summary:

Nancy shares some of her favorite teaching moments when students from different cultures turn the tables and teach her about stories from their cultures. Second grader, Luis, tries to be patient with his teacher, but despairs of ever getting Nancy to pronounce “pantalones” correctly. Nancy learns just how challenging it is to communicate in another language.

For a print friendly version of the transcript, click here:  The-Teacher-as-Learner

Discussion Questions:

  1. What happened when the second graders taught Nancy the Spanish version of The Little Old Lady Who Wasn’t Afraid of Anything? What were the benefits that for once the students were the language teachers instead of the language learners?
  2. What are some other ideas for reversing the roles of teacher and learner – particularly for students whose first language is not English?
  3. Why do you think the 7th graders were so eager to find and hear stories from their cultures of origin? How did telling The Story of Tam and Cam help the two Vietnamese students start telling stories about their life before coming to America?
  4. Does each group who comes to this country eventually lose its culture? What is gained and what is lost through assimilation or through holding on to one’s culture?

Resources:

  •  The Little Old Lady Who Was Not Afraid of Anything by Linda William
  • La Viejecita Que No Le Tenia Miedo a Nada (The Little Old Lady Who Was not Afraid of Anything, Spanish Edition) by Linda Williams, translation by Yolanda Noda
  • The Oryx Multicultural Folktale Series – each book collects variants from many cultures of one tale type (Cinderella by Judy Sierra, Beauties and Beasts by Betsy Gould Hearn, Tom Thumb by Margaret Read MacDonald, A Knock at the Door by George Shannon)

Themes:

  • Crossing Cultures
  • Education and Life Lessons
  • Identity

Full Transcript:

Hi, my name’s Nancy Donoval, and I’ve been a working storyteller for a lot of years. And I want to tell you about some adventures that I had as an artist in residence, in the state of Illinois.

I went to this one school for a week and they welcomed me. I’ve never been to a school like this before. I was gonna to do an assembly of stories for different grade levels; K-2, K-3, and then fourth, fifth, and sixth and then I was gonna to be in the reading teacher’s room. And each classroom was going to come to me for, for one little session on storytelling. And we talked about different things I would do with different classes and different grade levels. But when I got to the school, oh my goodness, they had prepared it so much. There were signs everywhere. “Welcome storyteller. Welcome to Nancy Donoval.” I went into the women’s bathroom and there were signs in there, welcoming me to the school. And the kids had made them all and they had laminated them. I felt like a wanted, special artist.

It was right around Halloween. So, I went in to do the assembly. It was one of those big cafetorium with the kids all spread out like a sea of them around me. And I’m standing there with the microphone and I start telling some ghost stories because it’s around Halloween. And everything is going great and then I start telling this story from a book by Linda Williams, called The Little Old Lady Who Was Not Afraid Of Anything. Because this was the younger group of kids and I didn’t want to tell anything too scary. And as soon as I started the, this one group over in a corner, erupted. There was just noise, and commotion, and moving around, and then, and then the teacher saying, “Shh.”  I thought OK., is it the Linda Williams fan club? Is it people who really hate this? What is happening there? But I was just doing the story. I found out later, that was the second-grade ESL class and they had just put on The Little Old Lady Who Was Not Afraid Of Anything, the Spanish version. So, as they were listening to all these stories that were in English and catching what they could or what they couldn’t. Suddenly, I was telling a story that they knew that was for them.

I had so many kids come in and, and do the different groups but the classroom, I remember is that group of kids coming in to be with me. They were so excited. I was so excited. I have no memory of what the teacher and I had planned to do. I do have a memory of thinking I don’t speak Spanish. And while I’ve worked with kids of second language in groups, where it was a lot of different languages, or most people spoke English but a few people. I never had a full-on group of seven year olds, they really mostly spoke Spanish. I was feeling a little out of my depth and what was I going to do for them. And I thought, hmm, let’s try instead of “oh I’m the teacher here to help you.” They loved that story so much in Spanish. Let’s have them teach it to me. And so, they started teaching me, The Little Old Lady Who Was Not Afraid Of Anything, in Spanish.

I’m not very good with languages. I really struggled. It was fun because I knew the story. When we get to the sound effects like “clump, clump, clump, and, and snap, snap, snap,” I was like, OK, I know how to do those. But I had so much trouble with all the rest of it. They were so gentle and so patient. And they, sort of, broke themselves up into little groups of who was going to work on what, who was going to teach me what. And I started seeing them mirroring all the behaviors that people had used with them, trying to get them to speak another language.

The person who was very ferocious with me. “No, no. Like this, like this.” And then they would say it again, “Like this.” And I would feel a little like, “I’m trying. I’m doing my best. I mean I’m not faking that I’m not good at this to make them feel better. I am really trying to do it.”

And there was a boy named Luis who just attached himself to my left shoulder and somehow became the person who was determined that I would say the word pantalones correctly. He was so patient and so. (Sighs) He did that so many times. And he would say the word and I would say it. And to me I was saying it exactly like he said it. But I wasn’t. They were giggling. They were laughing. They were the teachers.

They were the experts and I started realizing, oh, they’re actually getting to see how hard it is to learn a new language. They’re getting to see me not be able to do it in a snap. And I was hoping that maybe that made them feel like, oh yeah it takes a while to do this. And really they are much better at English than I’m ever going to be in Spanish. I loved that group of kids. I’m always going to remember Luis and I still really don’t know how to pronounce pantalones very well. But you know, you can go to schools and be speaking a different language even when it seems like you’re both speaking English.

I grew up in Chicago and that’s where I was based at this time. And, and I was very comfortable in the urban environment. But I ended up doing residencies way out in farming country, in western Illinois. I remember working with a group of high school students and they were telling stories about hijinks their parents had been up to. And one of them started talking about when a group of his parents’ friends, when they were teenagers, had stolen a bunch of watermelons. And they had taken the watermelons and they put them in the river to keep them cold and hide them and then they could eat them the next day.  And I was horrified! Take fruit that you’re going to eat and soak it overnight in a river?! I’m from Chicago. We dye the river green and the rest of the year, when it’s not St. Patrick’s Day, it is a lot of colors but mostly not the color of anything you want to soak something in overnight. And we realized even the same word “river” meant something totally different to them than it meant to me.

I even ended up going into this hog farming community. I was the first artist that had ever been to their town, ever. Five hundred people in the town. All the kids who were in the school lived on hog farms all around. And when they were working on making up an adventure for an animal story, they did a story about what they knew and they created an amusement park for pigs. Everything pigs would like, troughs of food that the pigs when they pay their lunch ticket could swim in and open their mouths, and just everything would go in, and I would never have been able to think about what a pig would want for an amusement park. But they knew exactly what to do. It was the most homogenous community I’d ever been in. Everybody was white, everybody was a farmer. I think there was one Jewish family in town. People would tell me that to let me know that they did have diversity.

I was there for a month working with third graders. And the very last week a girl came into our class who had just been adopted from an orphanage in Russia. She had black hair. No one in the school had black hair. And her skin was darker and she was from this other country and she did speak English and we were kind of at the end of the residency and we’d done most of the work that they had to do. And every day I would tell them new story as part of our work and she came in. And I thought, hmm, hmm.  Russia, Russia. I knew a story about Baba Yaga. It wasn’t one I’d really performed but it was one I knew. And I told it. Not to say, “Hey little girl, I know all about Russia,” but just because I thought, in this room, where she looks so different from everybody, maybe she’s heard this story and I can give her something familiar.

She lit up. And then after the story, corrected me on how it should go. Because, of course, I got the story from a book and she’d actually heard it from someone. “No, no, no, that animal in the story that would have been a mouse not, not what you were saying.” And she drew these amazing pictures of Baba Yaga’s house. The house on chicken legs. And she had a detail I’d never known about, this chain around one of the chicken legs, keeping it to the ground so it couldn’t run away. I still have her pictures. And I helped welcome her in to that community and she helped me know that story a little bit better.

I have one last group I want to tell you about. It’s a group of seventh graders, not in rural community at all, right there in Chicago where I grew up. But it was an inner-city school. And when I went into work but the seventh graders, four classrooms of seventh graders, in a Chicago public school, it was almost all immigrants. They had 31 languages spoken in the room. At least a half to a third of the kids there were not born in this country and the vast majority of the rest of them, their parents were not born in this country. There were a couple of people that their grandparents had come from another country. But this was the United Nations in a classroom. And the principal had brought me in to say that in a week, which was one hour a day with each group of seventh graders, she wanted them to be able to tell a story from their life. That by seventh grade you should be able to get up in front of people and tell a story from your life.

And I went in to work with them. And one of the things I do when I work with kids is that, we go around the room and I have them say their name out loud, and then tell me something that they really like. And then, we come up with a gesture for it as a memory tool. Because I’ve learned my lesson, that kids really end up getting worried about doing it right. And if I’m trying to learn their names and come back the next day, and come back the next day, I always tell them, I’m not going to remember all your names. I’m going to get some wrong. By the end of the week, I’ll be better. But that doesn’t mean I don’t remember you. And I need you to really tell me something you care about and we’ll come up with a gesture to get it into my head.

And I remember this one kid, who his favorite thing was roller coasters. So, the gesture he came up with was, (makes downward gesture). When I went back the next day it was like, ahhh, OK. I remember that name. I remember that name. I remember that name. I got to him, I couldn’t remember his name. And it wasn’t like the kids were against me, I know we have you know things about junior high, they wanted me to do well. And suddenly, this charade show was going on, of, of everybody doing things that he kept doing this, (makes downward gesture). And I could not remember what that was. And finally, I went, “Roller coaster, roller coaster!” And then I still couldn’t remember his name and all of the kids started going, (makes stirring/tossing gestures) I’m totally lost. Totally lost. Yeah, his name was Caesar. And they were showing me mixing up a salad. And that’s part of why I asked them for their name so they say at least one thing to me and we have a relationship.

But then we started moving into them trying to tell stories from their lives, they were pretty much like, I don’t have a story.  I don’t know what you mean. And I started thinking about my grandfather who came from Czechoslovakia. And when I was a kid, I thought it was so amazing that he grew up in this other country and he knew this other language. And I try to get him to teach it to me. And he would say, “We are American. We speak American.” He would put his whole country aside. And I started thinking, I wonder if these kids know that they have stories that are from their country?

When I became a storyteller, I started hunting for stories from Czechoslovakia. Anything to make me feel connected to the homeland. And I got them all in books. And I remember going to the Museum of Science and Industry and telling for this Christmas thing. And, and, oh, I’d be all little kids, and being very, ahh, you know, high-powered participation, secular, holiday stories. And then my last group was two, two women; one in a wheelchair, and then the old one pushing it. And as soon as I started this story, just for them, a new story I was learning that was quiet, and not participatory, but from the country my grandfather came from, the woman in the wheelchair fell asleep. But the other woman just watched me and watched me and watched me. And afterwards, she came up and in that universal grandmother gesture, she curled three dollar bills into my hand, and said, “You just gave me back my childhood. You just gave me back my grandfather’s hands. When I was young and I grew up in Czechoslovakia and I would sit on the floor by the fire and he would sit on a stool. And he would tell me stories, including that story. And I would watch his hands.” And all I could think was these stories really come from the country? ‘Cause I’m just in the folktales section at the library. But the stories in the books really come from there.

And I’m looking at these kids who feel like they have no stories. And the next day, I brought in a huge crate of books, a whole bunch of folktale books. And I said, “I’m not giving these to you but I want you to actually have a chance to look at where you come from and all the stories that are connected to you.” And I just started grabbing them, “Who’s from India? Who’s from India? Stories from India?” handed it to them. “OK. Russia. OK.”  Just everything. “Who’s Buddhist. Let’s have that.” All the different collections and they drove into them. They were so hungry for them. And at lunchtime these two kids came up to me and said, “Did you have any books from Puerto Rico?” I said, “Oh, no, I don’t. I don’t have any books from Puerto Rico but I know a couple stories from Puerto Rico.” And they skipped lunch and sat there with me while I told them stories from where they came from, where their parents came from. Two girls from Vietnam had been very clear that they had no stories. They knew no stories. They had no stories. But I had a book of all these different versions of Cinderella from different countries. And I just started going through the Table of Contents, not reading the names of the stories, and what country they were from. And the very last one on the book is The Story of Tấm and Cám from Vietnam. And those two girls, (gasps), they knew that story. And then they wanted me to read it from the book. And I said, “Why should I read it from the book? You know the story.” They told it. And then they started telling us about the school they’d gone to in Vietnam and the bell that was rung to bring them into the school every day. And the cute boy who usually worked at the gate. They had story. They just needed to know where they came from.

I have to say pretty much every one of these experiences had a moment of me going, “I have no idea what to do now. I don’t speak these languages. I don’t know their cultures. I don’t want to.” And every time the right thing for me to do was instead of trying to teach them, let them teach me.

Mr. D’s Class

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MR. D’s CLASS
By Antonio Sacre


Introduction:

Some of the most poignant and beautiful writings are created by students simply sharing their life circumstances with one another. Powerful and moving, this story told by Antonio Sacre is a true personal experience that shows that anything is possible and that all students should dream big. Listen as Antonio relates his time spent with a class of high school seniors, the connection he made with them, and their remarkable achievements.

Summary:

Thirty teenagers from twenty countries, one Jewish teacher, and one Cuban-Irish-American storyteller (story artist, Antonio Sacre) set out to publish a book of writing in one of the poorest and most challenging high schools in Los Angeles. Will fear and distrust stop the project before it begins, or will they stand together?

Classroom Reflections & Activities:

  • Big project: have students create a class anthology of their own. What would their story be?
  • Introduce a poetry assignment to students that talks about who they are – struggles, talents, dreams, etc. Bio-Poems are great examples of this type of work.
  • Brainstorm with students several questions they think would be important to know about someone. Then, have students interview each other. Interviewing sessions could be videotaped and class biographies could be created.

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Watch the video now

 

Explore our many other free storyteller-videos and
lessons for classroom, group or individual use :

RaceBridges Studio Videos

Immigrant Story: a Chinese Family in the US

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Immigrant Story: a Chinese Family in the US
A Short Video Story

by Nancy Wang

 

Introduction:

RaceBridges pays tribute to the many Asian Americans who have helped build and enrich America. Nancy Wang paints a true life picture of her Chinese American immigrant family’s struggles and ingenuity in the Monterey, CA area. This story is a great resource for understanding the contributions of Asian American immigrants to America.

Summary:

This story follows the journey of Nance Wang’s ancestors who arrived in California on a junk boat in 1850 and the adversities encountered along the way to America. Upon arriving, Nancy’s family started the fishing industry of the Monterey Peninsula, which proved to be lucrative but not without opposition. Both legal and illegal violence ensued against them for generations.

Although America was a land of opportunity, unfair regulations and restrictions caused great difficulties for the hard-working Chinese Americans. This story reveals how a group of immigrants rallied with resilience and ingenuity so that the 7th generation of Chinese Americans thrives today.

The unimaginable challenges faced by Nancy’s family in this true story are thought-provoking and provide insight for us to appreciate our differences as well as make changes in how we think of others. With understanding, we can feel their pain and change our world for the better.

Classroom Applications:

  • Read literature written by Chinese Americans(see this link for some names: https://en.wikipedia.org/wiki/Chinese_American_literature)
  • Write biographies of famous Chinese Americans
  • Create a cultural food tasting day, where students bring in foods from various cultures for all to taste and learn about.

Watch the video now

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Explore our many other RaceBridges Videos for

Asian American Month or any time of the year.

 

Ripples: From a Field in Mississippi to General Motors in New York

 

Story Summary:

 April 4, 1968 may have been the end of one dream with the assassination of Dr. Martin Luther King, Jr. However, on that day, another began in a young woman who pushed past despair, journeying from Mississippi to New York City, to discover that the “dream” lived on in her.

For a print friendly version of the transcript, click here: Ripples-from-a-Field-in-Mississippi-to-General-Motors-in-New-York

Discussion Questions:

  1. Dr. King is associated with bringing together people of various ethnic backgrounds. While the message of equality was a theme of the Civil Rights Movement, a critical part of the movement centered around employment – compensation, fairness, availability, and equity. How are there still struggles around employment issues in the U.S. and the world?
  2. Each person has been given a talent – teaching, preaching, engineering, drawing, you name it! What are the talents you have been given and how have they helped someone else or you in an unexpected way?
  3. Travel can reveal a new perspective about one’s self, others, and places. Where have your travels brought you? How has something you experienced or seen changed your perspective?
  4. The Great Migration refers to the exodus of African Americans from the American South, seeking a variety of opportunities, new beginnings, and work during the 20th century. This departure from “home” enabled families to unite and offered a different future to the next generation. What sacrifice did those who left the South make for the next generation? What opportunities did future generations have? In your family, how did one generation make a sacrifice that benefitted the next generation(s)?

Resources:

  •  America Street: A Multicultural Anthology of Stories edited by Anne Mazer
  • Seeds of Change by Jen Cullerton Johnson
  • Voice of Freedom – Fannie Lou Hamer: Spirit of the Civil Rights Movement by Carole Boston Weatherford
  • 28 Days: Moments in Black History that Changed the World by Charles R. Smith, Jr.
  • The Warmth of Other Suns by Isabel Wilkerson

Themes:

  • African American/Black History
  • Crossing Cultures
  • Stereotypes and Discrimination
  • Taking A Stand and Peacemaking
  • Workplace

Full Transcript:

Hi, my name is Diane Macklin. There are moments in history that are like a rock thrown into the lake of time. The ripples reach all the way to the shore even if you cannot see them.

It was May 1968. Barbara Jean stood at a Greyhound bus station staring across the street. The bus wasn’t there yet but her siblings were, her two sisters and her youngest brother. They were holding hands, watching her, hoping that maybe she would walk to them. Maybe she would head back home to the shotgun shack. She wasn’t going to. She looked down at her freshly polished shoes, saw the little bit of dust on them where she could wipe it off. She had her suitcase. She was determined. She was going to go. Nothing could keep her in Mississippi. Barbara Jean pulled out of her purse the clipping from the newspaper. “Hard working young women needed, live-in maid, New York City.” She folded it up again and put it back in her purse. She was going to go. This was May.

A month earlier, April 4th, 1968 a shot rang out in Memphis Tennessee. A hundred miles north of where she lived, and it came shatterin’ all the way down to where she lived. And she knew the dream was gone. Dr. Martin Luther King was assassinated. The dream that work would come to the South, that work would return to Mississippi. People that knew the life of sharecropping, people that knew how to work the land, would have work again. But without Dr. Martin Luther King, who was trying to help people to get work, she would never find work, and nor would her children, even though she had no children. She had to go. She had to go to New York. There was work in New York. The bus came. She looked down at the ground. She might stay, if she looked at them again. She got on that bus. She got on the far side away from where her siblings were standing there. The bus pulled off, and she could not look at them. But they stood there until the bus was out of sight. She rode that bus all the way to New York City with that $24 ticket that she gave to that bus driver. She got off and was met with people she’d never seen before.

Women with hair, women with no hair. Women with short hair, women with long hair. There were all sorts of people from all sorts of places from the world. It was a lot of movement, a lot of sound. And she made her way all the way to her employer who brought her to the house that she was going to work. Now as a live-in maid, she knew hard work and this was nothing compared to the work that she did on a farm. At four years old, she learned how to pick cotton. And then at 12 years old, she could pick 300 pounds of cotton. And by the time she was 15, she could pick 600 pounds of cotton, take care of her brothers and sisters, help them to pick because she was determined to make sure that their family picked more cotton than anybody else.

She knew hard work, but there was another work that she did that was harder than dusting and mopping floors. At night, she would sit in a backroom quiet, listening to her employers. They’re from the North. And then she would go back to her own bedroom, sit on the bed, and start to train her tongue not to speak like she was from the South. She felt that people would not think that she was intelligent. They would think she was unintelligent if she sounds like she was a Southerner.

But one day she met this man. He was charming, he was a taxi cab driver. And in his charm, he convinced her to give her… give him, her phone number and she did. She didn’t want to lie.

So, she gave him her phone number but she gave him all the wrong numbers in all the wrong places. But they were the right numbers but all the wrong places.

But he spent two months trying every single combination of those numbers until he reached her. And he courted her and she fell in love. And this man worked for General Motors, hmm, General Motors. There weren’t many women that worked for General Motors. So, she asked him, well, should she apply and he didn’t think it was a good idea. It was a man’s place. It was a man’s job. Required someone who was strong, who could work hard.

He didn’t know her very well. Her father was a blacksmith. She would shoe horses with him. She would make fence posts and put up fences. They would go out and glean for metal. She knew metal and she knew hard work. So, she applied. They continued to court.

She got a job on the assembly line in 1974. And a lot of folks came up to her and told her, “You know, this isn’t your kind of work, so you can stay on the assembly line but that’s about it.”

But she took classes and she did well. She excelled more than any other student. Some folks thought that they didn’t like this so much. Some folks thought that they needed to turn her locker upside down to discourage her. Some folks thought they needed to put glue in her lock to discourage her. Some folks thought they needed to meld all of her tools together to discourage her.

But she knew something! A skilled trade was one of the highest paid positions at General Motors, at that plant in New… Tarrytown, New York. She was going to shoot for that. She took course after course, credit after credit, certification… certificate after certificate. And eventually she became the first woman and the second person of color to work at the skilled trades at Tarrytown General Motors plant. And, eventually, she did have two lovely children, and they had an opportunity to live in New York, with opportunities that she felt she did not have. And one of those children have told you the story of their mother, Barbara Jean Macklin.

The Immigration Process vs. Pre-Wedding Bliss

 

Story Summary:

 Listen and move as this spoken word piece takes your mind and body through an insider’s/outsider’s understanding of immigration, identity, and family. The story began when Arianna and her now husband wanted to get married and had to prove, with evidence, that their love for each other was real. Complexity arose as they entered the immigration process better known as: K-1 Non-Immigrant Visa. As they hit barrier after barrier, they quickly learned how unpredictable the U. S. was about immigration,

For a print friendly version of the transcript, click here: The-Immigration-Process

Discussion Questions:

  1. Where in your life have you had to navigate the U.S. government to solve a problem?
  2. How does Arianna manage the immigration process in the United States? What steps does Arianna take to manage the immigration process?
  3. What evidence does Arianna use to show she is “in love?” What evidence do you have that would show you love someone in your family?

Resources:

  •  http://madeintoamerica.org/  (A Collection of family stories)
  • Immigration Stories by David A. martin and Peter Schuck (Non-fiction)
  • Mama’s Nightingale: A story of Immigration and Separation, By Edwidge Danticat

Themes:

  •  Crossing Cultures
  • European American/Whites
  • Immigration
  • Latino American/Latinos
  • Living and Traveling Abroad

Full Transcript:

My name is Arianna Ross. It was 2006. I was watching the sunset – the sky was a wash of purple and peach. I, I turned to face my boyfriend, Alexandre. He was smiling; there was a twinkle in his eye.

Right behind him was a statue of the Madonna holding baby Jesus, awash with the same colors as the sky. He looked at me, “Você quer você orar comigo? Do you want to pray with me?” We held hands and we took a deep breath in and were silent for a moment.

When I opened my eyes, he was looking at me hesitantly. And then he said to me in a very tentative voice unlike his normal voice, “Você quer ser meu noivo? Do you want to be my fiancé?”

“ABSOLUTELY!”

For the next 24 hours, we were in pure wedding bliss. We discussed where we were going to get married. The kind of food we were going to eat, the type of music we were going to have and, of course, the most important part for both of us – the ceremony. We decided that my parents would say prayers in Hebrew and that his parents would say a few prayers in Portuguese. And we would have a master of ceremonies run the entire event.

We were excited until we sat down in front of the computer. We decided that we were going to spend the first half of our life in the United States and the second half of our life in Brazil, which meant that we had to get married in both places. We turned on the computer, we loaded the USCIS website, the Immigration Services website, for the United States.

We looked up the K-1 fiancé visa. There were nine pages of instructions.

Step number 1, fill out the I-129F document in dark ink. Step 2, gather evidence that proves that you are planning on getting married and staying married. That proves, essentially, that you are in love. Evidence that proves that we are in love?

I called Immigration Naturalization Services. I asked them, “What exactly do you mean by evidence? What kind of evidence or what form of evidence? I mean, I recognize that there are people who try to dupe the system. We’re not one of those people so I would appreciate clarification?”

And the man over the telephone calmly explained to me, “Excuse me, you need, essentially, to provide simple evidence, simple evidence that proves that you are in love and you are truly planning on getting married and staying married.”

“Sir, I get that. It states that in the document, in the instructions. But what do you mean by ‘proves that we’re go… in love’ in evidence? What kind of evidence?”

“Anything you deem necessary.”

All right, I went home to the United States and I started to gather evidence. I gathered photographs, receipts, letters from my parents, letters from his parents, letters from all of our friends. I had two hundred and fifty pages of evidence when I turned in our application. I crossed my fingers and I waited.

Six months passed and we received a letter. They were telling us we had made it to the next step. We needed to turn in more documentation and more evidence. I mailed in 150 more pages and we crossed our fingers and we waited. One year and two months later, we received our interview date in Rio. I got on a plane. I met my now fiancé there and we arrived at 7:45 am at the consular office. Our appointment was not until 11:30 but I didn’t want to be late. We sat and we waited patiently. Eleven o’clock rolled around, 11:30 rolled around, 11:45 rolled around, 12:25. All of the couples had gone in and out, in and out. There was only one consular office left in the entire room when he motioned us in. We sat down and the first thing I noticed was that he was behind a Plexiglas bulletproof window and then he smiled. He had his hand…  a stack of papers.

“Here are three hundred and fifty of your four hundred pages of documentation. I would like to return them to you because I really don’t want them clogging up my filing cabinets. If you have more evidence with you, which I’m sure you do, please don’t give it to me. I believe that you are going to get married. I believe that you are in love. I would just love to know how the two of you met.”

“Ach! How the two of us mmmet?

I was ready to screech at the man! My hands actually balled into fists! And then, suddenly, I felt my normally nonverbal husband reach down and relax my fingers. He looked at me. He looked at the man and he began to tell our story. The story that we had documented in all those photographs and all those letters. By the time he was finished, I was surprised. He knew all those details.

The consular office reached underneath his desk. He grabbed his stamp and in one fell swoop, he stamped my husband’s passport.

“Welcome to the United States. I can’t give you your passport. I need to mail it to you. Do you have the self-addressed stamped envelope?”

“Yes.” We handed it to him.

He explained to us that it would arrive in five to six days and then he hoped my husband had an excellent journey. One year and six months later, my husband got off the plane. He looked at me and he smiled – a twinkle in his eye. He was wearing my favorite T-shirt. I knew that we were ready to bring joy into our world and to start our pre-wedding bliss.

A Link in the Circle: Learning to Lean on My Indonesian Family

 

Story Summary:

 What is it like to be so immersed in a culture that a lady on the bus becomes your adopted “Aunt” and a bus driver your “Brother? While Arianna Ross travelled alone through Indonesia, she discovered that sometimes family is defined by a connection and not blood. Many days Arianna lived with only the support of total strangers. Witness the similarities and differences between Arianna’s culture and theirs.

For a print friendly version of the transcript, click here:  A-Link-in-the-Circle-Learning-to-Lean-on-My-Indonesian-Family

Discussion Questions:

  1.  Where in your life have strangers become family?
  2. How do the people in the island of Banda Aceh, Indonesia define family?
  3. When the police stopped the bus that Arianna was on and searched people, what were they looking for and how did “strangers” protect Arianna?

Resources:  

  • Folk Tales From Bali and Lombok by Margaret Alibasah
  • Folk Tales from Indonesia by Dra Aman

Themes:

  • Asian American/Asians
  • Crossing Cultures
  • Education and Life Lessons
  • European American/Whites
  • Identity
  • Living and Traveling Abroad
  • Taking A Stand and Peacemaking

Full Transcript:

My name is Arianna Ross and I am a storyteller who has lived all over the world. During this journey, this story, I was living in Indonesia. It was two o’clock in the morning and I was exhausted.

The police officers had been getting on our bus every 30 minutes on the dot. I was taking the bus from Banda Aceh all the way to Medan and every 30 minutes the bus would stop. The doors were open. A police officer would get on the bus. He would walk up the bus. He would walk down the bus with his AK 47 in his hands and then he would walk off the bus… and the bus would begin again.

Usually the bus driver, he would check the people on the bus to make sure that we were OK. He would smile. He would nod his head as if to say, “Are you ok?”

I always responded with a nod back, “I’m fine.”

At two o’clock in the morning, I pulled my sarong over my hand and I leaned up against the Plexiglas window and I fell asleep for one hour.

Suddenly I felt this stabbing sensation in my arm. I heard the sound of my name being shouted and I heard the sound of a man speaking to me in a language I didn’t understand Acehnese. (I spoke Indonesian). Then suddenly, a soft voice broke through the screams. It was the woman sitting in front of me; she was saying, “It’s ok, my child. He just wants to see your passport.”

I took the sarong off my head. I reached inside my money belt and I handed my passport to the man. He swung his AK 47 in front of my face and he reached out to grab my passport, flipping through it, reading out names of countries I’ve been to and then he threw my passport back at me and turned and walked off the bus.

The bus driver, before sticking keys in the engine, he turned and he looked at me. “Are you OK?”

And I responded, “I’m fine.”

All of the people on the bus, they all seemed to be looking at me asking me with their eyes and their smiles, “Are you OK?”

And I responded, “I’m fine.”

The woman sitting in front of me, she was in full burka, black from head to toe. She smiled, her eyes peeking through her face, masked by the black. “It’s ok, my child, your Indonesian family is here to protect you.”

I reached inside my money belt and I took out a tiny turtle, one that was made out of seashell and coconut shell and I held it in my hand. I closed my fingers around it and I took a deep breath in… and I let it out…

I remembered what my adopted brother had told me. You see, I had been living on the island of Pulau Weh, just north of the city of Banda Aceh. I had been living in a home right next to my adopted little brother. He became my adopted little brother because his mother used to feed me on a daily basis. She invited me to their home for breakfast, lunch or dinner and the last night I was there, she cooked all of my favorite foods.

She made coconut soup, pumpkin curry and a special sticky rice dessert. And at the end of the meal, he took me out to the beach and he handed me that turtle. “Look down! What do you see?”

“A turtle?”

“Uh, uh. Family! A connection! If you ever need anything at all, just think of us. Hold that turtle in your hand and take a deep breath in and let it out.”

I held that turtle in my hand all night long as I packed, even as I walked the next day to the docks where I was taking the boat to Banda Aceh to catch the bus. I sat down in my seat and I thought to myself, “Saya mau sendirian. I wish to be alone.”

I managed to be alone for approximately 30 seconds before I felt this soft tapping sensation on my arm. I turned and I looked. It was this woman, she was in full burka, head to toe, in black. She held in her hand a dragon’s egg. Not a real dragon’s egg. It’s a type of fruit from Indonesia. The outside is a thick, hot pink leather and the inside, a delicious white fruit. “kau mau mau makan,” she said to me.

“No. Saya mau sendirian. I wish to be alone.”

“Kau mau mau makan. you wish to eat!” I realized that there was no arguing with her so I began to share her fruit. And before I knew it, we were talking. And then she looked at me. “You look exactly like my daughter.”

Huh! I was wearing khaki pants and a tie-dyed T-shirt. “How did I look like her daughter?”

“My daughter, she’s the first one in her family, in my family to go to Banda Aceh University. She is now an English teacher.” Before I knew it, we had actually reached the city of Banda Aceh.

We stepped off of the boat and I reached down to grab my bags and say goodbye. When I felt this hand on my arm, this grip on my wrist. “Come, I take you to the bus stop!”

“No, it’s okay. I can go by myself.”

“T, t, t, t, t, t, t, t, I take you!”

I followed her down this long maze of roads through the marketplace. We stopped in a sarong shop. She needed to buy something for her daughter. In the end, she just bought one item… for me. It was a beautiful sarong with flowers all over it and then she handed it to me. She told me, “It’s for your daughter.”

“I don’t have a daughter, Auntie!”

“You will; one day you will have a daughter! This sarong is blessed by the imam, the highest of holy men in the mosque. He does not care that your child is not Muslim. He blesses all children.”

I packed that sarong neatly in my backpack and I followed her out the marketplace to the big bus stop to the ticket shop where I bought my ticket. The woman, Auntie, she explained to the man selling the tickets that I was her daughter and it was his responsibility to sell me the correct bus ticket. He explained to me that for his sister, he would do anything. He also explained that the bus wasn’t leaving for another four hours and if I so desired, I could sit next to him and wait. I didn’t have an opportunity to respond.

Auntie, she grabbed my hand and said, “Come, you eat dinner with me!”

Huh?” I found myself being dragged onto a little bus. I found myself getting off the little bus in what seemed like the middle of nowhere and there appeared to be a group of houses to the right and jungle to the left. The houses didn’t even look like they were complete. Auntie, she explained to me that her husband’s job was security. He watched all of the houses and when they were finished, they would move to a new location where he would protect the rest of the unfinished houses in Banda Aceh.

I had to duck in order to enter her house.

I noticed that there were no pictures on the walls. Just one poster in Arabic. I asked her what it said and she smiled. “It is a phrase about family, that strangers should be family and always welcome in your home.”

I asked her where exactly all the photographs were. I was used to my mother’s house where there are photographs everywhere. She pointed underneath the bed. There was a box. I took the box out and I started looking through the photographs and I found one of her daughter at her daughter’s graduation.

I asked her how her daughter was doing today and she grinned. “My daughter is perfect. You keep that photo.”

“Why would I keep this photo, it’s yours?”

“T, t, t, t, t, t! You keep the photo. I have the memory.”

I put that photo in my money belt. Before I knew it was time to catch the small bus back to the big bus stop.

She waved down a small bus and she explained to the small bus driver that I was her daughter. He nodded his head and said for his niece he would do anything and he did. He, actually stopped his bus at the big bus stop, something I never seen before. He got off the bus explaining to all the passengers that they would have to wait as he escorted me to the big bus stop.

He explained to my bus driver that I was his niece and that he, my new bus driver, was to make certain I arrived in Medan safely. The big bus driver nodded his head and explained to me that for his grandchild, he would do anything. Just before the bus leaved, just before he stuck the keys in the engine, he turned and… me… looked at me. Without any words, he seemed to ask me, “Are you okay?”

And I responded, “I’m fine.”

About three years later, I was sitting on my grandparents’ bed in Florida – Tampa, Florida, to be exact, when a news flash came on the television. News flash –  tsunami hit Banda Aceh. I wrote down immediately the phone number at the bottom of the news flash.

I ran to the telephone and I began to call and call and call and call until, finally, I made it through. And when I did, the woman’s response was, “We have no idea if the island of Pulau Weh (that tiny island I lived on just north of Banda Aceh), if it even existed anymore.” And in terms of Auntie and Uncle, unless I had their address, there was no way that she could help me. I simply had to wait.

I couldn’t, wouldn’t be able to know what happened to Auntie. I didn’t have any way of communicating with her. No cell phone number, no nothing. But I did send an e-mail to my friends at Pulau Weh and I waited.

I finally received an email one month later. When the ground began to shake, the people in Pulau Weh ran up to the highest point on their island. Only one man died. He was trying to rescue his fishing boat. The rest survived. I went into my keepsake box and I found the turtle and the photograph. I put them together in my hands. I took a deep breath in… and I remembered and I had hope that Auntie was okay.

Martin and Me – A Coming of Age Story

 

Story Summary:

 Growing up, Steven was involved in Boy Scouts and his church and as a teen he advocated for community development in his New Jersey neighborhood. But could he get involved in the rising black militancy of the late 1960s?

For a print friendly version of the transcript, click here: Martin-and-Me

Discussion Questions:

  1. Why was Steven called “too white” by some of his friends? What is “acting white” and how has racism perpetuated these no-win choices of how white or black someone is?
  2. Steven’s neighborhood didn’t have comparable city services such as garbage pickup and water and sewer service. How did the city justify this uneven treatment and what was Steven’s Youth group able to do in the face of this discrimination?
  3. If you were African American in the 1960s would you have become involved with the Black Power movement? In what ways might you show your pride in your African American heritage? For what reasons might you become involved in peaceful protests such as school walkouts or be tempted to participate in more militant actions?
  4. Do you think Steven made the right decision to go to school after Dr. King was assassinated in 1968? How did Steven’s family influence his decisions?
  5. In what ways are we still reaching for Dr. King’s “beloved community”? Do you think it’s an attainable ideal?

Resources:

  •  Black Against Empire: The History and Politics of the Black Panther Party by Joshua Bloom and Waldo Martin
  • Death of a King: The Real Story of Dr. Martin Luther King’s Final Year by Tavis Smiley and David Ritz
  • A Call to Conscience: The Landmark Speeches of Dr. Martin Luther King, Jr. by Clayborne Carson and Kris Shepard

Themes:

  • African American/Black History
  • Bullying
  • Civil Rights Movement
  • Crossing Cultures
  • Education and Life Lessons
  • Family and Childhood
  • Housing
  • Identity
  • Stereotypes and Discrimination
  • Taking A Stand and Peacemaking

Full Transcript:

Hi, I’m Stephen Hobbs. I’d like to share a part of a story about growing up in Bridgewater, New Jersey. Right down the highway from Newark.  In the 1960s, at a time when there was great political, cultural racial and social changes.

I blame it on James Brown. In 1967, he came out with a song, “Say it Loud! I’m Black and I’m Proud!” That could have been the theme song for the black consciousness movement of the 60s. When we black people were really in love with the color of our skin. We grew our hair out afro style and we wore dashikis from the motherland. But was I really ready to jump fully into the black consciousness movement? I mean, they were talking about revolution. Already people were frustrated with the slow progress. Even with Dr. King’s great movement of nonviolent resistance. Cities like New York and Cleveland and Detroit erupted in flames of riots during the 1967 summer.

But, as a young teenager, I was involved in community development work. I was a member of a civic organization called The Somerville Manor Youth Association. Somerville Manor was the black neighborhood that I grew up in. It was the only black community in Bridgewater. We advocated for sewer lines and water lines in our community. Most of us, most of the families, had outhouses and some even had wells outside and they used to have to work with hand-pump. We also tried to get trash collection and a place for us to play.  But was I really ready for that liberation stuff? I mean, how could I be a radical? My grandmother didn’t like that term. She thought, she thought, one summer when I grew out a beard, she wouldn’t let me into her house because I looked too much like those militants in her, in her our community. And I always wanted to please my grandmother and be a good boy.

Still some of my black friends thought I was trying to act white. Like I was not black enough. Whatever that means. I mean, was it mean, I was an Oreo or because I had too many friends like my buddy, Lougoo Gueotto, who was Italian kid who lived up the street from me? It probably didn’t help my cause, the fact that I was I had a white girlfriend named Elizabeth, with her beautiful blue eyes. In the fall of 1967, I entered high school. And I was elected freshman class president, which is a pretty good thing, considering of the twelve hundred students in my high school, only 26 were black. And I got good grades and made the honor roll.

But still that militancy stuff really got me worried. And then, on April 4th , 1968, Dr. Martin Luther King was assassinated in Memphis. Oh, President Lyndon Johnson asked for calm throughout the country. But the voices of anger, rippled across the land. “No justice, no peace! No justice, no peace!” And cities all across America erupted in riots and flames. We kids and some of old men are still around street corners wondering what we should do. Somebody suggested we should go to the nearby mall and trash some of those stores. But at a meeting of the Somerville Manor Youth Association, it was decided that we would boycott school the day after Dr. King’s funeral. Well, I was at the meeting but I really wasn’t feeling it. Skip school? What would my grandmother say?

Well, the day of the boycott I went to school, in part, because as freshman class president, I was invited to participate in an in-school memorial service for Dr. King. Speaking to the entire student body over the intercom, I read a poem that I had composed in memory of Dr. King the night before. The poem went like this:

It’s not how long you live, it’s how well.

Did you give forth your best effort every day?

It’s not how long you live but how well.

Did you travel along the honest way?

It’s not how long you live but how well.

Did you lend a hand to another?

It’s not how long you live but how well.

Did you love all of your brothers?

It’s not how long you live but how well.

After that, Somerville Manor Youth Association met quite a bit. We talked about our dreams and what our positive response would be. We decided that we would build a youth center where we would have recreational activities and afterschool programs. And a place where we can get mentoring for college and career planning. And, most importantly, we would build it ourselves. We would raise the money. And we, we had car washes and fish fries and barbecues. Someone came up with the idea of having a musical review. We called it The Soul Show. In which everyone would participate if they could, playing Motown music. People who can sing or dance or play instruments, auditioned. I couldn’t sing and I didn’t have any rhythm, so I didn’t get a part in the show. I had to watch from the sidelines. But the show was successful nonetheless. It raised a number, a bit of money, and more importantly, we raised some friends. Our minister Reverend Hodge, he started inviting white clergy to our meetings. And soon we were telling our story at some of those, those pastors’ churches, getting more support.

Then we, we figured we could organize a nonprofit corporation to build the center. At the first official meeting of the nonprofit, I didn’t want to go because it was at the Plukemin Presbyterian Church and I guess my tail feathers were still a little ruffled about not being in the Soul Show. But my girlfriend, Elizabeth, encouraged me to go. And I was elected youth representative for the Executive Board. Oh, we had dozens and dozens of meetings. And I worked closely with the president of the organization, Mr. Richard Theale, a white lawyer who inspired me and showed me how lawyers could use their skills to work for social justice.

By the time I left to go to college in the fall of 1971, the plans had already been made. The architectural drawings rendered and the construction schedule set for the spring of 1972. By the fall of ’72, the doors of the youth center opened with volunteer programs for the kids in the area. On April 8th, 1973, we have the official dedication ceremony of the Martin Luther King Youth Center. I was asked to speak and I read the poem I had written five years earlier. Someone read a letter from Mrs. Coretta Scott King. We had a crowd there of people from 23 churches and synagogues in the area. It truly was the embodiment of the vision Dr. King had in his dream of blacks and whites, Jews and Gentiles, Protestants and Christians, holding hands, singing the words of the old Negro spiritual, “Free at last!  Free at last!  Thank God Almighty, we are free at last!” Now that was revolutionary.

Chinese New Year’s Frogs: A Collision of Culture and Nature

 

Story Summary:

“Ranger Linda” describes her encounter with a group of well-intentioned Chinese Americans bearing bullfrogs. This surprising incident illustrates how cultural differences can have unintended consequences and how cultural awareness can lead to greater understanding and a better outcome for all.

For a print friendly version of the transcript, click here:  Chinese-New-Years-Frogs-A-Collision-of-Culture-and-Nature

Discussion Questions:

  1.  What do you do when cultural customs clash?
  2. What is more important – cultural beliefs or environmental protection?
  3. Have you ever encountered a similar situation where a cultural practice clashed with what was best for the environment?

Resources:

Themes:

  • Asian American/Asians
  • Crossing Cultures
  • Education and Life Lessons
  • Identity
  • Interfaith
  • Taking A Stand and Peacemaking
  • Workplace

Full Transcript:

Hi, I’m Linda Yemoto. And for many years I worked as a park naturalist at a nature center in the hills of Berkeley, California. And I want to share with you an incident that happened and that brought home to me how cultural differences and beliefs and practices can have unintended environmental consequences. But first I begin with a very brief folktale.

Long, long ago in China, a Buddhist monk was traveling from temple to temple. One day, his travels took him deep into the forest where he came upon a small, wild pig that had been captured in a hunter’s trap. Now, the pig was squealing and squealing with fear. And the monk felt compassion for the pig and so, he released it. Now, according to the laws of the time, that monk was guilty of theft. Now, when the matter was brought to the attention of the Buddha, the Buddha pondered for a bit and then said, “According to the Dharma, the teachings, the monk is not guilty for he acted out of compassion.” And that simple act of releasing the pig over hundreds and hundreds of years became a Buddhist practice called fang sheng. The releasing into the wild of an animal that would otherwise be eaten.

Now, fast forward about 2,000 years, a Saturday, in February 1994, five minutes until closing time. As the naturalist on duty at the Nature Center that day, it had been pretty busy. Lots of nature walks and snake talks and puppet shows. And we were ready for the day to be over. We were just about ready to lock the glass doors of the nature center, when a visitor came rushing in from outside rather out of breath saying, “There’s a big group of Asian-Americans walking down the road to Jewel Lake.”

“OK,” I thought.

“They’re carrying two big, cardboard boxes.”

“OK,” I thought.

“Full of bullfrogs.”

“Oh, no,” I thought.

“And they’re going to release them into the lake.”

“Oh, no!” So, I asked Lauren, one of our interpretive student aides to lock up the building. Eveline, the other one, and I jumped into the park truck, drove down to the lake as quickly as we could. And all the time I’m thinking, “What the heck do they think they’re doing? Don’t they know bullfrogs are not native to California? Don’t they know what’s going to happen when they release them? Oh, I hope I can get here on time.”

So, we parked the truck and strode up to the lake and sure enough there were probably 20 or more Chinese Americans standing around the edge of the lake. They were chanting; they were singing. They were looking very happy for all these bullfrogs that were hopping around their feet and swimming away across the lake.

“Who’s in charge here?” I asked.

“Ah, I guess, I am,” a middle-aged man approached me. “Ah, why?”

“Ah, well,” I said. “I guess you didn’t realize that bullfrogs are not native to California and when you release them into an environment like this, they can completely decimate our little native Pacific Chorus frog population. You see, bullfrogs can get as big as dinner plates. And they will swallow anything they can get their mouths around. So, there go our frogs, our snake, our fish.”

“Oh, no!” said the man. “We didn’t know! We had no idea. But,” he said, “we didn’t release the turtles that we bought.”

“Oh, good,” I said. “What do you mean, ‘turtles that you bought?’”

“Well, we went down to Oakland, Chinatown, to two different markets.” And they bought as many bullfrogs as they could possibly afford. And then they brought them down to Jewel Lake to release, in celebration of Chinese New Year. They were practicing fang sheng.”

“Oh,” I said. “How many bullfrogs do you think you bought?”

“Oh, maybe two hundred,” he said.

“Oh.”

With much apologies, they said they would take their turtles and they would leave the park. They didn’t look like they wanted to touch the bullfrogs, much less help us recapture them. But Eveline and I looked at each other and looked at all these frogs hopping about and some of them did not look too good. They’re kind of hopping sideways and flipping over. And you can capture some of them pretty easily. So, she and I decided that the best thing to do would be, we had to recapture as many bullfrogs as we could that night before they had a chance to recover.

Now, luckily, Eveline’s family lived close to the park and they owned two kayaks. So, she rushed home to get the kayaks. I went back to the office and called my family, told my husband what had happened. He turned to our two boys, their ages 7 and 4 at the time, and said “Hey, do you want to help your mom catch bullfrogs tonight?”

“Yeah!” they said. So, they came on down.

I think we spent six hours on the lake that night. Eveline and Lauren were in the kayaks. They were each holding a flashlight in their teeth. And they were paddling slowly around the lake When they’d spot a bullfrog they’d shine the light in its eyes, which stuns it. They’d put down the paddle, pick up a long-handled net and scoop the bullfrog out of the water. And then they’d stick it in a garbage bag, which was at their feet inside the kayak.

Now, that worked pretty well until I saw the bullfrogs started getting loose. And I could hear them across the lake, “Ooo, aaah, ooof!” I was in a small flat bottom row boat with my two boys. They had their flashlights. I had the net and their father was very slowly rowing us around the lake. Well, about 1:00 or 2:00 in the morning, we decided we had to quit. We had recaptured 98 of the 200 bullfrogs. We put them in two large, five-gallon tubs with lids, put the lids into a storage room in the nature center, and we went home for the night.

Now, unfortunately, during the night those bullfrogs were hopping so vigorously against the lids they popped them open. So, when I opened the storage door there were those bullfrogs all over the place. We had to recapture them, put them in their tubs, put on the lids a little more tightly, and we took them down to the East Bay Vivarium, which is a store that raises and sells amphibians and reptiles. Now, they knew they couldn’t sell the bullfrogs but they were thrilled to have them because they were going to freeze them, which is actually a humane way of killing the frogs. And then, over time they were going to feed them to a large South American snake that they owned.

Now, as Chinese New Year’s rolled around again the next year, we knew we had to do something. We couldn’t let this happen again. So, we posted some signs that said, “We honor your practice of fang sheng but releasing of any animals into our regional parks is strictly prohibited. And we appreciate your cooperation.” But we also got in contact with some of the larger Chinese Buddhist churches in the area. And we had a really good discussion with them about their Chinese New Year’s practices and what happens when you release non-native animals into the environment. And I think, in the end, we had a much better understanding of each other’s perspective. However, it did take us over 10 years to get rid of those Chinese New Year’s bullfrogs and all their generations and generations of offspring.

Now, you may wonder, “Well how do you know you got rid of all those frogs?” Well, bullfrogs sound like, Ba-rump! Ba-rump! Ba-rump! And our little native chorus frog, they have that more classic ribbet, ribbet, ribbet, ribbet, ribbet, ribet. So, for years you go down to the lake and you would hear mostly Ba-rump! with a little bit of ribbet. But now if you go down to Jewel Lake on a spring or summer evening, you’ll hear not a single Ba-rump! But just ribbet, ribbet, ribbet, ribbet, ribbet, ribbet.

Too Crazy to Know Better

 

Story Summary:

 Jay O’Callahan shares storyteller Sandra Harris’s story of her involvement in the Civil Rights struggle in Birmingham, Alabama in 1963.

For a print friendly version of the transcript, click here: Too-Crazy-to-Know-Better

Discussion Questions:

  1. Why do people get involved in the cause of justice?
  2. Who do you know who has taken a risk for justice?
  3. When has the government taken the side of injustice? Why would this happen and what actions have people taken to change the government’s position? What causes are people fighting for today?

Resources:

  •  Miracle in Birmingham, a Civil Rights Memoir – 1954-1965 by W. Edward Harris,
  • Eyes on the Prize: America’s Civil Rights Years 1954-1965, Public Television

Themes:

  •  African American/Black History
  • Civil Rights Movement
  • Crossing Cultures
  • Education and Life Lessons
  • European American/Whites
  • Stereotypes and Discrimination
  • Taking A Stand and Peacemaking

Full Transcript:

I’m Jay O’Callahan. I’m going to tell a story that Sandra Harris, a storyteller from Indianapolis, has given me permission to tell. It takes place in Birmingham, Alabama, 1963. I tell it in the voice of Sandra Harris.

I’m Sandra Harris. Nineteen sixty-three, I was living in Birmingham, Alabama. I had two children. I was pregnant. My husband, Ed, was away and I read in the newspaper Dr. Martin Luther King was, he was going to be speaking at the 16th Street Baptist Church downtown Birmingham. So, I got a babysitter and went down to the church. And I felt so welcome. Here I was pregnant, only white person in this whole church and I squeezed in. And it was so crowded, people were standing around the back and talkin’.

Dr. Martin Luther King, he stood…and there was presence. And I wrote down what he said at the end and I’m going to read that. He said, “I don’t need to tell anyone here tonight, what a long struggle this has been and it’s not nearly over. But brothers and sisters, let all who oppose us know this. We will stand in the face of poll taxes and we will cry ‘Freedom!’ We’ll stand in the face a job description, discrimination, and we’ll cry ‘Freedom!’” And by then everybody knew that every sentence was going to end with “we’ll cry Freedom!’”

He said, “We’ll stand in the face of hatred, we’ll cry ‘Freedom!’” On and on he went. “Because we’re children of a living God and citizens of this great country. And we will stand and cry ‘Freedom!’”

But by that time everyone is crying, “Freedom, freedom, freedom!” I’m not exaggerating. It seemed like the walls of that church were vibrating. And I knew this was not a movement. This was a revolution. And it was going to succeed, no matter what the cost. Course, I didn’t know the cost was going to be five years later, Dr. Martin Luther King was going to be murdered. I didn’t know just a few months later, there would be a bomb placed inside of that church, 16th Street Baptist Church, four girls are going to, were going to die. Those girls, I always carry, this. Denise McNair, Addie Mae Collins, Cynthia Wesley, Cynthia (Carole) Robertson, that was the cost.

Well, I didn’t get involved in the march all the way from Selma to Montgomery. I didn’t face the hoses. But I did get a call just a few weeks after Dr. Martin Luther King was there, from a friend of mine, Jan Tomasack, from the Unitarian church, to go down to the superintendent’s office. You see, Dr. King had asked the students to come out and join the demonstrations. All of them were arrested. And the superintendent had expelled them. Some of these students were seniors and it was not fair. So, I went down, six white women, went into the office superintendent. I waddled in, eight months pregnant. And the superintendent was furious. We would, we would dare to challenge his, his decision. And he kept saying over and over, “I told those children, if they participated in demonstrations, they would be expelled and I’m true to my word!”

Well, he went on and on and on. There was no meeting place. And so finally I said, “Dr. Stow, Do the students read? Do they read the Declaration of Independence?”

“Course, they do.”

“Do they read the Bill of Rights and the Constitution? And do they read…”

“They read all of that stuff and we give them a test.”

And I said, “Well, that’s good and maybe they learned a little more than you expected them to learn.” Well, he was furious. He went on and on. We left.

My husband, Ed, and I, we joined something called Alabama Council of Human Relations. And this is blacks and whites talking about the future. We decided the thing to do was to go to one another’s homes, talk things over. So, we had a black couple, one Sunday, come, and after that the phone calls began, threatening us and our children. We’re staggered, we’re terrified. So, Ed and I decided to call my mother in Nashville, Tennessee, 200 miles away. I said, “Mother, Ed and I need to talk. Can you take the children for a few days?”

She said, “Fine.”

I was working so Ed took the children 200 miles. The moment he stepped into my mother’s house, the phone rang. He picked it up and a voice said, “You don’t deserve to live!” Oh, we were shocked. Nobody knew we were going to Nashville. Not even our best friends. We had heard about the phone being bugged. But now we knew. It was bugged. We didn’t know for sure, but it was it was said that there was a state committee that bugged the phones of people they didn’t like, like us. Now we’re worried about the life of our children. We knew what they could do. These people with violence.

We know because back in 1956, Ed and I were in college in Birmingham and Nat “King” Cole was in town. He was going to be singing at the Birmingham auditorium. And that was wonderful because most artists wouldn’t come because of segregation. In those days the blacks have to sit up, upstairs balcony, white folks downstairs. So my, so, Nat “King” Cole said, “I will come. Two concerts; one for whites, one for blacks.”

So Ed and I go to the white concert and Nat “King” Cole is singing. Then we heard this commotion and turned. Six men were running down the aisle and they were shouting, “Get him!’

Those men jumped up on the stage and they started beating Nat “King” Cole. Kicking him and knocking him down. Finally, band members got up and they pulled them off. Security members come. Nat “King” Cole was hurt, he was taken off stage. The band began to play “This Land of Liberty.” Then Nat “King” Cole came out on the stage and stood there…and he started singing. So, we left with all those memories of those songs but we left with the memory of that violence. That stupid meaningless violence. And now that violence was turned towards us and our children.

Well, Ed was accepted to graduate school in Boston. So, we left for the frozen north. At least our children safe.

Now, I like to tell that story because it reminds me of the courage of all those black people, all those white people who fought for freedom.

Miss No Name: Struggles for Justice

[youtuber  youtube=’https://www.youtube.com/watch?v=b4YwSPffb9c’]

 

Story Summary:

 Jay shares storyteller Brother Blue’s (Dr. Hugh Morgan Hill) experience as an African American soldier in World War II in the Jim Crow South.

For a print friendly version of the transcript, click here:  Miss-No-Name-Struggles-for-Justice

Discussion Questions:

  1. Have you experienced injustice?
  2. Tell of a time someone helped you when you were treated unfairly.
  3. What are the injustices in American society today?

Resources:

  •  Sayin’ Somethin’ Stories from the National Association of Black Storytellers, Copyright 2006.
  • The Autobiography of Malcom X, Random House Publishing

Themes:

  • African American/Black History
  • Crossing Cultures
  • Education and Life Lessons
  • European American/Whites
  • Stereotypes and Discrimination
  • Taking A Stand and Peacemaking
  • War

Full Transcript:

Hi, I’m Jay O’Callahan. Ruth Hill has given me permission to tell this story written by her husband Brother Blue, who is also Dr. Hugh Morgan Hill. I’m going to read this story called “Miss No Name,” and this is about the time World War II, Brother Blue is an Army officer about to go overseas. And I’m going to read it to try to capture some of the, some of the cadence and the beauty of his words.

Miss No-Name, blue-eyed soul sister wrapped in snow. What’s your name? I’m Brother Blue, that’s my name. I’m a street cat. I like it like that. What’s your name? What’s your name inside? Your name? I got a story for you, a poem, a song, a dance, I do all over the world. I’m telling stories in the street to heal the broken world. To heal broken hearts, broken hands, broken bodies, all over the world. What’s your name, Miss No Name? I want to know your name inside. Your name.”

Once upon a time ago, long ago, a song ago, when I was a young man in the United States Army, I fell in love with you, Miss No Name. What’s your name? Long ago, a song ago, a blues ago, we got the news that we were going overseas. So, I went home, said hello to my folks, and I went back to my unit down South.

This was a sad time, bad time, this was time of segregation in the southern states of America the Beautiful. One morning, I woke up and thought, “What if I have to die, now? This is a beautiful day to die for America the Beautiful.” America the Beautiful did not think black soldiers could be brave warriors. I am, I always will be a black soldier. Early in the morning in the Southland, just before we’re to go overseas, I saw a wild bird. And I thought, “This is a day to die, to die for America the Beautiful. So, I bathed. I prayed. I put on my officer’s uniform and walked under the bus station, where it was against the law in the Southland for white people and black people to sit together on the bus. In those sad days, those bad days, black people had to sit in the back of the bus, white people in the front of the bus.

So, I walked to the bus station. The bus is waiting for me. I looked up at the sky; this is a lovely day to die for America the Beautiful. Bus is waiting for me. I looked up at the blue sky. I heard that voice, “This is a day to die.” So, I’ve got on the bus. Black people in the back only two seats empty, right behind the driver. “Whoo, haaa. They’re waiting for me. This is a lovely day to die, die.”

So, I sat down right behind the bus driver. The bus driver, he looked in the mirror. I saw his eyes were blue and they were burning in the mine, they were daggers. But he could see my eyes in the mirror and he saw something, the eyes of a crazy man, ready to die. Don’t want nobody to grab a crazy man who’s died to fear. So, I’m waiting for the military police, civilian police. And then, oooh, haaa, here comes a lady on the bus. A lady on the bus. She’s like music in the early morning. She got skin like snow, blue sky in her eye, golden fire in her hair and she sits down beside me. I don’t know why. Why does the sun, why does the sun shine in the morning? I don’t know why. Young man got up. He was sittin’ behind. A gallant son of the South, most courteous. He said to this lady sitting beside me, “You don’t have to sit beside this…” (I’m not going to say that word. I can’t say that word.)

And the sweet lady beside me, she said most sweetly, softly, softly, “No. This is perfectly all right.”

Well, my heart began to dance and shout but I couldn’t let it out. Something inside me was falling in love with this lady, this sweet lady. The bus is now making a sound. It’s moving, its coughin’, it’s lurching and crying and moaning and groaning. And we’re going through the South. And I’m waiting. I’m waiting. Military police. Civilian police. Ever stop, waiting, waiting.

Finally, the sweet lady, I don’t know her name, she got up and she got off the bus. She smiled at me without looking at me, for something inside both of us was past skin, past color. Past all. All names. I wanted to say, “Sweet lady, what’s your name?” I wanted to say, “Thank you, sweet lady. Thank you for seeing me, beyond color, beyond visible. You taught me something, sweet lady. You taught me, you can’t judge a person by the way they look. Up till the bright moment, I didn’t believe a person, white like snow, could make a move for a man of my color. I didn’t believe it could happen. But then you came along like a song. You opened my eyes so I could see past the skin we’re wrapped in.”

Oh, Miss No Name, I’m a wandering storyteller. I went to war overseas. I didn’t die. Many of my brothers did. Now I’m a wanderer, like a leaf in the wind, a fool for love. Traveling around this round, where you awaken me. You opened my eyes. I could see past the color we’re born in, past the accident of the birth, past the body we wear…past the given name.

Miss No Name, I know your name. Inside your name, it’s something like Love, something like Truth, something like Beauty, something like God. I can’t speak it, I’m trying to live it. I pray someday, before I fly from this world, as I travel through the streets, the subways, the prisons, the broken fields, broken city, I can make a move for somebody that don’t look like me. Like you did for Brother Blue, long, long ago.

 

The Bus: Traveling from England to India, with the Hells Angels

 

Story Summary:

 As the new Protestant Chaplain at the largest men’s prison in Maryland, Geraldine quickly realizes that the midweek Bible service has been overrun by the Crips – a violent, largely African-American gang – and that if something isn’t done quickly the Correctional Officers will close down the service. Going to the root of the problem, Geraldine meets with the head of Crips in her office, but she soon sees that as the two of them are so completely different she will have to establish some common ground before asking for his help with the problem. Will telling him a story of a thug-filled six-week bus trip from London, UK to Delhi, India, that she took decades before, be enough to win his trust? Can the midweek Bible service be saved?

For a print friend version of the transcript, click here:  The-Bus-Traveling-from-England-to-India-with-the-Hells-Angels

Discussion Questions:

  1.  America has more people incarcerated than any other nation in the world (both in number and per capita).  Why do you think this is?
  2. According to an FBI report, in 2011 there were approximately 1.4 million people who were part of gangs, and more than 33,000 gangs were active in the United State.  These numbers have since grown rapidly. What do you think has happened in this country to allow gangs to flourish?
  3. What do you think that you as an individual can do about both of these problems? What do you think that we as a nation can do about both of these problems?

Resources:

  • The Outsiders by E. F. Hutton
  • The New Jim Crow: Mass Incarceration in the Age of Colorblindness by Michelle Alexander.

Themes:

  • Crossing Cultures
  • Living and Traveling Abroad
  • Stereotypes and Discrimination
  • Taking A Stand and Peacemaking

Full Transcript:

Hello, my name is Geraldine. Geraldine Buckley. And in 2007, it never crossed my mind, when I was training to be the chaplain, at the largest men’s prison in Maryland, that after just a few weeks on the job, I would be sitting in my office, across my desk from the leader of the Crips, which is a largely African-American violent gang. And that I would be asking the head of the Crips for his help with a problem.

Well, when that day came, I did what I do best in those situations. After all, you’ve probably realized by now, that I was born and brought up in England. Well, I made him a cup of tea. But I really did have a problem. The midweek Bible service that had about 240 men and…, it had become a meeting place for the gangs, particularly the Crips. Now, the front of the service was fine. That’s where men were opening themselves up to the love and forgiveness of God. And so, they were able to extend that love and forgiveness to other people. Incredible things were happening. But it was just at the back of the chapel that I had such a problem. That’s where the gang members, particularly the Crips, were passing things and they were talking loudly. Well, goodness knows what they were plotting. But they were disturbing the service and I couldn’t have that. And there was another level to this problem, and that is, if the correctional officers realized what a serious gang problem we actually had, they’d close down the service and we might not get it back for months.

Well, I went to the, the head of the, the inmate leaders of the chapel. Ah, we had a church of 600 people behind the walls. And, ah, the leaders, many of them, had theological degrees and I asked them for their input and they suggested that I take all those Crip leaders off the list. In other words, ban them from the service. But I didn’t want to do that, because to my mind, unless they sat under the Word of God, what hope would they have of changing? So, that’s why I decided to go to the root of the problem, which is how I find myself in my office, across my desk from the head of the Crips. Let’s call him El Jefe. Well, he was about thirty-three years of age. He was African-American. He came from Baltimore. And I knew, I only had him in my office for 20 minutes because he’d arrived at half past two and he had to leave by 2:50 in order to get back to his cell in time for count. And if he wasn’t there, he’d be taken off to the segregation unit in chains. I thought, how am I going to establish any common ground, any mutual understanding, or any hope of cooperation, in such a short amount of time.

After all, we were so different. I mean, for a start, he was a man and I’m a woman. He’d been incarcerated for years and he’s got years to go. And I’m relatively new at all this. And then, he was a Crip and I’m a Pentecostal. And then, I had an idea. And I said, “Jefe, let me tell you a story.” I have, but first of all, I said to him, “Jefe, I think I have a really soft spot for gangs.” Well he was, at the time, he was slumped in his chair and he was gently tapping his fingers on the edge of my desk. And he was looking at me through half-closed eyes and I knew then that he was not buying it. So that’s when I said, “Jefe, let me tell you a story.”

“When I was 21, I went on a bus trip from North Finchley tube station in London to Delhi, India. It was called Budget Bus. It was bright pink. It was decrepit. It was held together with duct tape. But it was cheap. Now, I went for two reasons. First of all, I wanted something on my resume the following year, that would make me really stand out from my, my fellow graduates. And the other thing is I really wanted to irritate my mother.”

“Now, I was really concerned about who my fellow travelling companions were going to be because we would be travelling together for six weeks. We would be eating together by the side of the road. We’d be sleeping in tents together. So, we would in effect, be a mobile travelling capsule. And so, I was very concerned when I first stepped on the bus, and my immediate impression was one of a strong smell of unwashed bodies. Well, I tried hard to not let that show on my face but I looked to see where it was coming from. And it was a small group of men who were very thin, they had hollow eyes, and they had track marks up and down their arms. These were drug addicts. And one of them was going to die on a beach in Sri Lanka.”

Well, I looked over at Jefe, and I’d noticed that he’d stopped drumming his fingers, and he was sitting up straight. Good. I had his attention, so I carried on. “So,” I said, “of the other 25 or 30 other men and women on that bus, there was another man who immediately, I immediately, noticed. he was a small man. He was in his mid-20’s. He had shifty eyes. And he sat right at the back of the bus. And I knew straight away, he was Australian because of his accent, And I found out later that his name was Wayne. Well, from that very first moment of getting on the bus, he kept up a loud, continuous monologue of the filthiest language I have ever heard before or since.”

“And then, there was another group of men who stood out to me. They were wearing denim and leather and chains. They had shaved heads. They were covered in tattoos, and they had a really hard look on their faces. These were the Hell’s Angels. Now, it must be said, that these were English Hell’s Angels, so they were a little more refined than their American counterparts. But they were still Hell’s Angels, and they terrified me. Particularly, their leader who was called Grila. Now, Grila was an enormous man. He couldn’t read or write. He had his name tattooed on his knuckles. G-R-I-L-A. And he had this huge tattoo on his arm of a gravestone with the names of men in it. And I looked at those names and I thought, ‘Are they the names of the men he’s killed?’ Oh, that man, Grilla, absolutely terrified me!”

“Well, that bus was far worse than I could have ever imagined on that first day. Wayne and his new group of friends discovered that down the aisle of the bus, there was a trap door that went down to the road. And when the bus was moving, they would have urinating contests. And if anybody objected, they would turn the flow on them. And then, for some reason, Wayne thought it would be great fun to pick on me. And so, for hour after hour, he kept up another loud monologue describing, in vivid detail, what he imagined I did as extracurricular activity.”

“Well, I was only 21 and this went on for day, after day, after day. Well, one of those days, I was sitting near the back of the blus… back of the bus, playing Scrabble with Wayne’s new girlfriend. She and I shared a tent for the first few days of the bus. Well, he said something really crass to her. Really revolting. And, stupidly, I defended her. So, he pushed me back in my seat. And then, he picked up his big fist to hit me. When all of a sudden, over my shoulder, came an enormous hand and it grabbed Wayne’s wrist. And a voice said, ‘No, you don’t. You’re not hitting women. Not on my turf!’”

And Wayne just crumbled and he said, ‘No!’ He said, ‘Don’t hurt me! Don’t, don’t hurt me! Don’t hurt me.’”

“Well, I looked around to see who he was, who’d come to my help. It was Grilla! Grilla had come to help me. Well, that night I was sitting on the bus by myself. All the others were setting up the camp and, and Grilla came to find me. And he was shuffling his feet a bit, and he had his cap in his hand, and he was twisting it, and he kept his eyes on the ground, And he said, ‘Geraldine, I’m really sorry I didn’t do more to help you on that bus today.’ He said, ‘But if we men start eating each other, someone’s going to get killed.’”

“Well, several things happened from that incident. The first thing, was that Wayne kept really quiet at the back of the bus, which was wonderful. And then, that was the first time that I realized that, although it’s best for men and women to work together, sometimes you need a man to stand up and do what’s right. And when that happens, it’s like a key turns in a lock and evil turns to good. And then the other thing that happened was, that Grilla and his group of Hell’s Angels friends, they took me under their wing. And I became the little sister the gang. All very innocent.”

Well, at that moment I looked over at, ah, at Jefe and his eyes were as big as the bottom of s… of buckets. And I said, “I know, isn’t that incredible, Jefe, that a woman who was not long out of a convent boarding school, would end up being the little sister of a gang of hens… Hell’s Angels. But what that meant was, that I got to spend time with them. I got to see who they really were. And I saw that they, they really cared for each other. They had each other’s backs. They were family.”

“So, one day I asked Grilla about that enormous tattoo on his arm, the one of the gravestone with the R.I.P. and the names of men. And he said, “Oh, Geraldine.’ He said, he said, ‘They’re my fallen comrades. They’re my dead friends. If we don’t look out for each other, who will?’”

Well, at that moment, a shadow came across the glass in my office door. It was the correctional officer. And he opened the door. He said, “Chaplain, you’ve got three more minutes with this man, and then he’s got to get back to his cell in time for count.”

I said, “Thank you, officer.” Three minutes. How was I going to get my last point across in such a short amount of time? Tick…tick…tick…And then, I had another idea. I said, “Jefe, you and your, your Hell’s Angels, your, you and your, your Crips friends. You’ve been teaching me such a lot since I’ve been here. You’ve been teaching me about gang warfare and streets and, and gangs. Now, tell me if this is right or not, but from what I understand, you’d never let another gang come in and take your street corner. Is that right?”

He said, “Oh, that’s right, Chaplain.” And he said, “That’s never gonna happen. Never gonna happen.”

I said, “Well, Jefe, this mid-week Bible service, this is our land. The leader of these, this chaplain and mine. And if you continue what you’re doing with your Crip friends, you’re going to draw the attention of the correctional officers. And if you carry on doing it, they’re going to take it away from us. Now, it would break my heart to take you and your fellow gang members off the list. In other words, ban you from the service. But if that’s what I’ve got to do, I’ll do it. Because no one is taking this land away from me.”

And we just stared at each other. Tick, tick. A shadow came across the door in the office and then, and then, Jefe said, “It’s all right, Chaplain.” He said, he said, “I get it. There’ll be no more trouble. I give you my word.”

And you know something? Jefe kept his word from that moment ’til the time I left, two and a half years later. There was no more gang trouble in the Protestant chapel. No more trouble on my turf.

1966 Caracas, Venezuela: Day One of Junior High For An American Girl

 

Story Summary:

 Moving to Junior High school opens Angela’s eyes to a society and culture that she had been living in (Caracas, Venezuela), and yet one from which she was separate. Angela’s story tells a universal truth: we think we are the only ones telling ourselves “ We do not belong here.” That statement is what we have in common.

 

Discussion Questions:

  1. Were there times at school when you felt out of place?
  2. Who helped you and what specifically did they do? What kinds of things did you do to help yourself?
  3. How could you help others at your school, workplace, place of worship, neighborhood and so on feel that they belong?

 

Themes:

  • Crossing Cultures
  • Education and Life Lessons
  • Family and Childhood
  • Living and Traveling Abroad

Tipping the Scales

 

Story Summary:

 When camp started, tension was high between the Chinese kids and Black and Latino kids in Robin’s group. But over the summer, the children began to let their defenses down and make new friends. That is, until Daniela returned.

For a print friendly version of the transcript, click here:  Tipping-the-Scales

Discussion Questions:

  1. Have you ever been bullied? What happened?  How did you feel?  What did you do?
  2. Have you ever stood up for someone who has been bullied? What happened?
  3. Have you ever been a person who bullied others? Why?  What was going on for you?
  4. How would you handle a situation like the one in the story? Where would you stand?

Resources:

Themes:

  • Bullying
  • Crossing Cultures
  • Education and Life Lessons
  • Family & Childhood
  • Stereotypes & Discrimination
  • Taking A Stand and Peacemaking

Full Transcript:

Hello, I’m Robin Bady. So, it was a couple of summers ago… maybe, many, that, ah, I was going to my first day of my first summer job in New York City. It was to be the head counselor of the Hamilton Madison Day Care Center in Chinatown, in New York. I was excited because I did not have to be a waitress like my friends. So, I arrived there and I go straight to the cafeteria and there are the children. They’re sitting at two tables, two very distinct tables. At one table were the Chinese children and the other table where all the black and Puerto Rican children. Distinct. Separate.

Well, my supervisor, Mrs. Louie, she had told me, “They don’t get along. They’re like oil and water. They don’t mix. The Chinese children live in Chinatown. The black and Puerto Rican children live ah, in like, all the new projects around Chinatown and they don’t talk to each other. But you shouldn’t worry. Your main problem, Daniella, who likes to upset things, she won’t be here for the summer.

Well, I thought, now I had just moved from Chicago where I had worked with really, really tough kids who had been in gangs. Teaching theater, for goodness sake. How difficult could a group of 11 and 12-year-olds be?  So, I jumped right in. And I did whatever it is you do when you have an underfunded program in, an underserved neighborhood. I made do.

And I’ll tell you, we had fun! And little by little things started to change. It started to shift and, I mean, first it started with the girls just putting their head on me and, you know, slipping their arms through mine. And then the boys, you know, let’s go and do an arm wrestle, which I always, for real, lost. And then the table started to mix and the groups of children started to make friends in the other groups. And, and we were one, big group.

Now, I know, and I’m sure all of you know, we’re not supposed to have favorites, but Elizabeth. Now Elizabeth was a new immigrant to this country as many of the Chinese children were. She had just come over six, eight months ago and, within no time at all, she was speaking English fluently, and she was reading almost as fluently.  One day she said to me, “Miss Robin do you know Shakespeare?” Well, hey, I was going to acting school; of course, I knew Shakespeare. The next day, I brought her one of my Shakespeare copies of Folger’s edition of “Julius Caesar.” She opened it up randomly and she looked at it; she went to sit down. The children gathered around, and with her finger, she began to read out loud.

“Why…man…he doth bestride the very world like a Colossus.” She had chosen my favorite speech! “And we petty men walk under his huge legs and peep about and find ourselves dishonorable graves. Men at some time are masters of their fate. The fault, dear Brutus, the fault lies not in our stars but in ourselves that we are underlings.” This this was the BEST SUMMER EVER!

Well, the, the first day of the last week, I arrived at the facility with all the circus equipment because I was going to do a whole circus week and we were going to end with a big circus day. And I got there, and the boys were all fooling around in the back as they had been doing for a while, and at the two tables in front of me, were the girls. On one side were the Chinese girls and on the other side were the black and Latino girls. Two distinct groups.

And sitting at the head of the table with the black and Latino girls, was a girl I’d never seen before. Her back was straight, her head was straight, her arms were crossed. And all the girls sitting at the table with her, my girls, were sitting exactly like her, with that same hard look in their eyes. Okay. I took my hand and I stuck it out because I’m a friendly kind of person and I said, “Hi. Hey, Daniella, I know it…wel… welcome back. I’m Robyn.” And she looked at my hand and she looked away. And all the girls looked at my hand and looked away.

I had heard about Daniella. She was the kind of girl who’d like to upset things and make things difficult. Only her, her old teacher, whom I had replaced, could handle her. I got it. What had been going so well had now turned into a war, which…I realized I was going to lose. And so the next bunch of days went exactly like that.  If I wanted to do something, I had to go through Daniella, and then it would happen. You know, I looked at her. What was it about this child? She was a child. She was 12 years old. Nothing special jumped out but there was something that she had that made a group of girls follow her blindly. And it’s not like she was even nice to them, even. She was cruel and they were cruel too. I didn’t get it. I didn’t.

Well, Thursday, couple of days had gone by, Thursday, I, I went in and, uh, had my morning… I ran out to lunch. I was delighted. And slowly and regretfully, I started back after lunch was over.  I was crossing Catherine Street when the door to the facility slammed open, and out came a counselor holding Elizabeth in his arms.  Holding her, and her arm was straight up and around it was wrapped a white cloth that was dirty. And then a cab screeched to a halt, they got in, they screeched away. Mrs. Louie came to the door, “You better get into your classroom.” And so I ran. And when I got there, the door was open, there was glass on the floor. It was glass from the one glass panel in the wooden door. And my kids, my kids were standing there in shock. I walked towards them.

And that’s when Sandra broke, “Oh, Miss Robin! Elizabeth, Elizabeth stood up for Mary. Daniella was picking on her and, and Daniella pushed her down. So, so Mary said, ‘Stop!’ And then Daniella pushed down, pushed Elizabeth down. And then, and then…” And then, the other kids joined in.

“Right. And then, and then, Daniella and her group of girls, those mean girls, they, they went out.  And they, they pulled the door shut. And Elizabeth started to open it, so we could get out.”

And, apparently what had happened, it had been back and forth between the girls. Pushing and pulling one way, and the other, and the other way, until finally, Elizabeth’s hand went through the door. I looked around. Where was Daniella? And where were her girls? And then, Miss. Louie came in and told me that they had, they had run away. They had left and that everybody was looking for them out and I should take the children outside, which I did.

And so, we sat there not knowing quite what to do. We were in the playground. Some kids got on the swings but had no energy. Some were on the benches next to me and some went on to the see-saw. Up and down, and up and down. And finally, when it was time to go in, we went in and who followed behind us? Daniella and her posse. And they came, and they left. As I was about to leave, Miss Louie told me that the girls had been going through the area and had been ripping off candy from the stores.

Well, the next day Daniella and Elizabeth were both not there. And what had begun so, so beautifully ended with a whisper.

Well, I’ll tell you, it happened a while ago, but I still think of that time. Of what one person did. How did that one child have so much power? You know, it was kind of like a see-saw in the playground; up and down, and up and down. Like the scales of justice; up and down. Black, white, red, brown, yellow, and all the rest; up and down. Good and bad. And sometimes balance or not.  “The fault, dear Brutus, lies not in our stars but in ourselves that we are underlings.”

What is it you do, we do, with our power? Do we use it to push people apart or to bring them together?

Undocumented Journey: An Educational Dream Realized for Illegal Immigrants

 

Story Summary:

In 1972, Marsha worked for the Peace Corp in Jamaica. She became friendly with a neighbor woman named Yvonne. By casually mentioning the town she lived near – Montclair, New Jersey – Marsha set in motion a dream that Yvonne would sacrifice everything to fulfill. Although some would call her an “illegal immigrant” Yvonne accomplished the impossible.

For a print friendly version of the transcript, click here:  Undocumented-Journey

Discussion Questions:

  1.  Why do you think Yvonne latched on to the idea of the importance of education for her children?
  2. One of Yvonne’s children went on to study medicine at Harvard. Do you think Yvonne and her husband felt their sacrifices were worth it? What did the U.S. gain by having Yvonne’s children well educated?
  3. Does the outcome of this story influence your thinking about “illegal immigration”?

Resources:

  •  One Hand Does Not Catch a Buffalo: 50 Years of Amazing Peace Corps Stories by Aaron Barlow
  •  The Dead Yard: A Story of Modern Jamaica by Ian Thomson

Themes:

  • Crossing Cultures
  • Education and Life Lessons
  • Family and Childhood
  • Immigration
  • Living and Traveling Abroad
  • Stereotypes and Discrimination
  • Taking A Stand and Peacemaking

Full Transcript:

Hi, my name is Marsha Wong.

In 1972, I was in the Peace Corps, assigned to the island of Jamaica. I lived in a town discovered by Christopher Columbus and he named the town Discovery Bay. I lived on the top of a cliff, overlooking the Caribbean, in a tiny prefab, concrete house. Most of my neighbors were Jamaican families. The couple that lived right next door to me was named Seymour and Yvonne. Yvonne and I were both 23, but that’s pretty much where the similarities ended. Yvonne had had a totally different life then I do. She had dropped out of high school when she was 15, when she gave birth to her first child. And now she had three children with a fourth one on its way. But nevertheless, we quickly became friends.

Yvonne and I would spend most of our time, not all of our time but most of our time, out in the yard by the concrete trough where we would wash our clothes. Now I wasn’t quite used to washing my clothes in water that wasn’t hot. So, Yvonne, kind of, schooled me in the proper method of washing clothes. And during that time, we would talk about our family and our lives. And Yvonne would tell me about how she regretted not going to high school and hopes and dreams that she had for her family. And she asked me, what was the best thing that she could do for her children? See, she believed that the United States was the answer to everything. The United States was far superior to living a life in a third world country. So, when she asked me what was the best thing she could do for her children, I told her. Since, especially, I was a teacher, the best thing that she could do for her children was to get them an education. And she thought about that as she was pounding her clothes into the concrete trough and trying to wash ’em.

And she said to me, “You know, I have always regretted my decision not to go back to school. But tell me, where is the best place I could get this education for my children?” Well, I had taught in East Orange, New Jersey, which is a town right next to Newark, New Jersey and very, very close to Montclair which was an affluent community. So, I told her being 23, that the best place in the entire United States to get an education was Montclair, New Jersey.

And she told me, “Me goin’ to go there one day, you know. Me goin’ to go there.”

Well, eventually, I married a Jamaican and I moved to Kingston. And in time, we would go up to the north coast and we would visit Yvonne and her family because we had become friends. And during that time, we would reminisce and we would talk about… in fact, she even came to my wedding. But in time, my husband and I had decided to move up to New York, where he was going to do another degree at Columbia. So, over the course of several years, I hadn’t seen Yvonne, but every time we had gone back to Jamaica to visit relatives, I would call her. In fact, there were times, not only would I call her, but we would drive up to the north coast to Discovery Bay. And I would go into the community and found out her family was still living there but that she and I, our paths never seemed to cross. So, it had been 14 years till I saw her again. And while I was up on the north coast, I called her, late one evening… really, late. And I said, “Yvonne is this you?”

And she said, “Oh, my gosh, Marsha, me can’t believe it’s you!” And we proceeded to talk about everything that had happened in the last 14 years.

And she said, “Me got a story to tell ya. Ya won’t believe this story.” And she proceeded to tell it to me. Apparently, she and Seymour had discussed, over the years, of how they can get their children this incredible opportunity to go to Montclair, New Jersey.

And Seymour and her, she said, “Seymour and me discussed, man. We over it and over it and we thought and we thought and we thought. Until one day, I said, ‘Seymour, my children must have this opportunity, you know.’ And he said to me, ‘Yvonne, there is no way, no way we’re going to do it.’ But you know what? I come up with a plan and I said, ‘Seymour I can go to the United States. Me can go and work as a domestic illegally, you know, but me can do it.’”

And so that was the plan. See, everybody that everyone knew when she got to the United States was illegal. The organization, believe it or not, was an organization that only hired illegal aliens, illegal immigrants. Her friends were all illegal. And she said to me, “You know, in time me get Seymour and him tell me all the time, ‘Yvonne, me can’t stand it you are away from me.’

And I said, “Seymour, you don’t remember what Marsha Wong told us?”

And him said, “Marsha Wong! Mystic of Marsha Wong!” But in time Seymour brought all five of his children up one at a time. All five of them, you know.”

“Well, I live in, out rent, a small, apartment; two rooms and a small, little, little kitchen. And in the kitchen, we have a hot plate and on the hot plate we cooked meals. Well, every morning me wake up, me get the children, we come on the bus, and we go to Montclair, New Jersey because all five of them are in this school in Montclair.”

“Believe it or not, I had gotten my mommy and my daddy. They came up illegally, of course. Me got my brother and my sister and their families. I got all of them up in Montclair. Except for Seymour because he has to stay back and work in Jamaica. But while we’re riding on a bus one time, the truant officers saw us. And the truant officer said, ‘What are you doing man?’”

“And I said to him, ‘Me taking my five children to school in Montclair.’ ”

“He said, ‘You can’t do that. You can’t do that. If you want to go to school here, you must live here. You don’t live here. So, if you do live here, you can go to school here.’

“Me have no choice. Me have no choice. Imma call Seymour. I say, ‘Seymour, I must move into Montclair.’ ”

“And he said, “Please Yvonne, come home to me.’ ”

“And she said, ‘You know, Seymour, I can’t come home. I told you before, Marsha Wong told us the best place to go for an education is Montclair and that’s what we have to do.’ ”

“So, I rent one room, really and truly, I rent one room. I have a big bed and I have all five children lay horizontally on the bed to go to sleep. Now, I don’t sleep at night because I work at night. But all of five children, they wear ragged jeans to school. You know, it’s expensive in Montclair. They wear the ragged jeans, they wear sneakers. I can’t afford the brands that are in Montclair. I can’t. But all five of my children, they know that the best thing that’s going to happen them, is they’re going to get an education in Montclair, New Jersey. Well, believe it or not. Seymour said, ‘Please,’ him call the time. ‘Please, Yvonne, you must come home darling.’”

“And I say, ‘Seymour, Me can’t come. This is what we’re getting. All the children are going to go to school. Me want you. I’ve been away from you all these years. My children don’t have their daddy. Everybody is suffering. But we’re going to have something in the end. It would be foolish if I didn’t follow this through.’”

“Well in time, Marsha, you know what happened?”

I said, “What?”

She said, “In time, my oldest graduated from high school and then, Andrea, my second daughter my second daughter. She win a scholarship to Harvard University. Harvard man! You know, she can’t accept this scholarship if she is illegal. And I’m thinking what am I going to do? I tell everybody that she win a scholarship. I mean what am I going to do?”

“Well, I tell you at that particular time, President Clinton had an amnesty program. And if you had paid all of your taxes, which I did, or you didn’t do anything wrong, and you did everything on the list, man, everything, you could get a green card. So, I told my whole family. I told my family, I told my friends, and I told Seymore. ‘I’ve got to go down to the immigration. Nima… Newark Immigration and Naturalization Service.’”

“And he said, ‘Don’t go, Yvonne. You can’t go! You can’t go! Him to deport you. You can’t trust the government.’ ”

“And I said, ‘I have no choice. I have no choice, man. What is my choice? My child worked so hard to get into Harvard. So hard.’”

“So I kiss mommy and daddy. I kiss my children. I kiss my brother and his family. I kiss my sister. I kiss all of my friends. And I say goodbye because I don’t know if they’re going to deport me. Is this a trick? I go down to the Newark Immigration and Naturalization Service. I’m right there and I’m so frightened. Imagine the trepidation I have, Marsha. With so much trepidation, I go in there and I take a deep breath. And you know what? I pass! I get to everything, right? Man, I got everything right. And I get a green card and Andrea can go to Harvard. And she did and all my family, all my family, man, gets a green card.”

Well, just at that moment you could hear somebody coming in through the door and it must have been Seymour. And Seymour said it was really late at night. He said, “Who ya talkin’ on the phone wit?”

“Me tell him, ‘Guess, Seymour, guess who’s on the phone?’”

He said, “Yvonne, I’m too tired to guess.”

“Guess, man. Guess, who’s on the phone.

“I don’t know.”

“Guess.”

He said, “I don’t know. Marsha Wong?”

“Yes, man. Marsha Wong.”

Now regardless of what you think of whether Yvonne did the right thing by entering this country illegally and she did. I know that words are so powerful and it could set someone on a trajectory that can transform their lives. And given what is happening in our country at this particular time with illegal immigration, tell me what you think?

Not By the Sword: How a Cantor and His Family Transformed a Klansman

 

Story Summary:

 In 1991 in Lincoln, Nebraska, a Jewish Cantor and his family were threatened and harassed by the Grand Dragon of the state Ku Klux Klan. Here is the remarkable story of how they dealt with the hatred and bigotry, and, in the process, redeemed a life. Based on the book, Not By the Sword: How a Cantor and His Family Transformed a Klansman, by Kathryn Watterson.

For a print friendly version of the transcript, click here:  Not-By-the-Sword-How-a-Cantor-and-His-Family-Transformed-a-Klansman

Discussion Questions:

  1. Is this a story about religious transformation or about how isolated people need caring relationships?
  2. What does this story say about the power of words and the means of spreading those words? How does anonymity protect the speaker? How do the cantor’s ‘public’ words spread his message?
  3. Would you have considered inviting the former KKK member to live in your home? How was the family able to open their door and their hearts to a man who had hurt so many?

Resource:

  •  Not By the Sword by Kathryn Waterson, Simon & Schuster, 1995; University of Nebraska Press, 2012.

Themes:

  •  Crossing Cultures
  • Education and Life Lessons
  • European American/Whites
  • Interfaith
  • Jewish Americans/Jews
  • Stereotypes and Discrimination
  • Taking A Stand and Peacemaking

Full Transcript:

My name is Pippa White. The story I have for you is a true story. It’s about an incident that happened in Lincoln, Nebraska in 1991. Actually, it’s a much truncated version of a wonderful book called Not By the Sword: How a Cantor and His Family Transformed a Klansman. That book was written by Kathryn Watterson. And I’m very grateful to Kathryn for letting me tell this story. Actually, there are two people in the story, Michael and Julie, who I know. So I’m grateful to them too. And I’m going to tell the story from Julie’s point of view. I am now going to become Julie.

We had encountered anti-Semitism before. My husband was a Jewish cantor, he had had other appointments in other synagogues in other cities. Anti-semitism was not something we were unfamiliar with but this was different and especially upsetting. We had just moved into a new home in Lincoln, Nebraska after two years of renting. And one afternoon, my husband answered the phone to hear this harsh, hate-filled voice saying, “You’re going to be sorry you ever moved into 5810 Randolph Street, Jew boy!” Two days later we received a package in the mail. On the outside it said, “The KKK is watching you.” Inside there were all these flyers, dozens of brochures and flyers, with ugly caricatures of Jews with hooked noses, African-Americans-race traitors, all of them being shot or hanged. And another message, “Your time is up and the Holo-hoax was nothing compared to what’s going to happen to you!” This was too much. We called the police.

The police came and said they were 98% sure it was the work of one Larry Trapp, the state leader and Grand Dragon of the Ku Klux Klan. Larry and his Klansmen had terrorized many Jews, blacks, and Vietnamese in Nebraska and Iowa. And said the police, “He’s dangerous. We know he has explosives.” Now they explained that he was in a wheelchair. He had lost both legs to diabetes but they said he had firebombed four or five African-American homes in Lincoln and the Indochinese Refugee Assistance Center in Omaha. And, unbeknownst to us, the police felt Larry Trapp was planning to bomb the very synagogue where my husband was the spiritual leader. Last thing the police said was, “So lock your doors and don’t open any more unlabeled packages.”

Well, we didn’t get any more packages nor did we get any more phone calls. But Larry Trapp had done his work very well. We had been terrorized. We couldn’t open the mailbox without wondering if there was a letter bomb in there. We worried about our three children and every time a car drove slowly by the house, we had a little panic attack. Larry Trapp had done his work very well. Perhaps because of this, I couldn’t get him out of my mind. But it wasn’t just the fear, I was also fascinated. I kept asking myself what makes someone like that? I found out his address and I used to drive by his apartment every afternoon after work and wonder, what makes someone like that? And how lonely he must be isolated in all that hatred?

Not long after this we found out that Larry Trapp was on television. He’d gotten himself on some local cable access channel and he would sit there spewing all these white supremacist hate. It made Michael so mad that he said, “He called us.  I’m calling him.”

So he called this, Vigilante Voices. All he got was an answering machine but he said, “Larry, why do you hate me? You don’t even know me. So how can you hate me?” Next day it was, “Larry, don’t you know that you’re going to have to answer to God someday for all this hatred?” The third day it was, “Larry, why do you love Hitler so much? Don’t you know that in Hitler’s Germany, one of the first laws the Nazis passed was against people like you, people with disabilities? Don’t you know that in Hitler’s Germany, you’d have been one of the first to go?” Every day Michael left a message. One day Michael said to me, “I wonder if he’ll ever pick up?”

I said, “If he does, offer to do something nice for him. You watch, it’ll throw him completely off guard.”

One day in the midst of this message, “Larry, when you can get rid of all the hate, there’s a world of love waiting for ya,” Larry Trapp picked up, “What #@&%* do you want?!”

“I just want to talk to you, Larry.”

“Why #@&%* are you harassing me? You’re harassing me! Stop harassing me!”

“I’m not harassing you, Larry. I just want to talk to you.”

“Are you black? You sound black.”

“No I’m, Jewish.”

“Well, what do you want? Make it quick!”

And then my husband took my advice, “Well, Larry, we know you’re in a wheelchair. We wondered if we could help you in any way? Take you to the grocery store, that kind of thing.”

Long pause. Michael says when Larry spoke again his voice was different. “That’s OK. That’s nice. That’s been covered. Thanks anyway. Don’t call this number again.”

“We’ll be in touch,” was the last thing Michael said. I think it must have been Larry Trapp’s time in life to be bombarded with love.

A nurse wrote him a letter, and because of his very poor health he was in and out of doctors’ offices all the time, and she said, “Larry, if you could embrace God the way you’ve embraced the KKK, He would heal you of all that hurt, anger, hatred, and bitterness in ways you won’t believe.”

And one day when Larry was leaving the eye doctor’s office, he felt his wheelchair being pushed from behind. He turned around and there was a beautiful young woman.  And she said, “I help you. I help you. In elevator.” A Vietnamese woman. And Larry and his followers had been brutal to the Vietnamese community in Lincoln Nebraska.

Michael kept leaving messages and one day, mid message again, Larry picked up. “I’m rethinking a few things.”

“Good,” said Michael, “Good.” Two days later, there he was on television, on the cable access channel, ranting and raving about…well, using every horrible, racial epithet you can think of. Made Michael so mad that he called and say, “You’re not rethinking anything and I want an explanation.”

“I’m sorry,” said Larry. “I’m sorry. I’ve, I’ve, ah, I’ve talked this way all my life. I can’t help it. I’ll, I’ll apologize.”

That night, at the synagogue, Michael asked the congregation to pray for someone who is sick with the illness of hatred and bigotry. “Pray that he can be healed.”

And across town, Lenore Letcher, an African-American woman who had been on the receiving end of Larry’s hatred, prayed, “Dear God, let him find you in his heart.”  And that night, the skin on Larry Trapp’s fingers burned and itched and stung so badly he had to take his Nazi rings off.

The next night, Michael and I were just sitting down to dinner when the phone rang. “I want out and I don’t know how.” Michael suggested we get together and break bread together. Larry hesitated and then he agreed.  We were rushing around, packing up the food, and I thought to myself, we should take him a gift. And I found a ring of Michael’s that he never wore.

It was a silver friendship ring. All the silver strands wound together. Michael said, “That’s a good choice. It’s always reminded me of all the different kinds of people in the world.” To me, it represented something twisted could become something beautiful. The last thing we did before we left the house was to call a neighbor and say if we’re not back in a reasonable amount of time call the police.

We got to Larry Trapp’s apartment knocked on the door, the door swung slowly open. There he sat. In his wheel chair, bearded. On the door handle on his side, hung an automatic weapon, behind him was a huge Nazi flag. Michael reached forward and touched Larry’s hand. He winced as though a jolt of electricity had gone through him. And then he began to cry. “Here!” he said. “Take these! take these! I don’t want ‘em anymore!”  And he put the Nazi rings in Michael’s.

We were speechless but not for long. I remembered my gift. I got down on my knees and slid the ring on his finger saying, “Here Larry, look, we brought you a ring.” He began to sob and sob, “I’m sorry! I’m sorry! I’m sorry, for all the things I have done.”

We hugged him and pretty soon there were three people crying. We left Larry Trapp’s apartment four hours later, with the Nazi rings, the Nazi flag, all his KKK paraphernalia including the hood and the beret. And we left with all his guns.

Over the next few weeks, Larry Trapp’s transformation was so complete that the KKK began harassing him. He began to write personal letters of apology to many of the people that he had threatened. He joined the NAACP. He began to go to schools to talk to school children about tolerance. And he and my husband, Michael, were interviewed by Time magazine.

On the very last day of the year, Larry learned from his doctors that he had less than a year to live. We asked him if he wouldn’t like to move in with us. He agreed. Now this was not easy. We had three teenage children, a dog, a cat. I gave up my job to stay home and take care of Larry. But we all chipped in and, and made it work. As Larry grew weaker, he would listen to books on tape. He listened to books about Martin Luther King Jr., Gandhi, Malcolm X, and he began to read and study Judaism.

And one day he surprised Michael and me when he announced that he wanted to convert to Judaism. We said we thought it was wonderful that he wanted to embrace a faith tradition at this time of his life. But if he wanted to embrace a faith tradition closer to his own roots we would understand that. “No. Judaism.” So in June of 1992, in a beautiful ceremony, Larry Trapp converted to Judaism in the very synagogue that a year earlier he had planned to blow up.

In September of 1992, Larry Trapp died in our home. Michael and I were with him, each holding a hand.  Before he got too weak, Larry was asked to speak at a celebration for Martin Luther King Jr. This is what he had to say, “I wasted the first 40 years of my life bringing harm to other people. But I believe that God sent Cantor Weisser to me to show me that I could receive love and I could also give love. I’ve learned now that we’re all the same. White, black, brown, there’s no difference. We’re all one race.”  Larry Trapp, the former Grand Dragon of the Ku Klux Klan said there is only one race.

Loving Someone Tall: A Conversation With My Father About Race

[youtuber  youtube=’http://www.youtube.com/watch?v=-NS03hxWwoc’]

 

Story Summary:

When Laura fell in love with Kevin, she was certain her liberal family would love him, too. After all, he was smart, handsome, educated and kind; that his skin was a different color didn’t matter, right? Imagine her surprise when Laura and her father needed to negotiate his discomfort with her sweetheart’s differences.

For a print friendly version of the transcript, click here:

Discussion Questions:

  1. What do you think Laura’s Dad felt during their conversation? What do you think Laura’s Mom thought?
  2. Do you think things are any easier for bi-racial couples today?
  3. What do you think Laura should have done when her parents were upset about the German man she was dating? Do you think her dad had a point?
  4. How would you feel if your child married someone of a different race or religion?
  5. Do you think Laura should have told Kevin about the conversation?

Resources:

Themes:

  • African American/Black History
  • Crossing Cultures
  • Education and Life Lessons
  • European American/Whites
  • Family and Childhood
  • Stereotypes and Discrimination
  • Taking A Stand and Peacemaking

Full Transcript:

My name is Laura Packer.

I was born in 1967, in Philadelphia, Pennsylvania, to a nice, liberal, middle-class, Jewish family. I was raised to believe that you judge people based on their actions not on the color of their skin. My mom, she always said that people are the same inside. So, when I brought home my elementary school best friend, Carla, she’s African-American, my parents treated her just like their own daughter. It was great. Everything was fine until I was an adolescent. And then, on top of all of the usual adolescent woes, I was dating. And then I brought home the German guy. For my parents, who were born during World War II, American Jews, this was really hard. After a while, they asked if I would stop dating him. And in my adolescent angst, I stomped my feet and I said, “No, he’s not like that.”

Honestly, I think we all were relieved when the relationship just kind of petered out. They didn’t have to keep biting their tongues and I didn’t have to feel defensive. I think, it’s really hard for parents. You raise your kid you, love them, you want the best for them, and you try and teach them everything that you know is right about the world. It can be kind of a problem when they actually listen to you.

When I was in my early thirties I started dating Kevin. Kevin is funny. He’s smart, he’s tall, he’s handsome, he’s well educated. He has a doctorate from MIT. He was everything I could want in a man. It didn’t matter to me that he was African-American. And it certainly wouldn’t matter to my parents. Right?

Well, maybe six or seven months into our relationship, I went home to visit my family. By now, it was clear that things with Kevin were really pretty serious. It was a good visit, although I could tell there was something in the air a day or two before I was supposed to leave.

My father said to me, “Laura, I’d like you to run some errands with me.” Now, in my family, that’s code. My father and I sometimes have a, kind of, difficult relationship and I’ll do something, inadvertently, offending him. He will have his feelings hurt and he needs to talk to me about it. He needs to let me know and describe everything in great detail until I apologize.

I thought, “Oh, great. What did I do now? Sure, Dad, let’s run some errands.”

So, we went out and we ran an obligatory errand or two. And then he pulled the car into the Denny’s parking lot and I braced myself. “Okay. Here it comes. I’m going to hear what I did wrong and I’ll apologize. We’ll get it over with. It’ll be fine. This happens every month or two.”

Instead, my dad was quiet. He just sat there looking out the window of the car. I glanced over at him. He wouldn’t look at me. Then he took a deep breath. Then he took a deep breath. “Laura,” he said, “your mother and I are concerned.”

“Concerned? What are you concerned about, Dad?”

He glanced over at me. I could see all this shame and love in his eyes. “Laura, we are concerned about Kevin.” How could they be concerned about Kevin? He was smart. He was a good man…Oh…I felt this churning in the pit of my stomach. I began to grind my teeth and I waited. “Yes,” My father said. “We’re concerned about Kevin.”

I looked at my dad. “Dad, why could you be concerned about?” I said. “Is that the Ph.D. from MIT? I mean, I know that’s a big educational gap between us but he respects my mind. Oh, oh, I know, is it, is it that it’s a doctorate in science not in medicine? I think science is pretty cool. Or maybe, maybe,” I said to my father. “Is it because he’s so tall?” I know that when we look up at him we do get kind of a crick in our neck.”

“Laura,” said my father his face turning red. “Laura, that’s not what I mean, and you know it. I’m concerned about the racial difference between the two of you.”

Ah…I have been foolish many, many times in my life, over and over again, I react when, maybe, I shouldn’t. I get angrier than I really need to be. And every once in a while, there is this moment of clarity. And I listen to it. I reached over and I took my father’s hand, “Dad,” I said. “I know that you were concerned that Kevin’s African-American and that I’m not. But I love him and he loves me. Honestly, Dad, I think that you should be proud. You should be proud that you raised a daughter who can love someone regardless of their education or their height or the color of their skin.”

He was quiet and then he glanced over at me and said, “He is awfully tall, isn’t he?

“Yeah, Dad he is. Honestly, I think he gives us all something to look up to.”

We went home. And honestly, I can’t say that being in a biracial relationship has not had an impact on my life. But every relationship has had an impact on my life. Kevin and I, eventually, got married and my father he loves Kevin. When we come and visit, my dad beams with pride as he introduces his handsome, smart, funny, kind, educated, tall, African-American son-in-law to his friends. And honestly, why shouldn’t he be him? After all, what parent doesn’t want their daughter to marry a doctor?

No Aguantara

Story Summary:

The differences were easy to see, Catholic/Jewish, Brown/White, Spanish-Speaking/English-Speaking, Mexican/American, rural/urban. When Carrie Sue and her fiancé decided to marry there were many who thought their relationship would not last long – including the representative from the U.S. Embassy in Mexico who was handling their Visa.

For a print friendly version of the transcript, click here: No-Aguantara

Discussion Questions:

  1.  What do you judge people on when you first meet them? Have you ever made a judgment about a person only to realize when you get to know them better that you were completely wrong about them? If so, did you discover anything about yourself?
  2. Do you think that we learn things about ourselves when we meet people who are different from us? Why do you think that?
  3. Many people, including the American Visa Clerk objected to Carrie Sue and Facundo’s relationship. Why do you think it mattered to the other people?
  4. Why do you think many were surprised that their families did not disapprove of the relationship?

Resources:

  •  In Their Own Words: Drama with Young English Language Learners by Dan Kelin – a resource for anyone working with 2nd language learners
  • The Earth Mass by Joseph Pintauro and Alicia Bay Laurel (Carrie Sue and her husband used a poem from this collection in their wedding ceremony and still try to follow its advice.)

Themes:

  • Crossing Cultures
  • Immigration
  • Languages
  • Latino American/Latinos
  • Living and Traveling Abroad
  • Taking A Stand and Peacemaking

Full Transcript:

My name is Carrie Sue Ayvar and just after I graduated high school, I went from Pittsburgh, PA to Zihuatanejo, Guerrero, Mexico. (No aguantará) It’ll never last! That’s what they said! (No aguantará) It’ll never last! They were like wisps of rumors, never said to us directly but rumors that wisped around and spoken always in concerned tones, mostly to our families and friends.

It was 1973. I was only 17 when I met Facundo but there could hardly have been a more romantic setting. It was a warm, sunny day that January morning and it was on a small island just off the west coast of southern Mexico. The air was filled with (breathing in fragrance) mango and coconut oil, salt sea breezes and pheromones.

I watched as a muscular, strong young man, probably about 20 years old, carried several scuba tanks up onto the beach. Oo! The salt water and the sweat made his coppery skin glisten and his long dark hair had streaks of red and gold in it from days in the sun. Oh ho… I had never seen a more beautiful, gorgeous human being in my entire life! Like an Aztec Adonis emerging from the waters! When I could finally catch my breath again, I remember thinking, “The guy’s gotta be a jerk! I mean, no one is that good looking and nice too!”

But (como dice el dicho) as the saying goes, (caras vemos el corazón no sabemos) we see the faces but we do not know the hearts. Now on the surface, Facundo and I had very little in common. He was a Spanish-speaking, Catholic, indigenous, brown-skinned Mexican from a very small fishing village and he lived on a beach while I was a fair-haired, green-eyed, English-speaking, Jewish, white American who lived in a three-story brick building in a very large city.

And our experiences growing up were completely different. I mean, while I watched Tarzan’s adventures on TV, he lived them slicing green hanging vines for cauldrons of water, climbing tall palm trees to gather coconuts, diving off cliffs into beautiful blue tropical waters. I mean, while I went ice skating, he was free diving. From my father, I learned how to make flower arrangements. From his father, he learned how to build dugout canoes.

Para cemos conocemos! But we did get to know each other. And we got to know each other’s stories and each other’s hearts. (E descubrimos) We discovered (las dos querer) that we both loved (el mar) the ocean and the feeling of weightlessness during those underwater dives. (El savor) the taste of salt on our tongues when we came up for air. (El sonido) The sound of the waves drumming against the sands. (E también descubrimos) We also discovered (los dos querer) that we both cherished (familia y mis les) family and friends (mas que) more than everything. (Nos conocíamos) we got to know each other (e nos enamoramos) and we fell in love.

Now it was amazing how many people were there to tell us, “No aguantará, it will never last!” From both sides of the border, there were so many people who disapproved. They would say things like, “Oh, you know he’s only using you to get a green card.” Or (Ay, esos gringos de como de es sabe) You know how those gringos are, man! (rico e consentido) They are rich and spoiled, (ya sabes) you know! Or “Ah, what a shame! She couldn’t find a nice Jewish doctor?”

But all of those things didn’t really phase us! Even when we finally announced our engagement and, to our surprise, we heard rumors of a pregnancy that we knew nothing about! But, as I said, all those doubts and criticisms didn’t really bother us. I mean, we were happy and, to the surprise of many, so were our families. I mean, Facundo had actually met my parents a year before I ever met him; they’re the ones who actually introduced us to each other there on the island. Jesus, his papa and his parents –  (madre tomas su propia hija) they treated me like their very own daughter. Dona Christina, his mother, used to say ,”(Tenemos que cuidado de ella)  We have to take good care of her.  (Sus propios padres están tan lejos) Her own parents are so far away.”

So really, what did it matter to us what other people thought? I didn’t think it mattered at all… but sometimes it does. Since it was hard for my grandparents and other elderly relatives to travel to southern Mexico where we lived, we decided that we would have the wedding in my home town of Pittsburgh, PA.

Now after a 12-hour overnight bus trip, we finally arrived at the U.S. Embassy in Mexico City. Under a smoggy, gray sky, we waited for hours and hours to finally speak to an American visa clerk. And when we finally did, instead of helping us, instead of telling us what kind of visas we were eligible for, this unfriendly, unhelpful, unhappy little bureaucrat of a man lied to us. Lied to us repeatedly and began to make things up. Let me ask you, do you know how hard it is to get a copy of a form that doesn’t actually exist? Oh, yeah, he knew that he controlled the information and the situation.

But much to his dismay, we did not give up and go home like he wanted us to. Ah, ah, every time we went back, he looked more put out, like, like he was sucking on sour lemons or smelled something foul in the air. I mean, he was, quite frankly, openly disapproving of us. He told us that we were too different and finally, he dismissed us with an arrogant look! “Just go back to your own kind! You are young, poor, powerless and you don’t even realize that I’m doing you a favor!”

(Sigh) Well, (pobres) We were poor; we had little money. (E jóvenes) We were young! Powerless? (Las caras vemos corazones no sabe) You see the faces but you do not know the hearts! His attitude only strengthened our determination – pulled us together! Facundo and I, we found our voices and our power! We did not give up; we went back to that embassy again and again until, at last, we found someone who would listen. Though I will admit, it did take months, a career ambassador, a 3-star general and a United States senator to finally resolve our case!

But we did get a visa and we did get married. Now maybe we were naïve, I don’t know. I know as it was pointed out to us again and again, we looked different and we sounded different. We had different religions and we came from very different cultures and experiences. And (nunca sabes) you never know; there are no guarantees in life anyways. But I do know that we just celebrated our 35th wedding anniversary and, yeah, we’re still happy! (Como dice el dicho) As the saying goes, “Look at the faces and see the hearts!”

Will You Please NOT Marry Me? – Adventures In Cross-Cultural Dating

 

Story Summary:

 When a single girl from Eastern Europe goes to the USA to study, she has to face certain assumptions made about green cards, marriages of convenience, and other things no one prepared her for. Culture shock comes in many shapes and sizes, and graduate school orientations never tell you what “the L word” really stands for…

For a print friendly version of the transcript, click here:  Will-You-Please-NOT-Marry-Me-Adventures-In-Cross-Cultural-Dating

Discussion Questions:

  1. What is a ‘marriage of convenience’ and why do people think it is beneficial for an immigrant?
  2. How would you describe marriage in your own culture? List marriage customs and traditions from other cultures that are different from yours and speculate about the reasons for these differences.
  3. What do we find out about the definition of ‘love’ from the story? What other definitions can you think of?

Resources:

Themes:

  • Crossing Cultures
  • European American/Whites
  • Identity
  • Immigration
  • Living and Traveling Abroad
  • Stereotypes and Discrimination
  • Taking A Stand and Peacemaking

Full Transcript:

Hi, my name is Csenge Zalka. When you are an Eastern European girl studying in the USA, especially if you are single and, uh, you are in your early twenties, a lot of people automatically assume that you are here to marry an American guy for a Green Card. And they never tell you that at the orientations.

The first time I was in the United States, that was in 2007, I had to go through a series of orientations. One before I arrived (back in Hungary) and then two after I arrived. And they tell you a lot of important things at these orientations. They tell you, um, about the education system, about taxes, about driving in the USA, about drinking or not drinking in the USA and, most of all, they always, always tell you about culture shock. What they usually say is, “You are going to have it. You will go to the USA and there shall be culture shock. You are going to be there with a lot of people who speak a different language, listen to different music, eat different food. And you will feel lonely, and you will feel homesick, and you will feel depressed. And then you will know that you are having culture shock.” Everybody does, except I didn’t.

I had been studying English for about 20 years and I never had a problem with people speaking it around me. And people were listening to different music and eating different food but that was part of the fun. And I never even felt homesick. It felt like a year-long vacation that was exciting and new, and there were things to explore. And every time somebody brought up the topic of culture shock, I just said, “No, I never had it!”

And then, I started dating. They don’t tell you a lot about dating at the orientations. What they usually say is, “Use protection” and “Going Dutch means that the guy is not going to pay for your food.” And the rest, I just had to figure out for myself.

So, I had been dating this guy for about a month and then questions started coming up in conversations with people. Questions that I didn’t expect but they kept coming up over and over again. And the first one was always, “So, what’s going to happen when the semester’s over?” meaning that my visa was going to expire and my scholarship was over and I had to go back home.

“That’s what international students do” and that’s what I always answered.

And then came the second question, “But you could stay here if you married him, right?” And, at first, I just laughed at that because I’ve, I’ve never seen American students ask American students if they were going to marry their boyfriend of four weeks. But it kept happening and I always answered that legally, if I had an American husband, I would still have to go back to Hungary when my visa expires.

And then the conversations usually went on and then they circled back and came the next question, which usually was, “But do you think you would marry him if you could stay?” And that was the point when I started realizing what culture shock was. It was the feeling of being treated differently just because you were not from around here. Of course, when I go to France, they never ask these questions or, if they did once, they’d never ask again.

Um, but the situation got worse when some people started asking my boyfriend the same question. They started asking him if he would be willing to marry me so I could stay here. And imagine a guy in his early twenties having to face that question. I started to feel like those pop-up windows on the internet that say, “Find your beautiful Russian brides today,” or “Eastern European beauties waiting for rich American men.” And it just got really annoying.

But, interestingly enough, the brunt of the culture shock did not come from the Green Card questions. It came from one single word.

I had been dating this American guy for about 2 months and we were out on a date. It was a really nice day. We were happy; we were silly. And he did something romantic, I don’t even remember what it was. Maybe he bought me a flower or he said something nice. And I laughed and I just said, “See, that’s why I love you!”

And he just froze up! I watched his face go blank and I didn’t know what was wrong. And two days later, he broke up with me. And I was heartbroken and I was sad and I was upset but, most of all, I was very confused. “What have I done?”

So, a few days later, one of my friends took me out for lunch and he was a guy, so I asked him for his perspective on what just happened. And I told him about the date and about the weird reaction of my ex-boyfriend to that particular, uh, thing that I said. And my friend just froze up the same way and he said, “You said the “L” word?”

Here’s the thing. In Hungarian, “I like you” and “I love you” are the same phrase. And, of course, I’d seen American movies, romantic comedies where “I love you” is always said in pouring rain with flowers and a full orchestra playing in the background. And I always thought that was a movie cliché.

And it took my American friends a while to explain to me how “I love you” in English is a lot more serious than “szeretlek” in Hungarian. Here I was, Eastern European, in the United States. It was okay to ask me if I was going to marry the guy that I had known for a month but it was not okay for me to say that I loved him. And that was the culture shock!

So, the next time I started dating an American guy, I did two things. One, on the very first date, I looked him in the eye and I said, “Listen to me because I will only say this once. I do not need to marry you for a Green Card.” And, two, I waited ’til he said, “I love you” first.

And these days, I am one of those people doing the orientations and I still talk about the education system, and taxes, and driving in the USA. But when it comes to talking about culture shock, now I have a lot more to say.

Taylor Made Family: An Aunts Tale of Transracial Adoption

 

Story Summary:

When Nancy’s sister adopts seven-year-old Taylor, aunt and niece find kindred spirits in each other. This story explores what makes us family and when the color of one’s skin does and doesn’t matter.

For a print friendly version of the transcript, click here: Taylor-Made-Family-An-Aunts-Tale-of

Discussion Questions:

  1.  Transracial adoption, while becoming more common, remains controversial. What issues can you imagine experiencing (or have you experienced) if you were adopted into a family that doesn’t look like you? How might it be different in an urban area vs. a rural area? How might it be different if the adoption is in infancy or as an older child? What are potential problems? What are potential benefits?
  2. How would you want your differences acknowledged and handled by your adoptive family? How could they support you, make you feel welcome, and find the balance of becoming part of the family while honoring the culture(s) of your birth? How can you imagine asking for what you need and want? What can you imagine a supportive, productive family meeting looking like?
  3. How would you want your friends/classmates to support you if you are (or were to be) part of a transracial, biracial or multiracial family? What are things they might say or do that would be helpful? What are things they might say or do that would be hurtful? How would you want them to ask you what you need/want in way that feel supportive? How could you bring it up to them?

Resources:

  •  In Their Own Voices, Transracial Adoptees Tell Their Stories by Rita J. Simon and Rhonda M. Roorda
  • Inside Transracial Adoption, by Gail Steinberg and Beth Hall

Themes:

  •  African American/Black History
  • Crossing Cultures
  • European American/Whites
  • Family and Childhood
  • Identity

Full Transcript:

Hi, my name’s Nancy Donoval and I want to tell you a story about the best present my sister ever got from me.

I was looking into her eyes and she was looking straight into my mine, clinging to them like I was her life raft. And if I looked away, she would drown. Splinters are painful at any age. I knew that personally. But when you’re 8 years old and one’s been festering in your foot for two days, it’s excruciating. And the fear of the pain getting worse when you take it out is even more so. It was Christmas and my sister said, “This is coming out.” And then she came up to me and said, “I can’t get her to let me take it out. Help me.”  And I went, and took Taylor, eight years old, sat her on the couch, and said, “Honey ,when I was your age I got so many splinters and it was so hard. And this is going to hurt but it’s going to be better after. When I was a kid, the only way they could get me to sit still to take the splinter out was, it took three people to do it. My dad would take the needle and he would do the digging. My mom would hold my hand and my brother, your uncle Jack, he would sing to me.

That’s what family does. And that’s what we’re going to do right now. We’ve got three people. Your mom’s going to get the needle. Roy’s going to hold your hand and I’m going to sing to you.” And I did what my brother had sung to me. “Hush, little baby, don’t say a word. Papa’s going to buy you a mocking bird.” Ah, she was so brave. And it took forever but the splinter came out. And in that moment of the echo from this memory of my childhood, I knew she was fully, completely my niece.

And I remembered that day my sister had called me the year before, (Taylor’s 15 now so, this is about eight years ago), my sister called me, the day Taylor moved in with her. They’d been having visits but this was the day Taylor moved in. And she said, “Oh my, I’m adopting you!” Well, my sister is nine years older than I am. She’s the oldest. I’m the youngest. She has a Masters in Business Administration. I have a Masters in Fine Arts. We are different people. And she had adopted me and she really had. Taylor and I are so much alike. It’s amazing to me. We both are theater nerds and she loves the arts. And all her emotions are right on the surface. And my sister is pretty much driven by logic, probably not as much as she thinks she is, but still pretty much driven by logic. And Taylor and I are both driven by emotion. And, oh, we just chatter away to each other. Sometimes I feel like her aunt and sometimes, because her mom was a little bit like a second mom to me, I kind of feel like we’re the two sisters goofing off in front of our mom.

Taylor said to me one day, “Aunt Nancy, I feel so lucky. I don’t think a lot of adopted kids end up in a family where there’s somebody who’s so much like them. Somebody who actually gets them.”

And I said, “Taylor, sweetie, I know for you that’s about being adopted, but I gotta tell ya, it’s pretty rare for somebody who was born into the family to have somebody who really gets them. Who really sees them. I’m just as lucky to have you.” I was really lucky to have her. My mom was always the one who really saw me, understood me, loved my storytelling, was emotional like I was. But my mom had Alzheimer’s and she was disappearing in tiny degrees. And life is so funny, the day I moved our mom, in an emergency move to a nursing home from assisted living, was the day Taylor’s adoption was final. As one who had gotten me came out of the family, one who got me – the one I got – who was like me, came in.

Now, of course, Taylor and I are not the same person and we’re different from each other. She has moved a little bit away from performing. She loves story like I do but she writes and writes and writes and writes. She told me that she feels like “writer” is the key to her identity and it has been the thing that has formed her since she was in sixth grade. She’s about to start sophomore year of high school. She has seven books she’s written. And she writes them and rewrites them in composition books. And then she types them and then she edits them. I would never have that. I tell stories out loud. I don’t write them down. Oh, we both love story.

She is taller than I am. She makes friends in grade school easier than I did. And we don’t really look alike. She’s tall and thin like the boys in our family are. The girls in our family are a little bit more, um, round. And also, we do not have the same skin color. I have to tell you, I make my sister, well…Let’s put it this way, my sister makes me look deeply tan. And Taylor is a rich, rich brown. And again, she makes friends so easily. She is in a grade school where there are kids of every color in the world. My grade school, oh sure, we had people who were German and Italian but the big difference between us and the rest of the world was we were Catholic. And there were other people who were public.  I didn’t really think about black and white. Probably because there weren’t really any black people in my family. And here’s Taylor. Not in my family, in my neighborhood, in my school, in my life, they just weren’t. And here’s Taylor, who’s in this school with all these different colors. And I’m seeing pictures with her with all her friends. And, oh, she’s dating this boy and she’s dating that boy. Well, I’m not quite sure what that means in sixth grade, but she’s dating this one and dating that one. And they’re white, they’re black, they’re Asian, their everything. And I asked her if she ever got any flack from the kids in school about, you know, being with somebody of a different race.

Because when I was in high school, I ended up having this guy I met at Junior Achievement camp and he was black. And we weren’t really dating, but we enjoyed each other. And he asked me to his homecoming dance and I was excited to go. I liked Cal. And his parents said, “No, you can’t go! You can’t go to the dance with her.” Because they were afraid for him that if he brought a white girl, now this was the 70s, but still if he brought a white girl, they thought he would be in danger.

And here’s Taylor with all these different people mixing around colors and I asked her if she ever got any flack. And she said, “Well, not like that.” She said, “But every now and then, people will be like, ‘No, no, no, no, you two don’t look good together. You would look better with him and she would look better with him,’ and that seems to be about what color people are.”

We have most of our really good talks in the car. I live in Minnesota now, she lives in Chicago, we talk on the phone, we do Facebook, we do messaging, we text. But our deep talks are in the car or at slumber parties at my friend’s house in Chicago. Taylor comes over and we have a big party. But in the car, somehow facing outward, we talk about hard stuff. And I told her once that I was thinking about doing a story about her because I tell stories. And I tell stories from my life and she’s so important to it. And I asked her what it was like to have been adopted into our family? And what it was like to be the one black person in a really white family?

I remember her first Christmas with us, just looking around the room, our a little clump of people, maybe only 8, 10 people in the room. And she just looked up and said, “All right, we need more black people in this family.” And, ah, she wasn’t wrong but it wasn’t like we could mail order someone for her. I was already dating someone, the other ones were already married, we didn’t have an opening. But most of the time, we don’t talk about race. But I asked her and we had, just had this big Christmas party at my cousins’. And my cousins, there’s thousands of them, and that seems like an exaggeration but when I’m in the room with them it feels true. My first cousins, four them, had 22 kids. There’s all these grandkids. I can’t keep track of them. They all live in the same neighborhood. They all go to the same school. They all know each other so well. I go to that party, I feel out of place and I’m related all of them. I’ve known them since I was a kid, since they were kids. But they have such a family dynamic. And I remember when Taylor was little and first going to those parties. She just ran around playing with all the other kids. But as she’s gotten older, she’s ended up being a little more separate. She doesn’t feel comfortable at the parties anymore. And I asked her about it and she said, “Well, I think as you get older, your heart gets smaller. I think you get more judgmental. Not everybody but some people do. And you see the differences more, nobody really says anything. But I just feel really different there all the time.” And I asked her if she felt that way with us and just our small family. She said, “No. No, not with you guys. But there I always know I’m different.”

And we talked about how much of that was her color being different, and how much of that was her being adopted, and how much of that was just simply the family dynamic of all these kids who go to school together and know each other really well and they don’t know her. But it turned out people do say things sometimes. She had one person at the party she really liked. She’s great with the kids, and she has one second cousin something or other removed, Claire, who she loves playing with and watches at the party. And they were going to play princess. And Claire said, “OK. I’m going to be the princess and you’ll be my servant.”

And Taylor said, “Ummm. I would like us both to be princesses.”

And Claire said, “Umm hmm, not how it works. I’m the princess because I’m white and you’re the servant because your black.” Claire didn’t mean anything by it. She was going from what she’d absorbed from TV, from movies; you look at the casting. She loves Taylor. But Taylor went in the bathroom and cried.

And then she came back out and said, “Claire, we are living in a castle with no servants at all. We are in a castle where the princesses take care of themselves.” But it’s harder for her to go to those parties because, though she still loves Claire, Claire was her safe zone, and her zone doesn’t feel safe anymore.

My sister tries so hard. It’s trans-racial adoption, how do I make her feel like she can fit in? Taylor told me my sister was asking her, “Do you want to celebrate Kwanzaa? We could celebrate Kwanzaa. I could look up how to do it.” And Taylor’s like, “None of my black friends in school celebrate Kwanzaa. No, I don’t care about celebrating Kwanzaa.”

You know, “Do you want to go to a traditionally black African-American school? Do you want to, we can go to all the museums?”

And Taylor’s like, “Thank you. I appreciate it.”  And she does appreciate it. But she’s like, “You know, mom doesn’t force it on me, which is great. It’s not like, ‘No, you must be African-American.’” Taylor said, “I don’t really think about color that much, unless somebody brings it up. I mean, I know, I know I’m black. But I don’t think about it. I don’t really see color very much. I just…I’m just me.” She’s so good at being just her and it’s how I am. I know I’m white but I don’t think about it very much. Except, I really worry that there’s going to come a time in her life, because she’s black, she is going to have to think about it. And I want to protect her from that. And I want a world where we really cannot be color blind because her color is beautiful. But where we can be like Taylor and I try to be. People who see the inside. People who just enjoy people and make friends easy.

I asked Taylor if she had any advice that she would give to someone who was going to be adopted into a family of a different race. And she said, “Hmm. I don’t know. I guess I would tell ‘em, keep an open mind because no matter what color they are, they’re gonna be your family.” And Taylor…Taylor has connected me to my family so much more deeply. She really is the best present my sister ever gave me.

Hamlet Goes to Jail: Life Changing Experiences that Occurred in 1959

 

Story Summary:

 The Chicago Public Schools were almost totally segregated in the 1950’s when Gwen’s participated in an accelerated English program and first integrated a South Side High School. She succeeded in getting an “A” in the class but had an encounter with the police that threatened to overshadow her academic accomplishments.

For a print friendly version of the transcript, click here: Hamlet-Goes-to-Jail-Life-Changing-Experiences-in-1959

Discussion Questions:

  1. What were some of the factors that kept the city of Chicago from integrating its schools before the 1960s?
  2. Discuss some reasons why many young people endured hostility and violence to integrate schools and other facilities. How were they were able to overcome their fears?
  3. Why did Gwendolyn feel that she was representing her race when she attended the all white high school? Have you ever felt this kind of pressure?
  4. Have you, like Gwendolyn, made a decision to do something you know is not what you should? What were the consequences?

Resources:

Themes:

  •  African American/Black History
  • Crossing Cultures
  • Education and Life Lessons
  • Family and Childhood
  • Stereotypes and Discrimination

Full Transcript:

Hi, my name is Gwen Hillary.

Now, when I was growing up in the 50’s and 60’s, in Chicago, Chicago had been labeled as the most segregated northern city in the United States. Children in black neighborhoods often went to school in double shifts. Some in the same family would go at different times. Some would go early in the wee hours of the morning, and the second child might go starting his school day mid-afternoon. Other children were educated in mobile units that were housed on the playgrounds. All to keep the school segregated in those overcrowded communities. In 1957, something happened that changed the whole educational system in the United States. The Soviet Union successfully launched the first Earth orbiting artificial satellite into space.

It was October 1957. There was a fierce competition that ensued between the Soviets and the United States. There was an increased emphasis on scientific research, space exploration, and the schools had to step up. Now, between 1956 and ’60, I was a student at Englewood High School, an all-black school on the southside. And in spite of the school being totally segregated, I had caring, nurturing and totally competent teachers. A new program was devised at my high school, a college preparatory high school, and I was placed in that program. Boy, oh, boy! No longer could I take typing and sewing and cooking and home economics and sewing, all those classes that supposedly would prepare me for life. Huh. I was programmed into chemistry, physics, foreign languages, and there weren’t those easy A’s. Now was also an important time in my high school career, when in 1959, I was going into my senior year. A special program was created that would be conducted at an all-white high school, South Shore High School 76th and Constance.

Now, any participating school could send two of their promising students to attend this enrichment summer program. We were going to study a fall semester of college literature and get credit for it too, in that 8 weeks. We were going to read many works by Shakespeare, Thornton Wilder’s The Bridge of San Luis Rey, among other works. It was going to be very intensive and I knew that I, not only was representing my school, proving myself academically cable… capable, but I was representing my own race. And so, I went there, determined to do my best and to excel. It seemed that the first day we walked into the school, that there was such a big shock to see us. There were four black students. No black student had ever set foot in that school. There were no black cooks. There were no black custodians. Everyone was shocked, but that was the first day.

The next day, the shock was on us. You see, when we left that building at the end of the school day, there were boys waiting for us on the corner. And they had rocks in their hands and they began to throw rocks at us. And I actually ran, scared to the bus stop. I did that Day 2, which was Tuesday. Day 3, Day 4, and by Day 5, on Friday, huh, I had had enough. So, when Monday came, and we left school, and those guys were standing there ready to pelt us with those rocks, I ran with my companions, and they got on their respective buses but not me. I had had enough. And so, I watched and I saw that they went into a school store, near the school, where everyone would congregate. Guess you could buy ice cream and school supplies. I boldly walked into that store. I found the guys I was looking for, and I walked up to them and I said, “I’m here now. What are you going to do, face to face?”

They were so shocked and embarrassed, the whole store got quiet. And each one said, “What are you talking about? I don’t know you.”

I said, “Oh, you know. But it’s going to stop today!” And guess what? There were no more rock throwing incidents. I thought the summer was gonna go pretty smoothly. But back on the home front, in my own neighborhood, huh, something else happened.

You see, it was a sunny afternoon and I had been out selling Avon products. My mother would let me keep all of the money I earned to buy my clothes and other incidentals. And I had money in this pocket, and in my other pocket, I had a paperback copy of Hamlet. We had to study hours and hours each night to keep up with the amount of work we had to do. And as I was standing there, some friends came up and they said, “Gwen, we’re going to go riding on the back of some motor scooters. Want to come?”

Now I knew. I knew there was no way I should have gotten on the back of those motor scooters. What would my mother think, sailing down South Park Avenue with my arms wrapped around some boy? And no helmet either! Huh! I was tired of always being the good one. So, I said, “Okay, I’ll do it.”

I thought we’d be back in time and my mother would never know. Oh, I climbed on the back, and wrapped my arms around, and it was wonderful, the wind blowing. All of a sudden, a police officer pulled over the young man on the first motor scooter and said, “You don’t have a license plate on your bike, young man. And you’re going to have to come down to the station.”

Well, the other guys started protesting, trying to help him. And he said, “I tell you what. All of you would go down to the police station.”

Now that’s when I got off and I said, “Sir, I’ve got my carfare in my pocket, and I’ll just get on the bus and I’ll…”

“Nah, huh. No, young lady, you are with them and you going to go down to the station with them.” Me? Going to jail? I couldn’t imagine! What was my mother going to say?! What was she going to do?! My mother did not spare the rod. And so, I cried, I pleaded, I begged.

But he said, “You’re going with the rest of them.”

We got to the station. And at first, I would not even give him my mother’s phone number. But I did. And when he called, I could just imagine her on the other end of that line.

And finally, she said, “I don’t drive, but I’ll send someone to get her.”

Oh, I cried, I cried. I was just so upset with myself. But then I realized, I had homework to do. So, I took out my copy of Hamlet, and I started to read. Police officer noticed that I was reading this book, and he said, “What are you doing?”

And I told him all about the course, and all about the work, and how exciting it was. He said, “What are you doing with these other guys? You don’t belong with them. What are you doing with them?”

I didn’t answer. But I did question what was I doing with them. You know, Hamlet had to get himself together in that book, you know, “to be or not to be.” Well, I’ve made some decisions about how my life was going to be from that point on.

My mother sent my aunt. When we get home, oh, I was so afraid. What was she going to do to me once she opened that door? But the mother I saw when I entered, was one I had never seen before. Her eyes were so sad, and she was silent. She looked so tired. And it upset me so much, that I vowed I never wanted to cause this much pain to my mother again. My mother didn’t speak to me. Not then, not that night, not the next morning. But after school the next day, she did say to me, “I hope you will reflect upon that incident yesterday and what changes or decisions you’re going to make in your life.”

One decision I made was that I was going to get an “A” out of that course. I had worked and worked, and I can say, that I was one of the few students who received it that summer. You see, that’s what I wanted my mother to remember. And not that it was the summer that I and Hamlet went to jail.

When Summer Came: Summer Vacations in the Segregated South

 

Story Summary:

 During the 1950s, Gwen’s mother, like many African American parents, ritually sent their children down south for the summer. Gwen remembers the rich experiences with her grandparents on the farm but also many painful and dangerous racist encounters which greatly impacted her.

For a print friendly version of the transcript, click here: When-Summer-Came-Summer-Vacations-in-the-Segregated-South

Discussion Questions:

  1. Why would African Americans send their children back down South in the summertime, after they had left behind the discrimination and mistreatment they often endured while living there?
  2. Have you ever experienced or seen others experience racism or discrimination of any kind?  Describe the experience and how you reacted or coped with it.
  3. What are some ways that people can become advocates or builders of acceptance of others who are discriminated against in our society?

Resources:

  •  The Gold Cadillac By Taylor, Mildred (Ages 10 And Up.)
  • Born Colored: Life Before Bloody Sunday By Erin Goseer Mitchell. (High School)
  •  The Rosa Parks Story – DVD (2002)

Themes:

  •  African American/Black History
  • Crossing Cultures
  • Education and Life Lessons
  • European American/Whites
  • Family and Childhood
  • Identity
  • Stereotypes and Discrimination

Full Transcript:

My name is Gwen Hilary.

When summer came to Chicago, when I was a student in elementary school, I never got a chance to spend summers there. Each summer I was sent South to be with my grandparents and to spare… experience life on the farm. Now, during those years, when summer came, my mama worked from midnight until 8 o’clock in the morning. She would get home in time to see us off to school, and then get up again at 12 o’clock to fix lunch, and again at 3 o’clock to spend some quality time with us, from 3 until 7. That meant that she rarely got more than five consecutive hours during those working days.

So, when summer came, my mama got a chance to rest. She would prepare us a big shoebox full of food; chicken, bread, and cookies, and other things to take with us. But we didn’t know it was because she knew there would be no place along the route where we could purchase something to eat. I remember, one summer, when we were going South, that my sister and I had ridden the Greyhound bus for so many hours that we had to go to the bathroom, desperately. We bolted off the bus and rushed into a waiting room so we could get something to drink after going to the bathroom.

Now, we noticed that as we walked through, the men lowered their papers and some looked over the top of their glasses. When we got into the bathroom, the women stepped aside to let us go in, we thought that was quite nice. And then, we went to the bathroom, and we went to the stalls, and we washed our hands, and fixed the hair. Thought we looked kind of cute, as a matter of fact. And then, we walked through to where we could get something to eat and drink.

When we got to the counter, the waitress looked at us as we approached and said, “We don’t serve your kind here.”

Your kind? And we looked around and realized we had gone into the white only waiting room. We were so embarrassed and a bit afraid and we asked, “Where do we go to get something to drink?”

“The colored waiting room was around the back, over yonder.” And we walked out and saw an old dilapidated waiting room that said “Colored only.” And that’s where we purchased our beverage.

When summer came, we experienced racism in the South that we had never known. But there were wonderful days. You see, we went to school all year long. Black children in the South didn’t get out of school during the summer. Their school day ended or their school year ended, at the end of September maybe in October. It was then, that they would harvest the crops, pick cotton, and help the family raise money. My grandmama was a teacher in one of those schools down South. A one-room schoolhouse that housed students from grades 1 through 8. There were long benches and each grade was assigned a bench. And there was a potbellied stove that would keep the students warm in the winter. And over in the corner, was a table that held a bucket full of nice cold water and you could get a dip if you needed it. Now, there was also something else in that room.

There was a switch. Now that switch would make sure there was no disorder. But it also made sure that you attended to getting those lessons done. The worst time was when you were called to the front to spell those words that you had to learn each night. If you missed a word, you got a lick, smack, right in your hand. There were some mighty good spellers coming out of that school. When integration came, that one-room school was closed and all of the black children boarded yellow school buses each day, to ride to the brick, large schools in town.

When summer came, racism occurred in a way that I never knew existed in the South. I remember, that Emmett Till went down South with me. We were in the same school. Now, I don’t know if we were in the same homeroom, but we had classes such as art or music together. My name was Tarpley and his was Till. And as we sat in alphabetical order, he would have sat behind me in the seats that were bolted down. Six rows of eight seats, in each class room. I remember his eyes. Oh! Beautiful, beautiful brown, light brown eyes and a big smile. And he was jovial, always happy. Everyone liked him. But, you see, he had never gone South before and didn’t really understand what the South was like and the rules, that were very strict, for black child growing up in the South. His mama didn’t want him to go, but he begged because all of us were going. This was a ritual for many black families who had come North from the Great Migration to make a better living for themselves. They would send their children back to the farm, back to the family, to experience life. And so, Emmett Till went to Mississippi. I was in Arkansas that summer.

Now, while I was in Arkansas, my grandmother had sent me inside of the drugstore to purchase some items for her AND told us we could get some ice cream. Oh! It was so exciting! My sister went to purchase the items and I sat on a little, red stool, spinning around. And I said, “Black walnut, please.”

The young, white boy looked at me and he didn’t serve me. So, I spun around and I said it again, “Black walnut, please.”

Just then the door burst open and my grandmother rushed in and took both of us by the arm and she said, “She didn’t know any better. She didn’t know any better. We’re leaving, now.”

I couldn’t imagine why my dignified grandmother, who was a teacher, would give such respect to this white, teenage boy. She told me when we get outside, “Baby, baby, I should have told you. You can buy your ice cream in that store but you can’t sit down in there. You have to eat it outside.”

I remember we would go down to Mr. Tucker’s store on the corner. Mr. Tucker was a nice white man. But Mr. Tucker did not understand why we would not say “Sir” to him when he spoke to us. And I would say, “Mr. Tucker, I want a whining ball. Give me a red one.” Those were big, hard candies.

He said, “And?”

And I would say, “And, please?”

“And!” But I would never say “Sir” but he would always give me my whining balls.

When summer came, we had a chance to spend so much time with our eight cousins in our big frame house. We would make mud pies, roll car tires down the road. We could race each other and they’d look like big black donuts. We would grab the branches of the weeping willow trees, and swing out onto the water, and fall in with a splash. We would take lightning bugs, and put them on our ears, and we also would play with frogs. But when that lightning and thunder came, we children were told to sit absolutely still on the enclosed sunporch. My grandmamma said God was doing his work.

Well, those days are long gone, but will never be forgotten. The black community in the South was a special, nurturing place. It was a place where the wealthy and the poor, the highly educated and the illiterate, and those who were pillars of society and the derelicts, lived together in a community that nurtured and took care of each other. Now, the houses are gone. The barns have been torn down, and the land has been divided among the heirs. And we now rent that land out, and people raise soybeans and other crops on it. I’ll never ever forget those special days in the South when summer came.

Soul Food in a Southern Swamp: Bumming Fish and Crossing Boundaries

 

Story Summary:

 After fishermen in the Okefenokee Swamp give Elliott two fierce looking mudfish, he finds himself on a hilarious cross cultural journey learning how to cook the fish, and later meets a number of challenges learning how to tell the tale.

For a print friendly version of the transcript, click here: Soul-Food-in-a-Southern-Swamp-Bumming-Fish-and-Crossing-Boundaries

Discussion Questions:

  1.  Is “good ole boy” an ethnic slur?
  2. What does food and traditional cuisine mean to people in different cultures?
  3. What is soul food?  What is a favorite food from your ethnic background?

Resource:

  •  Everybody’s Fishin’- A Cross-Cultural Fishing Extravaganza   CD by Doug Elliott

Themes:

  •  African American/Black History
  • Crossing Cultures
  • Education and Life Lessons
  • European American/Whites

Full Transcript:

Hi, my name’s Doug Elliott and I’m a freelance naturalist and herbalist and storyteller and I’m interested in cultural diversity. I’m interested in how different people relate to the natural world and different cultures. But, you know, sometimes it’s a challenge to tell a story that celebrates cultural diversity without being culturally insensitive even though that’s not what I want to do.

Well, I want to tell you a kind of a fishing story. And, uh, and then, I’ll tell ya how I came to tell it the way I did.

Well, I was down in the Okefenokee Swamp. And I’m, I’m a kind of naturalist. I love to get out in the swamp and I’m always kind of sc… foraging and scavenging and trying to, and trying to keep my budget low. And, and, you know, I’m not always that good at fishing.

But, but, um, but I love to talk to the fishermen and, inadvertently, over the years, I’ve learned, uh, that I can often get a fish dinner if I just kind of lay a few hints out there, and just sort of say, say, “You know, if you get too many fish, let me know.” And a lot of times fishermen are glad to share a little of their catch with them, eh.

And so, one day, we were out there. We were, we were paddling out in the Okefenokee swamp. And it’s this mysterious watery wilderness, you know, swamps and cypress trees and water and wading birds. And a lot of people fish there; you know, we were paddling out. We’d paddled out all day and I was coming back. And I see these two, these two, two white guys sittin’ in a boat. And they’re, uh… they looked like they were local boys. And they looked like they knew what they were doin’. They were dropping their fishin’ lines in among the bonnet waterlilies there.

And I said, “You fellers catchin’ any fish?”

And they, “Wo, we gittin’ a few.

“Well, now, if you git too many now, lemme know.”

And these, one of these fellers says, “Well, we got these old mud fish. Now, you know, you don’t want dem, do ya?”

“Mud fish? Are they any good to eat?”

He said, “Well, a black folks eat them but we don’t.”

I thought to myself, “Soul food? You know, we’re talking about cornbread, collard greens, fish, chicken. I, I eat soul food all the time. I thought, “Well, yeah, I’ll, I’ll take those fish!”

And so, I pulled the canoe up there and let me tell you. He flopped these two fish in there. One… the biggest one was about a foot and a half long.

And, let me tell you, this was a beast to be reckoned with. It looked like the, it looked like the essence of swamp, congealed and personified, right there. I mean, this fish had a big fan shaped tail. It had, it had this, this, this shaped like a, like a wood splitting wedge. And it had, had thick armor-like scales and a huge mouth – big, wide mouth like a catfish ’cept this, uh, this mouth had just jaggly, snaggly teeth in it. Had these two little tentacles sticking out, from out of his nose. I mean, this was a creature to be reckoned with.

I said, “Oh, it is quite a fish here.” I said, I said, “You guys don’t know how to cook them?”

“No, black folks eat them but, but, but now we, we, we don’t, we don’t.” And then the guy out in the back of the boat says, “Well, actually, you know, Daddy had a recipe for mudfish.”

And the guy looked around, he says, “He did?”

“Yeah, yeah,” he said.

I said, “Can you tell me?”

He said, “Yeah, but it’s kind of complicated. C… You got a good memory?”

I said, “Here, I’ll write it down.” I reached in my, in my backpack there and I pulled out my sched… my, my notebook and I started, I started writin’.

And he said, “Well, now what ya do is you get ya a nice, soft pine board. And ya just cover it with barbecue sauce and ya lay a bunch of onion rings all over the top of it. Sprinkle it with some garlic and some herbs. And take that fish, you split that fish open. You lay ’im out there on the board, and you put some, put some more barbecue sauce on top of that. More onions, more garlic, pick some herbs. Oregano is really a good herb to put on there, and then, and then some… and a little mustard, a little ketchup. And you put ’im right there against the fire and then you just cook it. And, and you just let it cook ’im ’til he’s really crisp. Then you scrape that fish off and eat the board.”

“Oh, ha, you guys!”

They started laughing.

I said, “Ha, well, thank you, gentlemen. I appreciate that recipe. I’m a go hunt me a board. I’ll go see if I can cook these fish, you know.”

And I’m paddling off, down in a canoe, down there, kinda embarrassed, you know.

I hear them guys. They’re just still laughing. “Ha, ha, did ya see that? He’s writin’ it down, ah, ha, ha!”

So. So, finally, finally, I get down, I get down. and I’m thinking, “Well, man, I’ve got these fish. I want to cook these fish but th… I gotta figure, I gotta find someone who will know how to cook these fish. And I’m going into the dock there and there’s boats going in and out. And there’s people in the concession there selling tickets and things.

And I’m thinking, thinking, “Wha…who is going to know how to cook these fish? Who would tell me, you know?”

And then, all of a sudden, I look. An over on this little, this little spot of land there, there, she is, that wise woman we’ve all been wanting to talk to – a large African-American woman. She’s sittin’ there in a folding chair. She had her fish bucket on one side and her cooler on the other side. She had three fishing poles, I think. Oh, there she is, that wise woman! She has been way… been sitting there in solid, focused contemplation all day. Been contemplatin’ this vast, watery wilderness before her. Those fishing poles, like sensitive antennas, reaching down, probing the depths, bringing home food and sustenance for her family. Oh, she is that wise woman! She would know how to cook a f… a mudfish but can I get her to tell me?

Well, only thing I do is just go over and ask, you know. And she’s a fair distance away there, you know. I start walkin’ over and this… I just go over and talk to her and see what, see what she will tell me, you know.

I see her lookin’ over at me, ya know, kinda lookin’ like, I can almost hear her thinking, “Uh, what’s this white boy want with me?”

Ha…and, ha…and I just kept walkin’ over there and then I see her look back.

“Oh, Lord, he’s still coming.”

She’s adjustin’ her fishing poles, you know, adjustin’ her fish… I came up to her respectfully as I could and I said, “’Scuse me, ma’am. Can you tell me how to cook a mudfish?”

She looked up from under that broad-brimmed straw hat of hers, ah, ha, ha, kinda suspiciously, and she says, “How? Ha, ha, huh, huh, huh, huh, ah, huh! huh, huh, huh!”

I can just see her thinkin’, “This white boy wants a tell ya how to cook a, cook a mudfish.”

You just laugh. Let him tell ya, ya know.”

I said, “No, ma’am. Uh, these fellers gave me mud fish and I don’t know how to cook them. I thought you might tell me.”

And she warmed right up. She said, “Well, honey lamb, they aren’t hard to cook. Now you can’t scale ’em. You have to skin ’em like a catfish. And you take ’em, you put ‘em in a pot and you steam ’em for a while and that meat’ll come off the bones. You take yo fork and you take de meat off de bones. She said, “And then you take and git you some, git you some corn meal and some aig, a little bit a pepper, a little bit a onion. Ya chop ’em up. You make fish balls, fish patties outa ’em and you fry ’em.” She says, “They good!” She said, “They good as a mullet.”

And I thanked her so much. And, you know, we went back to camp. We did that, you know; we made these fish cakes. They were better than any sa… salmon croquettes, better than any crab, fancy crab cakes, I ever had. It was some of the best fish I ever had.

And I was so glad that I had just been brave enough to just go talk and… to this wise woman. And she gave me that good advice. And, you know, I got ta… and I’m thinkin’ about tellin’ this story. And I’m thinking about how some people, you know, these, these white guys, they were, they was, they really kinda thought that this food was, like, beneath them, you know. And of course, of course, that’s, uh, interesting because different cultures have different relationships on that.

And, um, we… later on, that same trip, you know, I was down on the, down on the coast. And I see these two guys fishin’ and they, they had the big, the big surf castin’ rods. Two young black guys. And, and I see ’em castin’ out there and, and these guys knew what they were doin’. Now,  I…well, I gotta go talk to the fishermen. So, I went over and talked to ’em and, ha, one a ’em catches a fish.

Oh! I love to be there when someone catches the fish. And he starts, he starts winding this fish in and in comes a big ole catfish, big ocean catfish. Big elegant, long, long fins and, and, uh, long whiskers. And he takes it, takes it off there. Just tosses it down there in the surf like… it, it starts swimmin’ back.

I said, “Don’t you want your catfish?”

He says, “No, we’re fishin’ for sea trout.”

And, uh, and then next he’ll catch another fish. “

“Yes, see that! That’s what we’re looking for.”

And he took that up, put it in his cooler. And he catches another one, another catfish.

“Ah, can I have your catfish?”

“Yeah.”

You know, and I took those catfish back and I was cooking them. And as we ate those catfish, I kept thinking what if someone asked those, asked those black guys, “You know, are those, those catfish any good ta eat?”

And he goin’ say, “Oh, them ole, white hippies, they eat ’em but they ain’t no good. Ha, ha”

So, okay, so, I’ve been trying to tell that story and I’m been trying to just figure out, figure out how to tell it in the most culturally sensitive way, you know. And I remember one time asking an African-American buddy of mine (he was, he was a storyteller) and asked him what… I was just trying the story out.

And I just said there’s these two guys sitting in a boat when I describe the first two guys. And later on, he said, he said, “Well, you know, you white folks seem to think of yourselves as normal, you know. And that anybody you describe, unless you describe them with an adjective, we just assume is normal, you know, and as white.” “And, uh, and,” he said, “You know, you know, that’s really, you know you just have, to have to think about that. You didn’t give those first guys accents.”

Well, you know, when I tell the story now I give ’em an accent because they were southern. They were southern, southern Georgia good ole boys.

And, and, and um, and, and, um. And so. So, I thought, “Well, how… you know, I don’t want to describe them just southern rural white guys sittin’ in a boat. Uh, you know, it just, it just doesn’t seem like a natural way to talk, you know.”

So, so, I was thinking, “I was just remembering talkin’ to one, one ole b… one ye…one ole fa… ole Georgia, Georgia guy and he was saying, ‘Well, you know, I bone ’n raised ‘round here.’ He says, ‘My granddaddy came down here with a mule and a ba… and a wagon. Law, he’s crackin’ a whip the whole way. You know, I’m jus’ a ole Georgia cracker.’ And lot of people from so… north Georgia, and south Georgia, and north Florida, they call themselves “crackers” because that’s how their… that’s with their ancestry.

And so, the next time I told the story, I said, “Well, there’s these two Georgia crackers; they’re sittin’ in their boats there, you know.”

And, and I always kind of check out the audience and, particularly, if I’m going to tell racially based stories. I want to just make sure I’m not offending anybody. I see. I see this, uh, this one, one black woman in the crowd and I sought her out later on.

And I said, I said, “Did anything, put… anything bothering you about that story? Is that all right?”

And she said, “We need to talk.”

And I said, “Oh, yeah?”

And she said, “Yeah. Yeah.” She said, you call those white guys “crackers.”

“Um, uh, uh.”

She, she said, “Well, you know when I realized it, in the north “crackers” kind of like a, like an, like a racial epithet used by blacks against whites.”

And she didn’t like me callin’, callin’ anyone by a racial epithet.

And, uh, I thought, “Well, uh.”

So, we talked about it a little bit and she said… I said, “What can I call ’em? I just don’t want to say white guys, and, you know.”

And she… I… She… well…

I said, “Well, how about good ole boys.”

She said, “Yeah, I think good old boys would work.

So, next time I told it, I told it, you know… “These two good ole boys sitting there, uh, and in the boat and, uh…”

And then some people say, “Well, good ole boys sort of, sort of implies that these are southerners, sort of a stereotype that applies to certain southerners that has kind of racist overtones.”

Now I don’t know if I agree with that but you know it’s one of those processes that we’re just trying to work on, you know. And so, so, um, so, so, you know, and, and, one of the, one of the things that kinda, kinda gets me sorta realizin’, realizin’ in the course of following this thing, how much privilege I have because I’m white.

And I realized, I realized, sp… especially the kind of livin’… the way I make my, make my livin’ and, you know, I’m always kinda sneakin’ around somewhere, you know. And I look for some fruit trees or, or going someplace I’m not exactly sure.

“Oh, sorry, Officer! I didn’t realize that the fruit orchard there was posted. I didn’t realize there’s no trespassing there. You know, I’m sorry, uh, you know, uh.”

And I realize I can get away with that. What if I was black or what if I was Hispanic and I was caught somewhere like that? It would be a whole different experience. And so, you know, and I realize even, even, like, like when my son, my teenaged son, he’s going, “I’m going to go out,” with one of his black buddies and goin’ out at night, you know.

I said, “Well, just be careful. It’s a whole ‘nother level of prejudice you’ve got to deal with.”

And, uh, and so, so, um, so I’ve been trying to work on this all the time and sometimes I’ll mess the story up.

And, and, uh, and, and, you know, it…but what I realize is that, is that, is that…one, one, one of my, one of my, my African-American coaches says to me, he says, “Look, the main things, man, is that you care.”

And, you know, that’s where everybody’s at. Just the main thing is that we care. So that’s what I’d like to leave you with. So, thanks.

An African Native American Story

 

Story Summary:

 Many Africans and First Nations People bonded together during and after slavery in the Americas and in the Caribbean for protection, acceptance, friendship and love. As a result, many African descendants in these countries also share Native American ancestries. Mama Edie learns while watching old Westerns on TV with her grandmother, Nonnie Dear, a new perception of who the “good guys” or “bad guys” were.

For a print friendly version of the transcript, click here: An-African-Native-American-Story

Discussion Questions:

  1. Why does it matter that we learn to know and to love all of who and what we are?  What often happens to people who don’t?
  2. Does it really matter what we call ourselves?  If so, why?
  3. State two potentially lifelong benefits of knowing the history of your ancestors.  Can you feel or experience any of these benefits at work in your life today?  If so, which one(s)?

Resources:

  • Circular Thought: An African Native American Traditional Understanding by Nomad Winterhawk
  • Medicine Cards by David Carson and Jamie Sams (A non-fiction book explaining the wisdom that First Nations people have gained by the observation of animals, insects and other creatures of the North American continent.)
  • Tell the World!  Storytelling Across Language Barriers by Margaret Read MacDonald

Themes:

  • African American/Blacks
  • Crossing Cultures
  • Education and Life Lessons
  • Family & Childhood
  • First Nations/Native Americans
  • Stereotypes & Discrimination

Full Transcript:

Hello, my name is Edith McLoud Armstrong but most people simply call me Mama Edie. You know, when you are identified as someone other than from a European heritage, sometimes the way your people can be presented in history, can make you feel categorically small or flawed or ugly or useless and even invisible. And when you’re a child, your childhood perceptions when blended with images from your history as that has unfolded can actually haunt you and can leave you feeling mentally in bondage forever if you allow that to happen. And what becomes important is for us to then realize that there is some healing that needs to be done. I have had my healing to be done and I continue to do so.

I remember, though, one of my first recognitions of how people can perceive things differently (I mean, the same event! They can see the same event. They can all be there but they see it differently.) was with my grandmother, my paternal grandmother. Her name was Estella Hunt McLoud. And she was born around 1890 and her people were from the Seminole, Cherokee and Blackfoot tribes. And so she is, actually, our most familiar branch to those lineages. And she taught us many things. Now, her people were from Florida and she married my grandfather Quilla McCloud from Georgia somewhere between those borders. Now, although she did die when I was young, I do remember her and I cherish the relationship that we had.

I can remember her firmly set square jaw. I remember her thin lips as she talked. I remember her eyes, her large warm eyes, and, you know, it was almost as though she could look straight through you with those eyes. And, you know how, oftentimes, people talk about how mothers and grandmas have eyes in the backs of their heads. Well, my grandmother also had eyes in the back of her head. She saw everything.

We loved her very much. We called her Nonnie Dear. Now Nonnie Dear was kind of quiet even though she was firm but when she spoke, she ended up saying something that most people were going to long remember.

And she also did some things that were pretty memorable as well. I can remember a particular time when I had gone over… (I must have been about five years old or so, so this must have been… say about 1956) and I’d gone over to spend the night. I used to enjoy spending the night with my grandmother and we would watch television together for a while. But this one particular day, this was the first time I had ever had this experience with her. We were watching an old western on TV. Now keep in mind that these were the programs that depicted the U.S. Cavalry and also the invading frontiersmen as the good guys. And the Indians or the Native Americans who were fighting to keep their homes and their lives were depicted as the bad guys. Well, now, needless to say, Nonnie Dear didn’t care for that particular percept… perception or portrayal that she offered… that she saw there. And what she would do sometimes? Once the soldiers and the frontiersmen came charging in and they were shooting up everybody and they were setting fires to the village and you saw young children scattering, looking and calling for their parents, my grandmother Nonnie Dear would get so upset she would take off a house slipper and she’d throw it at the television set. And she’d say, “Leave ‘em alone! Leave ‘em alone, you dirty rascals! Leave ‘em alone!” I wasn’t quite sure what was going on and I’d thought it was a little strange. It was kind of funny and I wondered if maybe Nonnie Dear had been out in the sun a little bit too long. But as time passed, I came to understand what made her so angry. And those things started to make me angry too.

And, in fact, I can even remember when I was younger and I had gone to St. Elizabeth, the Catholic Elementary School in Chicago where I grew up. And also, later at St. Carthage. And while there, the nuns always seemed to have a ready arsenal of patriotic music to arm us with and to teach us. Well, one of the songs that they taught us was the one that repeatedly states, “This land is your land. This land is my land, from California to the New York Island. This land was made for you and me.” But as I got older and as I started to experience the responses from different people simply to my presence and as I began to see how the country really functioned and what was important and who was important and who was not, I wasn’t really so inspired to sing that song because I didn’t feel like this land was made for me. But actually the whole world is made for you and me, isn’t it.

I mean that it is intended for us to share it and to honor the humanity in all of us. But that’s, that’s not the way it happened here. That wasn’t the way it happened so I came to understand my grandmother’s anger.

And sometimes as I’m driving across beautiful rolling meadows in my car, when I look out in the distance across those hills, it’s as though I can almost see horses running free across land that at one point had no gates, no fences. People understood how to honor each other’s boundaries. And I can almost see the shadows of young children at play, running to and fro. I can see fathers talking with their sons and explaining to them what it means to be a man. I can see mothers talking with their daughters, teaching them how to weave blankets and how to braid hair. And how to cook and just laughing and giggling and having a good time being girls.

But I’m also haunted by the image of my ancestors who crossed too many trails of tears. I understand that even though I still feel the pain, I still feel the wounds of my African ancestors, of my Native American ancestors, somehow, through it all, I’ve come to appreciate and to embrace the totality (or as much of it that I know) that I happen to be.

Don’t know too much about our rather obscure relative, Bezhati, who was from Italy but who apparently really, really loved my great-great grandmother and bore many children.

But I think that the important thing is to continue this story on because I’m a part of this continuum. And, as such, I will continue to tell the story. And I’ll continue to try to heal my wounds. And I will continue to try to encourage my daughter Aiyana and anybody else – anybody else’s children, even grown folks, to try to heal those wounds that we hold inside and to try to see a little bit of God in each and every one in all of God’s creation.

And I think that this would be our greatest achievement. This would be our greatest gift that we can give back to those ancestors who loved us. We need to remember that we’ve got the strength to do it because we are the children of those who survived.

Hot Chili and Crackers: A Racial Stew with Danger

 

Story Summary:

Mama Edie’s Black Theater Ensemble is invited to perform her original composition called “Metamorphosis” at a university in Iowa in 1970. After what had been a peaceful and joyful journey along the way, the ensemble members come to realize that Civil Rights had not yet fully taken root, not even in the north.

For a print friendly version of the transcript, click here: Hot-Chili-and-Crackers-A-Racial-Stew-with-Danger

Discussion Questions:

  1.  Have you or has anyone in your family ever been in a situation where you felt not only unwelcome but in danger just because of the color of your skin?  If so, what was the situation and what was it like?
  2. If someone was being mistreated because of their so-called race, gender, religion or ethnic heritage, do you think that you could speak up for them?  If so, how would you go about it?  If not, why not?
  3. How can we turn the anger of a painful past into something life giving and productive?  What is the likely end result if we do not, if we don’t find within ourselves a place of peace?

Resources:

  • The Invisible Man by Ralph Ellison (A fictional tale of the mysterious journey into the experience of invisibility of an entire race of people.)
  • Black Like Me by John Howard Griffin – a non-fiction book, also produced as a film, that reflects on the experiences of a European/white American who disguises himself as an African American.
  • Of Water and the Spirit by Malidoma Patrice Some’

Themes:

  • African American/Blacks
  • Civil Rights Movement
  • Crossing Cultures
  • Education and Life Lessons
  • Stereotypes & Discrimination

Full Transcript:

Hello, my name is Edith McLeod Armstrong but most people just call me Mama Edie.

You know, growing up as a child in the 50s and the 60s was a very, very exciting and stimulating time for many reasons. Some of them weren’t so pleasant but some of them were great. Oh, we had some of the best music and some of the best dances. And whereas at one point in time people, many people who were not of African-American culture, would shun our music and say, “Oh those are bad dances.” All of a sudden, Dick Clark came along and, honey, everybody was doing our dances. And everybody was trying to sing our songs and we came to a place of sharing that we had never been before.

Well, along came the time that I needed to go to college and I wanted to go to college. I was excitedly looking forward to it. I went off to Northern Illinois University, in DeKalb, Illinois, in 1969. And during that summer, there was an orientation weekend. And I got a chance to meet some really, really great kids and the campus was beautiful. And I frequently went to my favorite area by the lagoon, where we had these great weeping willow trees and swans swimming all over the place. It was really great. Well, this one particular day, a friend and I, a new friend, his name was Corky, went to town. Well, in those days we didn’t have the buses so we walked everywhere we needed to go. But of course, I stayed streamlined in those days. But in any case, Corky was a great guy. One of the things that I appreciated about him was that he had such an intelligent conversation without really sounding highbrow. I mean he had something to talk about. So, we talked about everything from soup to nuts. And so, we went to town and on our way back, I remember we were crossing the bridge of the lagoon, going back onto the campus. And he had started asking me some serious things. And all of a sudden, he asked me, “Edie, what do you think about the establishment?”

I said, “What establishment?” Well, I had been raised in Catholic elementary schools and I had good upbringing and we had social studies. But nobody ever asked me of the establishment. And so, I said, “I don’t know what are you talking about.”

He said, “You know the way the country is run. What do you think about that?”

I said, “I don’t know. I guess it’s all right.”

“Well,” he said, “But what about the civil rights movement and what about the people who still can’t vote, especially down in the south? And what do you think about Affirmative Action? And what do you think about reparations and do you think we’re really free?”

Holy moly! My head was spinning. I didn’t know what to say. And so, he said… I tell you what, he did make me feel stupid as I felt. He was very kind.

And he said, “I tell you what, I got some books you need read.”

I said, “OK. Lay them on me.” I loved reading anyway. And he gave me a book by a man whose name at that time, his birth name, was Don Lee. But he is now known as Haki Madhubuti. And this is a book of his poetry. He was on fire. He was angry with the way things were going for our people, for African-Americans, for Latinos, for Asians. He was angry about the inequities about the injustices, all across the board. He was a little bit disappointed. No, he was a big bit disappointed. He was downright disgusted, as a matter of fact, with how frequently African-Americans would seem to forgive too quickly and then forget. And then we’d be right back into the same situation that we were in before. So, as I read his material, his poetry, it shocked me into consciousness. It prompted me to read more. I read everything I could get my hands on. And suddenly, I wanted to make a difference in the world. I wanted to help make things better not only for my people but for everybody.

So, I wrote a piece, I don’t know what you call it, I guess it was kind of an essay, called “Metamorphosis.” And it was spoken from the voice of a black woman directed to her black man. Now, this was actually a piece that you would say that was directed towards all black men who were moving from their colored boyhood into their black manhood. Well, a friend of mine Mac Jones who was at the university working on his master’s in theater. Both of us were involved with black theater at the time of the university. And he decided he was going to get nosy and went through my notebook that was laying on my desk and saw some of the poetry and the other pieces that I had written.

When I came back into the room, he said, “Edie, girl, this stuff is good! We need to do something with this!”

And I said, “Oh go on.” I said, “What are you doing in my notebook anyway?”

And so, after we got serious and we talked about it, we ended up combining some of his material with some of my material and we developed a Reader’s Theater Production. And we got the support of the university to do the production there. And then, there were some people from a university in Iowa who saw it and everybody responded so well to it, that we were invited to do the production in Iowa. Well, we were so excited. This was our first road trip. And we had gotten the support of the university to get a bus and we had food. People had fried some chicken and you know what I’m saying. We had some potato salad and lemonade and fruit and we were even playing Bid Whist on the back of the bus. We had drummers and so we used the skins of the drums as the Bid Whist table, a very popular card game among African-Americans. And everything was going well. Some people were just sitting quietly reading in the bus. Some people were having quiet conversations. But then, as we approached the wide-open countryside and the cornfields, all of a sudden, our bus driver, who happened to be a white American, said to us, he said, “You know, you guys, might want to put your heads down during this particular stretch of the road.”

We said, “What did you say?”

He said, “You need to put your heads down for about another mile or two down the stretch of the road.”

And we said, “Well, what are you talking about? Why?”

And he said, “Well, people have been taking pot shots at blacks, and Latinos, and Asians down the strip of road and a couple of people have gotten killed. And they don’t know who’s doing it. And quite frankly, I’m not sure that the local law enforcement is really looking very carefully. So, you may want to put your heads down.”

Didn’t have to tell us again, we put our heads down. We went into a stony silence and we continued that way until our bus driver said, “OK, you can come back up now.”

And when we did, we remained in silence. Each one, I’m sure sharing the same thoughts, all the way, almost to the town, where we got to a little side cafe restaurant, where we went inside to get some food. And then my friend, Mac Jones, decides he’s going to be a little bit devilish. So, he goes inside. We’re all inside. And of course, the people are, they turned and stared at us coming in the door. We did not feel like the welcome wagon was there. And everybody was ordering their food and were going in very carefully, very carefully, because we weren’t feeling a sense of being welcome there.

And Mac, who’s a very tall, husky guy with a big beard, he looks dead at the waitress and says, “Hi. Do ya’ll have any chili? I’d like some chili.” And he looked at me.

And she said, “Yeah, we had chili.”

And so he looked at me and he said, “Yeah, that’s fine. That’s fine. Well, tell me, do you have any crackers? Cause I’d like to have some crackers with my chili?”

And he looked at me again and I said, “Oh, we’re going to die.” Because you know the term crackers, when it was used by African-Americans, was actually a derogatory term to refer to white folks who were poor and disenfranchised as we were. And I’m sure that everybody in that restaurant knew it.

I said, “Oh my, this man is going to get us killed.” Well, as it happened we didn’t die because I’m here to tell the story. And we were able to leave. We continued on our way. I blasted Mac when we got outside of the restaurant but we laughed it off. We continued on to the University of Iowa. We had another great show and we came back with a lot of memories.

To Live or Not to Live in La Villita, Chicago: A Latina Struggles with Civic Responsibility

 

Story Summary:

 Jasmin struggles with the decision of where to live: a culturally vibrant Mexican-American community that struggles with safety or a picturesque middle class neighborhood where her son might be the only brown boy on the block. How does this educated Latina seek out community? And how, as we grow older, do we stay true to our values of making a difference in the world?

For a print friendly version of the transcript, click here:  To-Live-or-Not-to-Live-in-La-Villita-Chicago-A-Latina-Struggles-with-Civic-Responsibility

Discussion Questions:

  1.  What are the pros and cons to Jasmin moving back to the La Villita neighborhood?
  2. Do you believe we have a responsibility to offer role models to others?
  3. How and why are Jasmin’s and her husband’s perception of the Mexican American neighborhood different? How do couple’s negotiate their cultural and other differences in respectful ways?

Resource:

  • Famous People of Hispanic Heritage: Contemporary Role Models for Minority Youth
  • by Barbara J. Marvis

Themes:

  • Crossing Cultures
  • Housing
  • Latino American/Latinos
  • Taking A Stand and Peacemaking

Full Transcript:

Hi, my name is Jasmin Cardenas. And this life struggle is part of a larger story.

I am Latina, first generation Columbiana-Americana, and my husband is a first-generation Mexicano-Americano. He was born and raised in La Villita, a vibrant Mexican community on the southwest side of Chicago. He’d still live there if it wasn’t for me. His family is there and all his friends are there. I, on the other hand, was born on the north side of the city in a very mixed community of Asians, Latinos, whites. And I wasn’t allowed to go to La Villita. When we were younger and we drive into La Villita to visit a mon… one of my mom’s friends, she would reach over to us, over our bodies, to manually lock the car doors of our station wagon, when we drove into that community. So, when Jesus insisted that we live there for our first year of marriage, I was very resistant. We lived there for six years and for most of that time, I didn’t want to live there. I wanted to move. But then, the charm of the community started to grow on me. And then I started to relax into it. But then I got pregnant. And so, we moved two months before Mateo was born.

But still, as an artist, an educator, and an activist, I still do meaningful work there in La Villita. So, the discussion has come up several times. Should we move back? I don’t know. I’m not sure what to do. So, I make two columns. Plus: We move back. Minus: No way, we stay put.

Minus: My familia doesn’t want me to move there. “Eso esta muy peligroso por alla!” My mom and dad thinks it’s too dangerous.

Plus: Years ago, I used to work with these teen girls and they’d say to me, “Hmm, must be nice to drive in your SUV and then go home while we got to deal with your ideas of peaceful conflict resolution on the streets. What a joke!” They were right. It was totally unfair to the girls. Commitment means being in it for the long haul.

Another plus: My neighbors. My first summer there, I met David. Baggy pants, big white T-shirt, gold chain, beer can in one hand. “You plantin’ plants?”

I was on all fours, weeding my front garden. “Yeah. Do you go to school?”

“Nah. Not since I got shot. School’s stupid.” Major minus, right? But then, Snowmagedon happened. And what happened, I was out there shoveling, and David showed up with his gangbanger, tattooed brother, or no, cousin. They pulled out shovels and shoveled right alongside me. I had assumed the worst, but when I got to know my neighbors, who they really were, I realized, they were amazing. They were a great reason to stay in the neighborhood.

But minus: Pow, pow, pow. Gunshots. A car speeds by, shouts, silence, the air conditioners buzzing. “Jesus, did you hear that?”

“What?” my husband yells from the living room.

“The gunshots. Did you hear that?”

“No, Babe. Those are just fireworks.”

“No, I know what I heard.” I can’t go back to that.

But then another minus: I’m on all hands and knees, all fours, and this big, hairy rat darts across my fingers. Rats the size of cats! And they’re everywhere. You can’t go outside and hang out in a relaxed summer night without seeing them. I knew that city services weren’t the same but was this is an example, they just don’t bait the same in La Villita as other parts of the city? I don’t know. I wanna fight for equality in city services but I could, could I move back to living with rats? Funny thing is, I left the rats on the south side but on the north side we have snakes. Another plus: My neighbor, my neighbor kids, they couldn’t believe that I was 28 years old and still didn’t have kids. It hits me. I can be an example that you don’t have to be 18 with kids. I mean, when I was growing up, didn’t I have examples of, of people that helped me make it? When I was in high school, I had a 4.0 GPA. But when I went to my African-American counselor to tell her that I wanted to apply to colleges, she suggested that I apply to one city college.

“Set realistic expectations,” she told me.

This Latina, from a youth leadership organization, she told me to apply to as many colleges as I could. And she even gave me vouchers to, to, so that I didn’t have to deal with the application fees. My neighbor kids, they’re just like me. I should live there. I should stand up for them.

But the minus: I have this friend who lives a block over from our old house in La Villita. Her brother was sitting on the front porch. He’s, he was college bound, college, a college student and now he was in rehab. He got shot while sitting on his front porch. It scares me to think that I could be walking down the block with Mateo in a stroller and bullets might fly. I mean, that’s not safe for him but it’s also not safe for my neighbor kids. But what’s safe?

Growing up in a nice, safe, middle-class neighborhood, my friend Socarri got shot. He was college bound and he lit up the hallways of Lane Tech with his smile. And now he’s gone, mistaken for a gangbanger. So, what’s safe? Is there just safer? What if Old Irving Park, where I live now, is safer but it’s not safe enough?

But Plus: I want Mateo to speak Spanish. I want him to be surrounded by our culturo, Español, in the smells and sounds of Latino life. La Villita, you can buy tamales on the street for a buck. Kids grow up with their cousins, surrounded by familia. I want him to be just one of the brown kids on the block. Not the only brown kid on the block.

Minus: No, no. Plus: I don’t know. You decide. One of my neighbors in La Villita, a friend of ours, Rob. He almost had his house firebombed. These gangbangers threw a firebomb on his front porch and instinctively, he went outside to confront them. He told them that this was his house and his block and he wasn’t going anywhere and they couldn’t scare him. And him and his wife, they didn’t run away. Instead they started a mentorship sports program that reclaimed city parks and gave it, and returned it back to the neighborhood. I should do that. I should be like him.

The thing is, I tried. One summer, while I was living in La Villita. I ran a summer theatre arts camp. But the minus is that nobody showed up. Well, not nobody. None of the kids that I ran the camp for, my neighbor kids, not a single family showed up. But the plus is that all the kids who did show up loved it and they loved learning about being green and performing. With the minuses is that I ran the camp two blocks over from my house. And I didn’t know that when you pass Central Park, you pass gang territory. But the plus is that now I lived there, so I know that. If I hadn’t lived there, I wouldn’t have that. And now I could plan around that. So, I don’t know.

I tried dividing my decision into two columns. But it’s, it’s, it’s mind boggling. And my mind, it’s spinning. Both neighborhoods have pluses and minuses and maybe I should move back to the old neighborhood. We have great friends, doing hard work towards change. But I’ve gotten to know some of my new neighbors and they’re really nice. And it’s so peaceful here. But…I should be a person that works towards the betterment of our community. How do I make choices so that I’m doing what is best for my family and keeping us safe but also living up to my expectations for life, my values? How do I change the world without being a sellout? Ultimately, I’m left with questions. Bigger and better questions.

Small City, Big City: Opportunities Grow with More Diversity

 

Story Summary:

 A new workplace is sometimes like the first day at a new school. Differences aren’t accepted quickly, and sometimes differences can make a person feel completely isolated if they aren’t welcomed.

For a print friendly version of the transcript, click here: Small-City-Big-City-Opportunities-Grow-with-More-Diversity

Discussion Questions:

  1. How could the new workplace environment been more welcoming to Shannon?
  2. What could Shannon have done to mesh better in the environment?
  3. Should workplaces be more diverse and reflect the surrounding community? Why?

Resources:

  • Makes Me Wanna Holler by Nathan McCall
  • Black Men Ski – Stew at TED –https://www.ted.com/playlists/250/talks_to_help_you_understand_r

Themes:

  • African American/Black History
  • Crossing Cultures
  • European Americans/Whites
  • Stereotypes and Discrimination
  • Taking A Stand and Peacemaking
  • Workplace

Full Transcript:

My name is Shannon Cason. I worked at a plumbin’ wholesale company in Flint, Michigan. Flint, Michigan is a predominately black city and ah, I was the only black man working in a region. I don’t even know how that happens. But I, I was working there. And many times I used that kind of opportunity to stand out and give a different perspective. And I remember we went out for a drink one day, and we were talkin’ about demanding customers and, and how, ah, warehouse issues and after that the conversation turned to like NASCAR, deer huntin’ and cabins up north. And I didn’t really have a breadth of knowledge about any of those conversations topics. I’m just a city kid from Detroit so I really didn’t really know about those topics. And I just, I love learning and listening to new things. So I just listened in. And after a time frame, I felt like I could chime in or somethin’. So, I say, “You know, I remember when my grandmother took me up north to Mackinac Island to the Lilac Festival.” And no one seemed to really care about that conversation. Everybody just ordered another drink. And it kind of just drifted off into, into space. So I felt like, you know, it’s an uncomfortable place to feel isolated at work and not have certain connections. And, ah, at the job, it kind of went the same way. I wasn’t connecting. Ah, my mistakes seem like they were magnified because where other people, we would take these long orders, very long orders, and you’d miss some things, you know, and the mistakes that I made, seemed like they were larger than life. You know, other people can kind of gloss over a mistake or just kind of like laugh about it or crack a joke because of familiarity or, or connection and I didn’t have that.

So, it got to the point where I was put on a 90-day probation. I never really hadn’t any bad reviews or anything like that. And, ah, I, I remember I moved with my new wife, closer to this job. So I didn’t tell her about the probation. And I was, I was nervous about it. So I started looking for new jobs. Then a new job came and it wasn’t my job. My wife had got a promotion and the promotion was in Chicago, Illinois. And I had to go in to my boss, who had put me on probation, and ask him for this transfer. And it was challenging to get the transfer. He said, ah, um,  that there was really no positions for me available in Chicago. And that if I was to move to Chicago, I would have to take a demotion from inside sales to counter sales. And I was looking for new jobs anyway, so I took the job in counter sales because it’s better to have a job than no job. And I moved to Chicago.

And I remember when I started up, it was totally different in Chicago. I went into the building and it was a really diverse situation. You had men, women, Latino, black, white, ah, seniors, younger people. Um, forklifts whizzing by, order pickers high up in the air, racks up to the ceiling, 15 trucks out front, just right in front of the building. And I remember my manager, he was a black man. He shook my hand, showed me to the counter, and said, “Do a good job.” And I did. And I was making good connections with the people in the warehouse, customers; cracking jokes with them, having fun and making good sales.

And after time on the counter, I remember my boss came back out to me, and we walked in front of the building. And we were talking right in front of that rows of trucks, and he was saying that he had he was skeptical about initially hiring me because of the bad report I had from my, my former boss. But he was happy to see the improvement in my, in my performance. And he was telling me that there was a position openin’ up for shippin’ manager and he wanted me to take that position. I had never had any experience with managing 15 union drivers. But he said he’d think I’d do a good job.

And I think I did. I went into the shippin’ management position. And as a shipping manager, that’s like one of the most important positions because you, you, you, everyone in the company knows you, all the sales people know you, all the top management knows you, every part that has to get to customers in all of Chicagoland comes through me. I mean, it’s a big deal. We shipped all the Kohler parts to the Trump Tower. So it’s really big deal.

And I remember, ah, one more challenge. So after the shippin’ position, I asked for another position. And they put me back into sales. And I worked in sales for six months. Then I got my own facility. So I have my own building, with my own shippin’ and trucks and everything. And, ah, and I would sit in my manager meetin’s, with my old boss who believed in me. And he would mentor me on leadership but we would also talk about the Bulls winnin’ a game or we would talk about, ah, places downtown that plays the best blues music. So those types of things where we have a relationship. And, ah, they had this corporate-wide meetin’… was in another state. All the, all the facility managers from all over the country were there: Las Vegas, San Francisco, Chicago, even Flint, Michigan. And I ran into my, my old boss, the guy who I didn’t connect with and, ah, we’d never really, he gave me a bad review, and put me on probation, and gave me a bad recommendation, and I ran into him. And I had my own facility at this time, ‘n mine was a lot bigger than he is, about three times the sales of his facility. And I remember, we talked and we talked about the challenges of running our own plumbing wholesale company and we were related, finally. And it was, it was a cool experience.

So, I just want to say, like if you, if, if it’s times when, when you’re in a com, uncomfortable situation sometimes you have to take the risk, to jump out into a more comfortable situation for your personality.

So, thank you.

My Father the Whiz: A Cuban Refugee’s Response to Jim Crow

 

Story Summary:

 In 1964, Carmen’s father, a Cuban refugee, went to work at a steel manufacturing plant near Atlanta, Georgia. When, on the first day of work, he asked to take a bathroom break, he was faced with two choices: before him was a “white” bathroom . . . and a “colored” bathroom. Carmen’s father’s solution would foreshadow how this inventive man would ultimately teach his Cuban-American daughters that, in matters of conscience, we need not accept the only choices placed before us.

 For a print friendly version of the transcript, click here:  My-Father-the-Whiz-A-Cuban-Refugee-Response-to-Jim-Crow

Discussion Questions:

  1.  In 1964 ‘white only’ and ‘colored only’ signs designated Southern public restrooms, water fountains, etc., and these divisions were legal. When Papi confronts the signs, he doesn’t protest their legality, but chooses a creative response.  When he says, “I did what any decent man would do,” what does he mean?
  2. How do you think the factory workers viewed their new colleague before the incident and after the incident? Do you think he continued to ‘whiz’ outside?
  3. How does the use of humor in this story help us look at a difficult social issue?

 Resource:

  • Harvest of Empire: A History of Latinos in America by Juan Gonzalez

Themes:

  •  Crossing Cultures
  • Education and Life Lessons
  • Family and Childhood
  • Identity
  • Immigration
  • Latino American/Latinos
  • Stereotypes and Discrimination
  • Taking A Stand and Peacemaking

Full Transcript:

Hi, my name is Carmen Agra Deedy. The story I’m going to tell you is called, “My Father the Whiz.”

I grew up hearing stories everywhere I went. It was inevitable, really. I grew up a Cuban refugee in a small southern town. My family came to this country when I was three years old and the little town that embraced us was called, and is called, Decatur, Georgia. Now, back then you couldn’t go three steps without stumbling into a story. You see, turned out, Cubans and Southerners were not all that different. They worship their ancestors, they gathered around food and they were unrepentant, chronic talkers. And so, the stories that I learned told me more about the people than anything I was ever taught. One of my favorite stories ever is about my own father. Now by the time I was 16 or 17 years old, I thought I‘d heard every story my father had to tell. Oh, the hubris of the young. But one afternoon my mother called me to the kitchen and said, “Carmita, take this cafecito to the men outside. They’re playing Dominoes; they’re gonna be out there for the next five hundred years. And then come back inside ‘cause you gotta help me with the dishes.” Which insured I was staying out with the men. Well, I walked out, (screech), opened the screen door, and saw all these Cuban men in their crisp guayaberas, tightly gathered in a circle around an old folding table littered with domino tiles. They were not under a banyan tree or a mango tree but a Southern Magnolia. Life is just weird when you’re a refugee.

I started to walk towards them through the miasma of cigar smoke, when I heard my father begin a story. Like I said, I thought I knew every story my papá had ever told. But you see, stories are funny. Stories are like, well, sometimes, they are like a fine wine. You don’t uncork them until the person who’s going to drink, is going to be able to really savor it and know how good it is. My dad must have decided I was ready. But first he called out, “Do I smell coffee or would it be that I am so light-headed from thirst that I am hallucinating?” Now, the Irish may have saved civilization but I assure you the Cuban gave you irony and sarcasm. I plunge towards the men and then they all said, Niña, cómo estás?” And I kissed everyone, it is the way of my people. And as the coffee was passed around, my father continued his story, as though I was not there. I wasn’t going anywhere.

I leaned into the tree, and he said, “And so you know, we had only been here for a few weeks,” less than a month, it turned out before my father finally found work. His English was cursory. He had been an accountant in Cuba. Now he came here with little understanding of the language. He was so grateful to have found work. Well, the first job he found was at a steel manufacturing plant. He was so eager the first day of work that he showed up an hour early and so nervous he drank nearly an entire carafe of coffee before he walked in. Now he was coupled with a man who was supposed to teach him welding—basic welding. (Google, figure it out. It’s a verb.) As he was learning to weld, Big D, a big African-American man, and my father found a way of communicating. Using hand signals and a few words my father knew in English. My father knew, like I said, not only little English, he knew almost no Southern black English. Big D didn’t speak Spanish. And yet, they soldiered on…or soldered on. In any event, within a small space of time, an hour or two, my father said he was starting to get the hang of things, And then, BAM! Like a hammer on an anvil, his bladder just felt like it was gonna burst—all that Cuban coffee he had! Well, he tried to ask Big D…well…This is how he said it went. “Ah, por favor, uh, please, Mr. Big D….ay….ti, ti ti…Cómo se dice? Dónde está baño?”

“What’s that you say, Mr. Carlos?”

“Ay, ay, ay…El baño?…Ah…,” my father unscrewed his thermos, and then he tipped it upside down to show it was empty now. Big D seemed relieved, “Hold on, Mr. Carlos.” And then disappeared around the corner. When he came back, he brought his own large, green thermos, which he unscrewed, and he began to pour my father another cup. “No, no, no!” My father looked like he had just been offered a live rattlesnake. And Big D, thinking that it was he that had offended him, ‘Well, if you don’t want to drink from my cup…” “No, Señor, no, no, no!” My father also increasingly frustrated being thus misunderstood, said, “No, eh, Señor, por favor,…Cómo se dice?” And then he realized, he knew just what to do. He unzipped, an imaginary zipper, fly, and then he made the international symbol, um…for emptying the male bladder. And Big D started to laugh out loud. And then he stopped. And he cocked his head, sort of like the RCA Victor dog and mumbled something to himself. Which my father said to this day that he’s not sure of the words. But it sounded something like, “not my problem, not my problem.” And finally said to my father, pulling him by the shirt, pointing, “Right there.” And he pointed down a long row of men, machinists at work at their stations. At the very end of the corridor, there was what looked like a hallway or corridor. My father thanked Big D and he gunned it. He started, at a clip, down that line of men and as he passed them,..now remember this is the first Latin man in this all black and white factory, the year was 1964, the men started shutting down their machines. And it got quieter and quieter except for the footsteps of the men behind him. Now, my poor father had only been in this country for a short amount of time. He was learning the customs. He wasn’t sure. This thing was uniformly odd. Where he came from men took care of this sort of business by themselves without spectators. When he reached the hallway, however, the crowd began to swell. And it looked like they were everything from laborers to two supervisors, black men, white men. And then he found himself confronted with a conundrum. A puzzlement. At the end of the hallway were two doors. Some of you know where this story is going. One said white and one said colored. And though his own tragic and troubled country had had many problems, this was not one that my father was familiar with, not in this way and he didn’t know what to do. And at this point he heard in the back, someone begin to laugh. And a man called out, “Hey, Mr. New Man, you pick whichever one you want but when you pick one, you stick with it.” My father looked at the men, looked at the doors. And he caught sight of Big D’s face in the very back watching him curiously, studying him. Now this the point in the story where I interrupted. Remember the tree…me leaning against it. I couldn’t stay there anymore. “Papi, what did you do?! I mean, did you quit, did you…”

“Carmen, just a moment, when you have to go you have to go. But, you know, I had come from a country where I had learned sometimes you have to follow your conscience. You cannot go left, you cannot go right. You have to find your own way.”

“Pop what does that mean…”

“Uno momento!” Now the men had leaned forward too.

“Carlos, what you did you do?”

“Can I please finish my story?” And he said, “I did the only thing a decent man with a full bladder could do. I push my way through that crowd of men, I go outside and I whiz in the woods!”… Si!

Listening to My Neighborhood: A White Woman, Gentrification, and Belonging

 

Story Summary:

 A white woman moves into a rapidly gentrifying neighborhood with, initially, very little curiosity about the community that resides there. Her assumptions about what it means to belong are challenged.

For a print friendly version of the transcript, click here:  Listening-to-My-Neighborhood-A-White-Woman-Gentrification-and-Belonging

Discussion Questions:

  1.  What does the storyteller’s phrase “understanding begins in misunderstanding” mean?
  2. Have you ever been in a situation where you were the only person who looked like you?  What did you do and what happened?
  3. What supports were needed in Julie’s neighborhood so that the long-standing residents didn’t feel misplaced or overrun and the new residents understood how they were perceived? What might everyone do to build bridges and create community?

Resource:

Themes:

  •  Crossing Cultures
  • European American/Whites
  • Housing
  • Stereotypes and Discrimination
  • Taking A Stand and Peacemaking

Full Transcript:

My name is Julie Ganey. And this story I’m going to tell you is an excerpt from a longer solo show, I have called, “Love Thy Neighbor…Till It Hurts.”

My husband and I first moved to our current neighborhood, Rogers Park, about 15 years ago in 1999. Rogers Park is, literally, one of the most diverse neighborhoods in the world, in terms of culture, ethnicity, socioeconomic, gender, age, everything. So, we were looking for a condo we could afford near public transportation, and we just happened to find one in the north of Howard area which just happened to be in Rogers Park.

So, the first week that we moved in there, it was Halloween. And I was driving home from Evanston, where I’d been teaching six and seven-year-olds drama. And I was dressed like a duck. So, when coming into my new neighborhood from the back, and taking a shortcut, and on the sidewalks, there are kids and moms. Kids are in costumes, moms are pushing strollers. And as I turned from this one little street onto another, I hear or maybe feel something go, thump. I stop the car. I’m not sure what’s happened. Had I hit something or run over something? But it actually, it felt like something had hit the car. So, on the sidewalk across the street, a group of kids and moms are staring at me.

I opened the door and get out and I’m hit on the hip with a raw egg. And I say, Oooh, what’s going on?” dumbly. And another egg hits me, this time on my face. And this egg is running down my face, I say, “Look why are you doing this?” You know.

And this little boy, in some kind of costume, maybe a pirate costume, he yells, “Go on back to your own neighborhood!”

And I say, “No, no. This is my neighborhood. I live here.”

And another kid yells, “Yeah, you don’t belong here.”

And I say, “No, no. I do. I live here.”

And I’m standing there and I’m realizing I’m making the situation worse by not just getting in the car and driving away. But I don’t understand why nobody is telling these kids to stop. And then, this little girl in a princess costume, she, kind of, yells like, “What’s that costume? What are you supposed to be?”

And another egg hits the car. So, sometimes they hit the car, sometimes right at my feet. And I say, “Oh, I’m a duck.”

And pirate boy yells back, “You’re not a duck. That’s not a duck costume!”

And I say, “Oh, well, I’m a mallard. You know, I have a duck bill in my car.”

Somebody else, “Screw you, duck!”

And finally, I’ve had enough and I got back in the car and I drove away. And in the rearview mirror, everybody on the sidewalk was just staring at me.

And when I got home, I was upset. And my husband Brad, right away, he wants me to describe the kids. “Which way were they walking? What did the tall kid look like?”

And I keep saying, “No, no. I’m not hurt. You’re missing the point.”

But he didn’t listen. He and the local beat cops ended up questioning a bunch of random kids on the block for a couple hours.

So fast forward a year and a half. I’m now teaching a summer drama camp for 25 kids in the neighborhood at the local school, a block away from our condo. It’s hot, it is hard, (my learning curve is very steep), and I’m eight months pregnant. So, my co-teachers and I spent the first couple of weeks negotiating discipline, figuring out how to meet these kids where they were. But finally, around week four, everything started clicking. And it started seemed like we’re really going to get some kids onstage to do a show, you know. Every day, we would spend some free time outdoors after lunch. And the younger kids would play on the playground and the older kids would shoot hoops with some of the counselors on the small court next to the school. I would always plant myself on the stairs and listen to the older girls talk about the boys.

And this one day, I remember, Jessica was emptying Hot Tamales into my palm and I look across the playground and I see this group of adults, mostly men, about 10, gathered on the sidewalk next to the little kids, about maybe 25 yards away. Two of the men in the center of the group, dive at each other and start fighting, in this tight, snarling knot. And the folks are eggin’ them on. And before I can think anything, I’m up. I’m waddling across the grass and I’m yelling, “Hey, hey, stop it! You can’t do this here!” You know, and they’re paying no attention.

You know, all the kids are noticing. All of a sudden, they realize something exciting is about to happen. But I continue and I’m yelling, “Get away from here!”

And finally, one woman in the crowd notices me, and she yells, you know, “Mind your own business! This ain’t got nothing to do with you!”

And I say, “No, it does. I’m in charge of these kids. Move away from here!”

And meanwhile these men are fighting and it’s very violent. They’re banging against cars and they’re rolling on the sidewalk. There’s grunting. And I noticed that one of the men in the onlooking crowd is carrying a bat or a big stick.

And I yell, “Get away from here or I’m calling the police!” and I feel this wave of dizziness.

You know, maybe it’s adrenaline or a familiar deja vu of realizing myself to be ineffectual, in a situation that I’m making worse, probably. So, I start fumbling, 9-1-1 and the woman sees this. And she says, “I said, mind own business, fat butt!”

And then from right over my, my left shoulder, I hear Jessica yelling back, “She ain’t fat, she’s pregnant!”

And then I realize all the camp kids are, like, right next to me. And I start shooing them back inside. I’m just desperate to get them inside before something really horrible happens in front of them. But Deja, another one of my teenage girls, is reaching over me and she’s yelling, “Don’t you talk to Miss Julie that way!”

And other kids are joining in. “Yeah, she ain’t done nothing to you! Leave her alone!”

And then somebody in the crowd yells back, “Shut up, Deja!”

And all of a sudden, it feels really dangerous. The energy outside the fences changed. And I say, “Come on,” and I get everybody inside as fast as I can.

Once we’re back inside, you know, the kids are revved up. They’re excited. Some of the younger kids are re-enacting the fight on the stage. The older kids are talking about who knows who in the group of fighters. And who they’ve seen around the neighborhood before.

Deja takes my arm protectively, she says, “Are you all right, Miss Julie? You know, your face is all red. Don’t worry, my cousin knows that Gigi, I’ma gonna tell him to fix her.”

They’re all revved up but I am exhausted. You know, I, I’m not up for any kind of teaching moment with these kids, who know infinitely more about violence than I do. And then this boy, Anthony, one of the older kids that everybody looks up to, shuffles over and he sits down in a folding chair near me. And he says, “You can’t do that.” He’s kind of looking at his gym shoes. “You can’t do that. It’s stupid. People around here don’t want some white woman telling them what to do.”

And I, and I say, “But, but I would have told them to stop it if I was white or Chinese or Hispanic or whatever.”

And it kind of shakes his head and he says, “You just shouldn’t get in people’s face, like, you know a better way for everything.”

I felt myself flush a little bit because, yes, I did think I knew a better way. I didn’t want me or these kids living in the middle of violence. But these kids, some of whom might have thrown eggs at me a year and a half earlier, who knows, they saw what I didn’t. They saw this woman who had moved into a neighborhood, with very little understanding or curiosity about the community that lived there, or the social disruptions and gentrification taking place there. They felt ownership over the neighborhood. It was theirs to defend. You know, maybe they weren’t moving into the fancy new condos but they were growing up on the same blocks their parents had. And they knew about the boundaries that have to be worn away not just painted over.

I think, now, maybe you have to let a neighborhood teach you how to be a good neighbor there. Across all the chasms that divide us and there are chasms that divide us, skin color and money, where we’re from, and what we have, and what we don’t have. Understanding begins in misunderstanding. With one awkward step after another, stumbling forward and surrendering and listening and listening and listening. Until one day, you realize, you’re walking around a place that finally feels like home.

My Father’s Race Against Discrimination: Anti-Semitism in the 1930s Track and Field

 

Story Summary:

 Carol’s father is told he is not permitted to run on his college track team at the University of Pennsylvania. Two Jewish runners in the 1936 Berlin Olympics are not permitted to participate in the 400 relays. All three are Jewish and all three have the same coach.

For a print friendly version of the transcript, click here: My-Fathers-Race-Against-Discrimination-Anti-Semitism-in-the-1930s-Track-and-Field

Discussion Questions:

  1. In the story, Jesse Owens spoke up and told the coach, “Coach, I’ve won my 3 gold medals, I’m tired. Let Marty and Sam run.”  The coach pointed a finger at him and said, “You’ll do as you’re told.”  Why do you think the coach wanted the Black men to run in the Olympics but not the Jewish athletes? By deciding not to let Marty and Sam run, of what do you think Coach Robertson was afraid or resisting?
  2. What could Stanley’s teammates have said or done to enable Stanley to race in all the track meets in which he was not allowed to run? Would you have been willing to stand up against discrimination even if it meant not running for the team?
  3. The ending quote in the story by William Lloyd Garrison was important to Stanley.  How do you think its importance related to the discrimination he encountered?
  4. Do you think what happened to Marty Glickman and Sam Stoller could ever happen again in today’s Olympics?

Resources:

Themes:

  •  Crossing Cultures
  • European American/Whites
  • Identity
  • Jewish Americans/Jews
  • Taking A Stand and Peacemaking

Full Transcript:

Hi, my name is Carol Kaufman-Kerman. It was 1927 when my father was nicknamed Speedy. Speedy Stan. Now he got tagged Speedy for being the slowest runner at Camp Lenox. Camp Lenox is a boys’ camp in the Berkshire Mountains in Western Massachusetts. Oh, it could have been worse. He could have been nicknamed “Wizzy” or “Leaky.” He peed in his bed every night. I mean, he was five years old. And so, every morning his counselor would wash out his sheets, hang ’em out to dry on the front porch, then drag out that mattress for everybody to see in camp. My father was humiliated. He was humiliated; he wanted to keep this a secret. He just wanted his parents to come, take him back home to Brooklyn. I mean, gosh, eight weeks at summer camp for a five-year old. It’s like a sentence.

Now my dad didn’t know it at the time that he’d be feeling, later on in his life, these same icky feelings of feeling different. Back in the 1930s and the 1940s, anti-Semitism was on the rise, not just in Europe. It was also on the rise in America as well. Now this was 12 years after my father was nicknamed Speedy for being so slow. He actually had earned a spot on the track team of the University of Pennsylvania. But unlike the other player… unlike the other runners, he was relegated to the bench. He was never put in any meets at all and it wasn’t because he was slow. It was actually… he was very, very fast and everybody knew it. His coach knew it, his teammates knew it. He more than proved himself during practice. But it was because he was Jewish. Now his coach knew that he was fast but his coach didn’t want this Jewish boy to shine.

His coach was none other than Lawson Robertson. Now Lawson Robertson was the United States Olympic track coach. The one that took the track team to the 1936 Berlin Olympics. It was a very controversial Olympics. It was where Hitler had grandstanded his, his strong Aryan German athletes. And we had two runners, the American team had two Jewish runners on their track team. There was Marty Glickman and there was Sam Stoller and, uh, they were slated to run in the 400-relay. A day before the race, Coach Lawson Robertson and the other coaches, well, pulled all the kids in.

And he said, “Ah, there’s going to be a change. We have to pull out Marty and Sam; they can’t run in the 400. We, we ha… we’re doing this because we heard reports from the Germans. They said that they are practicing in secret and that they’re saving their top, top sprinters for this 400-race so we, we have to pull out Marty and Sam. I mean, the reasoning just… it didn’t make sense. I mean, Jesse Owens and Ra… Ralph Metcalfe were put in instead of Sam and Marty. And, granted, we all know that Jesse Owens, I mean, he ordered… already won at that point, the gold for the 100 and the gold for the 200 so he was fast. Nobody could be faster than that. But there was another reason he, he wanted to put in this other player from the team. But this runner clocked consistently slower times than Glickman and Stoller. So, the whole thing didn’t make sense.

Now Jesse Owens, at the meeting, he spoke up. He said, “Ah, come on, coaches. Let them run. They’ve been working at this for over a month. I mean, I’ve already gotten three golds. I’m tired. Let them have their chance.”

And the coach said to him, “You’ll do as you’re told.”

And so, Glickman and Stoller, they didn’t run. And, of course, the, uh, the Americans came in first. And, well, Glickman and Stoller, they knew why they weren’t running because they were Jews and they knew that Coach Robertson wanted to spare the fear or the embarrassment of having two Jewish boys up on the winning podium. Now if my father hadn’t told me about his experience at University of Pennsylvania, I may not even have known about Coach Robertson during the 1936 Olympics or maybe what I would have thought that it was just a one-shot deal and that he had redeemed himself afterwards.

But three years later, my father was on the team and he wasn’t allowed to one… run in one meet. It was the day of the Penn Relays, the big, big race and the coach’s star runner got injured. Coach looked at my father. He said, “All right, Kaufman, off the bench. You’re running today.”

My father, he knew what opportunity this was. He knew that this was a, a moment that he could prove himself. And I have to think that he was also running, not just for himself, but he was running for Glickman; he was running for Stoller. He was, he was running for all those Jewish athletes that had qualified for the 1936 Olympics but it had boycotted them. Now none of the students or the community knew who my father was. He was, he was a benchwarmer and they were baffled why the… they would even, eh, let him run. But there he was and he had his chance and he got set on the mark. And when that gun went off, my father shot out of there.

He was fast; he was a sprinter. He was really good. And he took off and he was in the lead and all he wanted to do is win that race. I mean, his fraternity brothers showed up to encourage him… and the ladies from the sorority. But he wasn’t thinkin ’about them; he wasn’t thinkin’ about the coach. He was just thinkin’ about winning. He was thinking about beating the best time and he was thinking about breaking racial barriers. And so, his biggest contender was another guy from an Ivy League school. And as they were coming into the finish line, they were neck and neck. And then at the finish line, against the Harvard resentment of Coach Robert Lawson (Lawson Robertson), my father won. And all the reporters from the Philadelphia papers, they came running up to him and they said, “Who are you? Where did you come from? What’s your name?”

And then they went over to coach Lawson Robertson and they said, “How come you never played this Kaufman kid before?”

And he looked at them. He stared at them and then he stammered out a bold-faced lie and he said, “Ah, he’s been sick.”

His excuses never got any better than the 1936 Olympics. But after that, my father, well, there were articles in the paper. I mean, the coach had to play him. There was too much pressure from the alumni, from the community. They wanted to see my father run. Now the coach never really did mentor him like the other players.

And my father said, “He never acknowledged me.”

I’d like to end this story with a quote. It’s a quote that my father had taken to memory and he used in his life when he was up against an obstacle or he wanted to encourage us kids. And he’s… he said, “Well, I want to tell you, it’s a, it’s a quote by an American abolitionist. His name is William Lloyd Garrison. And my dad would laugh and say, “That guy, he was really a stubborn guy like your old dad.”

My father’s right. He is stubborn. He’s stubborn and determined to take a nickname like Speedy given to him because he was so slow and to turn it around to be called Speedy because he was so fast. And he’s stubborn and determined and patient to wait for his opportunity to run against discrimination. The quote, “I am in earnest, I will not equivocate, I will not excuse, I will not retreat a single inch and I will be heard.”

Worn Out Blinders: A Soldiers Story After D-day in Normandy, France

 

Story Summary:

Talking about World War ll was hard for Carol’s father.  As a recipient of three Purple Hearts, he shares his story of anti-Semitism at boot camp, his sense of Jewish identity with a stranger in Paris and how he mentally stayed strong and survived the front lines by wearing “blinders.”

For a print friendly version of the transcript, click here: Worn-Out-Blinders-A-Soldiers-Story-After-D-Day-in-Normandy-France

Discussion Questions:

  1.  Why do you think Carol’s father, and soldiers today may not want to talk about their experience during war?  Should we respect their silence or encourage them to talk?
  2. Carol’s father talked about wearing “blinders” to get through the hard times.  Have you ever had a time in your life when in order to move ahead, you had to “wear blinders?”
  3. The Red Cross volunteer handed out Mezuzahs and Crosses to the injured soldiers.  What comfort was she hoping to bring them from these objects?
  4. Carol’s father shares that his Sargent asked him to take off his helmet so he could see his horns.  Many commentators say that this myth of Jews having horns started with a mistranslation in the Bible.  Why do you think rumors and anti-Semitic myths are perpetuated today?
  5. St. Lo was flattened in one night and the writer Samuel Becker described it as “The Capital of the Ruins.”  Besides the physical city being destroyed, what other type of ruins exists from war?

  Resources:

 Themes:

  •  Crossing Cultures
  • European American/Whites
  • Identity
  • Interfaith
  • Jewish Americans/Jews
  • Stereotypes and Discrimination
  • War

Full Transcript:

Hello, my name is Carol Kaufman-Kerman. My dad didn’t talk much about being in World War II growing up. I mean, when I was a child I actually thought it was because he was invincible. I just… I saw the scars but I wanted him to be my superhero, my superman. And I felt so protected behind his fortified walls. Now I think, he also enjoyed me adoring him, looking up to him, but at what price. He had this knobby, sunken scar on his left shoulder. He said that that’s where they had removed a lot of the shrapnel. But he told me that they couldn’t get it all until they would be still some left in his body forever and I thought well that’s a heck of a souvenir.

My whole life I remember my dad saying, “Talk to me in my good ear, my good ear, Carol.”

Well, sometime during the war, his first, second or third injury, he had lost the hearing in his ear. Now as far as his emotional scars, those were harder to see. He had gotten three purple medals for being injured three times and he kept these medals in a box, in a drawer, in a room that hardly anybody ever used. I asked him once, “Dad, did you ever encounter anti-Semitism during the war?”

“I don’t know. Not rea… yeah, there was this one time at Fort Benning, Georgia. My commanding sergeant said, ‘Jew boy, take off your helmet. I want to see your horns.’ But, you know, he was from Arkansas and he had never met a Jewish person. It wasn’t really his fault.”

And I said Dad, “What about sensing your Jewish identity, feeling it over in Europe. I mean you were fighting Hitler. He exterminated six million Jews.”

That’s when he told me about his bold escape going AWOL, absence without leave.”

“Wait, Dad. AWOL, isn’t that illegal? Why did you do that?”

He said, “Well, to tell you the truth, Carol, I had been released from a hospital in Paris. They were scheduling me to go back out onto the frontlines. I didn’t know if I’d ever live to see Paris. It was Rosh Hashana and the first place I went was Rothschild’s Synagogue. It was closed but the Shammas was there. The Shammas is the person that takes care of the synagogue and he let me in and you know it felt good. I was missing family and he was there for me.”

Well, many years later, after I’d been married, my father told my husband and I both, he said, “You know, I remember when I was in a bunker. There were shells and fire all around and my buddy was sitting next to me. We were just inches apart. And I looked back over at him and his head was blown off.”

I looked at my father. I mean he said it so nonchalantly. But you know he would have had to have been holding back details and emotions.

He said, “Carol, this is the way I survived World War II. I just had to put on my blinders and keep ’em on. There was a time my captain and I, we were lying next to each other on our bellies and I had the radio strapped on my back. It was my job to radio back to our artillery the captain’s orders of where to aim the fire. And I believed that as long as I had that radio strapped to my back that I would be okay. You had to think like that, Carol, or else you’d crack.”

Well, about two and a half, three years ago, my dad and I were talking and he said, “Carol, I remember when I was in a hospital in France. We were four men and five legs.”

And that image just seared into my mind and I realized how impenetrable his blinders had to have been. I mean it was easier for him to talk about the good times, like the time that he was on a hospital train. There was a Red Cross volunteer. She was a famous actress from England. She was Alfred Hitchcock’s first icy blonde. Her name was Madeleine Carroll. And she was beautiful. Now she had made a radical change in his… in her career. She actually had stopped acting after her sister was killed in the London Blitz. And she just wanted to help the wounded soldiers.

My father said that he had seen all her movies and that he was madly in love with her. So, can you imagine, she’s walking down the aisle. I mean my mom… my father must have thought it was an apparition. It was an angel from heaven or something. She had in one hand crosses and she had in the other hand mezuzahs. A mezuzah is a casing with a Jewish prayer inside. And she came walking down; she stopped where my father was. She took a mezuzah and gave it to him and then she kissed him on the forehead. Oh, my gosh! He must have thought he died and went to heaven. He told me, he said, “I needed family and she was there.”

Well, now my dad fights a different kind of battle. He has prostate cancer. He’s softer now, more gentle. His blinders don’t work anymore and he can’t protect his fortress. His fortress that had kept our family so safe with his belief that if we all stayed inside the fortress, nothing could penetrate and hurt us.

Well, those weren’t on anymore, the blinders or the fortress. and last November my husband and I went to Normandy. We went and we saw all the things that he had lived through.

We would call him every single day and we’d compare the sights we had seen with what he saw. And we said, “Dad, today we went to see the beaches of, of D-Day. We saw the bunkers, the German bunkers. And my husband even called him from the American Cemetery. “Dad, tomorrow we’re going to go to St. Lo, the place where you got injured the second time.”

Now St. Lo was taken over by the Germans and totally destroyed. In fact, the writer Samuel Becker describes it as “The Capital of the Ruins.” It was that decimated and devastated.

When we got to St. Lo, we went right to the information tourist office and we asked, “Are there any World War II memorials?”

She told us that they were all closed for the season. We told her all about my father and how he had been injured in St. Lo. And she said, “Come back at five o’clock. I’m going to take you there myself.”

And so, we did. We came back at five and she introduced us to this small, little, French elderly man. His name was Mr. Letribot. And he introduced himself and said, “I am the curator of the World War II memorial. I would like to take you there myself.”

It was beautiful. It was in a 12th century chapel, La Chapelle de la Madeleine. He told us that it was the first time in his life he had ever had a piece of gum, given to him by an American soldier. It was the first time he ever had an Americ… eh, had a cigarette too. Also given to him by a soldier. And we told him about my father. He told us about the 29th. We had learned a little bit about how the 29th American Military Division had come in and they had liberated St. Lo during that July of 1944. And we told them how my father was in the 28th and they came in afterwards to relieve them. He smiled. He said, “It was your father’s division that had liberated my sister’s village not far from here. What your father did for us.”

And it made me think, “Did my… was my father ever thanked by anybody or soldiers ever thanked?”

And I looked over at my husband and there he was dialing my father in Palm Beach Gardens, Florida. He said, “Stanley, we’re here in a World War II memorial and there’s someone that would like to talk to you.”

Monsieur Letribot got on the phone and he said, “Thank you so much for what you did for me and for my people. You came all the way over from America and you didn’t even know me. Thank you.”

And my father, oh, my father said, “You’re welcome. It was my pleasure. I did what I thought was right. Nobody has ever thanked me before.”

68 years later this conversation took place, 68 years after my father left France. Inside of a chapel whose walls are adorned with the military… American military flags with American medals with the… with the pictures of photographs of American fallen soldiers. And here was a liberated Frenchman saying, “Thank you” to a Jewish American soldier. And my father, well, he wore no blinders to protect his feelings… and he cried.

Guatemala 1993: When Hope Is Rekindled

 

Story Summary:

Susan takes her young adult sons to Guatemala to be inspired by the Catholic clergy, religious and lay people working for justice there. Her own idealism is challenged as she hears stories of the atrocities people are suffering because of Guatemala’s civil war. A moment of grace and wisdom from the Mother Superior restores her sense of hope and dedication.

For a print friendly version of the transcript, click here: Guatemala-1993-When-Hope-is-Rekindled

Discussion Questions:

  1. What role do private agencies, such as churches, play in advancing the cause of social justice?  How much of their work is about poverty, how much about justice, how much about evangelism or are these ideas/situations completely enmeshed?
  2. When the nun says the children’s “future is very bright” and “We are doing something about the causes,” to what is she referring and do you agree?
  3. What cultural differences made this Guatemalan journey seem initially “hopeless” to this American storyteller? How did her perceptions change?

Resource:

Themes:

  • Crossing Cultures
  • Education and Life Lessons
  • Latino American/Latinos
  • Living and Traveling Abroad
  • Stereotypes and Discrimination
  • Taking A Stand and Peacemaking

Full Transcript:

Hi! My name is Sue O’Halloran and this is an excerpt from a longer story called “Moments of Grace.” In 1993 I took my two sons Terry and Preston to Central America, to Guatemala. They were young adults at the time and we were going to visit the Christian Foundation for Children and Aging (CFCA). It was a group to which I had donated for many years. Now when we arrived in Guatemala, they had already been involved in a civil war for 33 years. It was a war between the government (partially imposed by U.S. intervention) and so-called rebels who were fighting to get their democratic government back. So this is an excerpt from that longer story.

Day 3 – The first sighting of the village we were going to visit was a steel windmill all shot up. It looked like somebody had used it for target practice. Oh, the villagers, they were so great to us! They sang songs; they fed us tamales! They sent us home with huge baskets of colorful vegetables even though they had very little to eat themselves.

And on the way home, I asked Bob, the director of CFCA about that shot-up windmill. And he told me that the Christmas before, the government had come in looking for a Communist rebel, they said, shooting, and just to make sure they got the right man! And (at) that village we had just visited and a nearby village, 22 of the fathers had been killed!

Day 4 – Instead of a field trip, we went down the hill to work on the addition to the orphanage. We were joined by men from neighboring mountain villages, some who had walked 7 hours through the night to get there! The men had come to work on that orphanage, their one day off, knowing full well that one day their own children might live there.

Day 5 – We went to visit the teacher training center that CFCA helps to fund. And when you walk into the classrooms, there’s these photographs over the doorways and I thought, oh, graduating teachers, probably. And it turns out, it was true but these were pictures of graduating teachers who had already been killed. Teaching Mayan Indians to be self-sufficient whether that was to read or repair cars was just too threatening to some people in Guatemala who wanted to keep things exactly the way they were.

Day 6 – New Year’s Eve Day, December 31. Every morning when I came out of my dorm room, Leslie would be in the courtyard to greet me. Leslie was the 9 year old daughter of our van driver Martin. And that morning she ran into my arms and I hugged her and I asked that stupid, adult question! “Leslie, what do you want to be when you grow up?” thinking she would say something like an artist because she really loved to draw. But she looked up at me and with this great certainty in her voice, she said, “I want to be a teacher.”

I thought about all of those photographs I’d seen the day before! The picture of those martyred teachers and I burst into tears. I had no idea how really upset I was ‘til that moment. And I hugged her tight and I said, “No cuidado, Leslie! No sea un maestro!” Leslie, be careful! Don’t be a teacher! They kill teachers here!

How do you change things! I mean, we had been in Guatemala less than a week and I already… I was  starting to lose it! I knew it! I needed some guidance, some wisdom. I went to find my new friend, the Mother Superior, the elderly woman who was the head of the sisters at the convent. And I went down the hill and, sure enough, she was in the convent kitchen cooking up a big fry pan of rice and beans for the men who had come to work on the orphanage that day. And I sat down in her kitchen and I told her all that was heavy on my heart and I just pleaded with her, “Help me understand, sister!”

And she said, “Oh, Soo-see (that’s what she called me, Soo-see), the future’s very bright for these children. The ceasefires last longer; they spend more time in school. They come to us having been beaten or half-starved or seeing their parents killed right before their eyes and they can hardly talk. And then a year or two years later, they’re singing in the choir. They’re standing in, up in front of the whole liturgy and they are reading, Soo-see! Reading!”

And I said to her, “I know, sister, I work as a teacher. I’ve seen incredible changes in my own individual students but, I mean, how do you get the causes, all the reasons things are going on here! The way the government is set up, the gap between the rich and the poor, the powerful, the powerless! I mean, what do you do about that, sister?” I said. “I came here bringing my boys. I wanted to have them be inspired by people who were working for justice but now I realize that I wanted something for myself. I’m running out of hope!”

“Oh, Soo-see,” she said, “you do not give up hope! We are doing wonderful things for these people!”

I said, “But the causes, sister!”

She said, “We are doing something about the causes!”

And I said, “What!” And as soon as I heard my voice, I felt so rude. I mean, here’s this sister, the nuns who have dedicated their whole lives to these people and I was questioning them?

But she didn’t miss a beat! She just kept stirring those beans and she said, “You know, people get mistreated long enough, they start believing that they deserve what they have. But we teach the people all they can accomplish. We teach them how to learn and the whole world opens up. We are preparing people for a democracy.”

“Then what should be do about our country, sister, I mean, since our government puts so many of these people in power. I mean, is the only option that bumper sticker “America, love it or leave it!”

She said, “Oh, Soo-see, no! You stay put and you love your country. And you make your government behave!” And then she put her spatula down, she came over to me and she rested her hands on my shoulders. She looked up at me and said, “Soo-see, we just keep doing what we’re doing! We get up early, we go to bed late! The rest is in God’s hands!”

Well, that night was the New Year’s Eve party at the church rectory. And I stood in that room and looked at all the people and children. I mean, my sons were there and Bob was there and Martin was there and Leslie was there! People from the parish, the children from the orphanage! And I stood in the middle of that room and I just felt so happy! So lucky to be there! And I don’t know, is it grace or dumb luck when the heaviness lifts from your heart and you don’t even know why? Grace or whatever the reason, I don’t know! I just stood in the middle of that room and I felt open to anything. And then the nuns put on some music and Mother Superior called to me, “Soo-see, fox, fox!” She wanted to dance the foxtrot! I gotta tell ya, up in those mountains, sometimes we had electrical surges, sometimes we didn’t so sometimes we have music and sometimes we would just slow, to this gaaarbled drone. But I took sister into my arms and we were dancing cheek to cheek and then she squeezed my hand. She said, “Ah, Soo-see, there is so much love in this house! And that, I realized, is what I wanted! For my sons, for me, for all of us to feel all the love in the house.

To love our government enough to criticize it right down to its roots and yet to still enjoy all that our country and this life has to offer. So for that night, I had no grand plan on how to change things. That night we danced – the merengue, the cumbia, the salsa and the hokey-pokey! ‘Cause sometimes those moments of grace, they’re what it’s all about!

Angels Watching Over Me: Transforming Years at St. Sabina School

 

Story Summary:

 During the Civil Rights Movement, Patricia’s family moved to the Auburn Gresham community on the south side of Chicago. Hers was one of the first African- American families to integrate the parish school. Over time, Patricia witnessed white friends quietly moving out of the neighborhood as they transferred to new schools. Before long, Patricia understands the meaning of “white-flight” and its effects. Fortunately, because of a few good angels, she was not severely hurt by the negative behavior surrounding her.

For a print friendly version of the transcript, click here: Angels-Watching-Over-Me-Transforming-Years-at-St-Sabina-School

Discussion Questions:

  1. What are the social and emotional effects caused by the decision of whites to abruptly leave a school rather than to figure out how to make integration work?
  2. In what respect has integration failed and why is there still so much negative reaction to this practice?
  3. Time alone has not taken care of the race problem; what steps are needed to begin the healing process?
  4. Who are the people in your life, outside of family, who have been brave enough to stand up for what is right? What have they done to demonstrate their courage?

Resources:

  •  Remember: The Journey to School Integration by Toni Morrison
  • Through My Eyes by Ruby Bridges
  • Dear America: With the Might of Angels by Andrea Davis Pinkney
  • Both Sides Now: The Story of School Desegregation’s Graduates by Amy Stuart Wells

Themes:

  •  African American/Black History
  • Crossing Cultures
  • Education and Life Lessons
  • European American/Whites
  • Family and Childhood
  • Housing/Neighboroods
  • Identity
  • Stereotypes and Discrimination
  • Taking A Stand and Peacemaking

Full Transcript:

Hi, my name is Patricia Redd. And in a storytelling world, I’m also known as Serenity and I’ll be sharing a personal story about my experiences at St. Sabina.

I went to Catholic schools all my life. First grade through college from 1959 to 1976. But I have to tell you the most dramatically, transforming time for me was when I went to St. Sabina in my fifth through eighth grade years. I remember that 1964, my parents moved us from Englewood, which was a Southside community with people that look like me, to a predominately white neighborhood in Auburn Gresham. I had never seen so many white people in one place at one time. And when we went to the school, my mom was just comforting to me. And I knew in my heart that everything was going to be all right.

My parents went to so many community meetings back then. I was just a young’n but I remember that they would talk about how, as African-Americans, we just wanted to be able to go and live and be at peace. We just wanted to be able to go places and do things without folk telling us to go back to Africa. And we wanted to be able to walk around in the neighborhood without people shouting at us to get out of our neighborhood. It was our neighborhood. We lived there too.

There were three transforming, life changing events, that happened to me during that time. The first happened when I was in fifth grade. And we had just moved into the Auburn Gresham community. And had been at St Sabina, probably starting in September, and now it was May. September had the pract, ah, ah, St. Sabina had the practice of having a statue of Blessed Virgin Mary travel around from one person’s home to the next. And apparently, somebody had the bright idea that we should have a turn that this. That didn’t go over too well for some folk because there must have been a great deal of ruckus happening. But I tell you what, between my mom and the powers that be, we did have the statue of the Blessed Mother in our home along with all of the regalia.

The second transforming event changed my life forever though. On January 1st, 1965 at nine o’clock in the am, we got a phone call from St. Bernard Hospital that my mother had died. What? Oh my! My parents had just gone to a New Year’s Eve party the night before. And to my knowledge she hadn’t been sick. And then we get the word that she died of a cerebral hemorrhage. I had a hole in my heart too big to bear. What was I going to do? Here I was in a new school, in a new neighborhood, with people that didn’t really seem to want to have us around. But you know what? My mom must’ve really been looking after me though. Because in my sixth grade year, I had a teacher named Sister Kent that was not like any other teacher I ever had. Now I had been with nuns since the first grade, so that wasn’t it. There was something about her where she had a heart for me and I had a heart for her. She kind of looked after me. She watched out for my every move.

Well, on this day it started out like any ordinary day except I ended up with a splinter in my finger. Sister Kent rushed me over to the convent, and I’ve been wanting to go in this place forever, but now here I was, in it for the very first time. She sat me down at this long, yellowish looking table and disappeared. I waited with bated breath. Where, where was she? Well, when she came back, she came back with a bowl of water, a needle and some matches. All to take that splinter out of my finger. When she put my finger in the water to soak it she said something that changed me again. She said, “I can’t believe how white my skin is against yours.” I didn’t feel like she said that to hurt me. It wasn’t like some of the things that I heard my classmates saying or their parents saying whoever made of the mantra, “Sticks and stones may break your bones but words would never hurt you.” They didn’t know what they were talking about because some of the stuff that came out of their mouths was really ugly. But I didn’t get that sense from sister Kent. She loved me. That’s what I felt.

Well, in my seventh and eighth grade years, it seemed like every time I would come into the classroom, there was a desk vacant. There was a student sitting there the day before but now they were gone. And this happened repeatedly throughout, throughout those two years until eventually, St Sabina was no longer predominantly a white Catholic school. It had become a predominantly black Catholic school. And I realized that they were leaving just because of people like me. The color of my skin scared them. I thank God for my teachers but especially Sister Kent because through those years, I believe that they did everything they could to shield me from the ugliness of racism. But more than that, I believe that they picked up where my mother left off. They were the angels watching over me.

Special Blends: A Youthful Perspective on Multi-Cultural, Multi-Ethnic Heritage

 

Story Summary:

 Amber, Misty, and Autumn – three multi-ethnic sisters – offer a sneak peek into their thoughts about self-identification. These storytellers also share a medley of emotional experiences about how they have sometimes been viewed by others. From skin color to hair texture, from humor to poignant reflection, these dynamic young women personify Dr. Maria P. P. Root’s, Bill of Rights for People of Mixed Heritage.

For a print friendly version of the transcript, click here:  Special-Blends-A-Youthful-Perspective-On-Multi-Cultural-Multi-Ethic-Heritage

Discussion Questions:

  1. Should agencies require people of mixed heritage to check one box for their “race”? Why or why not?
  2. Does not choosing just one race imply that a person of multi-ethnic heritage is somehow denying any one part of his or her heritage? Explain.
  3. What are some challenges that may arise for multi-ethnic siblings?
  4. Some believe that since the number of people of mixed heritage has increased, that being “mixed” is no longer a “big thing”. Do you agree?

Resources:

Themes:

  •  African American/Black History
  • Crossing Cultures
  • Education and Life Lessons
  • European American/Whites
  • Family and Childhood
  • Identity
  • Jewish Americans/Jews
  • Stereotypes and Discrimination
  • Taking A Stand and Peacemaking

Full Transcript:

Hi! My name is Amber Saskill and these are my sisters.

This is Misty (Hi!) and this is Autumn Joy (Hi!) and we are affectionately called the Sass Lasses and we’re a multi-ethnic background. So our story today is called “Special Blends.” It’s a youthful perspective of multi-cultural, multi-ethnic heritage.

Now we’re a blend of Jewish, African-American and Native American heritage. And the interesting thing about our three blends is that at one point in time, they were all persecuted or oppressed. For example, there was the Jewish Holocaust. There was the captivity enslavement and enslavement of our African ancestors and then, too, our Native American people. They were massacred and their land was taken away from them. But the interesting thing about people who have been enslaved, persecuted and oppressed is that they become stronger, more resilient people and we’re products of that. And even though, personally, I’ve been able to relate always to my different… my different cultures, piece by piece, it was interesting how by watching two films that really helped me to see the plight of mixed people in other areas of the world.

For instance, in South Africa there was a film during apartheid. And apartheid was racial segregation that took place from 1948 to 1994 and that’s during my lifetime. It wasn’t my mom’s generation or my grandmother’s generation; that happened in my lifetime. And to know that people of mixture were persecuted and oppressed because of the way they looked, that really touched me. And in this one film in South Africa, it talked about a girl who looked mixed and she associated herself with that even though that her parents looked visibly white. And even though she associated herself as being mixed, she was outcast from society and disowned by her very own family. And that really touched me on a deep personal level! And, in addition to that, I watched a film that took place in Australia. And it was the true life story of… in the mid 1900’s how the Aborigines and Australians, how they mixed together and had children that, later on, were actually discriminately called half caste. And these half caste were corralled and put into re-education camps where they were tried to be bred out of existence by being sort of diluted so that there was never any evidence that they ever existed before. And that’s called, actually, “the stolen generation.” And to think about these people that were actually sought after because they were mixed, that touched me so deeply!

That is so scary! In an attempt to eliminate a visual reminder of such a union, you know. And on a different level, that’s kind of what happened to my mom and me. We were getting ready to perform for this great storytelling festival. And before we could even get started, the festival coordinators, they slapped this big old sensor bar right across two of our stories. My mom was going to perform a story; it was a really funny fiasco of what happened when she and my dad first got married. (OK, I love that story!) And I was going to perform a story called “My Two Grandmas,” which is really close to my heart. And it’s a story where I bring to life memories of my Grandmama Rose and her Afro-Choctaw background and my Gram Blossom with her Russian-Ukrainian-Polish-Moroccan-Jewish background. And it’s one that tells of how they are from two different worlds but at the end of the story, you see that they’re really dynamic women. And they taught us, their granddaughters, to be dynamic women ourselves. But they did ask us remove the story and those two stories. And so we did; we’re professionals. But we did write a formal letter of complaint and we received a written apology back. But at the end of the day when the sun had set, we had been asked to compromise. And that’s pretty much my life. I’m mixed. I am asked to compromise.

And, really, as surprising as it may seem, as mixed people, we have to compromise all the time. It actually makes me think of something that happened to me not too long ago. A couple of years ago, I went to the DMV to apply for my learner’s permit and I filled out all the paperwork and I turned it in. And the woman behind the desk curtly informed me that I had forgotten to choose a race. And I politely told her that there was no box that says multi-racial so there was no box that I thought was appropriate for me to check. And she impatiently told me that I should just pick one of my races. And it’s funny this… this question comes up so often as… as people with mixed heritages. The infamous question, “What are you?” ((Right!)

And my first inclination is to say, “Well, I’m a human. I’m a woman. I’m a teenager. I’m a musician. I’m a student. I’m a sister, a daughter and a friend.”

Now I know if I ever really responded like that, their response would probably be, “No, really! What are you?” But, really, this is a really difficult question to answer because what I am or rather who I am involves so much more. Who I am is not… cannot be defined by checking black or white or any other box. Who I am is a complex amalgamation of my cultural influences, my experiences, my family, my friends, my beliefs and my interests. Some of these things change all the time. So for me to choose one of those boxes would be not only labeling myself but forcing me to identify with only one of my ethnicities. And that’s something I refuse to do because I identify with all my ethnicities. (And really it’s so true! Why would you forsake mother or father?) (Exactly!)

Yeah, and on a different note, in any typical family, siblings might look different and have different likes and dislikes. And I think in our family, we’re the same way. My sisters and I, we have differences; we have similarities. And I think that my two sisters, actually, they kind of favor each other a little more and I feel like I look a little bit different. So I think that our experiences as mixed children are different as well, especially my experience. I think, depending on where I go, I’m described as different ways. Like in some cultures, I’m described as the red-toned one. In other cultures or countries I’ve been to, they describe me as la morena or the darker one. But still in other cultures or societies I go to, I’m described as the light-skinned one. So there you go! I’m red, I’m dark, I’m light but still depending on where I’m at, my experiences are different than those of my sister… my sisters. And too, I really feel that because I look a little different than them, I would shudder to think that if that caste system, that racial segregation still existed to this day, what would happen with us? Would we be segregated from one another?

That’s something to think about. You know and if we’re not being judged by our skin or eye color, then we’re being judged by our hair. (Yeah!) And as you can plainly see, we’re curly girls and we’re very proud of it. And what do they say? “You don’t talk politics, you don’t talk religion and you don’t talk hair texture. (Right?) And titles like good hair versus bad hair is just unfair. We believe that all hair types and textures are beautiful and to be celebrated. In fact, a singer India Arie… she sings a song.

Oh yeah! Is that the one that goes something like this? “I am not my hair. I am not this skin. I am the soul that lives within.”

(Very true words.) Yeah! I couldn’t agree more. And a friend of mine got married to a man of another race and so they had a bi-racial daughter. And she inspired me to write this kind of lighthearted book geared towards tween… tween girls. You don’t even have to be mixed, just have curly hair to appreciate it. And this is an excerpt from that book,

I got into a fight one day, a rough and tumble with my hair.

I hadn’t combed it in two weeks so all would stop and stare.

My comb jumped in and tried to help but the fight just wasn’t fair.

It wrestled, it teased, it lost some teeth, got lost up in that hair.

The more I pried, the more I cried, the bigger it would grow.

I could not deny, from each side, it had turned into a fro.

And then I passed the mirror and I sucked my lip back in.

An idea began to gather and I grabbed some bobby pins.

My hands twirled and tucked those curls and, much to my surprise,

They calmly let me shift them, shape them into a design.

No longer were they rebellious. No nothing of the kind.

It was I who needed to see; it was I who had been blind

To the great beauty these curls so majestically possess.

Yes, with African-Cherokee-Choctaw-Iroquois-Jewish, I’ve been blessed.

So from that day forward, I pledged a pledge that with our hair or eyes or skin,

Never again would I define my heritage to fit in

With other girls

Who have no curls.

No, I’ll never feel chagrined.

They say the eyes, color aside, are the window to the soul.

So, too, this hair, curled everywhere, is gorgeous, free and bold!

(Woo! Love that bold) (Me, too!)

Well, I’m sure that my sisters agree with me that although as people with mixed heritages, we face so many difficulties but the positives definitely outweigh the negatives. We’ve been called names like Oreos, mutts. We’ve been even called mulatto, which is actually a Spanish term for a mixture between a donkey and a horse. So we’ve been called many names but thanks to our parents Rick and Sadarri Saskill and our grandparents, we truly have been able to see that each of us are a deliciously concocted, “special blend!”

 

DIWALI — From Darkness to Light, Hindus in America—Happy New Year!

 

Story Summary:

 A Goddess inspired story of the adversities faced and overcome by Archana’s family as they move form India to America. This is a story of identity, assimilation and race relations that ultimately honors different paths of healing and different religions. Overcoming health issues and life and death challenges, from Darkness to Light describes the embodiment of the Indian festival of Lights/Diwali that welcomes in the “new” in each and every one of us in a beautiful way.

For a print friendly version of the transcript, click here: DIWALI-From-Darkness-to-Light-Hindus-in-America

Discussion Questions:

  1.  What other cultures include goddesses and talk about embodying the goddess energy? What does that mean?
  2. What is Diwali and what do people do on that day?
  3. What are some ways we can practice religious inclusion: as an individual, as a school or workplace and as a nation?

Resources:

Themes:

  •  Asian Americans/Asians
  • Crossing Cultures
  • Family and Childhood
  • Interfaith

Full Transcript:

Hi, my name is Archana Lal-Tabak. My family is from the Pakistan side of India before the partition in 1947. In fact, my father was born in Burma and my mother was born in Kashmir and yet they had to flee again when they were young children. Burma is right by China on the east side of India, and near Tibet is Kashmir, which is in the northern state of India. They were persecuted there by the Muslims and the Communists and so they had to flee again in their young adolescent years. And they went to central India, north central India, a place called Kanpur. This is where they eventually met.

My father was there teaching medical school and my mother was a student at the medical school. And the patients all around were noticing that this gentleman was following my mom around and they said, “See that doctor who is looking at you?” And she had not noticed that he was looking at her. But, finally, he asked her out for an ice cream, which she could not really, even have because her stomach had been upset for many years and this is what had taken her into medicine. It turned out that later on, my father diagnosed that she had a retrocecal appendix many years later. And it must have been a sign of true love that he kind of knew what was going on and she was struggling. For two people who loved medicine, this was a true love story.

Actually, theirs was a love marriage. Back in those days, people in India did not cross over into different social castes or social hierarchy. They found that they were in north central India, however, and here people of different castes and different social status would, actually talk with each other and there were many faiths present. Finally, in this part of India they were able to practice their Hinduism without oppression and persecution. It turned out that my father, being rather poor in India, moved several times and I, myself, moved ten times by the time I was 13 years old. I was in Vietnam, in India, in America and back in India again.

And it so happens that one of those times when I was in India, I was about nine years old in 1972, staying with my favorite auntie and uncle and it was my favorite festival. This whole oppression of darkness to light, of… that my parents had been through reminded me of this festival Diwali, the Indian New Year, the Festival of Lights. And this festival was going on at the time that I was visiting India with my aunt and uncle. And at this beautiful festival, it turns out everyone decorates all of their houses with little tiny diyas – little tiny lights. They’re little ceramic pots that are decorated and they’re decorated with ghee or clarified butter inside with a little cotton wick coming out. Beautiful, beautiful lights and the whole house is decorated – inside and outside.

I was just totally amazed and intrigued by this beautiful festival. And I was playing with all the diyas, all the candles, all the wax, all the… all the little tiny tea lights and then, all of a sudden unbeknownst to me, I had been lit aflame. My uncle came over and put out my dress. I had, apparently, set myself on fire. And if I had not been careful or mindful and my uncle had not been watching, I would have been a burning girl somewhat like those women in India that used to throw themselves in their husband’s funeral pyre, back in the old days. Something I cannot even imagine. Now it turns out that this beautiful festival of Diwali, with the whole house is decorated, it’s cleaned, you’re wearing new clothes and eating delicious foods – complete multisensory experience – comes after these nine days of darkness. This nine days of the dark goddess Durga. And the goddess Durga is nine days of honoring how we ourselves transform internally from darkness to light. And there’s actually a ceremony where this huge statue that’s wooden and paper mâché of the evil god Raman, it’s burnt. This demon is burnt, publicly, like a huge burning man. And it, it’s amazing to me how many people were involved in all this when I was growing up. Pretty amazing!

Now when I was in India, I went to many different schools. Mostly, I went to the rector convent and different convents like Catholic schools run by nuns, that were English medium. But there was one time that I was in an Indian boarding school and in this school, the matron was a Sikh woman. It turns out that my father’s oldest brother was a Sikh as well. Apparently, in India, the oldest Hindu brother becomes a Sikh to protect the border because Hindus are mostly pacifists. Even though they have four castes and one of them is a warrior caste, they still have more pacifist tendency. So, the Sikhs protect the border. And I would sit with my matron in my boarding school and meditate with her and pray with her, with her Punjabi texts, just the way I used to sit and pray and meditate with my grandmother, Mummy Ji. Ji is a sign of respect in India, so often we’ll have names after a Ji. Mummy Ji and I would meditate and pray and so did I with this beautiful Sikh matron.

I loved looking at different cultures and religions. I went to the synagogues with my Jewish friends. I went to churches with my Christian friends and, of course, beautiful temples that were 5000 years old in India itself.

Now eventually my family moved to the states and we came here when I was 13 in 1977. When we came here, I went to a public school, which was a very interesting experience, culturally, as well. And I dated a few, maybe just a few Christian and Jewish men, you know, because Indian girls were supposed to have arranged marriages and not date. But I did. And I, actually married my first husband, who was Jewish, and then later on I met my current husband Jim. And although Jim was Greek and Slovakian, he had been doing yoga and meditation for several decades and we had a lot in common. We were meant to be together. He, actually, prepared an ayurvedic meal for me on one of our first dates. Now how many American men cook ayurvedic meals? Not many. Ayurveda, actually, is the knowledge or science of life in India. It is 5000 years old and I’ll tell you more about that in a minute.

But, basically, what I found was that through the oppression and the persecution that many, many generations and cultures have gone through, often that is transmitted in the families. And my own family, I found, had suffered a lot of adversity and several had died way too young. In fact, in my 20s, I, myself, suffered from debilitating illnesses including a serious autoimmune illness. And, at that time, I was led to studying Indian medicine and the western field of psycho neuro immunology. My family is all physicians. They’re all trained in western medicine and I found that I was able to completely heal myself through the psycho neuro immunology using some natural lifestyle factors, which I later learned were present in ayurveda.

And when I did workshops and this, my mom would come and say, “Well, that’s how we live. We eat this way, we dress this way, we behave this way, we walk like this.”

And it’s, basically, so much a part of the Indian culture. This knowledge or science of life is a part of the whole Indian culture, part of the Hindu religion so that the people would do it. So, they have fasts for detoxification during Navaratri, which was that… the goddess Ji I told you about. And then they have celebrations like Diwali with the multisensory experience of eating. In fact, my mom always said, “Make sure there’s every color of the rainbow in every meal.”

And it turns out, holistically, that is the best way to eat to get all your anti-oxidants, to get all your nutrition. Now I hope that as I’ve raised my son who is now 17 years old and (his name is Anand, which means bliss) that I can teach him some of these things that I have learned.

And we have raised him with yoga and meditation and some new thoughts, Christian traditions and other traditions. And, in fact, since we are cross-cultural couple and interfaith, we really honor all paths. And at our son’s school, we’ve often tried to take in the Hindu culture and the foods and the multisensory experience but often met resistance, at times, because people didn’t understand that the Indian Diwali, Festival of Lights, the Indian New Year was similar to Kwanzaa and Hanukkah, and even similar to Christmas and the winter solstice. It was a winter festival of light.

I imagine that someday, perhaps, people would understand this more and they would be a little tiny stamp just like those other stamps for the New Years and the festivals of light, that there would be a Diwali stamp, as well, a stamp that would have a little tiny diya, beautifully decorated with a little cotton wick in the ghee coming out to celebrate the Indian New Year and the Festival of Light.

I often find that when I need some help, I turn to the goddesses because in India, people have many gods and goddesses. It’s polytheistic, pantheistic. There’s a god and goddess for everyone. And even as I was developing this beautiful story for you, I found that I was stuck at times and I needed some prosperity, abundance, inspiration, creativity. So, I called in the goddesses. I had goddess Durga helping me from the inaction and darkness and paralysis of the trauma that my family went through to the light. I had goddess Lakshmi with prosperity and abundance that is celebrated during Diwali. And I had goddess Saraswati and she was the one with the creativity and the arts, came in to help me with the story. So, in India we embody all these gods and goddesses and thank goodness for Ganesh, the elephant god, who removes the obstacles along the way. And I’m so grateful to be here with these gods and goddesses today, embodying them and honoring the divine in all of us. Thank you.

A Crack in the Wall: Moving Beyond Racial Conditioning

 

Story Summary:

 In A Crack in the Wall a white man has an experience at a copy shop that causes him to examine the negative impact racial conditioning has had on him. He is disturbed when he realizes that he has been indifferent to the historical suffering of African Americans, and he becomes painfully aware of his subconscious denial and patronizing attitude towards them.

For a print friendly version of the transcript, click here: A-Crack-in-the-Wall-Moving-Beyond-Racial-Conditioning

Discussion Questions:

  1.  How is it possible for a white person to be unaware of systemic unjust treatment of African Americans?
  2. Discuss how racial conditioning can cause white Americans to deny the systemic injustice that for African Americans is all too real.
  3. Why is being treated in a patronizing way so devastating?
  4. What are the rewards of connecting cross-racially?

Resources:

  • Savage Inequalities, Death at an Early Age and The Shame of a Nation by Jonathan Kozol
  • Honky by Dalton Conley
  • True Colors – ABC Prime Time Live 1994
  •  Longing: Stories of Racial Healing by Phyllis and Gene Unterschuetz

Themes:

  •  African American/Black History
  • Civil Rights Movement
  • Crossing Cultures
  • Education and Life Lessons
  • European American/Whites
  • Family and Childhood
  • Stereotypes and Discrimination
  • Taking A Stand and Peacemaking

Full Transcript:

Hi, my name is Gene. I’m going to tell a story called A Crack in the Wall. It’s adapted from the book “Longing: Stories of Racial Healing.”

In 1993, a friend invited me to a Race Unity workshop. Uh, and I really didn’t wanna go. I was really nervous about it, because I knew my life was going to change. Or I, I thought my life would change because I had never really delved into the whole issue of race. But I went anyhow. Uh, and I got snagged right from the beginning, because I was learning about institutional racism, and something I had been totally ignorant about. But I was learning how in every institution, African-Americans and other people of color, have been disadvantaged, uh, by the racism that permeates the institutions of the country. Uh, what I was learning is that, that whites – white people, white citizens wield power in virtually all of these institutions. And, so, we were given the definition. Racial prejudice plus power equals racism, and so the… it was a really compelling equation. But it led to the deduction that if you’re white in America, you’re racist. And I had a bit of a reaction to that.

I was thinkin’, “Well, I don’t really have any power. You know, I don’t feel superior. I’m just a cog in the, uh, corporate machinery.”

So, but as I listened to more of the lectures, aaa… I, I learned about the inequalities, yea… oh… abou… as far as, uh, disadvantages that people of color have in this country because of inter… and the institutional racism. I had been ignorant of all this stuff.

I grew up in the 50s. As a child, I was old enough to have been aware of the race riots, and the protests, and all the civil rights stuff that was goin’ on at the time. But when, when I saw the, the videos that they were showing in the workshop, the imagery of the, of, uh, people getting’ blasted with water hoses, uh, children and adults getting’ attacked by snarling dogs. These weren’t just blurry images.

I didn’t have any memory of them at all, and I’m thinking, “How can, how can I have grown up in that period and not have been aware of that, because I was only 50 miles away from Chicago, where a lot of this stuff was going down?”

Well, to be aware of your indifference can lead to denial. Denial is a kind of a tricky, uh, thing to understand. Uh, denial occurs when you are aware of something that’s in(un)conscionable, and you can’t label it, or don’t want to acknowledge it.

Uh, another example would be, if there was a hideous creature standing in front of me, and somebody said… started to describe it to me. And, uh, said how it smelled, what it looked like, and something.

And I was unable to perceive it, and I would say, “No, no! You’re just imagining that. You know that’s not real. You know, let… you’re, you’re being oversensitive. Let’s just, just get on with normal, normal life here.”

That would be a kind of an example of denial, when there’s something that egregious, that’s so obvious to other people, that you can’t see. So, it’s a tricky thing to, to… for us who are white to get our brains around.

Uh, and I was learning that African-Americans in this country have been pointing to racism, that hideous creature, for centuries. And that white folks had not, and still haven’t, have not been able to recognize it, label it, and give it, give it, um, give it, uh, uh, you know, the reality that it’s due, you know. It’s sort of invisible.

So, I started to become aware of my own racial conditioning and it was, was get… was becoming a little bit painful for me, because every time that we… I left the house now, I was aware of my racial conditioning. If I was driving through a fast food place, I was conscious. If the cashier was black, I would get a little anxious, and I was, suddenly, conscious of that. If the cashier was white, I would feel at ease. In my conversations with, uh, acquaintances who were African-American, now I was really sensitive about what I was saying.

“Are my words coming out racist, exposing some deep-seated racism in me.”

Uh, I’m sure people were aware of it, but I was just becoming aware of that stuff, so I was really nervous about what’s coming out.

Uh, watching TV, I would see African-Americans in important peo… places in new shows and, uh, different, different sh…, uh, programs. And I would actu… I would be aware of actually wondering if they were qualified to be in those positions.

So, uh, in public places, I had to think, “Well, how do I interact with African-Americans? Should I smile at them? Should I look in their face? Should I say something? Should I just act nonchalant? But that’s not really doing anything.”

It was very, very painful. I felt very clumsy and awkward, as if I had just read about the history of the piano, and now I was sitting down at a baby grand and tryin’ to perform a Chopin piece.

So, one day, back in 1993, I walk into a local copy shop preoccupied with my own project, but I, uh, at the service counter, I see an African-Am… young, African-American woman giving directions to, uh, the attendant that was serving her. So, I kind of went and hid behind a, uh, kiosk of, of supplies, and watched the whole action. I had never seen an African-American in that shop before, and I’d been going there quite a number of years. In fact, I wasn’t even sure if there were any African-Americans that lived in our town. So, I wanted to see how this white guy that was serving her, eh, uh, handled this unusual situation.

So, as I was watching her, I thought, “Well, look at that young, black woman. She is really competent. She’s really confident in what she’s doin’. She knows her stuff. Look at her take charge there, and she’s nicely dressed, nice pantsuit. I bet she works for some law firm in the area here.” And, uh, so, as I’m thinking this, all of a sudden, I’m thinking, “Hmm, you know what! I’m being patronizing.”

And it really knocked… knocked me for a loop. I have been… had, uh, gone to the third night of the workshop that I referred to. And, so, in this workshop, we were told that we, as white folks, feel superior to black folks, and, uh, and that we are born racists. But we learn racists… racism, and, uh, and, so, we can unlearn it.

So, I’m standing there and I’m having this thought about being patronizing and thinking, “How do I unlearn this, in this situation?”

Uh, I’m tryin’ to apply my, my new understanding here, so, I discovered what I call “a crack in the wall.” The wall is this, uh, is this racial conditioning. And I discovered this little fissure where I could see through, and see that there was a reality beyond the wall. And I asked myself what lay beyond the wall?

Well, as we started traveling, my wife and I, we, we formed many relationships with African-Americans along the way, who were very generous, sharing stories with us. Uh, over the dinner table, they would talk about, uh, racial situations that their family members were involved in.

You know, just coming home from church, being stopped by the police, and being asked, “Why… what are you doing in this neighborhood?”

You know, fellows going out for loans and, uh, being rejected for loans and so forth. These were things I was unaware of. But the generosity of the people that, uh, we were interacting with, was, was… had the effect of breaking down all of this mythology, that we have been raised with, as, as white citizens.

Um, so, after years of participation, uh, in the workshop, uh, going through all the classes, and actually becoming a facilitator myself, I really thought I knew something. But what I discovered is that the truth about race and racial healing lay outside the classroom, beyond the state line, out of my comfort zone. If I had known how many embarrassing moments it would take for me to develop just a little bit of humility in this issue, uh, I probably wouldn’t have accepted the invitation to go to that first workshop. But, you know, embarrassment is a small price to pay for the rewards of engaging in racial healing. The rewards are sharing compassion, sharing forgiveness.

Uh, sharing forgiveness and trusting. Learning how to trust people from whom we’ve been separated, and trust being trustworthy. That’s a big one for me. Learning how to be trustworthy as a white man in this country is a biggie. So, these are the rewards. And, they convince me, that, um, when we eliminate the separation, when we go… somehow whittle away at that crack, we get on the other side of the wall. We engage. We, uh, we connect with folks, and then we learn how we can, how we can, uh, build communities that are, uh, ensuring the well-being of all of its citizens.

Images: How Stereotypes Impact Racial Conditioning

 

Story Summary:

Images is a white man’s reflection about the powerful and debilitating impact of the disparaging imagery that has been historically used to shape the perception of African Americans as dangerous. While he realizes that his mistrust of African Americans was formed by racial conditioning since childhood, as an adult his conscience is burdened by the knowledge that he caused others pain when he displayed that conditioning in cross-racial interactions. He vows to make a change.

For a print friendly version of the transcript, click here: Images-How-Stereotypes-Impact-Racial-Conditioning

Discussion Questions:

  1.  Why have disparaging images been used to discredit African Americans throughout the history of the United States? How might those images impact a person’s self esteem and his/her ability to gain access to the benefits of society? Cite some examples from our history.
  2.  Why are disparaging images so injurious? Is it possible to free oneself from the harmful influence of disparaging images? How? What particular strength is needed to overcome the power of disparaging images?
  3. Do you think disparaging images played a role in the deaths of Trayvon Martin, Michael Brown and other unarmed young black men in recent years? How do disparaging images impact a person’s sense of freedom?
  4. At what point in one’s life does ignorance fail to be a valid excuse for hurtful thinking and behavior towards others?

Resources:

  • Documentary: Ethnic Notions – California Newsreel 1987
  • Book: Black Like Me by John Howard Griffin
  • Book: Between the World and Me by Ta-Nehisi Coates
  • Book: Longing: Stories of Racial Healing by Phyllis and Gene Unterschuetz

Themes:

  •  African American/Black History
  • Crossing Cultures
  • Education and Life Lessons
  • European American/Whites
  • Family and Childhood
  • Stereotypes and Discrimination

Full Transcript:

Hi, my name is Gene. I’m gonna tell a story called Images, adapted from the book “Longings: Stories of Racial Healing.”

In 1949, when I was four years old, living in Chicago, I named my beloved, black, cocker spaniel Sambo, from a character, a favorite character in a book that I, that I really treasured as a child. I was 50, when I found out that the term, Sambo, was actually a caricature that had been applied to black men during slavery, and it was devastating, and very destructive, and had destructive, uh, repercussions. I di… wasn’t aware of that when I named my dog. Does that make a difference?

I remember a rhyme we used to, uh, to say as children to help us make choices. It was the eeny, meeny miney, mo rhyme. It went, “Eeny, meeny, miney, mo. Catch a tiger by the toe. If he hollers, let him go. Eeny, meeny, miney, mo. My mother told me to pick the very best one and you are not it.”

There were two versions to this rhyme. One involved the tiger, which was an animal I was familiar with, but I was confused because tigers didn’t have toes. And the other choice was the N-word, and I didn’t really know what the N-word was. I thought maybe it was another animal but I wasn’t sure. My parents didn’t clue me in on that. My teachers didn’t tell me. Is that okay that I didn’t know at age four?

The images I saw on TV and in the movies of black folks were… portrayed them as either buffoons or savages. So, when we went into the city to zoos, and, uh, amusement parks, and so forth, I saw folks that looked like those, those people that I saw on TV. And I was ve… anxious and I stuck close to my parents. So, how did my early childhood and my adolescence prepare me to be, to be an adult?

Uh, in 1966, I decided to take a trip around the United States in my, in my car. My destination was New Orleans. The moment of travel… the moment of…the romance of travel faded the moment I left my dusty little country road and hit rural Route 72 and headed east to connect up with a… another southbound route that would take me down, down to New Orleans.

Three days later, I arrived in the Big Easy, a lonely and frightened country boy. After I walked around the, uh, French Quarter for a day, I checked into a, a hotel in an adjacent area to the, to the French Quarter. I remember the, uh, elevator attendant, who was an Afri… elderly African-American man, and I got into the elevator.

He said, um, uh, “Good evening, Sir.”

And, I, mm, kind of, mumbled, “Hello.”

Uh, so, remember my… the imagery that I had grown up with. Uh, and so, all the way up to the fifth floor, I’m really cautious about this guy.

And I’m thinking, “Ya know, I better watch out. He might, he might jump me or do something to me.”

Uh, so, we got up to the fifth floor. The doors open.

He said, “May I help you with your luggage, Sir?”

Certainly, he must have rendered this service to every patron, and probably hoped for a tip. I, all I could think of was the imagery of this black man entering my room and knockin’ me over the head and taking my stuff.

I said, “—- no!”

He was so shocked by that response. Looking back, I’m really embarrassed with that response. You know, before me, was standing a man, and because he was African-American, I automatically thought that he was dangerous. It never occurred to me, that my behavior was a response from my racial conditioning that I had received as a child. All that imagery was, was kind of guiding my reaction to, to this man in the elevator. But, you know, I, I felt, at the time, I felt that my behavior was justified. After all, I was out of my element, in a new environment. Uh, I felt cornered. I thought it was just an act of survival.

And my thought was, “Ya know, I may have to fight this guy or run for my life!”

That’s really where I was at, at the time. I know that seems kind of “over the top” today, ya know, and maybe a little, um, a little too cautious. But images are powerful, and the images that I had grown up with as a child were really what, what motivated my response to that, to that elevator attendant at that time. Does that make a difference that I wasn’t aware of that conditioning at that moment?

In California, I met… this was years later, in California, I met an African-American man, uh, and we had a long and probing discussion about race and racial healing. We had been to many of the same places in the Deep South.

And I brought up the issue that I had heard about called unfinished business, down there in the south. And, uh, so, we started talking about that. And…aa, what he, he really helped me understand it a lot better. Because he said his understanding was that the unfinished business in the south wasn’t just, uh, an issue between blacks and whites. It wasn’t just a unity issue but, in many cases, it was a family issue. Second and third cousins remembered the, uh, atrocities that grandparents and, and great-parents… grandparents had either perpetrated or, or, or, uh, endured from, from one another’s relatives.

So, uh, at one point he said, “Ya know, there’s just one thing I can’t get out of my mind.”

And I was waitin’ to hear what that was. Finally, he said, and his face was just full of pain, and I was waitin’.

He said, “It’s the idea that black people are less than human.”

And I watched his face, and, uh, I thought, “Wow!”

He sa… and then he continued, and he said, “It’s the devastating images.”

And he c… and he told me that the devastating images that have persisted throughout the centuries have made it almost impossible for white folks to accept black folks as equals. Um, h, so, we just stood there for, for a while and let that sink in. Uh, the pain that he expressed really took this to a deeper part of, of my being, ya know. Uh, because, you know, you hear a lot of things and, ya know, sometimes you can kind of abstract it. You know, you can’t really relate to it but that pain really carried it deep.

And finally, he said, “How do we get over that?”

I really had no answer for him, at that point in time, but I do have to answer that question for myself. What do we do?

So, I have knowledge now. I have knowledge about the devastating images that have, not only conditioned my own behavior, but have really impacted how we relate black to white in this, in this, uh, country.

So, I have choices to make. Who will I pick as friends? Will I visit them if they live in black community… in black neighborhoods? Uh, how will I respond to others’ pains that relate to racial injustice? How will I work with people? how will I collaborate with people who regard me with suspicion? These are challenging questions.

Uh, but the good news is that there is a… My experience is that I’ve been able to replace the negative images with positive images of a multitude of people that we’ve met along the way. Uh, so, it’s easy for me to imagine that there will be a time when we can collaborate and, uh, build communities that are devoted to our common prosperity. I ha… I have faith in that. I have no doubt that, that will take place.

So, today, my question is not a, a cautious, “Is my, is my, uh, ignorance, uh, an excuse for not being accountable?” Conscious of my responsibility to make a change, the question I ask myself is, “What can I offer – how will I make a difference?”

The Promise: A Lesson in White Privilege

 

Story Summary:

 What happens when the warm connection between a black woman and a white woman is broken by insensitivity and unconscious white privilege? Are courage, honesty, forgiveness and hope enough to heal the separation? This true story is based on the chapter “The Promise” in the book Longing: Stories of Racial Healing by Phyllis and Eugene Unterschuetz, © Bahá’í Publishing 2010.

For a print friendly version of the transcript, click here:  The-Promise-A-Lesson-in-White-Privilege

Discussion Questions:

  1.  Why do you think Kathryn and Georgia chose to tell Phyllis about the things they had to teach their sons?
  2. What might have caused Randa, the waitress in the story, to withdraw so suddenly after Phyllis promised that things would “get better”?
  3. What does Phyllis mean when she asks, “Is this one of the elements of white privilege – having the option to know the truth and then forget it because it doesn’t apply to my life?” What are some other elements of white privilege?
  4. What do you think happened in Randa’s mind or heart that allowed her to respond as she did to Phyllis’s apology?

Resources:

Themes:

  •  African American/Black History
  • Crossing Cultures
  • Education and Life Lessons
  • European American/Whites
  • Family and Childhood
  • Stereotypes and Discrimination
  • Taking A Stand and Peacemaking

Full Transcript:

Hi, my name is Phyllis Unterschuetz.  And this is adapted from a story in my book, Longing: Stories of Racial Healing.

I can’t think of a finer way to spend my time than sitting around a cozy kitchen table, with my girlfriends.  Drinking good coffee, and sharing bits of ourselves together, in that wonderfully intimate way that women have when we’re feeling safe with each other. And it was in just such a setting that I found myself late one October afternoon 1997 in New London, Connecticut. Sitting with me at the table were Catherine and Georgia. Funny, intense, passionate women, whose company I just couldn’t seem to get enough of. We were fairly new friends but we were having this sisterly feeling kind of wash over us, in great waves of laughter and companionship.

We’d been talking about our children and, kind of, sharing stories of parenting. And at one point, I noticed a definite shift in the energy of the conversation. And all of a sudden, one of the women, and then the other, also, started talking about these, these anguished decisions that they had to make as the mothers of black teenage boys. As they talked their sentences sped up and pretty soon they were, kind of, talking over one another and everything was, kind of, jumbled together. It was it was as if two different voices were coming out of two different mouths but they were really the same voice. They were saying the same things.

And I heard snatches. I remember, I remember hearing them say, “You know, they were just driving along. They weren’t doing anything wrong. They’re stopped just because they’re black. Really they weren’t doing anything wrong and all of a sudden somebody’s screaming at him through the window of their car. ‘Show me your license. Show me your registration.’ And they’re flustered. They don’t know what to do. And I have to teach my son how to move his hands so slowly so that they won’t think he’s reaching for a weapon. And I had to teach my son exactly what to do, what to say, how to look, which words he should use, and which words he should never, ever say. Otherwise he might be shot.”

And one of them said to me, “Can you imagine what that feels like. Having to teach your son those things?” You know, their faces had gotten kind of rigid and tough, as they spoke. As if any softness in such matters, even speaking them to me, could be deadly for their sons.

And me, I just sat there and tried to empathize. I tried to swallow my horror. I tried to stand in solidarity with them, you know, and say something like, “Yes, yes.  I can see what you’re saying. I can relate to what you’re telling me.” But no, instead, this horror just rose up in my throat, acidic. And I wanted to purge it by screaming out my shock and my disbelief. I wanted to say, “Here? Seriously that happens here in New England?” What did I think, did I think? That it happens only in the south? Or did I truly, on some level think, it happens only on TV and in the movies?

I wanted to say, “Those sweet boys. How could that possibly happen to them?” But, you see, if I’d said anything like that, that would have just diminished their gift to me. And so I gave them back the only thing I had of equal value, which was my honesty. And I had to say, “No…No, I can’t imagine what that feels like.” And what I didn’t say was not only can’t I imagine it but I don’t have to imagine it, you see, because I’ll never have to teach my son those things.

Not quite three years later, in the summer of 2000, my husband and I were having dinner in a restaurant with our son, Eric. We were in Wilmette, Illinois and Eric was about 21 years old at the time, if I remember correctly. And we were having the greatest time with our waitress. Her name was Randa. Randa was African-American. She was probably in her mid-30s, I’m guessing, and she was just one of these people makes you feel like you’ve been friends forever, you know, just vibrant and connective. So, towards the end of our meal, Randa came over to our table and she was carrying the pot of coffee to pour us some more. And we started talking about our kids. I think she told me a story about her young daughter. And, you know, as she was talking and we’re sharing about parenting in these chaotic times, the tone of her conversation shifted.

I should have recognized that shift but I didn’t. And she got real serious and quiet and all of a sudden, she said, “You know, it’s not actually my daughter I’m worried about.” She said, “I have a teenage son and I am so worried about him. There’s so much he has to deal with out there,” and her face had just become, lost its animation, and its joy, and its brightness, and just become burdened and weighed down, and fearful looking.

And I thought, oh, I wanted to say something just to, just to reassure her, just to make her feel better. And I thought, I know what she’s feeling because I’ve raised a teenage son. I know how hard that is, watching them struggle into maturity. And I was thinkin’, my 21 year old, and I thinkin’ things got so much better as he got older. And so instead of taking her hand, which was what I initially wanted to do, I just gestured over to my son Eric, as evidence that I knew what I was talking about. And I looked at her earnestly and I said,  “You know what? I just want to tell you that it gets better. It gets better the closer your son comes to adulthood, the better it’s going to get. The older he is, the easier it will be, I promise.”

And then everything changed. The light just went out of Randa’s eyes. Before there’d been something flowing, now this heavy veil fell between us. The light was gone. The warmth, the trust, all of that connection gone. She was gone. And in her place was this woman, standing rigidly with a pot of coffee and these blank eyes that just looked straight ahead And she just dropped our check on the table.

She said, “Yeah, whatever. If you say so,” and then she turned and walked away. And it was like I’d been slapped in the face. What happened? I just went over every word in my mind. I couldn’t imagine. Had I said something to upset her?

I started thinking through memories of conversations with other black women. Thinking maybe there I would find some clue as to what I’d said. And, you know, as soon as I did that, didn’t take but a minute and I was back in Connecticut sitting at the table with Catherine and Georgia and listening to them express, what, not their excitement for their sons to get older? But, but no. Their wish that their sons could stay young forever. Knowing that the older they got, the more danger they’d be in. Hearing their anguish as they talked about sending these precious young men out each day into a society that perceives black males as criminals. And then hearing again my own admission. “No. I don’t know what that feels like.”

So now, I knew what it was that had shattered the trust. I knew what I’d said because my promise, you see, was a fraud. Things were not necessarily going to get better for her son as he got older. And in fact, it was likely that they would get worse. It was likely that the closer he came to adulthood, the more frequently he would be perceived as dangerous and therefore the more danger he would be in.

And the thing is, the thing is, I knew this and I forgot. How is that possible to forget a truth like that? I ask myself, “Is this one of the elements of sneaky white privilege? Having the option to know something, to know the truth and then forget it because I think that it doesn’t apply to my life?” And because of my forgetting, any hopefulness that woman had felt, had been replaced by the inescapable reality that I was just one more ignorant white woman, who actually thought I knew what she faced in her life.

So, I was in there and I’m thinking what am I going to do? What am I going to do? And as soon as I said that, Catherine in Georgia came to my rescue once again. I could see and hear them, I tell you, as clearly as if they were sitting right at the table with me, finishing up their coffee. And they just looked at me, they just looked into my face, and they said, “Get up off your butt, girl, and do something.”

And I’m talking to them, these invisible women, like, and I’m saying, “I know. I know. I will. I will. Honest, I will but I don’t know what to do.”

And their voices came in a chorus, “Yes, you do. You do know.” And they were right. I did. I excuse myself from the table and I went to look for Randa. And I looked for her in the lobby, I looked for her all around the restaurant, I even looked in the smoking section in the back, which they had back in those days. I even went in the restroom and looked under the doors of the stalls trying, to find her and I couldn’t. And I was ready to go into the kitchen if I had to. And fortunately, I didn’t have to go that far because I looked up and Randa was coming out through the heavy kitchen doors and she was carrying a big tray covered with plates of food. And she just stopped when she saw me still and I, I stood in front of her just still myself waiting for some kind of inspiration.

And finally, I just opened my mouth and I just let the words fall out ineloquent and awkward. And I said to her,  “I’m sorry. I just want to tell you that I’m sorry. I know things are not the same for your son as they are for mine. I know that things will only get harder for him as he gets older. And I knew that. I knew it already but I forgot. And I know how much I hurt you and I’m sorry.” And I couldn’t see any clue on her face about how she felt and she just looked at me for a really long time. And then she turned and, you know, I thought she was just going to walk away, which wouldn’t have surprised me, really, but she didn’t walk away.

She set her tray down on a table and she turned back to me. And then she reached out her arms and she took me in her arms. She took me and she held me. And we hugged each other really tightly for several minutes.  And then all of a sudden, in that hug, she put her head down on my shoulder and she started to weep. And I tell you, I don’t know how long we stood in that embrace but we were there. We were consoling, rocking, weeping, together. Each of us giving and taking comfort at the same time. And all the activities of the restaurant bustled unheeded around us. And when her tears were finally spent, she stepped back and looked at me. And she managed a small smile and she said, “You know it is going to be OK.” She said, “With you and me, people like us, working together with the help of God. It’ll be OK. We’ll do it with His help.”

Now, I just dumbly nodded my agreement. I couldn’t speak. I don’t remember who looked away first. I don’t remember how we parted. I don’t remember how I got out the door and into the car. I just remember, the rocking, and the weeping, and the consoling, and feeling that that web of connection being rewoven as we stood there together. And the only thought in my mind, the only clear thought I had at that moment, was there’s a different promise I need to make. And this is the promise. That for the rest of my life I will work for unity. I will work for healing. I will work for justice. That is a promise I can make and that is a promise that with the help of God I can keep.

Learning Long Division and White Superiority from My “Sweet” Third Grade Teacher

 

Story Summary:

 In the early 1960s, at a time when the hierarchy of race was evident in much of the country, a Black student feels relief to encounter a White teacher who operates without apparent bias. However, as the school year progresses, the student discovers that, in spite of her kind heart, his teacher unknowingly perpetuates White superiority by unselfconsciously promoting cultural and social standards that are rooted in “White” cultural and social norms; norms that might have worked for her, but not for everyone. It’s a lesson that is even more valuable for today’s “colorblind”, “post-racial” society.

For a print friendly version of the transcript, click here: Learning-Long-Division-and-White-Superiority-from-My-Sweet-Third-Grade-Teacher

Discussion Questions:

  1.  One of the major points of this story is that in the United States “Whiteness” acts as an invisible, unspoken, socially unacknowledged set of cultural, political, educational, etc. standards by which we all are forced to live. Since those standards aren’t talked about, they are perceived to constitute a neutral, normal, and (if you are White) benign quality of life. As the story relates, that doesn’t work for everyone.
  2. Try this: If you self-identify or are socially identified as “White” – Over the next day, without forcing the issue, try to make a mental note of how many “White” images you see versus images of everyone else. Look for things like “White” mannequins in stores, “White” people on product labels, images of “White” people in books and magazines, on medical charts and TV shows, in ads on billboards and buses. Before hearing the author’s story, were you ever self-conscious of those things?
  3. To read and do: Roger Bannister is credited with being the first man to run a mile in under four minutes. Matthew Henson is purported to be the first man to reach the summit of the North Pole. Read a book or a few of the numerous online accounts of each of these men’s lives. Why do you suppose absolutely none of the literature on Bannister ever calls him the first “White” man to run a sub four-minute mile? In contrast, why do you suppose all of the literature on Henson calls him the first “Black” (or African-American) man to reach the North Pole?
  4.  Did you know? . . .  The first woman in space (1963) was Russian Cosmonaut, Valentina Tereshkova. Twenty years later, the first American woman in space was Sally Ride. Consult a variety of sources and read their stories . . . Notice that there is absolutely no mention in any of their histories about them being “White”.  The first Black woman in space was Mae Jemison in 1992. The first Latina in space, in 1993, was Ellen Ochoa. The first Japanese woman in space was Chiaki Mukai in 1994. Consult a variety of sources and read about them. Notice that every single account of their stories mentions their “race”. To what do you ascribe these different treatments?

Resources:

  •  The Right Hand of Privilege by Steven Jones, PHD. jonesandassociatesconsulting.com. Jones & Associates Consulting, Inc.
  • Privilege Revealed: How Invisible Preference Undermines America by Stephanie M. Wildman (Introduction, Chapter 1Making Systems of Privilege Visible”, and Chapter 7 “The Quest for Justice: The Rule of Law and Invisible systems of Privilege”
  • Understanding White Privilege from the Teaching/Learning Social Justice series (Chapter 2 “What’s In It For Us: Why We Would Explore What it Means to be White”)
  • Anti-Bias Curriculum: Tools for Empowering Young Children by Louise Derman Sparks and the A.B.C. Task Force
  •  Beyond Heroes and Holidays: A Practical Guide to K – 12 Anti-Racist, Multicultural Education and Staff Development by Lee, Mankart, and Okazawa-Rey
  • Eight Habits of the Heart by Taulbert Clifton

Themes:

  •  African American/Black History
  • Crossing Cultures
  • Education and Life Lessons
  • European American/Whites
  • Family and Childhood
  • Identity
  • Stereotypes and Discrimination
  • Workplace

Full Transcript:

Hi, my name is La’Ron Williams and I want to share with you just a tiny, little piece of a much larger story that I wrote about 12 years ago. It was a story examining the role that race played in shaping the structure of the community in which I lived. The original story is about 55 minutes long but this is, like I said, just a tiny, little piece so I hope you’ll stay with me through the whole thing.

A long, long time ago, way back when I was growing up, there was a story that I used to hear over and over and over again about the way that America thought of itself. Now, it didn’t come as a straight-out narrative. It came to me in tiny, little snippets and you’ll probably recognize some of these. Things like, “land of the free and home of the brave,” or “with liberty and justice for all,” or “we hold these truths to be self-evident that all men are created equal.” That kind of thing. And taken in the aggregate, taken together, they constitute a kind of a narrative that says that this country is free and very equal and equitable place. And so, I grew up with the notion that that it should be like that.

But when I was a boy, way back when I was born in 1951. Jim Crow segregation was still the law. It was very, very obvious and very, very thorough in some places like Georgia where my father was from. And in some places like Flint where I was from, Flint, Michigan, it was not so obvious. Not so brutal, not so open but it was there, because it was everywhere. It was all over the country. So, I’m one of those people who remembers drinking from the segregated drinking fountain, for example, or having to sit in the balcony of the segregated movie theater, or having to swim on one side of the segregated swimming pool. And I, especially, remember, one time when my family took a trip to Washington D.C. and we weren’t allowed to eat in a restaurant. We were greeted at the door by a man who simply, very matter of factly, told us that we couldn’t eat there because they didn’t “serve Negroes.” And I remember my brother, as we walked away, said, “That’s okay, because we don’t eat them.”

I didn’t read about those things in books. I remember those things. They constitute a part of my upbringing, a part of my lived experience. And you may notice that my lived experience didn’t match the stories that I was told about the way this country was. And so, what that meant was, that, that I was kind of like I was two people. There was the person who really, really wanted to be free and equal and to believe the stories I was being told. And there was the person who knew that it was a lie. And these guys didn’t always trade places. I mean, sometimes I would be both of those guys at the same time.

Well, the fall of 1959 was when I went into third grade and my teacher that year was a woman named Mrs. Paris. Now that’s not her real name but for story purposes, Mrs. Paris was my third-grade teacher. And at the school that I went to, most of the teachers were black. Most of the students were black. It was, it was a largely African-American school and Mrs. Paris was the first white teacher that I had ever had. So, when I walked in the door, I felt a sense of trepidation. I mean, ’cause, because I didn’t know what she might be like. She might be like that guy who told us we couldn’t eat in the restaurant. So, I was ready for anything but my heart was also open because I was two people and one of them wanted to believe that things could be fair.

Well, as the year went on, I learned that Mrs. Paris really was a pretty good teacher. She taught us a lot of things and she always had a smile on her face and I like that piece of it. And I love the fact that she, she loved to sing. She was always singing songs in class. She taught us long division. She taught us how to say the Pledge of Allegiance, every, single day. She was a very loving and kind teacher who never, ever, ever gave up on any of her students, even those students that were considered slow. She would take special time with them to make sure they caught on with all the lessons.

Well, now, there was one time when the entire class was working on painting, a huge banner mural. And Mrs. Paris had taped this kind of really thick butcher paper up all around, all the walls of the room. And each student was assigned a part of the butcher paper to draw on. And so, we had to draw our part of the painting before we started painting. Now, I was a pretty good artist and so I finished my part of the banner before anybody else. So, Mrs. Paris came over and she gave me a number of different cups of paint that she had mixed up beforehand. And she’d labeled all of these cups.

So, I picked up one of the cups of paint and I started to paint one of the people in my portion of the mural but I didn’t get very far because one of my few white classmates standing right next to me, suddenly became, like, super exasperated. She put her hands on her hips, (disapproving breathing), and she’s going like this, (exasperated look), and only in a way that only a 8 year old kid can do. And I thought she was out of her mind. What’s going on with you? What are you doing? And, and she looked at me and she says, “You’re not supposed to use brown to color history people.”

I had no idea what she meant. I just looked at her and I started to say something. But before I could say anything. She called the teacher over. She said, “Mrs. Paris, he’s using the wrong color.”

I can almost hear all the heads turn of all my fellow students as they looked to watch Mrs. Paris walk over. Mrs. Paris walked over, she reached down, and she took the cup of paint that I’ve been using. She picked up another cup of paint and just handed it to me. And then she walked away without saying a word. So, I took a cup of pain and I turned it around and I looked at it and the label said, “flesh.” Now, I mean, it’s not like I didn’t know what flesh colored paint was. I had used flesh colored paints and flesh colored crayons hundreds of times before that. I mean, I didn’t mind using them. I knew it wasn’t the color of my flesh but it was the color of a lot of people. It was the color of Mrs. Paris, basically, and my classmates, and people that I admired on TV, like the whole cast of “Father Knows Best” and “Ozzie and Harriet” and I didn’t mind using it. It’s, it’s just that this time, with this teacher, for the first time, I became aware of how bad I felt not to use that color.

Well, as the year progressed, there were a lot of incidents like that. I mean, times when Mrs. Paris would be talking about something and my white classmates seemed to know what she meant even in advance. Times when we would sing songs from our school songbook and all the white students seemed to know all the words in advance. I mean, at home I sang songs by The Drifters and the Shirelles and pop tunes like that. And sometimes spiritual songs and gospel tunes. And I knew all those words by heart and half of them I still know. But somehow, none of those stories or songs ever seemed to appear in my school books. I mean, it’s not that I was upset that I didn’t know the school stuff sometimes. It’s just that for the first time, with this teacher, I became aware of how bad I felt that they did know it.

I didn’t have the words to describe it back then but I know now that, without meaning to, without even trying to, Mrs. Paris was teaching her black students to feel ashamed of the way that they did things. I mean, she was a good teacher and there was no malice in her heart. But she was teaching us to be ashamed. Just by using the school books and the school curriculum in the way that it was intended, she was teaching her black students shame. But there was something else that was going on too. Because at the same time that we were learning shame, she was teaching a lesson to the white students. She was teaching them superiority. Only none of us thought of it that way. I didn’t. Mrs. Paris didn’t. My classmates didn’t. It had been going on all our lives. But to them, to me, to her, to all of us, it was just normal, just standard, just the way it was, kind of like TV, a kind of an official story.

It was because of TV, it was because of shows like, “Father Knows Best,” that I knew what the suburbs looked like. It was because of programs like, “The Lone Ranger” that I knew what Indians, “How!” talked like. TV and Mrs. Paris and the movies and all kinds of things, the school books, gave me a kind of standard that was rooted in white culture, rooted in a white European way of thinking about things. But without naming it, without even talking about it, it was just considered standard. But in a way, I was lucky because when it came to what Mrs. Paris and the movies and the books and things had to say about being African-American, I knew that it didn’t even come close to matching the reality that I was living.

But what if I had been one of my white classmates? What if that paint that Mrs. Paris mixed up, at least came close to matching the color that I was? What if a Johnson’s Band-Aid didn’t stand out like a glaring beacon of mis-coloration whenever I stuck it, whenever I stuck it on my arm? What if everything around me told me that I was the standard, that I was just normal, just the way things should be? And what if everything around me reinforced that notion? What if I lived in a community where practically everybody looked like me and I never even heard a different point of view?

You know, crayon manufacturers no longer make a crayon that they call flesh but there are pantyhose that are called “nude.” And the color of the nude pantyhose is the same color that the flesh colored crayon used to be. I wonder whose nude are they talking about?

There, there’s also a color of makeup that’s called blush. It’s the same color that the flesh colored crayon used to be only it’s a little bit redder. And there’s a color of makeup that’s called suntan. It’s the same color that the flesh colored crayon used to be only it’s a little bit brown there. So, I’m left to think, in what ways is the flesh colored crayon is still with us? In what ways do you notice that we still live surrounded by flesh colored crayons?

THE OTHER BLOCK

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THE OTHER BLOCK

erica

A short story told by
professional storyteller
Erica Lann-Clark

Easily identifiable, Erica Lann-Clark tells of childhood dreams and friendships. We all have that special friend whom we were so close to in our youth. The one with whom we shared secrets and time. Ms. Lann-Clark discloses a story of her close childhood friend, Miriam. Both being Jewish and from neighboring blocks, these girls shared a bond of friendship that allowed Ms. Lann-Clark to grow in her understanding of her own Jewish heritage. Not having the devoutness that Miriam possessed, she was fascinated with the orthodox practices of her friend. She relished the opportunities to discuss and experience being Jewish in the fullest sense.

Listen and relate to the innocence of childhood, and to the closeness of having a good friend. Cherish the memory of that special friend of your youth, but recognize that childhood friends rarely extend beyond adolescence. They do, however, last forever in our recollections and make us smile with fondness.

Listen and learn from this beautiful story:

For a print friendly version of the transcript, click here:  The-Other-Block

Full Transcript:

 

Hi, I’m Erica Lann-Clark. When I was a little girl, we were dirt poor immigrants, new to America, so we lived where the poorest of the poor lived, in Bed-Stuy. Bedford-Stuyvesant, Brooklyn. Bed-Stuy had dangerous gangs, so, everybody had to have their own block. The Irish block was over here. The Italian block was there. In between, was the Polish block, but the Jews had to have two blocks. Our block was right around the corner from the black block and it was where all the regular Jews lived. But way over there, was another Jewish block where the Orthodox Jews lived.

Now, everybody only played with their own group on their own block, except for me because I didn’t have a group. I mean, my parents, they were Jewish but they weren’t regular and they weren’t Orthodox. We were Holocaust escapee Jews or, as my mother would say, “You know vhat escapee Jews.”

She never used the H-word. But, on account of that, I got to play with every group on every block. And it was completely okay for my best friend to be Harold. Our apartments were right around the corner from each other. They were on the same floor. I was on the Jewish block. He was on the black block, and our fire escapes faced each other, kitty corner. And we would go out and stand on our fire escapes, and talk, and talk, and talk, and talk.

And one day, I said to my mother, “I love our fire escape. It’s my private Harold telephone.”

And she said, “Erica, in zis life, vhat you do on the fire escape, does not count.”

I thought she was prejudiced against Harold. But then she said, “Vhat counts in zis life, Erica, is zat our door is open on zis Jewish block, zis modern Jewish block, and not on zat Orthodox von.”

Oh, yeah, my mother, she didn’t believe in God, and she didn’t believe in old fashioned stuff like keeping Shabbat, and going to synagogue, and, and keeping kosher, and talking Yiddish. But for me, all of that stuff, well, there was something about it.

And then, in the school, I got a new seatmate, Miriam. And Miriam came from that other Jewish block, the Orthodox one, where they had a synagogue, and they even talked Yiddish on the street. And I was so excited.

And Miriam became my secret, sacred, s… second-best friend, and sh… her stoop became my synagogue. We’d sit there, me and her and her county… Kodak Brownie camera. And, uff, she took pictures of everything, Miriam. And, in between, she taught me how to be Jewish.

“You want to know who gets bar mitzvahed. Not us, only the boys. You know what we get?”

“What?”

“We get, when we get married, we get to wear a wig.”

“No!”

“Yes. You want to know all the secret, sacred names of God, even the secretest one you could never, never say it ’cause terrible things might happen. God might come and you wouldn’t know what to say to him. And when you write it, you have to leave one letter out. You want to learn it?”

“Yesss.”

And just then, the whole street went completely silent. “Is that God coming?”

“No, it’s the Lubavitchers! Look, they’re way Orthodox.”

And there they came, the Lubavitchers, two abreast. And they were lookin’ straight ahead like they didn’t see anybody on the street. They were wearing their long, black, shiny coats and big black hats and their payots, their sideburns hung down to… And they never cut their beards, never shaved all the way down.

And Miriam grabbed me, and grabbed her camera, and we lunged in front of them and she… Snap. Click. Took their picture but they didn’t even care. They parted around us like we’re a couple of boxes. And then from behind their backs, they wiggled their fingers at us like, ooh, waving! I was so thrilled. Finally, I had seen real Jews. I ran home, burst into the apartment.

“Ma, I finally saw real Jews, the Lubavitchers, and they waved at me.”

And she turned, “Zo, Erica, from my experiences in ze you know vhat, ve are not prejudiced. You know vhat I mean. But, in zis life, you cannot play paczki, paczki viz everyone.”

“What are you talking about, Ma?”

“I’m speaking of zis Miriam, who you like so much. And you like zees Yiddish zings zat she teaches you but you zink because you are both Jewish, you are the same. Huhhhh. Look vhere she lives. It’s like a shtetl. And look vhere ve live. Our people left the shtetl many years ago. Ve come from Vienna, a great city, and ve live on zis modern block and, you mark my vords. Von day, ve vill get out of here. But your Miriam? Ahhh! Vhen she is an old woman, an alteh bubbe, she vill still be zer on zet Lubavitcher block in her vig!”

And as she said that, Miriam shriveled into an old Jewish woman, who schleps her folding chair down from her apartment to the mischpoke of folding chairs on the sidewalk. And in the winter, they all chase the sun, and in the summer, they all chase the shade.

And I never sat on Miriam’s stoop again. And my mom was right. We got out.

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Searching for My Appalachia: A Modern Jack Tale

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SEARCHING FOR
MY APPALACHIA:
A Modern Jack Tale

kevin-cordi

A short story told by
professional storyteller
Kevin Cordi

Its hard not to picture the stereotypes associated with terms like “redneck” or “hillbilly.”  These stereotypes are often the butt of many jokes.  But like any stereotype, these are often labels unfairly placed on people. In his story, Searching for My Appalachia: A Modern Jack Tale, Storyteller Kevin Cordi takes a closer look at his mountain roots thanks to a chance encounter with a modern day “redneck.”

Having spent time in the mountains of West Virgina as a child, Cordi is no stranger to the Appalachian tales of a silly hillbilly, Jack, who sealed up the northwest winds or climbed a beanstalk in search of his fortune.  To Cordi, being called a hillbilly simply meant holes in your overalls.  But when he shares this with his mother she states that he shouldn’t make fun of people or let what people call him determine his future. It is not until years later when he moves away and gains employment as a traveling salesman that Cordi learns who he really is and can take pride in his mountain heritage.

In this chance encounter, Cordi meets someone others classify a “redneck.”  Puzzled by the reluctance and fear of others to connect with the so-called “redneck,” Cordi knocks on the door and begins a short conversation with a very pleasant man named Jack.  Jack explains to Cordi about the nature of the term redneck and states, “When did dirt and hard work become something bad?”  It is then that Cordi suddenly realizes that stereotypes exist because it is easier to be afraid of someone “different” rather than to see them for who they really are.  And in that moment, Cordi realizes that he’s now found his fortune and longs to go back home.

This touching story demonstrates that while stereotypes may be part of society, we must be ready and willing to peel back their layers to get to know the real person who is often hidden behind them.

Watch this revealing story that shows that people are so much more than labels:

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SCHOOL SPIRIT

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SCHOOL SPIRIT

erica

A short story told by
professional storyteller
Erica Lann-Clark

 

Who amongst us has not ached to fit in with our peers, to belong? Acceptance and rejection are universal experiences for everyone. We all long to connect with others and try desperately to avoid the chill of being rebuffed. In “School Spirit,” Erica Lann-Clark recounts her personal story of rising to the occasion when she feels the sting of rejection that so often defines adolescent angst.

Setting the stage for viewers, Ms. Lann-Clark shares a bit of her Jewish background proudly. We identify with her need for peer acceptance, nod along as we recognize the pain of humiliation when she is snubbed, and celebrate with her as she puts words into actions and delivers a powerful message of leadership.

May we all show our school spirit by wanting the best for our world, and not settling for the status quo. Rise to the occasion, and let your voice be heard.

Watch this touching story that encourages a more unified society:

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See many other short free videos like this
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A Gift from Refugee Children

 

Story Summary:

 Charlotte Blake Alston and colleague, Steve Tunick, chaperone 12 African and Jewish American teenagers who seek common ground through a cultural immersion abroad in Senegal in Africa. An unanticipated diversion led the group to an encampment of recently expelled or escaped indigenous Mauritanians. Were Charlotte and Steve making a big mistake allowing the students to witness and be among poor, desperate people at such a low and vulnerable moment of their lives? Would the presence of Americans in the refugee camp contribute to increasing tensions between Senegal and its slave-holding northern neighbor, Mauritania? Adults and students alike receive a profound lesson about our common humanity from a group of children whom they had perceived to be the least likely to offer insight.

For a print friendly version of the transcript, click here:  A-Gift-From-Refugee-Children

Discussion Questions:

  1. What lessons have you learned in unexpected places from those you considered the least likely teachers?
  2. What encounter or experience resulted in a complete shift in your perspective or caused you to let go of long and firmly held assumptions, beliefs, ideologies, and their accompanying behaviors?
  3. In what ways do you consistently manifest your deepest understandings about life and humanity in your life, your work, your activism, your one-on-one interactions with all whom you encounter?
  4. How do you think you’d survive if you suddenly had to leave your home? What would you try to take with you? Who would you most rely on?

Resources:

  • The Ignored Cries of Pain and Injustice from Mauritania by Sidi Sene
  • Mauritania (Cultures of the World) by Ettagale Blauer

Themes:

  • African American/Black History
  • Crossing Cultures
  • Education and Life Lessons
  • Living and Traveling Abroad
  • Taking A Stand and Peacemaking

Full Transcript:

Hi, I’m Charlotte Blake Alston. Do you ever notice that sometimes you can really struggle to get to the essence of something? And the lesson comes from, like, the least of these. For me, often it comes from children and this is one of those times.

In 1988 in response to increasing tension between the African-American and Jewish communities in Philadelphia, two prominent individuals, one from each community. Reverend William H. Gray, who was then Majority Whip of Congress at that time, and George M. Ross, who was chairman of the American Jewish Committee Chapter Philadelphia, came together to see if they could address these issues and come up with some kind of a way to diminish the tension. What they created was a program for young people with an international component that, I think, they probably thought they would institute for a year or two. The summer of 2012 will mark the 27th year.

Students from both communities, after, uh, an application and interview process, get an opportunity to come together. They live very closely together. Some have never spent that much time with someone from the other community and had the opportunity to ask the questions that were on their minds and on their hearts and deal with some of the difficult issues that even adults have difficulty wrestling with.

They travel together to Senegal and Gambia in West Africa. They learn about the history, the culture, the traditions of the people. They are taught basic greetings in the indigenous language of Wolof. So, when they greet people, they’re greeting them in their own languages. We eat in people’s homes; they have interactions with young people there. They also travel to Israel and learn about the history, the culture, the traditions and all of the complexities of the problems that are so difficult to resolve.

I had the good fortune of accompanying a group for two consecutive years. So, my chaperone and I, along with the students who are taking this trip the summer before their senior years of high school, walk through the cramped spirit-filled dirt floor rooms of the slave castles on Goree Island, just off the coast of Dakar, Senegal, where people saw their last glimpse of African soil before they were placed into the holds of ships and shipped off to Europe and the Americas. In Jerusalem, we go to the museum, the Holocaust Museum in Jerusalem, Yad Vashem, where we really get immersed in a visceral experience of the depths of human (in)cruelty taken to its worst possible extreme.

When we were in Israel, we were met by two young Israeli students who were going to be our junior guides. When they found out that on our itinerary was a trip to the Arab village of Dobariya, they got really apprehensive. One of them said, “My mother does not want me to go. She is afraid.”

Well, I sensed that the fear was not just her mother but Dalia’s as well. She fidgeted nervously every time she spoke about it. So, the very next morning, as we boarded the bus, there she came. She showed up at the hotel, boarded the bus. I said, “Are you sure?”

She said, “Yes, if this is what your group stands for. I want to give it a try.”

So, we arrived in the village of Dobariya. We were met by some village elders, some, uh, politicians, and some young people, some teenagers as well. We were taken to a private home where we were served tea and sweets and listened to the experiences of Arab-Israeli citizens and what it was like for them to live in Israel. Dalia struck up a conversation with one of the Arab teenagers and after a few moments, we heard both of them giggling. Dalia was just surprised; she was really excited. It turned out that both girls had attended the same school and had gone to a special camp together and had much in common. They chatted away for the rest of the day. And she joined with us when we joined hands with men, women, and children in Dobariya. And we formed our own sort of hands across Dobariya line and sang, “We are the World.”

When we got back to the hotel, she said, “I’m so glad that I came.”

Well, one of the visits that we had to Senegal, we took a departure from our normal itinerary and went to a refugee camp in Senegal’s northern area, right near the border of Mauritania. For a number of years, it’s b… it’s been a system of slavery in Mauritania. And in 1988, large numbers of people were kicked out of the country and crossed the border into Senegal. They were being housed in these structures that normally housed grain. And we were told that there were many children there. So, the woman who put together our itinerary had taken some money from her organization to purchase some bread and other supplies. And she thought that this might be a good experience for our students. I wasn’t so sure about this. It was not on the itinerary and an Operation Understanding itinerary was anything but typical under normal circumstances. But we went to a store and we bought, uh, wiffle balls and wiffle bats (little plastic bats), and nerf frisbees, and nerf footballs, and bags and bags of candy. And the van took us as far as it could. We got off the van and we began to walk.

And I don’t know what my students were thinking but their faces, the expressions on them, seemed to reflect what I was feeling. I just had my head down and was just focusing on the sound of our shoes as it hit the sand on the dusty road and the clouds of dust billowing up. And after a moment, in the distance, we noticed another dust cloud kinda… kind of coming towards us. And then we heard singing coming from the dust cloud. The dust cleared and it was children. Children from the refugee camp had come to greet us. They were clapping and they were singing. And they took our hands and they walked us into an area where there were hundreds more children seated on the ground. They left us and went and sat down to join those children. Well, a man, who seemed to be in charge, motioned us to an area opposite the children, facing them and I thought that he was telling us to sit down. We didn’t quite understand what he was saying so I motioned for my students to sit. And then some women came over and motioned for us to stand up and some of them left the area. So, I motioned for the students to stand up. We stood up once again. And then finally our guide, our translator, Boule, came and said, “Ah, the children have a gift for you. They want to present you with a piece of theater; you are their guests.”

The women who had left the area came back and spread fabric on the ground. He said, “They didn’t want you to sit down on the dirt.”

Well, the children presented a wonderfully funny and inventive stiff skit. It was not in English but it was clear to understand. A ch… a young chief had gone to the French school in the vi… city to learn how to rule his people. And he returned to the village with piles of textbooks. And, one after another, people would come to him with problems. And he would sort through the textbook to find the page and the chapter that he could tell them what they should do from the textbook. And a series of funny mishaps occurred until the marabout, the spiritual man came and reconnected him with his ancestors and the ancestral traditional ways of doing things.

We had come clear across the ocean to uncover our cultural, ethnic, religious roots to peel back the layers of assumption, myth, misunderstanding. To get to the essence of our commonalities and the struggle to claim and retain an identity here on American soil, these children, in our western way of thinking, had nothing – less than nothing. What they gave us was the greatest gift of all mankind and that was themselves, joyfully and s…, apparently, with the understanding that we are all undeniably human. They brought home to us once again that we can, at any moment, make the choice to use the gifts that we have been given to lift and transform mankind.

We didn’t drop our supplies and leave. We just couldn’t do that. We owed them so much more than that. I stood in the midst of several hundred children separated from their families. No, uh,  nati… national identity and led with the help of my translator, several call and response songs including Ella Jenkins, “Did You Feed My Cow? Yes, Ma’am.” We stayed far into the night. Our students played wiffle ball and threw frisbees and showed them how to run bases. Girls kept coming up playing handclapping games. And we listened to, uh, elders tell their stories, translated by our guide. Helped them prepare food, all while children kept running up to me tapping me and singing out, “Yessa, Ma’am.” The song was as treasured a gift as the candy, which was now… all… gone.

America, The Land of Miracles

 

Story Summary:

 Noa grew up in Jerusalem, where America was the most exotic place other than Mars. In the 5th grade, Noa’s family left their home in Israel. She arrived in America speaking very little English. But miracles do happen…

For a print friendly version of the transcript, click here: America-The-Land-of-Miracles

Discussion Questions:

  1.  Have you ever been a foreigner in a country where you didn’t speak the language? What were some of the strange or incomprehensible things you encountered? What was funny, scary or most difficult?
  2.  Do you know anyone for whom English is a second language? Can you imagine what it would feel like to not understand everyone around you?  What are some things that you can do to help them feel more connected and welcomed?
  3.  Besides words, humans use many non-verbal ways to create and convey meaning. Discuss the ways we communicate meaning other than spoken words? What impact does our tone of voice, facial expressions and attitude have on our words?
  4.  Different cultures have different communication norms. What do you think are some of the norms that we have in America? Are there certain phrases or gestures that every culture uses?

Resources:

Themes:

  • Crossing Cultures
  • Education and Life Lessons
  • Identity
  • Immigration
  • Jewish Americans/Jews
  • Languages
  • Living and Traveling Abroad
  • Taking A Stand and Peacemaking

Full Transcript:

Hi, my name is Noa Baum but when I was a little girl growing up in Israel, my name was Noa Kohen-Raz. I grew up in Jerusalem where America…America was just about the farthest, most exotic place you could go to, other than Mars. And in the summer, before fifth grade, 1968, my father announced that he was invited to a two year sabbatical at Stanford University in a place called Palo Alto, California. Which is just another complicated way of saying America. We were going to America! America… How can I describe to you…is…it’s the land of miracles! It’s the place where my mother said everyone had cars and televisions and machines and actually washed your clothes for you and everyone there spoke English…and that’s when it hit me.

We were going to start English as a Second Language in fifth grade and I was going to go to fifth grade in America where everybody already spoke English. Suddenly, I wasn’t sure I wanted to go at all. But to call my panic, my father gave me a two week crash course in English, which included all the letters A, B, C, D, all the way to Z. And as we flew across that endless ocean, I chanted my entire English vocabulary over and over. “Hello. How do you do? My name is Noa Kohen-Raz. I come from Israel.” And armed with this, I entered my first day of school in America, the Land of Miracles.

Well, the first thing that was evident was how strange and different everything was. I mean, my school in Jerusalem was a three story building with corridors and narrow windows and lots of stairways. We had a single little slab of concrete outside and it functioned as gymnastics, assembly court, basketball, soccer, chased the boys field, all in one. Here in America, the school was just one story high. It was shaped like an L and all the doors were green. And they, they faced an enormous playground, beyond which was an even bigger area filled with grass. I mean, it was bigger than my entire neighborhood in Jerusalem!

And then my mother deposited me in front of one of those green doors, the fifth grade. There was the teacher Mr. Frieburg. He had a bald, shiny head, big round belly and a smile that gave instant meaning to the phrase, “From ear to ear.” He said, “Hello!” and I was smitten.

“Hello. How do you do? My name is Noa Kohen-Raz. I come from Israel.” He shook my hand.

“How do you do?” And he laughed so hard, the tie was bouncing on his belly. He led me to my desk. He pointed to a piece of tape on the corner, “Name.” I knew that, my father showed me. I practiced my name. I wrote it, N-O-A. I’m so proud.

The girl next to me was writing two names. My last name. My last name Kohen-Raz. My father showed me but I never practiced. What am I going to do? What am I gonna…I mean…I mean, even if I knew the words to ask…I mean…how can you ask somebody else how to write your own last name? I mean, I’m in fifth grade.  And how much stupider can you get? I wanted to evaporate and die. I prayed for a miracle. And it happened.

All of a sudden, Mr. Freiberg said my name out loud, “Noa Kohen-Raz” and somebody asked, “Uh?” And he turned around and he wrote it on the board. N-O-A, K-O-H-E-N, dash, R-A-Z! All I had to do was copy it and I was saved.

Another miracle happened when the bell rang. Recess. Everyone was rushing to me. I was never so popular in my life. I was standing in the middle of a circle, surrounded by pushing eyes and bodies and they all had thousands of questions. (Sounds of gibberish talking.) What could I do? I answered with all of my English. “How do you do? My name is Noa Kohen-Raz. I come from Israel.” But there was more. (Sounds of gibberish talking.)  “Yes,” and they laughed. (Sounds of gibberish talking.) “Yes,” and they laughed again. This a miracle. I was funny in English.  And to this day I have no idea what it was I said yes to.

But right after the bell rang, Mr. Freiburg wrote a word on the board, C-H-O-R-U-S, and then he clapped his hands, “Chorus!” And everybody said, “Yeah!” And they were all putting their bags… in their bags and everybody was banging their desks and rushing to the door and I figured we’re going somewhere. And so, I to… put my books in my bag and I, and I, and I got up to go to the door. By then everybody was gone and Mr Freiberg was standing there with his big smile, “Chorus,” and pointing out and I said, (nods head), and I started going out to the playground…and, and there was nobody there. They all disappeared so fast. I was facing an endless line of identical green doors. My entire class disappeared behind one of them but which one? And what was that word? Cha-What is it? The only logical conclusion I could come to was that it was some sort of a secret club only for Americans. I mean, why else would they run so fast and leave me behind? Because I’m not invited. And it was quiet. You know, the way it is after the bell rings and everybody knows where this was to be except me. And there was a lump in my throat swelling to the point of pain and… I just decided to go home.

Well, the sixth grade guards stopped me at the corner and they started to talk, and they took me by the hand, and they started to lead me back to the line of green doors. And I wanted to say I don’t want to go to this place that had things only for Americans and I’m not invited. But even if I had the words by then, I couldn’t talk; I was just crying. But they kept walking and then they opened one of the green doors. And there they were, my entire class standing around a big piano. An Asian looking teacher was sitting there reading names. She turned to me, “What’s your name?”

“My name is Noa Kohen-Raz. I come from Israel.”

“Oh, Israel! Chanukah!” And she waves her hand in the air and they all start to sing in Hebrew! Shalom, chaverim. Shalom, chaverim. Shalom. Shalom.

To be honest…they had a lot of work to do on their Hebrew. But for me that moment qualifies as a miracle. My third miracle in America, The Land of Miracles.

How Do You Say Blueberry in Spanish?

 

Story Summary:

 Antonio explores the challenges and joys of trying to raise a bilingual child. As anxious new parents, Antonio and his wife ask, “Are two languages better than one?” and find humor along the way.

 

Discussion Questions:

  1. Why did Antonio and his wife begin to doubt their choice of raising their son to be bilingual?
  2. What is the advantage of speaking more than one language?
  3. Two-way Immersion (TWI) classes or bilingual immersion classrooms are springing up in many urban/suburban communities where people new to America settle. What used to be a rare challenge for the public schools has become mandatory. Also, many English-only speakers want these programs because parents understand that their children’s world is much more global than the world in which they grew up. Would you put your child into classes that teach core subjects in a language other than English?

 

Resource:

 

Themes:

  • Crossing Cultures
  • Education and Life Lessons
  • European American/Whites
  • Family and Childhood
  • Identity
  • Languages
  • Latino American/Latinos
  • Taking A Stand and Peacemaking

Memorial: Youth Violence Then and Now

Part 1:

 

Part 2:

 

Story Summary:

 Susan O’Halloran attends a Chicago Memorial service in November of 2011 for children who have died through violence. Being at the Memorial sparks a high school memory for Susan of going to a youth conference in 1965 and meeting Cecil, an African American teenager, who became Sue’s friend. One evening, in 1967, Sue receives a phone call that changes everything.

Being at a Chicago Memorial service in November of 2011 for children who have died through gun violence sparks memories for Susan O’Halloran of people she has lost. At the end of the service, the congregation moves into the streets to plead for peace as everyone asks the continuing questions: Will the violent deaths of young lives end? When? And what is our part in ending violence?

For a print friendly version of the transcript, click here: Memorial-Youth-Violence-Then-and-Now-Part-One and Memorial-Youth-Violence-Then-and-Now-Part-Two

Discussion Questions:

  1. What are the causes of violent deaths in America? People are always responsible for their own actions, but how does America’s legacy of segregation and discrimination play into violence?
  2. Are you for more restrictions on guns? More policing? How would greater educational and job opportunities affect violence?
  3. If you could be Mayor of a large U.S. city, what would you do to curb violence?
  4. Do you believe as Sue says that “these are all our children”? Why would someone in one part of a town be concerned with what happens in another part? How are we connected to one another? How does violence affect even the more “peaceful” parts of town?
  5. Sue remembers that she was directly touched by violence. What affect has a young person’s death had on you?

Resources:

  • The New Jim Crow: Mass Incarceration in the Age of Colorblindness by Michelle Alexander and Cornell West
  • Youth Violence: Theory, Prevention and Intervention by Kathryn Seifert, PhD

Themes:

  • Asian Americans/Asians
  • African American/Black History
  • Crossing Cultures
  • European American/Whites
  • Family and Childhood
  • First Nations/Native Americans
  • Latino American/Latinos
  • Taking A Stand and Peacemaking

Full Transcript:

Hi, I’m Susan O’Halloran. Do you ever watch the news sometimes and you’re like, enough already! But then every so often, something happens, not things that are just happening to other people anymore. I want to share a story with you about a memorial service I went to in Chicago, November 2011. And a memory was triggered by that memorial, something that had happened long, long ago.

 

The first thing I noticed was the checkmarks. They had asked us to sign in with our name and then to check “yes” if we had lost a family member or close friend to violence. When I arrived, the memorial service had already begun. I made the long trek from my Evanston, Illinois home, down Lakeshore Dr, across the Dan Ryan Expressway, to the Southside of Chicago and the gothic style church of St. Sabinas. When I walked into that vestibule I heard an orchestra playing inside and I walked up to the sign-in book and I went to add my name. I couldn’t check the box. I was fortunate, my life hadn’t been touched by that kind of tragedy. But what I saw was hundreds of checkmarks already made. Each check said, “Yes, I’ve lost a loved one to violence.” Well, an usher came up to me, an African-American woman with a wide smile, wearing a black pillbox hat, a black suit, white gloves. She handed me a program, an unlit candle, and directed me to follow her. She walked me past rows of mourners and them she offered me a seat at the end of a pew. I was there. I was at the Urban Dolorosa memorial. Urban Dolorosa means “the city of sorrow,” and our city was deep in sorrow.

 

In those previous three school years, from September 2008 to August 2011, four thousand children had been shot in Chicago. Two hundred sixty-three kids were dead because of violence. Four thousand shot and 263 dead. Congregations of all faiths and other non-profits had gathered together to form Urban Dolorosa to say we had to stop the denial, the ignorance, the indifference, the hopelessness. They were calling for a comprehensive, coordinated plan to end the blood bath.

 

Now, I walked in there expecting I would hear community leaders rage about, you know, how decades of injustice and marginalizing whole communities, was a recipe for violence. I thought they would remind us that the very victims of the carnage are the people who are getting blamed. I thought I’d hear politicians who would make speeches about how unemployment, inferior education, and pouring resources into youth and community development, this would benefit all of us. But that’s not what I had walked into at all. No, instead, this memorial was a, kind of, sacred musical cane. A mix of opera and choral music, sung in English and Spanish with strains of the blues and African-American spirituals, punctuated by a poetic libretto with an art installation and candlelight and photographs projected images of those left behind. Tear stained faces wide in disbelief or pinched tight in pain. Pictures of people holding each other up – their grief too much to bear alone. My surprise of what this memorial was, quickly melted into a feeling that, yes, this was exactly right. This was how to remember children who would never grow up to be young men and young women.

I remember a poem I read in college, it stayed with me all these years, by the poet Bill Knott; just three simple lines.

The only response
 to a child’s grave is
 to lie down before it and play dead

And then youth performers walked the aisles and took photographs from people. Photographs of their slain loved ones. And they brought those photographs to the altar and began to build this tall sculpture of smiling children’s faces – a mound of grief growing before us. And then they scattered all about as the names were read. “Rahim Washington, Eva Henry, Jose Corona…” Each name pierced the air!

And those youth performers, one of them came right by me. A 16-year-old girl with a round face, a very solemn face, so close her hand was brushing my shoulder and she lit her candle and she leaned over and lit mine and then gestured with her head for me to light the candle, the man beside me.  And all of a sudden, candlelight was swimming up and down the pews of St. Sabinas as more names were read. “Alanzo Jones, Kabauro Ottowani, Arianna Gibson…” It was as if I could hear a drumbeat underscoring every name, every life.  And then, this teenager blew out her flame, and poof, poof, poof, all of the sanctuary, flames gone, blown out. And she handed me her extinguished candle and left. It took me a moment to look into the aisle beside me and see her shoes were still there. All up and down the aisles of St. Sabinas. No more teens, just their empty shoes. My heart collapsed, gave way to the sound of a beating drum, and the memory flooded in.

Nineteen sixty-five. The first time I saw him, he was playing the drums or I should say an upside-down waste basket. I had met Cecil 46 years before. We were both 15 years old and we were at the YCS regional conference. YCS. Young Christian Students. I had met, I had joined the local group at my school that year and I decided to go to the regional conference. It was held at St. Joseph’s College in Rensselaer, Indiana just about an hour and a half outside of Chicago. Oh, it was a whole week at the end of summer. Seminars and speakers and panel discussions. It was such great fun. And most of all it meant friendships with kids from all over the city and neighboring states. And since things were completely segregated in the 1960s, that meant for most of us it would be our first interracial experience.

Now the night I met Cecil, we girls decided to sneak out of our dorm. We were going to sneak out of our dorm and go to the boys’ dorm after curfew. For someone like me who rarely broke the rules, this was high adventure. We dressed in dark turtlenecks and long pants. I could almost hear the theme music from the I Spy TV show. Wah wah wah wah. We actually crawled on our bellies, like, pulled ourselves with our elbows across this long empty field that separated us from the boys. And when we got to the boys’ dorm, those boys were in ecstasy… And not at all interested in us. Cecil, of slight build and wearing glasses and his friend tall, thin Joe, had instructed the other boys, who were white, and how to turn their metal wastebaskets into drums. And they’d given them the steady pulse that most of the boys could handle. And then Cecil and Joe, they played on top of their beat. Now Joe was like the master of ceremonies. He’d tipped back in his chair and drum between his legs and the call out to the boys and encourage them. “That’s right. You’re doing it. That’s right. That’s right.” Master of ceremonies.

Cecil was the serious one. He would cock his head to one side always an ear down to the drum. Monitoring if the intent and effect were one in the same. His rhythm seemed to come from the base of his spine, crawl up his back, push his arms from behind so fast that his hands would blur. These boys looked so blissed out, their faces seemed to say, “Yes. What you’re playing goes with what I’m playing, goes with what he’s playing. Yes, yes, yes. We’re in this together. Yes.”

Well, after that regional conference, at the end of the week. We had small group discussions throughout the week. Oh, Cecil was in my group so I saw him every day. And we talked about group leadership and school spirit and racial stereotyping. And sometimes after that seminar Cecil and I just weren’t done; we had to keep talking, piggybacking off of each other’s ideas. We walked the cinder running track back behind the classrooms.

Cecil’d say things like, “They should have a UN for kids!” And I go, “Yeah!” I’d agree. “Yeah! I wish we could meet kids from China and Africa and France!” Having just met kids from the other side of the city, the other side of the color line, we were ready to take on the world. And then by the end of that week was Friday night dance. Now in my neighborhood the thought of dancing with a boy who was black, it would have been unheard of. An impossibility, but by the end of the week, hey, Cecil was my pal. Of course, I would dance with Cecil.

And when Cecil came towards me. He was shorter than me. He looked tall and elegant. And he took my hand like it was a jewel. And he walked me out to an empty space on the dance floor and we began to slow dance. Now in my neighborhood, slow dancing meant the boys and girls would fall on each other and kind of move sideways, swaying like zombies. But with Cecil slow dancing meant walking coolly, purposefully, covering that dance floor three, four times with space between your bodies to twist and dip.  Cecil would duck under my arm, he would twirl me in light circles. He would graze his hand across my waist as he circled me. I looked great just standing there.

Well, after that regional conference, I joined citywide YCS. And so did Cecil. We had meetings. We had more dances. We had picnics at the lakefront. We had press conferences to announce our newest initiatives but, most of all, what we did was plan study days, kind of like the regional conference. We bring kids together from all over the city and we would study, look at some kind of social justice issue. And once Cecil and I co-chaired a study day examining the black power movement. Ah, the day was exciting and contentious and scary and thrilling. We got people thinking and some people really upset and angry. And I just remember afterwards sharing a Coke with Cecil and the two of us sitting there saying, “We did it! We did it!” Though, I don’t think either of us quite knew what we had done.

I remember that last leadership meeting in 1967, we were juniors in high school. It was the last meeting that Cecil attended. One of our adult mentors suggested an icebreaker for the beginning of the meeting. He said, “Why don’t you go ‘round and everybody say how they want to be remembered. You tell us what you would want written on your gravestone.”

Well, Katie went first and she said, “I want my gravestone to say she was alive.” And I went next and I joked I want my gravestone to say she IS alive. And everybody started laughing. And then Cecil said. Cecil said. Cecil said, “What?” See, he’s after me and I thought this mixture of pride and self-consciousness because I made everybody laugh so I don’t remember what Cecil said. I mean he was the good listener not me. What did Cecil want on his gravestone. It became so important to remember.

The first thing we heard was that he’d been shot. I stayed on the phone with YCS friends long into the night. It was as if we held a phone vigil. Maybe we could pull him through. Cecil and Joe had been to a dance in their neighborhood that night and they were walking home and this other kid, older a little bit. They didn’t know him. Walked up to them and said, “Where are you from?” And Cecil, just as any good, Catholic, Chicago kid would, he answered, his parish, Sacred Heart. “BOOM!” Just like that. The kid took out a gun and shot him. Cecil’s chest lay open to the moonless sky. We didn’t know many details, we just heard that Joe didn’t know what to do. I mean stay with this friend or go run for help. There were no cell phones back then. And I just keep picturing Joe with Cecil, then running to get help and then like a film thrown into reverse, running back.  And then, “No, no! We should get help.” And running, just not knowing what to do.

I’d never been to the wake of a young person, a teenager, somebody my age. When we got to the funeral home, women with hats and powdery cheeks and older women smelling of perfume were milling about. And I was in grief before I even walked into that main room because I realized that Cecil had grown up much as I did. Leaned into the body of mothers and aunties and grandmas. The soft flesh of women’s arms wrapped around him, falling asleep in the heat of their bodies. And I knew with surety that the dividing line, that color line, in our city separated me not only from my black friends but from the familiness of my black friends. And then I saw, uh, Joe and as high as his face could lift and a smile was how far it fell. His skin hung loose over his jaw. “Thanks for coming,” he said. Still the master of ceremonies, we YCS kids, white, black and brown walked to the casket together.

We stared at Cecil’s body of brackish dust.  Part death, part Cecil, still. He looked like a jewel floating on the white, pleated linen below him. He looked so young, like a child. Way too young to be dead. I saw that dead people looked a lot like. White people may be a little more pasty, chalky, white. Black people may be more ashy gray. But both as far away as the deepest stone at the bottom of Lake Michigan.

The adults, they knew the manners of death. They held out holy cards to people. They, they prayed their Hail Marys and Our Fathers. But we kids were lucky, we were young, we didn’t have to say things like, “Oh, he looks good.” No, we just stood there silent…shattered. Maybe it was me, I don’t know, who broke first. I don’t know who fell on me and who I fell where my body began or where it ended. I just know the room melted away as we cradled each other in front of Cecil McClure’s casket.

It’s as if we just wanted to crawl into each other’s comfort. To hold each other as we felt the truth of it. Our friend is dead. Our friend dead. Our friend is dead. The truth beat against our hearts like a drum.

“Terence Hollands, Delvonta Porter, Devon Varner…” the reading,  the memorial reading of the names continues. Four thousand children shot, 263 children dead. The only response to a child’s grave is to lie down before it and play dead. The same youth performers came out into the sanctuary again. My same teen, my sentinel, at my side, appeared and she gestured for me to stand up. And all over the sanctuary, the teens were leading us outside for a profession, procession, a procession through our neighborhood to reclaim our streets. To put an end to violence.

A musician, one of the violinists, led that procession. Playing a song, now a refrain, we had heard often in the service, so everybody began to sing. “Pour out your heart like water for the lives of our children. Let justice roll like an ever-flowing stream.” We turned a corner and television cameras appeared. It felt like an obstruction, kind of obscene. You know, we’ve been in the quiet of the sanctuary, then the quiet of the night and then, boom, these bright white lights. Like a self-conscious kind of spectacle. But also, you know, lending a kind of layer extra layer of importance to the ritual. I mean we did want people to know. To know so that maybe we could believe that the denial was over. People were coming together because it was in our power to change things.

When their procession was over, I hugged my teen goodbye. I thanked her. And I went to walk to the parking lot to get my car but I thought, “No, I’ll go in the church and a look. I’ll just see.”  I went into the church and I found it. The sign-in book was still there. I found my name and I checked yes. Yes, I had lost a loved one to violence. Yes, I will work for peace. Have to commit to peace.  For all the children still living, growing and dreaming in every neighborhood across this nation.

Yes.

Take Me To Your Leader

 

Story Summary:

 Can you see antennas on this middle aged white woman? “Aliens” (the word used for people from other countries) come from places other than Mars. During the McCarthy witch-hunts (a period of anti-communism intensity), the Cold War and the Space Race, we all learned to “blend” our ethnic identities.

For a print friendly version of the transcript, click here: Take-Me-To-Your-Leader

Discussion Questions:

  1.  Why was Yvonne’s family able to legally become naturalized citizens while other people came to the U.S. as “illegals”?
  2. How old do you think Yvonne needed to be before she understood what it meant to become a U.S. citizen?

Resource:

  •  The Irish in America by Michael Coffey

Themes:

  •  Crossing Cultures
  • European American/Whites
  • Family and Childhood
  • Immigration
  • Living and Traveling Abroad

Full Transcript:

Hi, my name is Yvonne.  And I’m seven years old and the Pittsburgh Federal Building reaches right up to the sky, for real!  There are bars on the windows.  There may be daffodils blooming on the lawn but the entrance looms like a great, big mouth ready to swallow us up.  Awe…it looks an awful lot like the wicked fortress of the Wicked Witch of the West.  But…really… it’s the Pittsburgh Federal Building and this is the Steel City, not the Emerald City of Oz.

“Come on in.  Come along,” says Mummy.  “Let’s go.” So we go inside.  And we’re going inside the Federal Building.  Now, you see, I may be seven years old but I know what a federal building is.  We have a federal building in our own little town in Pennsylvania.  We go there, my dad and I, to mail packages back home to Ireland.  And our whole family goes there all together once a year for something special.  We go and we stand right up to the counter and then we hold our hands up, and out loud, we say the alien promise.  And then we sign our names.  Mine’s in block cursive.  And all the other people buying stamps, they’re staring at us because we’re aliens.  Well, that night we go home and watch TV and on the TV, there are the McCarthy Witch Trials.  And on that show, there are people who…who are getting yelled at and jailed because they’re aliens.

Well, I go to the mirror afterwards and I’m looking through my black hair for my antennae.  Because aliens have antenna.  I know that because I watch TV.  I watched Chiller Science Fiction Theater.  And aliens have antennae, Martians have antennae.  So I must have antennae.  The only time I see aliens is on TV because there are no other aliens in my town.  Everybody else is a real American.  But, you know, I don’t think antennae can come out.  They’re kind of stuck in there.  Because my… my teacher, Sister Camella, she likes to hit me on the head with the big, thick Geography book.  She does that whenever I accidentally use the language that we speak at home, Gaelic Irish.  She says, “Blend! Why don’t you blend?  Why don’t you speak like your friend, Star?  She’s a real American!  But you, you’re always going to be just alien!”  Star is a real American.  She speaks nicely.  And she has blonde hair and blue eyes.  And she doesn’t have to go down to the post office.  And she doesn’t cook funny food.  That’s what my friends say when they come over.

But anyway, so this is a special day!  (I don’t want to think about that.)  This is a special day.  This is the day I’m gonna be naturalized.  I didn’t know I wasn’t natural but now I know.  It’s going to be ok, ’cause today, I’m going to be naturalized.  So… I’ve been practicing my cursive.

And now Daddy and Mummy and my big sister and I are sitting in a bench right beside these big wooden doors.  One after another, our names are called in.  They go in separately because Daddy, Daddy thinks that… if Ireland declares war on the United States we’re gonna each need our own papers so we don’t get deported.  Tá mé na hÉireann agus tá mé Meiriceánach.  I’m Irish and I’m American.  Then they called my name.  And there are these black pants and a blue shirt and a yellow badge and a strange face.  And my mum pushes me.  “Go on, go on.”  I can’t believe that my mum is telling me to go with this stranger after she’s always going on about never going with strangers.  And now she’s making me go off into this big scary building with this scary man that I’ve never seen before! And he smells bad! We’re walking through those doors and we’re in a courtroom.  Only… only it’s not like the courtroom one on the TV show Perry Mason.  It’s got all the benches.  But this one’s dark and empty.  And my patent leather shoes are going, “whap, whap, whap,” as I go down the aisle following that stranger.  We get to the end, he gives me a little push.  And in front of me there’s this big, black tower of wood…I don’t want to go.  He says, “Go to the Judge’s Bench.”  …I don’t say it but I’m, like, that’s not a bench, that’s not a seat, that’s not a desk.  That’s a tower!  He gives me another push and I get a little further and I see there are little steps going up the side.  So, ok, I go up the steps.  And then it turns a corner and now I’m surrounded by black wood.  Heavy, thick, black wood.  I am all alone.  And the black wood just gets closer and closer and the air is getting squeezed out.  And I’m alone in this big black tower and then I hear, “Hey!”  And there’s a man, an old man’s face kind of poking out around the corner.  Is it the wizard?  Or the judge?   He motions to come closer.  So, he says, “Don’t worry.  Don’t worry.  I’m sure you remember the answers.”

And he says, “Who’s the president of the United States?”

I think to myself, “Oh my gosh, everybody knows that it’s the man with the shiny head.”  But I say, like a lady, I say, “General Eisenhower.”

And he says, “Who discovered America?”

And I say, “Christopher Columbus but it was named after the matchmaker, Amerigo Vespucci.”

And then he says, “Alright, this is a tricky one but you look like a smart little girl, how many states are there?”

“Forty-nine, Alaska just got in.”

“Congratulations,” he says.  “You are now an American citizen.  You may sign the book and repeat after me.”

And I hold my hand up like him, and just like you probably remember, I say, “I pledge allegiance to the flag of the United States of America…”  I sign my name in big round cursive letters.  Now, I’m an American, a real American and I’m Irish too!

The Restaurant Story: A French American Becomes More Visible

 

Story Summary:

As Franco-Americans from Quebec assimilated into the larger Anglo culture in the United States, they became, as a result of that effort, more “invisible.” The story that Michael tells, as Jean-Paul Boisvert, shows a couple’s resistance to that “invisibility.”

For a print friendly version of the transcript, click here:  The-Restaurant-Story-A-French-American-Becomes-More-Visible

Discussion Questions:

  1. Do you know when “your people” came to the United States? If you do not, is it because, in their effort to assimilate, they also became “invisible”?
  2. Were “your people” able to assimilate successfully? Or did they accommodate to the Anglo culture to the point where they became “invisible”?
  3. Did your grandparents or parents ever speak a language other than English? Were they able to learn English and also continue to speak their “native” language even if it was a dialect of the language rather than the “standard” version?
  4. Have you ever had to “bite your tongue” to fit in, or assimilate into a culture? Do you think it was wise of the narrator of the story not to “bite his tongue” and speak up?

Resources:

  • The Franco-Americans of Lewiston-Auburn by Mary Rice-DeFosse and James Myall, The History Press, Charleston, S.C. 2015.  (A lively exploration of the challenges of the French-speaking immigrants from Canada who came to work in the textile industry.)
  • The First Franco-Americans by C. Stewart Doty, The University of Maine Press, Orono, ME 1985. (Well edited New England Life Histories from the Federal Writers’ Project.)

Themes:

  •  Crossing Cultures
  • European American/Whites
  • Identity
  • Languages
  • Taking A Stand and Peacemaking

Full Transcript:

Hi, my name is Michael Parent. A few weeks ago, I was in residence at one of the elementary schools in my hometown of Lewiston, Maine. And I couldn’t help but notice that the kids there was so visible and so audible. Many of them are African immigrants from Somalia, from Sudan, from Cote d’Ivoire, and they were visible. The girls in their colorful clothing. The boys and girls, both of them, both the boys and girls, had wonderful speech. They were all dark skinned so they really stood out. They were visible and audible. And it led me to think that my own people, the Franco-Americans, who came down from Quebec a few generations ago, had become invisible and inaudible.

So, I started thinking about this, when they arrived from Quebec mostly, to work in the textile mills of New England, they were visible and audible. Well, they had Catholic religion. They had their French accents and their French language. They loved to get together in family gatherings. They loved loud singing and dancing, music, loud conversation in large groups. Now, my grandparents and my great grandparents were part of this immigration of about 1.5 million French Canadians who mostly came to try to find work in the textile mills of New England. Many of these people thought they would come down work for a few years and return to Quebec to revive their sagging farms. Well, most did not return. And the people who stayed, banded together in their own neighborhoods called, Peu Kanata, Little Canada. And in those neighborhoods, they tried to preserve their language and their traditions. And this slowed their assimilation into the larger, predominant, Anglo culture for quite a long time.

French was the language most spoken. When they went to church, the masses were said in Latin and French. When they sent their children to schools, I was one of those children, we had school half in French and half English. Well, on Sundays, we went for family gatherings and French was the language that was mostly spoken, then. We never, ever addressed my grandparents, my Mémé and Pépé, or our aunts and uncles, my tante and my oncle, we never addressed them in English. It was considered really impolite to do so.

My father, Gerard Parent represented the voice that said, “Deux langues sont deux fois,” which meant, Two languages is twice as good. But the prevailing majority voice was, “Le boss ne parle français,” the boss does not speak French. So, these people had to assimilate in order to survive in an Anglo culture. Some people changed their names to do so. Cluse became Clukey and Boisvert became Greenwood and so on. Now the older generation seems to be saying to the younger generations, “Listen we’ll never belong here in the United States but we will do anything that we can so that someday you will belong.” So, in order to assimilate into the Anglo culture many of these immigrants steered their children away from their heritage language. With the assimilation came a loss of language and culture. And with this loss of language and culture came invisibility. The story I’d like to tell you now is a, an excerpt from a larger story called, One More Thing. And it’s being told by Jean-Paul Bavare, who was an immigrant, who is retired from the textile mills and he’s going to tell about an incident that took place in his and his wife’s life.

Oh, yeah. Irene. She was my oldest daughter you know. Still is. I had five kids. Irene, I was so proud of her. That kid. But she always reminded me I never went to her college graduation. Hmm. I just didn’t feel comfortable with those college people. Hmm. Irene, she was mad she didn’t understand that at all. And oh, yeah, yeah. She liked to remind me how I was a big sour puss at her wedding. Well, it’s true I couldn’t wait to get outta there. Malcolm, my son-in-law, he was what I called, an Episcopagen.  But anyway, his people, all they talked about was their stocks and bonds, and their country clubs, and all the rest of that. Oh, gee, I couldn’t wait to get outta there. Irene, she was mad about that.

But here’s what I’m talking about. See, my wife felt the same way about all these things. We never hardly went out. My wife, she liked to stay home. She liked to have company come to her. So, one time, I had this boss, his name was Bill Lawler, Bill Lawler. Bill was a good guy, you know. He was one of my first bosses at the mill and he treated us workers fair and square. Well, he heard my wife was a good cook, you know. So, I invited him and his wife, Mildred, over for supper one time. And they kept coming maybe once or twice a year, but, you know, we never went to their house. Marie Louise, my wife, she did not like to go, you know, to other people’s houses. She liked to have company come to her, you know. She’d like to be with her own people mostly. Anyway. So, one time at one of our anniversaries I managed to convince Marie Louise to go out for supper. And we went to Chez Robert, oh boy. When we get to the restaurant, who do we see sitting there? But Bill Lawler and Mildred and a couple of their friends. Well, we go over there, we chit chat a little bit, you know, and Bill, he’s a nice guy, so he invites us to join them. Well, I didn’t know how to wiggle out of it, you know. So, we sat down. Well, these friends of the Lawlers, this other couple, they start talking about how they just adore speaking French. And they start blabbing away in their a high-class, college French about their trips to Paris. The wife of the other couple, she asked Marie Louise if we ever went to Paris. Marie-Louise says, “No. No, we usually go on vacations up to Quebec to visit some of our relatives. Well, the husband of the couple, he pipes in, and he says, “They would like to go to Quebec but they didn’t think they would understand such a strange accent.”

So, I said, “Hey, listen. Come on. There’s all kinds, different ways to talk French. Just like there’s all kinds, different ways to talk English.”

And he thinks about this for two, three seconds and he says, “But isn’t Quebec, was a peasant French?”

Oooooh! I could have bit my tongue, you know. Here was my boss. These are his friends and we were always taught to bite our tongues. I suppose in case they sent us back to Canada, I guess, I don’t know. But no, instead I said, “What’s wrong with that? If it wasn’t for us peasants, you aristocrats wouldn’t have a thing to eat.” It got very quiet that all the food finally came, thank goodness. And we started eating.

After a little while the wife of the other couple, looking down her nose at Marie Louise says, “Mrs. Bavare, do you make your own dresses?” Marie Louise takes her napkin and she folds it up. She puts it on the table.

She looks at me and she says, “Laisse nous partir!” Let’s go right now. And she stands up. And she looks at that woman right in the eye and she says, “Yes, I do make my own dresses. Thank you so much for asking. But now we have to leave because I have suddenly developed a big pain in my neck.” And she walks out of there like a queen.

I was so proud of her! But I never told.

Vietnamese Refugees: An American Immigration Story

 

Story Summary:

 The true story of a Vietnamese teenager who makes it to America after a harrowing boat journey and refugee camp. At a commemorative storytelling event honoring Vietnamese Americans, Sue witnesses the transformative power of story as this young man shares his American immigrant story. The community of listeners that storytelling creates makes a new country feel like home.

For a print friendly version of the transcript, click here: Vietnamese-Refugees-An-American-Immigrant-Story

Discussion Questions:

  1.  America and Canada represent a moral ideal for some people in other parts of the world. What is that ideal?
  2. Even in miserable surroundings people seek friendship; what does this say about our human need for connection? Neal and Tom were friends, yet Neal had no idea of his friend’s torment. How do we choose what to share and what to keep private from our friends?
  3. Why had Neal had not told Tom’s story before the storytelling workshop? How did it help him to share his story?

Resources:

Themes:

  • Asian American/Asians
  • Crossing Cultures
  • Family and Childhood
  • Identity
  • Immigration
  • Living and Traveling Abroad
  • Taking A Stand and Peacemaking
  • War

Full Transcript:

Hi, my name is Suzanne O’Halloran and I started to learn what home could mean to people on a whole other level when I was involved in an oral history project in 2005.  April, 2005 was the thirtieth anniversary of the fall of Saigon, the end of the Vietnam War.  And I was hired by the Society of the Divine Word to collect stories from some of their brothers and priests… about 25 folks who had escaped from Vietnam after the war.  Well, the story gathering was gonna happen in the day and then in the evening, we were gonna have a public concert… part of our Just Stories-Storytelling Festival.  Now, the first man I interviewed, his name was Neil.  When Neil was 16 years old, his family helped him escape from Vietnam.  But, unfortunately, he wound up, he ended up, in a not so nice refugee camp that wasn’t run by the U.N.  Neil said that the guards were mean.  I mean, they could just throw you in the blockade, no due process whatsoever.  Neil, every night in a platform tent with 27 other people, like, lined up like sardines.  And they would just get a little bit of food… like a bowl of rice, maybe a little fish, couple of vegetables and that had to last for several days.  And most of all, you had to be really careful that nobody stole your food.  But Neil made a friend, a boy a couple years older than him named Tom.

Tom had escaped Vietnam when he was 14 years old.  And Tom and Neil met in a Bible study class.  And as they got to know each other, Tom slowly told his story to Neil.  Now, Tom escaped as well, in the bottom of a boat; 64 people hiding at the bottom of a boat.  And this captain put fishing tackle, you can imagine all the smelly things, on top of them to hide ‘em.  And they motored out this channel and they stopped.  And everybody was so scared.  They figured they must have paid off some guards, ‘cause they kept on going.  Now, they got out to sea and things were going pretty well.  It was just a day or two trip over to Thailand.  And then the motor died.  And there they sat for two days.  Now they hadn’t brought food.  People escaped with what they had on their backs.  Now luckily the captain was bringing some hot sauce to a friend of his in Thailand.  And they had that case of hot sauce.  So each day, a couple a times a day, they’d lined up to get just one little dollop of this hot sauce to lick and that was it.  No water, nothing!

Well, finally, they saw a ship.  They were so excited!  “We’re over here!  We’re over here!”  But when that ship came closer, they discovered it was pirates.  We think of pirates like, you know, Peter Pan or something.  It just means pirates at sea.  And those men just hopped on board and they took… if people have watches, if they had any money on them, any food, and they even took that motor in case they could fix it.  But worse than that, they stabbed all the people so there would be no witnesses and threw them overboard.  So Tom found himself in the middle of the ocean.  Now, he had the presence of mind, there he was stabbed and bleeding, to take off his pants; kind of like these pajama kind of pants so they had cloth to them.  So he blew air in either and tied a knot in either end of the legs and used it like an inner tube to hang on.  Now, he doesn’t know for sure ’cause he was in and out of consciousness but he knows he went through a night so he was probably hanging there for a day.

And then another day went by and he was having to fight off fish.  And finally he thought, “This is it.  I’m giving up.” And he let go, he started sinking down to the bottom.  And he heard this voice inside him say, “No.  It’s not your time.” So he kind of bobbed back up just as he saw this big, red, plastic gas can floating by. So Tom climbed up on that and he hung there for a whole other day.  And then another ship came by and this time, thank God, it wasn’t pirates.  It was Thai fisherman.  But Thai fisherman had been told that if they picked up any more Vietnamese refugees, they would be in some big trouble.  They would lose their license.

But what are you going to do if you see a kid hanging on a gas can in the middle of the ocean?  Thank God, they did the right thing.  They stopped and picked up Neil. (Tom) Now, he had hypothermia by then.  They tried to warm him up and he were trying to tell them there were 63 other people.  And they went around, they motored around, they couldn’t find.  It seemed Neil (Tom) was the only survivor.  So they got him as close to shore as they dare because they didn’t want to lose their license.  They put him back in the water and Tom, I’m saying Tom, swam back to land.  And all kinds of stories but he finally made his way to the same horrible refugee camp.

Now, when they got there, they’d be questioned.  “Are you a Communist? Are you a spy?”  Because, of course, he showed up with no ID on him.  And how you got sponsored if you got out to another country, depended on how you answered these questions and, of course, with this kinda refugee camp, if you had a little money to grease the wheels.  And Tom had neither so he had been there for 4 years already when Neil met him.

There’s this one day, right before Bible study and they were sitting there talking.  And, well, Tom was really down but that wasn’t unusual.  You can imagine, in this kinda refugee camp, people got very depressed.  And Tom excused himself to go to the bathroom.  Now the bathroom at this refugee camp was just a hole in the ground with little trees around it for a little bit of privacy.  Well, Bible study started.  Tom didn’t show up.  Neil got worried.  He went looking for his friend.  And he found him.  Tom had hung himself.  He just despaired of ever getting out of that refugee camp.

And Neil said to me, “Well, they burned his body and sent his ashes back to Vietnam.  He finally made it back home.  He was caught in limbo all those years; he couldn’t go home, he couldn’t go forward.  And Neil said to me, “When Tom died, it was like a part of me died.”  And then he looked right at me and said, “I’ve never told anybody that story before.  I have never spoken of Tom before!”

Now, this was my first interview, and like 25 more to go!  And I heard these incredible stories of escape and family sacrifice, and idealism and loss.  So we got an idea.  That night was supposed to be the professional storytelling concert.  So I asked some of these brothers and priests if they would be willing to share their stories.  So that night the professional tellers did their marvelous, usual wonderful job and then these brothers got up and shared their stories.  And I’m telling ya, they stole the show!  There wasn’t a dry eye in the place.  They got a standing ovation.  And afterwards, Neil came up to me and said, “You know, it was very painful to share these stories today but important.  I have been here for almost 20 years but because of the way this audience, these people, listened to our stories, I feel like I’ve finally arrived in America.  I feel like I’m finally home.”  And that is the power of sharing and listening to each other’s stories.

Another Way West

 

Story Summary:

 At age 16, in 1855, Jane’s great-grandfather sailed from Long Island, N.Y. around the Horn to San Francisco where he was stranded! He took a job with Wells Fargo as a treasure agent in the Sacramento-Shasta Mining District…the home of the Shasta Indian Nation. In 1860 he rode the first leg east for the Pony Express. He was also a member of San Francisco’s Vigilance Committee, a group of 6000 men, committed to establishing “law and order.” How do we seek understanding of both the pride and the discomfort our ancestor’s stories?

For a print friendly version of the transcript, click here: Another-Way-West

Discussion Questions:

  1. How did the varieties of available transportation and the movement of people in the mid-1800s contribute to the ‘opening of the West’? Martin Luther King said, “The arc of moral history is long, but it bends toward justice.” How does that quote fit with the opening of the West? How has social media changed the way we learn about how people are being oppressed today?
  2. If you were to create tableaux or pictures from this story, how might you picture the Shasta Nation? the miners? the Vigilance Committee? the U.S. Army? the Pony Express?  How might you depict each group’s point of view and predicament?
  3. Because Brinck is a member of Jane’s family, when she tells this story to her grandchildren, what should she tell them?  Why?

Resources:

  •  A biography of Jane’s Great Grandfather: en.wikipedia.org/wiki/Elbert_Adrian_Brinckerhoff
  • wc.rootsweb.ancestry.com
  • Website – About the Shasta Nation Territory: en.wikipedia.org/wiki/Shasta-Trinty_National_Forest and www.fs.usda.gov/stnf

Themes:

  • Crossing Cultures
  • European American/Whites
  • First Nations/Native Americans
  • Stereotypes and Discrimination
  • War

Full Transcript:

Hello, I’m Jane Stenson. I’d like to tell you an excerpt from a story, “Another Way West.” It’s a story about my great-grandfather. His name, his long name was Elbert Adrian Brinkerhoff. Everybody called him Brink. He was really short. He was a very slight kid but really short. I mean, he was probably about my height, about 5’2” or 5’3”. And he loved horses. Well, actually, what he liked to do, was to race horses. He lived for school to be over at the end of the day. And then he would jump on his horse, he would race out to the general store, pick up the family’s mail, and race home.

In 1855, he graduated from a school where his father was Headmaster and he was all set to go to college. But what happened was that a letter came. And following that letter, came the author of the letter, a Captain Joseph Hamilton. And he is, his clipper ship was in New York Harbor but he was a war friend of Brink’s father. So, they invited him out to Long Island, to their house. And he began to talk about the clipper ship, about how beautiful it was, about the white sails on the ship, and how fast it was. It went faster than anything else that was out there. And about how much money you could make in the around the world cargo trade. So, the more he talked, the more interested Brink became. And when Captain Hamilton invited Brink to go along with him on this around the world cargo trade, and that he would teach bring all about how to make money in the cargo trade, it was very easy for Bring to defer college and decide to go around the world.

So, they left New York Harbor. They went south, ah, east, southeast all the way down and around the big bump in South America, and all the way down and around under Cape Horn, all the way up the west side of South America, Central America, up to San Francisco. And in San Francisco, when they offloaded all that cargo, Brink found out it was just ordinary things. Things, which in 1855, would be important to the people that were settling out there. Eggs, whiskey, cotton cloth. And things that were important to the miners like picks and shovels and boots. Soon as the cargo was offloaded, Captain Hamilton, now this was unexpected, but Captain Hamilton got a cargo all the way back to New York. Brink didn’t get to go around the world. In fact, he was stranded in San Francisco.

Well, he had skills; horses, he was educated, for the time, and he was amili… amiable. He was a good kid. So, he went, with his letter of introduction, to Wells Fargo and he got himself a job. He was a Treasury Agent. And it was a perfect job for him because it was all about riding his horse through his territory, which was San Francisco up to Sacramento, and then out beyond Sacramento into the Shasta mining district.

Well, he delivered the mail. Yeah. So, he put on his slouch hat and his bright, red shirt and he’d jump on his horse and he’d whack and he’d bang on the door of a claim. And somebody inside the claim of the gold mine would know that there was a letter. And then, in those days, if he was delivering the mail, it was the recipient of the letter who paid the bill. So, they would offer not cash because those miners didn’t have a lot of cash. What they had were vials of gold. He might get half an ounce of gold for delivering one letter. That’s probably about $300 in today’s, today’s money. Or, or he delivered newspapers that were five or six months old. And the miners will pay anywhere from 8 to $150 for those letters.

And then a letter would be there. Somebody would climb up the ladder from inside the claim and they would pay the pony man. Brink would hand over the letter and then he jumped back on his horse, three blasts on his horn, and a way he was down the trail, down the creek bed, wherever he was to go on to the next house. He liked that job.

And in fact, as Treasury Agent, he got to know where everything was. Where people lived in that, in that whole area between San Francisco and Sacramento and up into the Shasta area. He got to know which claims were mining gold, which claims were beginning to dry up and he got to know about the Shasta Indians. Where they lived, how they were moving, if they were moving, what they were doing, and that was part of his job. Part of his job was to keep track of those things for Wells Fargo.

Well, this was 1855, 1856 when he had this job. And when the Gold Rush had started in 1849, miners began to pour into California followed by the settlers. And those miners’ white tents sprang up all over the Shasta district, like some sort of non-native invasive species. And the miners, they were interested in the gold. They panned for the gold. They found gold inside of caves and they gouged inside the caves. And the fish went belly up and the land that the… the game on the land went scarce. Well, that was the Shasta Indians way of life. That was their food. And the Shasta Indians began to realize with more and more people coming in, that they were losing not just their food source, they were losing their entire way of life.

In, in 1849, as the gold rush started, there were 290 people in Sacramento. And just in 1856, when Brink got this job, there were 400,000 people in Sacramento. Four hundred thousand people interested in becoming rich. Rich with gold. Rich with owning land. And the Indian began to understand that he was losing. He was losing again and again. Some of the Indians began to raid. Some of the Indians began to massacre. There were problems. And the government, which was represented by the U.S. Army at that time, decided that they needed to protect the Indian. And that the Indian needed to be moved out of the Shasta District and on to a reservation.

They hired Treasury Agents to do that job. Brink was a member of the Vigilance Committee in San Francisco. That was a group of men, six thousand strong, who were committed to law and order in California. And that’s what they wanted to do. So, he took that job, that extra job, extra work for him, because he knew where the Shasta Indians were. He gathered them. He collected them. And he marched them to Nomlaki, which was a piece of land where nobody wanted to settle. It was poor. Nothing grew there. It was bad land. But he marched those Indians, with friends, with other people, to that military reservation that was quickly and poorly constructed. I don’t know how he felt about what he did because in his journal he simply documented that he had participated in that…march.

I do know that he liked his job as a Treasury Agent because he wrote about it. And he wrote about the people that he met and he, and how he likes delivering the mail and keeping track of all the things that were going on. He wrote about how beautiful the land was in the Shasta nation. About the hunting and the fishing that he did on his days off. But about his participation for the few days of the, the Indian march to Nomlaki, he simply documented that he had participated in that.

Well, I have to tell you that he went back to his regular job after that. And he was honored by Wells Fargo for the good job that he did as a Treasury Agent. They asked him if he would be interested in riding the first leg of the Pony Express East. Well, he said yes. And so, he carried, in 1860, he carried his mail pouch of 56 letters from San Francisco up to Sacramento, and then he handed the mail pouch off to the Overland rider, who would take all those letters to um, to the east coast. At that time, the people who wrote the letters were the ones who paid $5 for each letter going east.

Well, I have to say, in thinking about my great-grandfather Brink, the family stories that have come down to us, are all about his participation in the Pony Express and what an adventure it was and how romantic it was. And how great it was that he got to do that and I believe that.

Do we talk about his role as a member of the Vigilance Committee and his role in dislocating the Indians from their, from their nation, from their land? No. I had to look that information up. It was not information that was handed down in the family stories. Now, at the time that he did that, he was 18 years old. And he was probably not as wise then as he became later on in his life. That he moved 300 people from their land to a reservation is not praiseworthy by any standard. Yet it’s part of a lot of white family histories in this country.

Dr. Martin Luther King said that, “The arc of moral history is long. But that it bends toward truth.”

I believe…I hope that that is true.

Brush the Dirt from My Heart

 

Story Summary:

 Storyteller, Connie Regan-Blake, was invited to come to Uganda by “Bead For Life”(www.beadforlife.org), an NGO helping women lift themselves out of extreme poverty. Many of them are displaced people from the horrors and atrocities of civil war in northern Uganda and are dealing with the ravages of AIDS. Connie was welcomed into their homes and hearts as if she was family and she listened to their profound and transformative stories. This is Namakasa Rose’s story.

For a print friendly version of the transcript, click here:  Brush-the-Dirt-From-My-Heart

Discussion Questions:

  1. How do you distinguish between what is helpful and what is patronizing to another culture?
  2. When she was at her most desperate what kept Namakasa Rose alive and providing for her children?
  3. Poverty and social justice issues seem to go hand-in-hand; one of the social issues is health care, specifically about the AIDS epidemic in Africa. How did being diagnosed with AIDS actually become a turning point in Rose’s health and her ability to support her family? What kind of support needs to be present for people to live full lives with AIDS?

Resource:

Themes:

  •  African American/Black History
  • Crossing Cultures
  • European American/Whites
  • Living and Traveling Abroad
  • Taking A Stand and Peacemaking

Full Transcript:

Hi, I’m Connie Regan-Blake and this is a story that lives in a larger story called Hope is Back on Me.

It was February 2007 and I had landed in Uganda, East Africa. I was walking down the steps of the airplane and the air, it was light and tropical. There were flowers blooming bougainvillea, orchids. And a little yellow bird flew by me and I thought, “I am in paradise.”

But I was to find that Uganda can be a hard place to live and to visit. I’d been invited over by two friends. Charles, he’s a doctor and he had been invited to come to work with African doctors on AIDS. Charles concentrated on that; he had done research.

His wife Torkin went with him with his wonderful attitude of “how can I be of service?” She was walking down a dirt path one day and she saw a woman, a Ugandan woman, sitting beside the path making jewelry. Torkin stopped to watch and she saw Meli Grace cut out long strips of paper, recycled paper from magazines. She was rolling up the paper, putting a dot of glue on it and then dropping that bead into a basket. And after she had a whole lot of those beads, Torkin found out that she would string them up, dip them in shellac, hang them to dry. And then, eventually, after two more dips and the shellac, she would make this beautiful jewelry.

Well, Torkin bought four necklaces. The next day she was going to visit a director of an orphanage and she put on one of the necklaces. When she got to the meeting, the woman went wild over that necklace so Torkin took it off and gave it to her.

Well, the next day, that happened again. And the third day, it happened again. And Torkin thought, ah, a kernel of an idea. And along with two other people, Ginny and Devin, that kernel grew into a nonprofit called Bead for Life. Women all over North America are giving big parties. Women helping women, giving that hand so that the Ugandan women can lift themselves up out of poverty.

Well, Torkin had invited me over to interview some of the women. My first morning there, I was sitting on the porch at the Bead for Life offices waiting to interview Namakasa Rose. Torkin had told me a little bit about Rose. How she had had a very rough life; her husband had been killed in an accident. And Rose was, with four young children, living in a slum, at the bottom of a hill. During the rainy season, the water would pour in and, sometimes, cover the whole dirt floor. Mud walls with a few pieces of thin plywood. And nothing inside, except for a pot and a mat that Rose would roll out at night for the children to sleep on.

Well, the gate opened and in walked Namakasa Rose. I could hardly believe it was the same woman. She was radiant, smiling. We slipped over to a shady spot and I asked Rose about the hard times. She said her life was very rough.

That once she had found a coin on the dirt path and after that she made it her job. Every morning she would get up before five o’clock, leave those four babies sleeping, and she would go out looking for a coin. Always her head down, usually to the bars first. And if she found a coin, it meant that that day she could get a few tablespoons of oil in a little plastic bag, some corn meal, and if the children could find a piece of used charcoal, it meant they would have something to eat that day.

Rose said she was very sick during this time; she had sores all over her body. Sometimes she would send the children out to the dustbins looking for food but not much is thrown away in Uganda. Rose said that she thought it had been a mistake to have those children. That she wanted to put them back inside her. She also thought about poisoning them and herself to take them all out of this misery. And then, one day, she heard that if you got tested for AIDS, you would get food for a day.

Well, that’s when she met Dr. Charles. And Rose, she found out that she had full blown AIDS. She was sent home with medicine, food to take the medicine and a clock to know when to take the medicine. Now for many, hearing that news, it might be one of the worst days of our lives.

But for Rose, it was a day that things started changing. Rose found… uh, it was maybe two days later, Torkin came to visit Rose and taught her how to roll the beads. Rose could roll them as she was lying in bed recovering. And she found that you can really lead a full life with the right medication. Now all of Rose’s children are in school. She told me that hers was a good life and she was the first woman, the first beader that I met in Uganda. And she was the last that I saw the night before I was to fly out. She came to visit me and she said, “Connie, I want to thank you for not sitting on your soft chair in America.”

And she gave me a gift, a little doll made out of raffia. And she said, “Connie, I used to be like this, all scrunched up. But now I’m like this. My basket, it is full.” And Rose said, Bead for Life has brushed the dirt from my heart.

I Wanted To Be an Indian

 

Story Summary:

 Stories about our ancestors help us understand who we are. Encountering troubling revelations about her forebears and their Indian neighbors in colonial New England, Jo asks what it means to tell – and live with – her whole, complex history.

For a print friendly version of the transcript, click here: I-Wanted-to-be-an-Indian

Discussion Questions:

  1. People say that in history, the winners get to tell the stories. How do we look beyond the winners’ points of view to understand the past?
  2. What are the legacies of the early conflicts between Native Americans and Europeans?
  3. Is the Abenaki story of the Kcinu a viable model for bridging cultures? In practical terms, how might we treat “the other” as family?
  4. How might white Americans think about redressing past wrongs and responding to the contemporary situation of First Nations?

Resources:

  • New England’s Generation: The Great Migration and the Formation of Society and Culture in the Seventeenth Century by Virginia DeJohn Anderson
  • White Devil: A True Story of War, Savagery, and Vengeance in Colonial America by Stephen Brumwell
  • “Reading Abenaki Traditions and European Records of Rogers’ Raid,” by Marge Brucha Download from http://www.vermontfolklifecenter.org/childrens-books/malians-song/additional_resources/rogers_raid_facts.pdf
  • Distant Relations: How My Ancestors Colonized North America by Victoria Freeman
  • Journals of Major Robert Rogers (1769) repr. in The Annotated and Illustrated Journals of Major Robert Rogers, ed. Timothy J. Todish and Gary Zaboly. Fleischmanns, NY: Purple Mt. Press Ltd., 2002.
  • www.nedoba.org (information concerning Wabanaki People of interior New England)

Themes:

  • Crossing Cultures
  • Education and Life Lessons
  • European American/Whites
  • Family and Childhood
  • First Nations/Native Americans
  • Identity
  • Stereotypes and Discrimination

Full Transcript:

Hi, my name is Jo Radner and this is an excerpt from a long story called “Braving the Middle Ground.” When I was a child, I wanted to be an Indian. I practiced being silent in the woods of western Maine.

I knew there’d been Indians there ’cause my Uncle Bob found arrowheads in his cow pasture but somehow they had disappeared. And now we were there. My grandmother told me that my English ancestors had founded several towns in Massachusetts and New Hampshire and Maine. I was proud. I thought we’d been here since 1635. But then when I studied history, I realized what it meant to found all those towns. My ancestors had been among the first people to take the Indians’ land, to cut down the forests, to fence the fields, to feel entitled to destroy the way of life of native people.

And then when they studied my own family history later on, I found more things I didn’t want to know. Some of my ancestors had been members of Rogers’ Rangers, the special forces of the 18th century British army trained to use Indian woodcraft against the Indians. Indian killers! I’d heard about their famous 1759 raid on the Abenaki mission village of St. Francis in Quebec.

The heroic story! A select troop slogged 150 miles through untracked wilderness. Nine days wading in icy waters in a spruce bog to carry off a dawn raid that destroyed the village of St. Francis, from which the French and Indians had launched so many raids on New England.

And then my Abenaki friends told me the not so heroic stories. Most of the people that Rogers’ Rangers killed in St. Francis were women and children. One ranger was walking past an Indian baby lying on the ground. Major Rogers told him to kill it. “I can’t!” he said.

And Rogers snarled, “Next will be lice!” and crushed the child’s head! My ancestors were Rogers’ Rangers. I was relieved when I discovered that my most direct Ranger ancestors John and Stephen Farrington had been too young to go on that raid. The story of John Farrington, my great-great-great-grand uncle haunts me.

When he was a 10 year old boy, tall and strong working in a field, a party of Abenakis burst out of the woods, captured him and carried him off quickly toward Canada. When they stopped on the way, they dressed John in Abenaki clothing. They painted his body and then to finish the ritual, one of the young Indians took a finger full of red paint and told John to stick out his tongue so he could paint a stripe on it.

John obeyed. But when the Indian put his finger in his mouth, John bit it and he wouldn’t let go. And the Abenakis were startled and then they burst out laughing. They said, “He’ll be a good Indian!”

And they took him to St. Francis. He was adopted by an Indian family. They treated him kindly; he grew up playing games and hunting with the Indian boys.

He lived for eight years as an Abenaki. In that time, he married a daughter of a chieftain. I don’t know anything about his wife. I know nothing about children. But I do know that he wanted to leave; he tried twice! The first time, his own wife apprehended him as he was walking out of the village dressed as an Indian woman selling baskets.

The second time he was in Quebec City (which had fallen to the English) serving as interpreter to a party of Abernakis. And then he jumped into the middle of a troop of English soldiers and said he wanted to go back to New England. They argued; a merchant ransomed him. He stayed for eight months in Quebec working off his ransom. Went back to New Hampshire and joined the Rangers. He never fully lost contact. Family memoirs say that for the years, Abenakis from St. Francis came to visit him in New England. But he changed from Indian husband to Indian fighter. And I think that it was because of the stories that he heard when he was a young child in his own English family.

You know, it’s all in who gets to tell the stories and what stories they choose to tell. John’s ancestors had been treated kindly by Indians but his family didn’t tell those stories. The stories he heard were about how savages had murdered his great grandfather, had abducted his great aunt, had slaughtered four of her first six children. And when he was a toddler, his mother had held him up to see the massacred bodies of his uncle’s! A family memoir says, “It would seem only natural that in later years, John became a terror to the Indians far and near.” Only natural?

There is an Abernaki legend about a cannibal monster with an icy heart who comes to devour a small family but the mother of the family welcomes him as if he is her father. She washes him and dresses him. She and her husband tell him family stories. They treat him like a beloved relative and the monster sits surly for three days.

And then… he drinks a kettle of boiling grease. It melts his icy heart. It purges all the evil he’s done and after that, he lives with the family and takes care of them. I wish my family had been able to live kindly and peaceably. I wish history had taken a different turn. John Farrington was an Indian fighter all his life. But in some sense he was still an Abenaki. His son Samuel wrote that in his last years, John’s early Indian life came back to him and he would take his blanket out into the woods without shelter and lie quietly for the night.

Do I still want to be an Indian? No. I want to learn to live well with my whole history, to recognize the monstrosities and the kindnesses that lie behind me. To make family of all kinds, to melt my own icy heart!

Passing for WASP

 

Story Summary:

 Carol believes this statement: “To build a bridge from one culture into another and make pluralism a cause for celebration, we have to have one foot firmly planted in who we are.” However, in exploring her Polish and Scottish roots, Carol wonders if she’s really been living what she teaches.

For a print friendly version of the transcript, click here: Passing-for-WASP

Discussion Questions:

  1. What is a WASP and why is that word part of American history?
  2. Why are many students who are identified as “white” unaware of their ethnic heritages? It seems from the story that there is a hierarchy of “whiteness;” is this accurate in your experience?
  3. The storyteller accepted many last names in the story – her original name, her father’s name-switch, her husband’s name. Finally, she went back to what name and why? Why is so much consideration given to a name?

Resources:

Themes:

  • Crossing Cultures
  • Education and Life Lessons
  • European American/Whites
  • Family and Childhood
  • Identity
  • Taking A Stand and Peacemaking

Full Transcript:

Hi, there. I’m Carol Birch. And you know I think I must’ve been 27, 28 years old before a woman said to me, “I have no idea why people are ashamed of being Polish. It’s such a rich culture.” And I didn’t know that I was ashamed of being Polish but I certainly never claimed that I was Polish. I never advertised that I was Polish.

My father was born in 1905. His name was Edmond Paul Buczkowski, B-U-C-Z-K-O-W-S-K-I. And when he went out as a young man to look for work, the only thing he found were signs in Pittsburgh, Pennsylvania that said, “Polish need not apply.” So, he changed our name. He changed it from Buczkowski to Birch.

What’s Birch? So interesting because, you know, my mother… If you met my mother, and you told her your name, after she said, “Oh, hi, Carol Birch. Birch, what kind of name is that? My mother always asked that. Mm, Pittsburgh’s a very ethnic city.”

Well, my father, I thought, you know what, it was just like a WASP name. Nobody really knows what Birch is. And I never really thought about it.

Now my brother Bob was born in 1938. He went to Arsenal Elementary School, right in the inner city of Pittsburgh, Pennsylvania. And he was sitting in class one day. It must have been like second or third grade. He was young and the teacher was going around, “What nationality are you? What nationality are you?”

Well, he was sitting beside his best friend. Mm, his best friend was Manny. Manny had come from Greece so Manny said, “I’m Greek.”

“Robert, what are you?”

“I’m American.”

“No, you’re not!” She pounced on him; she sneered. He remembered feeling very attacked by her.

“You. What are you, an Indian? Uh, ha! If you don’t tell us what you are tomorrow after you’ve gone home to see your family, you’re gonna go to the principal’s office.”

So, my little big brother came home and asked Daddy, “Who are we? What are we?” I wasn’t born yet so this is all hearsay. You know, it’s all a story.

And my father said to my brother, “You’re an American. If you tell that teacher you are anything but an American, when you come home, you’re going to get a beating.” This is not a child abuse story.

Anyway, um, my brother, rightly, I think, chose to oppose this teacher, not our fa